Samsung R95H Micro RGB vs TCL P7L / P79L

In terms of brightness the Samsung R95H shows that we’re still dealing with a top-tier TV, although the results aren’t always as spectacular as you might expect from a flagship Micro RGB model. In synthetic tests the TV can exceed 2,400 nits, so it definitely has plenty of headroom. Importantly, it can sustain high brightness even when bright elements occupy a larger portion of the screen. In real movie scenes the situation is a bit more complex. The R95H most often reaches around 1,000 to 1,400 nits, which still delivers a very good, strong HDR effect. Bright sunlight, reflections, or lights can look truly impressive, and the TV has enough power for HDR to be clearly distinguishable from regular SDR.

The problem appears mainly in very dark scenes with single, small light sources. Here the local dimming algorithm favors deep blacks and reducing the halo over maximizing the brightness of such elements. As a result, small lights can be noticeably dimmed. Overall HDR performs well, but not without limitations. The R95H has huge brightness headroom, especially in larger and brighter parts of the image, but in difficult, dark scenes its capabilities are mainly limited by how the local dimming operates.

Colors

Colors were meant to be the biggest revolution enabled by the RGB backlight, and the R95H does show considerable potential here. The assessment is not, however, as simple as synthetic measurements might suggest. On test charts the TV performs superbly. BT.2020 coverage reaches almost 94%, and DCI-P3 98%, so especially strongly saturated reds and greens can look really impressive. The picture changes a bit when, instead of test charts, we start measuring real movie scenes. Then BT.2020 coverage drops to about 87% and DCI-P3 to 93%. It seems that with more complex imagery the RGB zones are not always able to maintain the same high color saturation as on simple charts. They are still saturated, but the advantage of the new backlight is no longer as large as the manufacturer's numbers might suggest.

The biggest limitation of the TCL P7L in HDR is simply brightness. The TV doesn't have a large luminance headroom, so strong highlights, sunlight, or small light sources can't clearly "pop" out of the image. As a result, even well-produced HDR material looks fairly restrained and in terms of dynamic range is closer to good SDR than to what brighter models show. That doesn't mean the P7L can't handle HDR at all — the issue is mainly a lack of sufficient backlight power.

Looking at color, the situation is a bit better. The TV covers about 91% of the DCI-P3 gamut and about 68% of the wider BT.2020 color space, so for its price class the color range is quite decent. TCL markets this model as QLED, though the nature of the solution used is closer to a PFS phosphor-based backlight than a classic quantum-dot layer. What matters most to viewers, however, is the result: more saturated colors are available.

To assess factory color reproduction, we of course chose Filmmaker mode, the setting that's supposed to be closest to how the creators intended the image to look. Unfortunately, the R95H does not fully exploit the potential of its panel. The biggest issue in SDR is the gamma. The image is noticeably brightened across almost the entire range, which robs it of some depth and makes it look flatter than it should. The white balance isn't ideal either, as increasing brightness brings a red bias and a lack of blue, making the image too warm. This is especially visible in bright elements and skin tones, which can appear redder than they should.

It's similar in HDR. The EOTF curve sits above the reference value for much of the range, so the R95H again brightens the image compared with how it should look. Combined with the inaccurate white balance, this means colors here are not as precise as we'd expect from a TV of this class. The factory Filmmaker setup is therefore not one of the R95H's strengths. At first glance the picture may look impressive because it's bright and highly saturated, but in terms of fidelity to the source material there is still plenty of room for improvement.

In Film mode the TCL P7L performs fairly well without major adjustments, especially with typical SDR material. The white balance is relatively even, although as brightness increases there is a slight rise in red and blue and a bit of a shortage of green. This does not produce a strongly noticeable tint and most colors remain close to their reference points. The ColorChecker confirms this, with a large portion of errors falling below a level that would notably bother viewers during normal watching. We have more concerns about the gamma response. In the darkest parts of the image the TV runs it noticeably above the reference, so some shadow detail can be a little too dimmed. The curve then settles and for much of the range it is close to the intended target. As a result SDR generally looks natural, but in dark scenes the P7L can lose some subtlety. In HDR the factory setting is less precise. As brightness increases an excess of blue becomes more pronounced, making the image look cooler than it should. The number of larger color deviations also grows, particularly in brighter hues. The EOTF curve itself is handled fairly conservatively, with the TV showing the image darker than the reference over a large portion of the range. For a budget model, however, the factory Film mode settings are not bad.

R95H responds very well to calibration. In SDR we were able to set the white balance and gamma almost perfectly, and color errors dropped to very low levels. The difference compared with the factory settings is therefore considerable, and after calibration the picture looks much more natural. In HDR we can also improve a lot, especially regarding white balance and overall color accuracy. The issue of managing brightness and color saturation looks a bit different. Here, at some point we run into limitations resulting from the way RGB backlighting and local dimming work. Individual zones have to control both brightness and the color of the light at the same time, so in more demanding scenes it is not always possible to achieve exactly the same saturation and brightness that the TV shows on simple test patterns. Calibration simply can't completely overcome that. Despite this, after calibration the R95H delivers accurate image reproduction, and most of the errors we saw in the factory settings can be effectively eliminated.

After calibration, the TCL P7L can deliver a really pleasant picture, especially with classic SDR material. We managed to very effectively even out the white balance, and the gamma curve now tracks close to the target value of 2.4. You can also see this in the color measurements, as most errors dropped noticeably, and in everyday viewing it's hard to find any strongly visible inaccuracies. Movies, series, YouTube, or regular TV therefore look more natural, without unnecessary warming or a cool cast. For a model in this price range, the result in SDR is really very good.

With HDR the situation gets more complicated. Calibration helped improve the white balance and tidy up some deviations, but here the panel's limitations become increasingly apparent. The P7L has relatively low brightness and can't maintain appropriate luminance for more saturated colors, so some errors remain even after careful tuning. In other words, settings can improve how the TV interprets the signal, but they can't overcome its physical capabilities. That's why calibration makes the most sense for this model primarily with SDR.

Samsung R95H uses the new Micro RGB AI Processor, but in practice we didn't notice a big leap compared to the NQ4 AI Gen2 or Gen3 chips found in the manufacturer's other TVs. The upscaling itself still performs very well. The image is appropriately smoothed, yet retains plenty of sharpness and doesn't look overly soft. That's definitely one of Samsung's strengths. It's just a shame that with very low-resolution content you still can't completely turn off overscan.

The processor also handles gradients well and can effectively smooth unwanted posterization. The noise reduction feature works very effectively, but you need to use it judiciously. At higher settings it can noticeably interfere with the image and even remove natural film grain. So it's best to use it only when the source material is actually heavily compressed.

In this regard the TCL P7L performs surprisingly well, especially for such an inexpensive TV. The tonal transition smoothing feature, which in many budget models does little or almost nothing, actually manages to improve the picture here. It doesn't remove all banding completely, but it can noticeably reduce posterization and make trickier gradients look more natural. At this price point that's a genuinely pleasant surprise.

Upscaling itself also performs well. Lower-resolution material is scaled correctly, without excessive sharpening or adding artificial outlines around objects. Of course the P7L won't turn a very poor source into 4K-quality footage, but for regular TV the result is simply solid. For a model in this class there is little to criticize.

The Samsung R95H has a 165 Hz panel, so its motion handling is excellent. At 120 Hz, like when gaming on a console or watching sports, motion blur is minimal, and when connected to a PC you can use the full 165 Hz to further improve motion clarity. However, keep in mind that it’s still a VA panel, so it doesn’t respond as instantly as OLED. You may sometimes notice a faint trail behind moving objects, but from a normal viewing distance this shouldn’t be distracting. For movies and series you can also use the adjustable motion smoothing. You can keep the more cinematic 24 fps look or gradually smooth the motion if you prefer a smoother image. Samsung gives you plenty of freedom here, and it’s easy to choose a setting that matches your preferences.

The TCL P7L uses a panel with a native 60 Hz refresh rate at 4K resolution, and that's how it should be treated in everyday use. For movies the TV mainly offers frame interpolation, so it can smooth motion and reduce the typical judder, but it does not deliver the smoothness of true 120 Hz panels.

When it comes to gaming the Samsung R95H is almost a complete TV. When you connect a PS5 or Xbox Series X you can use 4K at 120 Hz, VRR and ALLM, and the TV also works properly with HGiG. The only major omission is Dolby Vision Gaming, which Samsung, like with its other TVs, simply does not support. There's also the Game Bar, familiar from other Samsung models, which lets you quickly check frame rate, VRR status or the HDR format and change the most important settings without leaving the game. You can also brighten darker parts of the image or change the screen aspect ratio.

Samsung also offers Game Motion Plus, a motion smoothing feature designed specifically for games. It makes the most sense for games running at 30 fps, where it can noticeably improve smoothness and make camera movement look much nicer. Just remember this comes at the cost of higher input lag (about 60 ms), so it's not the best choice for online or faster paced games. It's also worth noting Gaming Hub, which lets you run some games directly from the cloud without connecting a console. In terms of features for gamers, it's hard to find any major omissions in the R95H.

For such an inexpensive TV, the P7L has quite a lot to offer gamers. It has ALLM, VRR, Dolby Vision for gaming, and TCL adds its Game Bar, which lets you quickly view key information or change some settings without leaving the game. Not everything is perfect, though, because HGiG doesn't work here as it should, but at this price point it's hard to complain much about the feature set. The most interesting thing starts when you give up on 4K. At that resolution the TV runs at a maximum of 60 Hz, but at 1440p and 1080p it can already display at 120 Hz. And that's not just a spec-sheet curiosity. In fast-paced games that support that frame rate you can really notice the difference in smoothness, so if you care more about smoother motion than maximum image sharpness, that mode can make a lot of sense. Of course that doesn't make the P7L a true 120 Hz TV. Even so, it's precisely those extra modes that make the P7L perform really well for gaming.