Haier M95E vs LG MRGB85B

If there is one category in which the Haier M95E absolutely shines, it is the HDR effect, driven by the raw power of the backlighting. This television cannot be denied the fact that it is a truly bright device. In both most film scenes and during our synthetic measurements, the panel easily achieved, and often even exceeded, the threshold of 1200-1500 nits. This has a direct impact on the viewing experience – the image has a punch and genuinely allows one to feel the magic of materials recorded in this format. However, one must be aware of a certain compromise. When exceptionally demanding scenes appear on the screen, full of small but intense points of light, the M95E does not lose its resonance or dim, but pays a different price for it. A very strong and noticeably distracting halo effect is generated around these bright elements. It is clear here that the algorithms controlling the dimming have been programmed to prioritise brightness and the visibility of the smallest details, even if this comes at the expense of pristine blacks. We are not entirely convinced that this is the healthiest approach; nonetheless, it must be acknowledged that the overall capabilities of the M95E in this regard are indeed significant. A huge advantage is the fact that we are dealing with a Mini LED QLED type construction. The use of a layer of quantum dots brings measurable benefits in the form of wide coverage of the colour palette, which in our tests reached nearly 96% of the DCI-P3 space. This guarantees that the television has full predispositions for displaying vibrant and properly saturated colours.

LG MRGB85 offers moderate brightness. On test patterns it reaches about 700 nits, which by itself is a decent result. In actual movie scenes the values are lower and most often fall between 400 and 600 nits. Bright, expansive shots perform best. In scenes with a lot of black the TV noticeably limits luminance, trying to maintain the highest possible contrast. The HDR effect is therefore visible, but it is far from the level offered by more advanced Mini-LED designs. Especially in darker parts of films the limitations of edge-lit backlighting and imprecise local dimming become noticeable again.

HDR Colors

A much stronger suit of the MRGB85 is its colors. The TV covers about 95% of the DCI-P3 color space and 74% of BT.2020, allowing HDR material to look vivid and striking. Colors are well saturated, and the difference compared with basic LCD TVs is clearly visible. It is worth noting, however, that this is not a classic RGB backlight, where each of the three primary colors is generated by a separate diode. Red is produced by a PFS phosphor, which expands the palette and yields more saturated red shades. This solution works well for color reproduction, but it does not change the limitations of dimming itself. The LEDs are not driven independently in the way the series name might suggest... so it turns out that Mini RGB is not the same as Mini-LED RGB!

Each television is primarily evaluated based on its default cinema mode – in this case, "Movie" – which theoretically should be the "best" and most faithful upon being taken out of the box. Unfortunately, in the case of the Haier M95E, the word "best" is certainly not synonymous with the word "good." Already during SDR viewing, the picture revealed evident problems: white balance skewed too much to red, and excessive, unnatural colour saturation led to visible colour deviations. What’s worse, the M95E also struggles with brightness management (gamma curve), excessively darkening the entire scene. Such behaviour is hard to commend, as it directly leads to details merging into shadows that are irrevocably lost in a black blob.

However, the real disaster occurred after switching to HDR material, while still remaining in "Movie" mode. It’s hard for us to guess who came up with such a fantastic idea – or perhaps it was simply a complete oversight of this stage by Haier's engineers – but instead of cinematic fidelity, the picture began to resemble a garish "Dynamic" mode. The white balance exposed immense problems with the blue colour, which in turn resulted in unnatural sharpening and artificial over-saturation of the entire scene. As if that weren’t enough, the EOTF curve characteristics mercilessly revealed that the television also has fundamental issues with local dimming management in this setting. We have not calibrated many Haier models in our career, but we already know for sure that the M95E definitely needs such calibration.

We tested the TV in Filmmaker Mode, because among the available settings it offered the image closest to the reference. However, the out-of-the-box colour reproduction was not perfect. The largest deviations concerned the white balance, with the image showing too much red and not enough blue, which caused the whole picture to shift noticeably towards warmer tones. Whites took on a slightly yellowish tint, and skin tones and bright parts of the image did not always look natural. It was not a fault that completely ruined the viewing experience, but in direct comparison with the same screen after calibration the difference was readily apparent.

The calibration process left us with extremely mixed feelings. On the one hand, we noted considerable success in the area of colour accuracy. By using the available options in the menu, we managed to tame the white balance and bring it down to an acceptable level. As a result, SDR content finally freed itself from the irritating red dominance, and the HDR image no longer resembled a vibrant, shop display mode. We also succeeded in clearly adjusting the entire colour palette and its saturation – perhaps not perfectly, but as much as the software allowed, and the difference was visible to the naked eye.

And unfortunately, this is where our list of improvements essentially ends, as the M95E simply did not allow for more. As we indicated earlier, most settings related to image brightness do not respond to our commands at all. This means that we were unable to grasp its fundamental characteristics in any way – neither the gamma curve nor the EOTF. In practice, the television in SDR content still tends to darken details, as confirmed by the elevated gamma, merging details in the shadows. Meanwhile, the EOTF curve in HDR mode still ruthlessly exposes all the aforementioned problems with chaotic local dimming management. And although the calibration process itself yielded a lot, removing most of the colour issues, in the end, we had to capitulate.

Calibration primarily allowed us to correct the white balance and remove the previously noticeable warm tint. After adjustment the whites stopped leaning towards a yellow cast and the colours became more neutral and natural. The biggest improvement was seen in SDR material, where the picture looked even and much closer to reference. A similar effect was achieved in HDR. After calibration the image became more organised, although not all of the TV's limitations could be eliminated. The greatest reservations still concerned intense reds, which were not always reproduced with sufficient precision. In practice the MRGB85 handles everyday SDR content very well, whereas in more demanding HDR material its limitations remain clearly visible.

Well, what happens to those colour connections when a lower quality material full of compression artifacts comes on screen? Unfortunately, we have some bad news for you. Although the menu contains an option responsible for smoothing tonal transitions in older content, we definitely DO NOT RECOMMEND using it. Its activation causes an avalanche of additional, hideous artifacts and noticeably blurs the entire image, and what's funniest – it often doesn't even remove those unwanted "jaggies" it was supposed to fight against. This function might as well not exist at all.

We can write many more positive remarks about the general upscaling process, which raises lower resolutions to the native 4K matrix. The image after upscaling looks really decent – it is neither overly jagged nor artificially smoothed. In this particular matter, the M95E simply performs well.

Upscaling and digital image processing perform quite well on the LG MRGB85. The Alpha 8 AI 4K Gen7 processor efficiently upscales lower-resolution content, and regardless of source you can also easily disable overscan. The TV also copes well with compression artefacts. The "Smooth Gradation" feature can effectively reduce visible banding and tonal unevenness, but it is not always precise. At higher settings it can also smooth out fine details, for example surface textures. On the plus side, it does not remove film grain. It's safest to use the "Low" or "Medium" setting, which gives the best compromise between artefact reduction and preserving detail.

In terms of motion fluidity and blur, our feelings are quite mixed, as the M95E is a paradox of a television. Let's start with absolute admiration: at the heart of the device is a 144Hz panel, but what truly impresses is its performance with 120Hz content, which is crucial for sports and console gaming. We must state with full responsibility that Haier has equipped this television with one of the best VA panels currently available on the market regarding the minimisation of blur. It is rare to encounter an LCD panel that offers such clean, sharp, and ghosting-free motion. In this respect, the M95E is simply phenomenal.

And that is precisely why the unpleasant surprise that awaits us on the software side is so painful. It turns out that this fantastic hardware potential is completely underutilised, as the television practically offers no effective options for improving fluidity. The motion smoothing systems that should assist with lower frame-rate content can indeed be found in the Menu, but they essentially do not respond to our settings. The conclusion is brutally simple: if you intend to watch high-fluidity material, you must be sure that the source is broadcasting it at native 120. In every other case, you must accept a rather raw, stuttering image, as the M95E will do nothing to smooth it out.

The LG MRGB85 is equipped with a VA panel with a native 144 Hz refresh rate, so it performs very well in terms of motion handling. The TV easily handles 120 Hz content from consoles and higher refresh rates when connected to a PC. That matters not only for gaming but also when watching sport, where camera movement is noticeably smoother than on basic models with 60 Hz panels. We also have TruMotion, which lets you set the level of motion smoothing yourself. You can keep a more cinematic feel to motion or increase smoothness, which works well for sports broadcasts and TV programmes. The adjustment range is wide, so you can easily tailor the smoothing to your own preferences.

When it comes to features for gamers, the Haier M95E presents some very strong arguments. First of all, it is fully ready for the new generation of consoles and powerful PCs. It is equipped with two full-fledged HDMI 2.1 ports, which seamlessly handle 4K signals at 120Hz, and even allow for gameplay at 144Hz. This is the foundation that guarantees us the full use of the potential of our gear. Moreover, the key technologies work flawlessly here. The television flawlessly detects the console and automatically switches to low latency mode (ALLM), so we don’t have to fiddle with the settings. The frame synchronization (VRR) works just as efficiently, eliminating annoying screen tearing when game fluidity slightly drops. Considering the incredibly low motion blur of the panel, which we have already mentioned, the M95E creates a really comfortable and responsive gaming environment. Of course, this is not a perfect package. A dedicated "Game Bar," which is a handy menu for gamers, would be useful, but this is essentially just a nice addition. A more serious failing is the lack of support for the HGiG standard, which complicates the perfect HDR configuration on the console and may lead to overexposures. Despite these shortcomings, the basic "gaming" set that the M95E offers is really solid and fully functional.

When it comes to gaming, the LG MRGB85 performs by far the best. The manufacturer didn't skimp on features and has essentially brought the full suite of functions from pricier TVs to this model. You get three HDMI 2.1 ports with the full 48 Gbit/s bandwidth. Each supports 4K at 120 Hz from a console, and when connected to a PC also 4K at 144 Hz. So you don't need to worry which port to plug your console or PC into, because they all offer the same capabilities. Also on board are VRR, AMD FreeSync Premium, NVIDIA G-Sync Compatible, ALLM and HGiG. There's also Dolby Vision Gaming, which means in supported games you can use high refresh rates and dynamic HDR simultaneously on Xbox. The package is rounded off by Game Optimizer, a handy in-game menu for gamers. Without leaving the game you can change the picture profile, brighten shadow details or check the current frame rate. In terms of gaming features, the MRGB85 therefore offers almost the same as much more expensive LG models.