Samsung QN990F vs Samsung R95H Micro RGB

The Samsung QN990F belongs to the bright televisions and this is immediately evident in the tests. In measurements, it achieved around 1300 nits, which in practice allows you to enjoy movies as their creators intended. Bright scenes have the right impact, lights shine, and the feeling is truly cinematic. In standard test patterns, sequences number 1, 3, and 5 performed the best – there the brightness remained around 800-1000 nits, and the image looked very natural. In more challenging segments, it could drop to about 600 nits, but still the level remained sufficient for details to be well visible. However, it should be added that with such highly contrasted shots, the halo effect returns – the same one we mentioned regarding the blacks. Bright elements can leave a glow on dark backgrounds, and this is immediately noticeable. Since we are dealing with a QLED, the color palette is expanded and the colors look impressive. The problem is that with such a flagship model, we expected better numbers. 91% coverage of DCI-P3 and about 67% BT.2020 are results that can be considered solid, but not outstanding. This results in a vibrant and attractive picture; however, competition in this and lower price segments can show even more.

In terms of brightness the Samsung R95H shows that we’re still dealing with a top-tier TV, although the results aren’t always as spectacular as you might expect from a flagship Micro RGB model. In synthetic tests the TV can exceed 2,400 nits, so it definitely has plenty of headroom. Importantly, it can sustain high brightness even when bright elements occupy a larger portion of the screen. In real movie scenes the situation is a bit more complex. The R95H most often reaches around 1,000 to 1,400 nits, which still delivers a very good, strong HDR effect. Bright sunlight, reflections, or lights can look truly impressive, and the TV has enough power for HDR to be clearly distinguishable from regular SDR.

The problem appears mainly in very dark scenes with single, small light sources. Here the local dimming algorithm favors deep blacks and reducing the halo over maximizing the brightness of such elements. As a result, small lights can be noticeably dimmed. Overall HDR performs well, but not without limitations. The R95H has huge brightness headroom, especially in larger and brighter parts of the image, but in difficult, dark scenes its capabilities are mainly limited by how the local dimming operates.

Colors

Colors were meant to be the biggest revolution enabled by the RGB backlight, and the R95H does show considerable potential here. The assessment is not, however, as simple as synthetic measurements might suggest. On test charts the TV performs superbly. BT.2020 coverage reaches almost 94%, and DCI-P3 98%, so especially strongly saturated reds and greens can look really impressive. The picture changes a bit when, instead of test charts, we start measuring real movie scenes. Then BT.2020 coverage drops to about 87% and DCI-P3 to 93%. It seems that with more complex imagery the RGB zones are not always able to maintain the same high color saturation as on simple charts. They are still saturated, but the advantage of the new backlight is no longer as large as the manufacturer's numbers might suggest.

We tested the QN990F in Filmmaker mode, which is the best available right out of the box. Right from the start, we noticed several significant errors. The biggest issue was with white balance. Due to too little blue and also incorrect proportions between red and blue, the image – especially in scenes with a lot of white – appeared too yellow and at times even orange. On the Color Checker palette, these errors didn't look dramatic as they hovered around a value of 4, but in everyday viewing, especially with strong whites, they were most noticeable. We also noticed issues with brightness management – the television had difficulty maintaining details in the smallest parts of the image, mainly due to the way it controls the backlight zones. Fortunately, Samsung offers a lot of room for adjustment when it comes to setting corrections. We know that with proper calibration, you can definitely get a lot more out of this screen.

To assess factory color reproduction, we of course chose Filmmaker mode, the setting that's supposed to be closest to how the creators intended the image to look. Unfortunately, the R95H does not fully exploit the potential of its panel. The biggest issue in SDR is the gamma. The image is noticeably brightened across almost the entire range, which robs it of some depth and makes it look flatter than it should. The white balance isn't ideal either, as increasing brightness brings a red bias and a lack of blue, making the image too warm. This is especially visible in bright elements and skin tones, which can appear redder than they should.

It's similar in HDR. The EOTF curve sits above the reference value for much of the range, so the R95H again brightens the image compared with how it should look. Combined with the inaccurate white balance, this means colors here are not as precise as we'd expect from a TV of this class. The factory Filmmaker setup is therefore not one of the R95H's strengths. At first glance the picture may look impressive because it's bright and highly saturated, but in terms of fidelity to the source material there is still plenty of room for improvement.

After performing calibration, we managed to bring the white balance into order and eliminate the previous deficiencies in blue tones. As a result, the image no longer appeared as if it had a slightly yellowish filter – whites are cleaner, and the overall presentation looks much more natural. We also managed to some extent to tame the brightness characteristic in HDR content. The television now handles maintaining details in blacks significantly better and does not lose them as much as before. However, when we look at the EOTF curve and how the QN990F reproduces brightness in films, it is evident that it still tends to emphasize details in dark scenes more strongly. This is a characteristic feature of Mini-LED technology, and more specifically, how it is managed by the QN990F, which is practically impossible to completely eliminate. Nevertheless, after calibration, the image looks much more natural, primarily due to the correct exposure of white light. The final effect is definitely more pleasant to receive and closer to what we expect from a flagship television.

R95H responds very well to calibration. In SDR we were able to set the white balance and gamma almost perfectly, and color errors dropped to very low levels. The difference compared with the factory settings is therefore considerable, and after calibration the picture looks much more natural. In HDR we can also improve a lot, especially regarding white balance and overall color accuracy. The issue of managing brightness and color saturation looks a bit different. Here, at some point we run into limitations resulting from the way RGB backlighting and local dimming work. Individual zones have to control both brightness and the color of the light at the same time, so in more demanding scenes it is not always possible to achieve exactly the same saturation and brightness that the TV shows on simple test patterns. Calibration simply can't completely overcome that. Despite this, after calibration the R95H delivers accurate image reproduction, and most of the errors we saw in the factory settings can be effectively eliminated.

The QN990F deserves the highest praise for its upscaling. The processor responsible for "pulling up" classic TV to 8K resolution performs quite well. While watching content in a 576p signal, we had no illusions that we would suddenly see a marketing-style miracle where the image magically transforms into crystal-clear 8K. Nevertheless, the final effect was surprisingly good; the image looked clean and clear. It's just unfortunate that the TV, like most Samsung models, has an overscan issue, which slightly cuts off the edges of the screen on the left side.

Regarding image processing, Samsung provides a feature called "noise reduction," which in theory should improve tonal transitions in older materials, where they are usually more noticeable. Unfortunately, we felt quite disappointed here. The feature works poorly – it struggles with unwanted bands and can even introduce its own artifacts. On the plus side, the TV does not eliminate film grain when using this feature, but in practice, that's little consolation since the noise reduction itself proves to be practically useless.

Samsung R95H uses the new Micro RGB AI Processor, but in practice we didn't notice a big leap compared to the NQ4 AI Gen2 or Gen3 chips found in the manufacturer's other TVs. The upscaling itself still performs very well. The image is appropriately smoothed, yet retains plenty of sharpness and doesn't look overly soft. That's definitely one of Samsung's strengths. It's just a shame that with very low-resolution content you still can't completely turn off overscan.

The processor also handles gradients well and can effectively smooth unwanted posterization. The noise reduction feature works very effectively, but you need to use it judiciously. At higher settings it can noticeably interfere with the image and even remove natural film grain. So it's best to use it only when the source material is actually heavily compressed.

The QN990F can easily be called one of the fastest televisions in the world. In 4K mode, it can display images at a frequency of up to 240 Hz, which until now has been more associated with gaming monitors than with televisions in the living room. However, in everyday viewing, what matters more is how it handles 8K signals at 120 Hz – and it performs very well here too. Motion remains smooth, and the television manages without a hitch even with the most demanding content. Additionally, there is a motion smoother, called "Picture Clarity." With it, you can adjust the image to your own preferences – leave a slight cinematic stutter or switch to maximum smoothness, which works great, for instance, in sports broadcasts.

The Samsung R95H has a 165 Hz panel, so its motion handling is excellent. At 120 Hz, like when gaming on a console or watching sports, motion blur is minimal, and when connected to a PC you can use the full 165 Hz to further improve motion clarity. However, keep in mind that it’s still a VA panel, so it doesn’t respond as instantly as OLED. You may sometimes notice a faint trail behind moving objects, but from a normal viewing distance this shouldn’t be distracting. For movies and series you can also use the adjustable motion smoothing. You can keep the more cinematic 24 fps look or gradually smooth the motion if you prefer a smoother image. Samsung gives you plenty of freedom here, and it’s easy to choose a setting that matches your preferences.

It must be said directly – the QN990F is one of those TVs that screams it was designed with gamers in mind. Samsung has been developing its gaming solutions for years, but here we have a true package. Sure, the lack of Dolby Vision support in games is a downside that will always come up in discussions. However, apart from that, the list of features is truly impressive. To start, we have Game Bar – a handy menu that allows you to quickly check and change game-related settings. You can see, for example, VRR is turned on, the frame rate, or the aspect ratio settings. It's like a small "dashboard," allowing you not to dig deep into the menu to make adjustments. Speaking of VRR: yes, variable refresh rate is present here and works flawlessly. Additionally, there's ALLM, which automatically switches the TV to game mode as soon as the console is turned on. These may seem like small details, but together they make using the QN990F simply convenient and hassle-free.

However, the number of ports makes the biggest impression. Four wireless HDMI 2.1 ports are already great news because you don't have to choose whether to connect the console, the receiver, or maybe even the PC. There's plenty of room here for everything. And if we add an additional micro HDMI (which we recommend connecting directly to consoles), hidden in the housing, we practically have five inputs in full 2.1 standard. Add to that support for high refresh rates – 120 Hz in 8K or even 240 Hz in 4K – and we get a TV that not only keeps up with the new consoles but also feels ready for consoles that are yet to come.

When it comes to gaming the Samsung R95H is almost a complete TV. When you connect a PS5 or Xbox Series X you can use 4K at 120 Hz, VRR and ALLM, and the TV also works properly with HGiG. The only major omission is Dolby Vision Gaming, which Samsung, like with its other TVs, simply does not support. There's also the Game Bar, familiar from other Samsung models, which lets you quickly check frame rate, VRR status or the HDR format and change the most important settings without leaving the game. You can also brighten darker parts of the image or change the screen aspect ratio.

Samsung also offers Game Motion Plus, a motion smoothing feature designed specifically for games. It makes the most sense for games running at 30 fps, where it can noticeably improve smoothness and make camera movement look much nicer. Just remember this comes at the cost of higher input lag (about 60 ms), so it's not the best choice for online or faster paced games. It's also worth noting Gaming Hub, which lets you run some games directly from the cloud without connecting a console. In terms of features for gamers, it's hard to find any major omissions in the R95H.