Compare TCL MQLED85 / C765 vs Hisense U7S / U77SE

TCL MQLED85, or model C765, is a television that can really surprise, especially in this price range. It is one of the cheapest models with mini-LED technology, which is immediately evident in the picture quality. The blacks are deep, and the brightness is sufficient even in a brightly lit room. With a large number of dimming zones, watching movies in the evening is a pleasure – the blacks are truly deep, and the image in dark scenes looks clear. However, it is not perfect – in some shots, minor issues can be noticed with small bright elements, but this is really a minor detail compared to what this model offers. Google TV works wonderfully here – there are plenty of apps, and using the system is simply convenient. Voice control in Polish works flawlessly, which can be particularly useful if you don’t want to type in movie titles using the remote. Of course, there are minor shortcomings, such as the lack of recording, but these are not things that hinder day-to-day use. For gamers, it is also a great option. HDMI 2.1 support, VRR, and low input lag mean that the television handles consoles well and competes without issues with more expensive models from Korean or Japanese manufacturers. In this price range, it is hard to find something better when it comes to smooth and responsive gameplay. During testing, we encountered a few minor software issues, but it’s hard to say if that’s a serious downside. We hope that TCL will release updates, so there is a chance that this issue will be quickly addressed. TCL MQLED85/C765 is an excellent choice if we are looking for a television with good picture quality and modern features at a reasonable price. It is a model that combines affordable mini-LED technology with a user-friendly Google TV system and also performs excellently in gaming. Minor software shortcomings are something one can live with, especially considering what this television offers in its class.

Hisense U7S is the latest iteration of the U7 series, whose biggest advantage remains its price-to-quality ratio. You get a Mini LED TV with local dimming, which really improves black levels and gives the picture depth for evening viewing. During the day, the generous brightness headroom is useful, so you don't have to immediately cover the windows. It's not a device without compromises, but as an everyday TV it makes a lot of sense. Gamers benefit a lot as well. The U7S supports high refresh rates from consoles and PCs, has an extensive set of gaming features, and responds very quickly to controller input. Pleasingly, the low input lag is preserved in Dolby Vision too. Add in the smoothly running VIDAA, which offers both Smart features and handy extras for regular TV, and the package is fairly versatile, though compared with last year's U7Q it's hard to call it a big step forward. Unfortunately there are also things that clearly bother us. The first is motion blur. The panel has a high refresh rate, but its pixels don't always keep up, so visible trails follow moving objects. Fans of sports and fast-paced games will notice this especially. The second issue is HDR, which the TV shows somewhat "its own way." Instead of sticking to the brightness encoded in the content, it strongly brightens parts of the image. That was probably meant to look more impressive, but it often has the opposite effect: the scene becomes over-bright, loses depth, and clearly departs from the creators' intent. It's a shame this behavior can't be effectively corrected even during calibration. Despite these remarks, the U7S remains an interesting choice if you're looking to get as much as possible for a reasonable price. Compared with basic LCDs without local dimming, which you can still find at a similar price, it primarily offers much better blacks. And that's exactly its greatest strength. You don't have to reach for an expensive model to get a Mini LED whose advantages are actually noticeable when watching. If you accept its flaws, the Hisense U7S can above all be a cost-effective purchase.

TCL MQLED85/C765 stands out with its use of a VA panel and Mini LED backlighting, which makes a huge difference compared to traditional backlighting systems. Mini LED, thanks to significantly smaller diodes, allows for more precise control of the screen's backlighting, resulting in much better contrast and deeper blacks. The 55-inch model we are testing boasts an impressive number of over 700 local dimming zones, providing exceptional precision in displaying images. It is worth noting that the number of backlighting zones may vary depending on the screen size - for larger diagonals, the number of zones naturally increases due to the larger screen area, allowing larger sizes to achieve better results in terms of contrast and black levels. Thanks to the vast number of zones, the TCL MQLED85/C765 achieved a result comparable to OLED screens on our first test slide from the movie "Oblivion," offering nearly reference-level contrast. But what will happen when we test this model in even more demanding conditions? How will the TV perform in tougher scenarios? Overall, the TCL MQLED85/C765 performs very well in displaying blacks, but in some cases, the local dimming algorithm is not perfect. On dark backgrounds, smaller bright elements can lose sharpness and brightness, as confirmed by our recent slide from the Pioneer Kuro test disc. Despite some imperfections in the local dimming algorithm and the slight presence of the HALO effect (a bright halo around bright objects on a dark background caused by imperfections in the screen's local dimming), the results achieved by the TCL MQLED85/C765 are impressive, especially considering its price. This TV offers contrast and black depth that can compete with models that are even half again as expensive.

The Hisense U7S shows good black levels, especially for one of the entry-level Mini LED models. The 55-inch unit we tested uses 192 local dimming zones that work well with the VA panel. In most of our scenes contrast ranged from about 21,000:1 to over 51,000:1, and in one it even exceeded 500,000:1. In many films you can see it — dark scenes have depth, and blacks don't glow gray like on many cheaper LCDs without local dimming.

It gets worse when the screen contains a lot of small bright objects on a dark background (for example, in the scene shown below). There aren't enough zones to illuminate each one separately, so you can see a bright halo around the small objects. This so-called halo effect is easiest to notice when watching in a dark room. In the most demanding shot contrast fell to about 5,650:1, and here the backlight limitations are clearly visible. Even so, given the TV's class, it's hard to call this a fault, because many Mini LED TVs in a similar price range will have similar problems.

The TCL MQLED85/C765 television performs well with HDR handling. In the tested movie scenes, where the screen is covered at 100% brightness, the model achieves impressive results around 1000 nits, providing intense and realistic representation of HDR content. However, similar to contrast, the dimming algorithm may show some limitations. Despite the large number of Mini LED zones, the television does not always manage to "stun" the user with brightness in very challenging test scenes. For example, in a scene from "Life of Pi," where a bright moon appears against a dark background, and in another scene from "Sicario 2," where a very bright light effect is visible against a dark background, the television did not reach maximum intensity. For users expecting perfect HDR performance in such extreme cases, the TCL MQLED may be slightly disappointing. However, regarding colors, the television stands out with a very high color gamut coverage of DCI P3 at 95%, which is an impressive result comparable to much more expensive models. The TCL MQLED85 / C765 offers support for various HDR formats, including Dolby Vision and HDR10+, which is essential for cinema image enthusiasts. Although this model achieves brightness over 1000 nits, the TCL MQLED85 may struggle to reflect details in very high contrast scenes. For better HDR quality control, the C765 is equipped with dynamic tone mapping, making the image more realistic and natural depending on the content.

The Hisense U7S has considerable HDR potential, but it can't use it in every scene. On a test pattern it reaches around 1,100 nits, so the backlight itself is very strong. In our brighter film scenes we measured about 640 to 745 nits. That's still enough for the sun or bright highlights to have a noticeable glow and to show an advantage over SDR material. When the TV needs to illuminate a larger portion of the image, it does quite well.

The problem appears with small lights on a dark background. Each of the 192 zones covers an area much larger than a tiny point on the screen. If the TV were to strongly light such a zone, it would also brighten the surrounding area along with the light. Hisense tries to avoid that and dims the entire zone. Black levels therefore look better, but a small bright object that should draw the eye also loses intensity. That's why in two tougher scenes we recorded only 297 and 154 nits. The difference is large: in one shot HDR can impress, and in the next small lights are noticeably muted. The U7S therefore prioritizes maintaining deep blacks, even at the expense of bright details. With this number of zones that's an understandable compromise, but it's worth remembering — the 1,100-nit peak tells us about the backlight's capability, not how brightly the TV will render every element of a film.

Colors

Hisense calls the U7S ULED, but that's a marketing name; the wider color gamut here comes from a PFS phosphor backlight. In our measurements the TV covered about 91% of DCI-P3 and 71% of BT.2020. Those are good results, although it falls short of the best screens on the market. The biggest shortfall is in green — the TV doesn't even reach the DCI-P3 target there, so the most saturated shades will be less intense than they should be. Most colors in HDR films and series, however, still look suitably rich. A positive is the repeatability of the results. Gamut coverage on test patterns and in film scenes is practically identical.

TheTCL MQLED85/C765 television was tested in movie mode, which, although it seems to be the best setting from the manufacturer, is not without flaws. The color reproduction in HD/SDR mode MQLED85 shows certain shortcomings. In the analysis of white balance, there is a significant lack of blue color, which can affect the overall picture quality, especially in bright scenes where blue hues are crucial for natural representation. The overall image may then seem too warm. As for gamma contrast, the graph shows a significant jump above the reference line of level 2.4 at the beginning, which may suggest significant dimming of brightness in darker areas, leading to a loss of detail in blacks. Then, for most of the time, the values are below this line, which can lead to a loss of detail in the brighter parts of the image. Such a distribution can negatively affect the perceived image quality, especially when watching regular HD television.

In the case of 4K HDR image quality of the TCL MQLED85/C765, there is a noticeable excess of red color in the analysis of white balance. Such an excess can significantly affect the viewer's experience, leading to several significant effects. First of all, too much red can make other colors, such as green or blue, appear muted or unnatural. This distortion of color balance can result in an overall impression of "oversaturation," which detracts from the image's naturalness and authenticity. Regarding contrast, the EOTF (Electro-Optical Transfer Function) graph indicates that most values are above the reference line, suggesting an intense boost in brightness in the bright areas of the image. However, the exception is the beginning of the graph, where the EOTF line is below the reference one, which may lead to excessive dimming of small light elements.

Users should be aware that despite using the best mode, which is movie mode, the television is not free from flaws in the context of picture settings, so it is worth considering adjusting the settings to achieve better results.

The out-of-the-box colors on the Hisense U7S are decent, but there are a few things to improve. In SDR there's a red bias in the white balance, which makes the image too warm and in places slightly pink. You can notice this on faces and on bright, neutral surfaces. Gamma also runs below the reference, so the TV brightens the image, especially in darker areas. That makes shadow details easier to see, but the scene loses some of its depth.

In HDR the white balance is a bit more even, but not completely neutral; midtones lack blue, and the brightest areas lack red. A bigger problem is how brightness is reproduced. The EOTF curve shows that a large portion of midtones is being brightened, so the image looks brighter than the source material intends. Color Checker measurements also perform worse than in SDR: many errors are around 3 to 4, and individual ones reach as high as 8. Colors can therefore look attractive, but they are not always faithful to what we should be seeing. There's room for improvement, and we'll check how much can be corrected with calibration.

After professional calibration of the TCL MQLED85/C765 television, its color properties in movie mode have significantly improved, resulting in much more satisfying visual experiences. Both in SDR and HDR modes, the white balance shows no serious errors, and the graph appears much better harmonized. Users can now enjoy natural color reproduction, which is essential for achieving an authentic experience while watching movies. It is worth noting that in HDR content, there may be minor color reproduction errors at the end of the graph, but they are significantly smaller than before calibration. This makes characters and landscapes more realistic, enhancing the depth of immersion in the story.

Regarding contrast, the gamma curve, responsible for HD quality, has been completely free of drops below the reference line, which means better detail visibility in dark scenes. However, there is still a slight boost at the beginning of the graph, which may affect the perception of bright elements. For HDR content, the EOTF curve also shows smaller errors, although certain issues in reproducing midtones may still be noticeable. The EOTF curve measured on real film scenes still shows a significant brightness boost, making the image appear more intense but artificially brightened. This is a typical issue for TCL brand televisions, which may appeal to untrained viewers but can be annoying for those more familiar with the ideal picture.

What benefits does professional calibration bring for movie enthusiasts? Thanks to it, watching becomes even more realistic and immersive, allowing every scene to be experienced fully, maintaining details and natural colors.

Calibration of the Hisense U7S helped most with SDR content. We managed to even out the white balance, so the previous warm cast is gone and whites and grays look neutral. Gamma is also now very close to the reference, and the TV no longer brightens the image unnecessarily, so darker scenes have regained depth. Color Checker measurements confirm the improvement: most errors fall below 2. That yields a really well-calibrated picture for regular TV and SDR movies. It didn't go as smoothly in HDR. The TV lacks an effective way to correct the EOTF curve, so Hisense still interprets the content's brightness a bit on its own. It brightens parts of the image and can dim the brightest elements depending on the scene and the local dimming behavior. Calibration couldn't eliminate this. It shows up in the Color Checker results as well, where many errors remain around 3–4 and individual ones exceed 7. So in SDR the result is very good, but in HDR we have to accept that the TV adds its own interpretation of brightness to the image.

The fluidity of tonal transitions in the TCL MQLED85/C765 television is decent, although certain issues are noticeable in both bright and dark test scenes. In particular, color transitions are visible in a scene from the movie "The Green Knight," where the red color of the water transitions to black. Despite these imperfections, the overall quality of gradation is acceptable and does not overly spoil the visual experience. The television handles most scenes well, offering satisfying tonal transitions, which contributes to an overall enjoyable visual experience that will not ruin our cinematic impressions.

The smoothness of tonal transitions is one of the Hisense U7S’s stronger points. HDR10 material performs especially well, with colors blending gently into one another without noticeable banding. Even in dark scenes it’s hard to find major issues. Minor color stepping is visible only in brighter shots, but during typical viewing it usually doesn’t attract attention. It looks a bit worse in Dolby Vision, where boundaries between shades can be more apparent. That’s why Hisense loses some points from us, although overall this is still a very good result and one of the better performers in its class.

We will now take another look at the tone transitions in the TCL MQLED85/C765 television, but in the context of poorer image quality. Despite the presence of the "Gradual Smoothing" option, when set to "low," the effects are practically invisible, disappointing users expecting an improvement in image quality. On the other hand, setting it to "high" brings minimal results, and worse, it can blur significant details, negatively affecting the sharpness and clarity of the displayed image. However, in terms of image scaling, the television successfully displayed the image without overscan, which means we do not lose any part of the view. The image looks quite decent, and details such as tree branches or the outlines of models do not show significant fraying, which positively influences the visual quality.

The handling of lower-quality material on the Hisense U7S is fairly mediocre. The Pentonic 700 chipset used here doesn't cope well with the effects of heavy compression. The menu includes a "Smooth & Gradient" picture option, but its performance leaves much to be desired. At the low setting it's hard to notice any improvement in tonal transitions, although at least the image isn't degraded. The medium and high settings still don't remove visible banding between shades and begin to smear details; in our test clips even parts of characters' faces disappeared. Interestingly, film grain remains untouched at every level. If you use this feature, we'd stick with the low setting. Its current behavior needs refinement, but that's mainly down to the processor used. Upscaling to 4K performs much better. Lower-resolution footage gains clarity, edges are well reconstructed, and fine elements look crisp. That doesn't mean it can recover details that weren't in the recording, but the TV makes good use of what it gets from the source. Another plus is that it doesn't crop the image edges, even with an SD signal.

TCL MQLED85/C765 is equipped with a standard refresh rate matrix of 120 Hz, with the possibility of increasing it to 144 Hz when connected to a powerful computer. The television also offers a multi-stage motion smoother, which mainly serves users who want to improve motion smoothness in films. It allows for the adjustment of the effect's intensity on a scale from 0 to 10, enabling precise matching of image smoothness to individual preferences. The matrix's response time is decent but not perfect. We can observe ghosting occurring behind both dark and medium objects.

Motion handling on the Hisense U7S is pretty good thanks to the 144 Hz refresh rate. For movies we also have a motion smoothing feature that lets you adjust judder and blur reduction. You can therefore keep a more cinematic motion or increase smoothness if abrupt camera shifts bother you. In sports and games the high refresh rate is also useful, but unfortunately it doesn't solve this panel's biggest problem.

The culprit is pixel response time. Fast-moving objects leave long, noticeable trails, as our UFO test shows. It's worst on dark backgrounds, where the trail behind the object is especially pronounced. So motion can be smooth, but the moving object itself loses sharpness, and that difference on the U7S is fairly easy to notice.

TCL MQLED85/C765 has received an impressive rating in the gaming features category, making it an excellent choice for gaming enthusiasts. The television supports all the latest technologies that significantly enhance the gaming experience. Among the key gaming features is ALLM (Auto Low Latency Mode), which automatically switches the television to low latency mode, minimizing response time and ensuring smooth gameplay. VRR (Variable Refresh Rate) supported in the range from 48 to 144 Hz eliminates stuttering and screen tearing in dynamic gaming scenes. Additionally, the television supports Dolby Vision Game Mode, which provides better image quality in games with exceptional color depth and contrast. TCL MQLED85/C765 also features a decent but not the best implementation of HGiG (HDR Gaming Interest Group), optimizing HDR game display, but in the case of TCL, it causes bright details in white, resulting in some elements blending into a white spot - we can read more about this in the color reproduction section. It supports various resolutions such as 1080p@120Hz, 1440p@120Hz, and 4K@120Hz, allowing gamers to take advantage of higher image quality and better fluidity. The Game Bar feature allows for easy switching between game settings and quick control of parameters, significantly facilitating the adjustment of the television to individual needs. With support for G-Sync and FreeSync technologies, users of NVIDIA and AMD graphics cards will be pleased with the synchronization of refresh rates, eliminating tearing and stuttering issues, providing a smoother and more immersive gameplay experience.

MQLED85/C765 is a television that combines advanced technologies and excellent support for gamers, making it an ideal choice for those who want to maximize their gaming experiences.

The Hisense U7S has a lot to offer gamers. You get two HDMI 2.1 ports and support for 120 Hz at Full HD, 1440p, and 4K, so modern consoles’ capabilities are well used. When connected to a PC you can use 144 Hz at 4K or switch the resolution to Full HD and run 240 Hz. So there’s a wide choice, although it’s worth remembering the motion smearing mentioned earlier, which the high refresh rate does not eliminate. VRR and ALLM are also present. The first helps prevent tearing when frame rates in a game change. The second automatically switches the TV into game mode, so you don’t have to dig through the menu each time. VRR works from 48 to 240 Hz, with the highest refresh rate available in Full HD. Xbox users can also play in Dolby Vision, including at 120 Hz. Importantly, this format does not introduce significant input lag here. The Game Bar also looks very good. It’s easy to read, visually appealing, and lets you quickly check what signal the TV is receiving. There are also handy gaming settings at your fingertips, including shadow brightening. If it’s hard to spot an opponent in a dark game, you can improve visibility without digging through the entire menu.

Our biggest complaints concern HGiG. Hisense continues to do its own tone mapping, which makes setting HDR on the console confusing. You adjust a checkerboard test pattern and the TV continuously adapts how it looks. As a result, the moment the pattern disappears does not correctly indicate the screen’s brightness limit, and it’s easy to set the value too high. For this model it’s better to set the target HDR peak brightness on the console to about 900 to 1000 nits, rather than relying on the configurator.

Input lag on the TCL MQLED85 television reaches impressively low levels under any conditions. Even the most demanding gamers will surely appreciate the minimal input lag of only 8 ms at 4K 120 Hz settings with HDR. Moreover, the delays remain at the same level even with Dolby Vision HDR turned on, which is not the case with many competitive models.

In terms of input lag the Hisense U7S performs excellently. At 60 Hz we measured 14–16 ms, and at 120 Hz just 9–10 ms. Input is responsive, and even in fast-paced games the TV doesn't introduce any noticeable delay. Importantly, Dolby Vision performs just as well, with 14 ms at 60 Hz and 9 ms at 120 Hz, so you don't have to give up that format for fear of added latency. The motion smearing described earlier is a separate issue: the panel responds quickly to input, but the pixels don't always keep up with color changes.

TCL MQLED85 performs well as a computer monitor. Thanks to 4:4:4 chroma support, text on the screen is clear and readable, which is important for people working with text documents or spreadsheets. One of the greatest advantages of this model is its exceptionally low input lag in "PC" mode, which is only 8 ms. This is a reference-level result that ensures smoothness and responsiveness, crucial for both gamers and those engaged in video editing. However, it is worth noting that there is a certain issue related to font display on dark backgrounds. When zooming in on the tested font image, it can be seen that horizontal lines are darker compared to vertical ones. This means that the sub-pixels in the television do not fully illuminate in this case, which can affect the quality of the displayed text. Nevertheless, the overall performance of TCL MQLED85 as a computer monitor is very good and will certainly meet the expectations of many users.

When connected to a PC, you can use 4K at 144 Hz with G-Sync enabled and about 10 ms of input lag. It's a good setup for gaming, although panel smearing is still noticeable in fast-moving scenes. Chroma 4:4:4 also works correctly, even at the maximum refresh rate, so colorful on-screen text and small desktop elements remain legible.

The U7S is quite suitable for web browsing or occasional work, but not all fonts look equally sharp. Our main issue is with small, dark text: thin parts of letters can disappear and characters look uneven. It's hard to notice from the couch, but when working up close, especially with text or spreadsheets, it can be distracting.

The viewing angles on the TCL MQLED85 television are not its strongest point. The use of a VA panel means that the picture loses a significant amount of brightness when viewed at an angle. When the viewer's position changes, especially when watching with a larger group, colors may appear less saturated, and the contrast may be less pronounced. For this reason, it is recommended to sit directly in front of the screen to fully enjoy the picture quality. Although the television offers excellent color reproduction from a direct view, the loss of brightness and detail at an angle can be problematic for those planning to use the TV in a larger room or from various positions.

Viewing angles are unfortunately a weak point of the Hisense U7S. As soon as you move to the side, colors lose saturation, blacks become lighter, and the picture looks washed out. At a 45-degree angle we measured a 74% drop in brightness, so the difference compared with watching head-on is really large. That's a typical limitation of VA panels. When sitting centrally you can appreciate its strong contrast, but people seated at the far ends of a wide couch will see a noticeably weaker picture. The U7S is therefore best suited to setups where viewing positions are as close to directly in front of the screen as possible.

MQLED85 performs decently in daylight conditions, and it's worth noting the satin finish of the panel. Although it doesn't excel at reducing reflections, it offers satisfactory performance in various lighting conditions. An average brightness level above 600 nits is an impressive result, allowing for comfortable viewing even in well-lit rooms. As a result, the television works well both during the day and for evening movie sessions, providing satisfactory image quality.

The Hisense U7S performs well for daytime viewing. In SDR we measured an average of about 664 nits, and depending on the screen content the brightness ranged roughly from 500 to 800 nits. Even with an all-white image it stays above 500 nits, so a sports broadcast or a bright TV program won't suddenly look dim. That's enough headroom for comfortable viewing in most living rooms. The satin finish does a decent job of reducing reflections, but a window opposite the TV will still be visible. In the photo you can clearly see that its reflection can obscure part of the picture, so high brightness alone doesn't solve everything. On the plus side, blacks and colors hold up in daylight and don't become excessively gray. Overall the U7S works well in a bright room, though you should position it to avoid direct window reflections.

Brak funkcji PIP, obecne "MultiVision" czyli dzielenie ekranu między tv a urządzenie mobilne

Smart TV: VIDAA

VIDAA HOME OS on the Hisense U7S is feature-rich, runs quickly, and doesn’t complicate everyday use. In addition to apps, it supports AirPlay for streaming from Apple devices and Miracast for mirroring a computer display. Voice search in Polish also works, so instead of typing a movie title with the remote you can just say it. You can also connect a keyboard and mouse. In terms of smart features there’s little to complain about, though before buying it’s worth checking the availability of specific apps you use, as it isn’t as extensive as competing systems.

Classic features and the remote

Hisense hasn’t forgotten viewers who watch regular TV. The U7S lets you record over-the-air programs to a USB drive and schedule recordings for later. There’s teletext, the option to listen to audio with the screen off, and support for Bluetooth headphones. Conveniently, headphones can operate at the same time as the TV speakers, so one person, for example a senior, can use them while others still listen normally. The main notable missing feature is picture-in-picture, or PiP.

We weren’t fond of the remote itself. It’s very plastic and looks rather "cheap", but it does its job well. It has a full numeric keypad, plenty of shortcuts, and controls the TV via radio, so you don’t have to point it at the screen. It’s only a shame the buttons aren’t backlit. Hisense reserves more elegant remote versions for higher-end models, such as the U7S Pro.

Thanks to the built-in player, the television is capable of playing most file formats available on external storage devices, making it a versatile tool for consuming multimedia. However, there may be certain limitations in the support of some formats, which can be inconvenient for more demanding users. Fortunately, the Google TV system allows for the installation of other media players from Google Play, which helps eliminate compatibility issues. This gives users the option to choose applications that best meet their needs, significantly increasing the functionality of the television.

The USB player in the Hisense U7S handles most common files. It played our H.264 and H.265 material without issues, including high-bitrate 4K recordings and the test Dolby Vision file. SRT and SUB subtitles work, including Polish characters and font color changes. Not everything worked, however. AV1 and H.266/VVC files did not play, nor did ASS and TXT subtitles. Audio is good, from basic MP3s to FLAC 96 kHz/24-bit, though AIFF and DSD are not supported.

Our biggest issues are with photos. Supported formats are extensive: in addition to JPEG and PNG, WebP and TIFF work as well, but HEIC won't open. Resolution handling is also odd. The TV displayed 4, 6, 8, 16 and 32 MP images, but couldn't handle 10, 12 or 24 MP files. So it's not a straightforward size limit. The player is perfectly fine for videos and music, but when showing vacation photos you may find that some files need to be converted beforehand.

The sound of the TCL MQLED85 television can be described as decent, making it sufficient for everyday viewing of movies, TV shows, and games. The speakers branded with Onkyo offer surprisingly good audio quality, and the sound does not hiss or distort even at higher volume levels.

The USB player in the Hisense U7S handles most common movies and music well. It supports 4K content, including a Dolby Vision file we tested, and it correctly displays Polish characters in subtitles. It should be sufficient for everyday use with a USB flash drive, although it can have problems with less common formats. Our biggest issue is with photos. The TV handles their resolution rather selectively: it may open a larger photo but refuse to display a smaller one. When browsing a vacation album this can be annoying, because we can't be sure all the photos will display. Some of them will need to be prepared on a computer beforehand.

TCL MQLED85 / C765 vs Hisense U7S / U77SE

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Colors

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

Daytime performance

Panel details

TV features

Classic features:

Smart features:

Sound connection options

Supported audio formats (external HDMI eARC audio):

Senior accessibility

Smart TV: VIDAA

Classic features and the remote

Apps

Playing files from USB

Sound

Sound Quality Test

Acoustic Measurements