Xiaomi S Mini 2025 vs Hisense U7S Pro

Since the Xiaomi S MiniLED boasts an impressive number of 308 dimming zones, it was time to see how it performs in HDR tests. Starting with luminance, or the ability to display bright scenes, the television achieved nearly 1000 nits of brightness – a result that can be considered outstanding in this class. However, do these numbers translate into real experiences in movie scenes? In the case of less demanding shots, like those from the film The Meg, the television indeed showed excellent results, reaching up to 900 nits. Such values are impressive and can truly convey the strength of HDR effects.

Unfortunately, similar to the contrast situation, there were issues. When smaller, brighter elements appear on the screen – as in challenging scenes from Sicario 2 – the aggressive operation of the dimming zones spoils the whole effect. Brightness during these moments drops to just 100 nits. This is definitely too little to capture the full magic of HDR. Instead of a dynamic and detailed image, the viewer gets a muted, almost flat impression, which diminishes the enjoyment of the viewing experience.

In summary, if we are looking for a television with high brightness for watching movies during the day, the Xiaomi S MiniLED will easily fulfill that task. However, its inability to precisely manage dimming zones means that watching movies in the evening, especially in demanding HDR scenes, can be more frustrating than satisfying.

Let’s start by saying that the U7S Pro is an impressively bright television – in calibrated mode, our measuring equipment indicated a staggering 2200 nits of peak brightness! This is an impressive result, considering that this model is positioned as mid-range.

However, as we know, peak brightness on test patterns is one thing, and actual movie scenes are another. Unfortunately, in real video materials, the backlight power clearly drops. While in the most demanding moments the television can still exceed the 1000 nit barrier – which is still a great result, perfectly fitting the mastering standards of most HDR films – the truly challenging aspect turns out to be the aggressively tuned local dimming algorithms. Because of them, small, bright details, such as stars or the moon in the night sky, are noticeably dimmed. The television tries at all costs to maintain deep black levels, which is of course understandable, but unfortunately, this comes at the cost of dynamics and the brilliance of the HDR effect itself.

The color reproduction is worth praising. The new U7S Pro is a QLED construction that provides very wide color gamut coverage. Unlike last year's model (U7Q Pro), this year's variant is now a “true” QLED, rather than a solution based on a PFS filter. As a result, color saturation has noticeably increased, and coverage of the most demanding BT.2020 space has exceeded the 81% barrier.

Xiaomi, like many manufacturers, offers a wide range of picture modes. On the S MiniLED, we can find both IMAX Enhanced and Filmmaker. We conducted our tests in Filmmaker mode, which theoretically is supposed to reference the original image, but the reality turned out to be somewhat different.

Let's start with the test of SDR materials. Here, the television had quite a few problems, especially with white balance. The clearly visible dominance of red made the image appear too warm, and all colors gained a reddish tint. This was particularly noticeable in a comparative scene from the Star Wars movie. The brightness characteristics (gamma) also left much to be desired – instead of a smooth transition, we had a real "rollercoaster," with a visible excessive brightening of the screen.

In 4K materials, the situation looked much better. The white balance, while still not perfect, was much more balanced, with a slight dominance of red and blue, but without excessive influence on the overall perception. The EOTF curve (responsible for brightness in HDR) showed some brightening in the brightest parts of the image, which was noticeable, for example, in the test scene from the Pan movie that we described above. These brightening effects can disrupt image precision, but in 4K, the overall effect was much more acceptable than in SDR.

Although the Xiaomi S MiniLED can positively surprise in 4K materials, its factory settings in SDR require significant adjustments, especially in terms of white balance and brightness. It is definitely a television that would benefit from calibration.

We tested the U7S Pro model – as always – in the best factory-tuned picture mode, which is Filmmaker Mode. We can evaluate the displayed colors in two ways. The most disappointing was the profile intended for watching SDR content, such as traditional television, YouTube, and other less demanding materials. The picture was clearly too yellow, which turned out to be a direct consequence of a poorly set white balance. As our graphs show, there is a huge deficiency of the blue component here, which drastically affected the overall color temperature. This is clearly evident on the ColorChecker charts and the graphs of the color palette itself, where most samples veered toward yellow. Fortunately, the factory HDR mode performed significantly better – there, the color errors hovered around a Delta E value of 3, which is already a really solid result.

Xiaomi S MiniLED 2025 is a television that gains a whole new life after calibration. The results are truly remarkable and show how much potential this model has.

In SDR mode, the white balance is nearly perfectly aligned. The errors are minimal enough that in many cases they can be considered negligible. This is confirmed by the Colour Checker palette results, where the errors did not exceed 2 ΔE – a result that is indeed quite rare. Gamma also looks very good, although at the beginning of the graph, there are slight brightenings in the darkest elements. However, this is a minor exception that does not significantly affect the image perception.

In 4K HDR materials, calibration also brought visible improvements, especially in white balance. The image looks natural and consistent. However, the brightness characteristic remains a problem. EOTF analysis in film materials shows that the television tends to over-brighten or darken the smallest elements on the screen. This is a result of limitations in the dimming algorithms that we previously discussed concerning HDR and contrast testing. Unfortunately, this is a technical feature of this model that cannot be completely eliminated.

Despite this minor flaw, calibration allowed extracting the maximum capabilities from this television. The image now looks phenomenal, and its quality impresses with every type of material. Xiaomi S MiniLED 2025 demonstrates that with the right settings, it can compete with more expensive models.

However, we know that the Hisense company can do much more – as previous generations have proven – which is why we simply couldn't leave the factory flaws of the U7S Pro model in everyday content. As always in such cases, we subjected the television to professional calibration. The conclusions? This process brought about a colossal change. After manually adjusting the white balance and compensating for the deficiencies in the blue component, the annoying yellow tint disappeared like magic. The white became naturally pure, and skin tones gained the proper, healthy hue. Importantly, the calibration not only tamed the capricious SDR mode but also allowed us to squeeze the maximum from the panel's potential, reducing the average color reproduction errors to values almost imperceptible to the human eye. The only thing we have to nitpick after the entire process is the very nature of the Mini-LED backlighting and its specific cooperation with the HDR signal. The aggressively tuned local dimming algorithms significantly interfere with the EOTF brightness curve. As a result, the backlighting does not always work perfectly with the creator's intent – depending on the scene being viewed, the curve can noticeably run either above or below the reference, which at times disrupts the perfect dynamics of HDR image.

When it comes to color transitions in lower quality materials like YouTube or television, the Xiaomi S MiniLED is equipped with the "Color Contour Removal" feature. In the "low" setting, it works quite well, but its effectiveness can be uneven. Sometimes it seems like the TV struggles with smoothing, which creates a certain dissonance. On the plus side, we did not notice any visible side effects, although given the instability of this feature, one might suspect that unexpected issues could arise in some situations.

Image scaling also performs average. There is slight aliasing, especially on thin elements like branches, and subtitles can appear a bit jagged. While it may not be very bothersome, a more discerning eye will certainly catch these shortcomings. Overall, most users should be satisfied with the scaling and smoothing quality, but the TV may not satisfy those who expect perfection in every frame.

The digital processing of lower quality signals is at a very high level here, thanks to the MediaTek Pentonic 800 processor utilized in the U7S Pro. The upscaling itself, which is the TV's ability to enhance lower resolution signals to 4K, is also performing well. We did not notice any unnatural, sharp edges on the screen, and our test image with the model looked simply attractive.

Xiaomi S MiniLED 2025 is equipped with a display that refreshes at 4K@120Hz (1080p@240Hz), providing sufficient smoothness for both watching dynamic sports broadcasts and playing the latest games. This level of refresh rate makes the image look smooth, even in the most intense scenes. Additionally, the TV offers a "Motion Smoothing" feature that allows users to adjust the way images are displayed in movies. We can choose a more frame-like effect, typical of cinematic experiences, or a smoother one reminiscent of the so-called "theatrical effect." This way, every user can tailor the settings to their preferences and enjoy smooth images in their favorite content.

The Hisense U7S Pro features a panel with a maximum refresh rate of 165 Hz in 4K, and in game mode, it can reach up to 330 Hz at Full HD resolution. However, it's important to note that these highest numbers have little significance in everyday use, as most content supports a maximum of 120 Hz (e.g., while gaming on a console). Nevertheless, the TV handles motion quite well and performs really decently for an LCD construction.

There's hardly anything to complain about regarding fluidity. In the menu, we find a motion smoothness enhancer called "Motion Enhancement," which hides two sliders: blur reduction and judder reduction. They allow for manual configuration of the smoothness enhancer, which works well for both movies and sports, effectively improving the raw television signal.

Xiaomi S MiniLED 2025 is a television that has a lot to offer gamers. With two HDMI ports with 48 Gbps bandwidth, we can easily connect modern consoles or PCs, utilizing their full potential. Additionally, the ALLM feature automatically switches the television to low latency mode – something we will appreciate during dynamic games without annoying lags. No matter what we connect, it works smoothly, and the television handles various resolutions well. There is also GameBar, which may not look as impressive as the "bars" from the competition, but makes up for it with practicality. It's a simple settings panel that allows us to quickly change the most important options or check statistics – an ideal solution when time is of the essence.

However, we have to admit that operating the television itself – or rather finding the gaming features – was quite a challenge for us. We approached the Xiaomi S MiniLED 2025 test several times to find all the necessary options. The hidden menu allowed us to discover the "GameBoost" feature, which enables switching the television to 240 Hz mode, activating VRR at 120Hz, and turning on the image in HGIG mode.

In summary, the Xiaomi S MiniLED 2025 is a television that definitely deserves praise in the gaming hardware category. Its rich set of features – 240 Hz mode, VRR, HGIG, and "GameBoost" – provides exceptional gaming experiences. Unfortunately, the intuitiveness of the menu itself leaves much to be desired and may pose a certain challenge for the average user.

If you plan to connect a console or PC to the U7S Pro, you will be more than satisfied – this television is excellent equipment for gamers. Hisense didn't spare any expense and included 4 HDMI 2.1 ports with full bandwidth of 48 Gbps. You won't need to juggle cables, as each port will handle the full package of features. We have an automatic game mode (ALLM) and VRR, which works over a wide range from 48 Hz to a cosmic 330 Hz. Of course, those 330 Hz are currently just a gimmick for owners of powerful PCs, as consoles will still be limited to 120 Hz, but it's good to have that reserve for the future. The Game Bar also works very well during gaming. It's a handy menu bar for gamers, where you can quickly change the picture mode, turn on a crosshair in the center of the screen, and even change the aspect ratio to ultra-wide without going into the main settings of the television, which PC simulator fans will appreciate. The only downside worth noting is the incorrect implementation of the HGiG format in games. This means that the television ignores the instructions from the console regarding the image generated in HDR10 and constantly meddles with the image it produces, trying to "enhance" it in its own way. Because of this, the correct configuration of HDR in the console menu (where brightness is set on the logo/checkerboard) is somewhat complicated.