Philips PUS8359 (IPS) vs TCL P7L / P79L

The quality of HDR effect on the Philips PUS8359/12 television is also not impressive. A brightness level of 280 nits is too low, resembling standard SDR more than true HDR, which is clearly visible on the five tested images. Additionally, the television does not impress in terms of color gamut coverage – just 76% DCI-P3 is a result that can be considered weak, especially compared to other models in a similar price range.

The biggest limitation of the TCL P7L in HDR is simply brightness. The TV doesn't have a large luminance headroom, so strong highlights, sunlight, or small light sources can't clearly "pop" out of the image. As a result, even well-produced HDR material looks fairly restrained and in terms of dynamic range is closer to good SDR than to what brighter models show. That doesn't mean the P7L can't handle HDR at all — the issue is mainly a lack of sufficient backlight power.

Looking at color, the situation is a bit better. The TV covers about 91% of the DCI-P3 gamut and about 68% of the wider BT.2020 color space, so for its price class the color range is quite decent. TCL markets this model as QLED, though the nature of the solution used is closer to a PFS phosphor-based backlight than a classic quantum-dot layer. What matters most to viewers, however, is the result: more saturated colors are available.

The "Film" mode turned out to be the most faithful in terms of compliance with the source material used in our tests. However, like other factory modes, it also had its drawbacks. In both SDR and HDR materials, we noticed issues with white balance, where the dominance of green and red resulted in a yellowish tint. This effect was particularly visible in the form of yellowed whites and unnatural skin tones. The "ColourChecker" palette test showed that every color was shifted towards warmer tones, which affected color accuracy. A key aspect of the image is also contrast and brightness, which can be evaluated by analyzing gamma charts and the EOTF curve. On the gamma chart, we observed significant deviations – both too high values causing loss of detail in the shadows and too low values leading to a drastic decrease in contrast. Compared to gamma, the EOTF curve performed better, only slightly brightening the image, which had a less negative impact on overall quality.

In Film mode the TCL P7L performs fairly well without major adjustments, especially with typical SDR material. The white balance is relatively even, although as brightness increases there is a slight rise in red and blue and a bit of a shortage of green. This does not produce a strongly noticeable tint and most colors remain close to their reference points. The ColorChecker confirms this, with a large portion of errors falling below a level that would notably bother viewers during normal watching. We have more concerns about the gamma response. In the darkest parts of the image the TV runs it noticeably above the reference, so some shadow detail can be a little too dimmed. The curve then settles and for much of the range it is close to the intended target. As a result SDR generally looks natural, but in dark scenes the P7L can lose some subtlety. In HDR the factory setting is less precise. As brightness increases an excess of blue becomes more pronounced, making the image look cooler than it should. The number of larger color deviations also grows, particularly in brighter hues. The EOTF curve itself is handled fairly conservatively, with the TV showing the image darker than the reference over a large portion of the range. For a budget model, however, the factory Film mode settings are not bad.

Philips, both in its cheaper and more expensive models, offers a wide range of tools for image calibration. We used them to improve the quality of the displayed image, although it was not as simple as it might seem. We managed to adjust the white balance, improve the gamma, and tune the EOTF curve; however, despite these actions, the deltaE errors were still at a very high level. The main causes are limited coverage of the DCI-P3 color palette and low maximum brightness, which significantly affected the final result. Although the overall presentation looks much better, the design features of the TV did not allow us to achieve spectacular results.

After calibration, the TCL P7L can deliver a really pleasant picture, especially with classic SDR material. We managed to very effectively even out the white balance, and the gamma curve now tracks close to the target value of 2.4. You can also see this in the color measurements, as most errors dropped noticeably, and in everyday viewing it's hard to find any strongly visible inaccuracies. Movies, series, YouTube, or regular TV therefore look more natural, without unnecessary warming or a cool cast. For a model in this price range, the result in SDR is really very good.

With HDR the situation gets more complicated. Calibration helped improve the white balance and tidy up some deviations, but here the panel's limitations become increasingly apparent. The P7L has relatively low brightness and can't maintain appropriate luminance for more saturated colors, so some errors remain even after careful tuning. In other words, settings can improve how the TV interprets the signal, but they can't overcome its physical capabilities. That's why calibration makes the most sense for this model primarily with SDR.

In this paragraph, we will look at two functionalities. We will once again take a look at the function responsible for tonal transitions, but we will also check how the television handles image scaling. The option responsible for smooth gradation is the one called "Distortion Reduction." As we established, it quite effectively smooths out the choppiness. However, we must point out two things: we cannot enable it for HDR materials and that it blurs details in films. The tested television cannot boast the best image scaling. There is a noticeable overall blurriness of the image, but, worse, it blurs details. This is particularly visible on the branches and the hair of the model. A characteristic white halo around the character is also noticeable.

In this regard the TCL P7L performs surprisingly well, especially for such an inexpensive TV. The tonal transition smoothing feature, which in many budget models does little or almost nothing, actually manages to improve the picture here. It doesn't remove all banding completely, but it can noticeably reduce posterization and make trickier gradients look more natural. At this price point that's a genuinely pleasant surprise.

Upscaling itself also performs well. Lower-resolution material is scaled correctly, without excessive sharpening or adding artificial outlines around objects. Of course the P7L won't turn a very poor source into 4K-quality footage, but for regular TV the result is simply solid. For a model in this class there is little to criticize.

Philips PUS8359 is not the best choice for watching sports. The lack of even basic motion enhancement features means that the picture in dynamic scenes is not suitably clear. Despite using an IPS panel (43 and 55'), which theoretically should offer better sharpness than VA panel variants, there is no noticeable improvement in terms of motion blur. In fast-moving images, it is clear that the UFO character is distinctly blurred, which indicates that the television does not cope well with maintaining sharpness in dynamic shots.

The TCL P7L uses a panel with a native 60 Hz refresh rate at 4K resolution, and that's how it should be treated in everyday use. For movies the TV mainly offers frame interpolation, so it can smooth motion and reduce the typical judder, but it does not deliver the smoothness of true 120 Hz panels.

In terms of compatibility with consoles, the Philips PUS8359 is mainly suitable for casual gamers. Although the TV is equipped with an HDMI 2.0 port, it offers features such as Auto Low Latency Mode (ALLM), Variable Refresh Rate (VRR), and Game Bar. ALLM automatically switches the TV to low latency mode, facilitating quicker reactions during gameplay, while VRR smoothly adjusts the refresh rate, eliminating the issue of screen tearing. Game Bar provides quick access to game settings and real-time monitoring of parameters; however, in our opinion, it performs worse compared to competitors' solutions.

However, more demanding gamers may feel underwhelmed. The Philips PUS8359 does not support advanced HDR formats in games or higher refresh rates, which is due to the use of a 60 Hz panel. These shortcomings limit the TV's capabilities in delivering smooth and detailed experiences during fast-paced, dynamic gameplay.

For such an inexpensive TV, the P7L has quite a lot to offer gamers. It has ALLM, VRR, Dolby Vision for gaming, and TCL adds its Game Bar, which lets you quickly view key information or change some settings without leaving the game. Not everything is perfect, though, because HGiG doesn't work here as it should, but at this price point it's hard to complain much about the feature set. The most interesting thing starts when you give up on 4K. At that resolution the TV runs at a maximum of 60 Hz, but at 1440p and 1080p it can already display at 120 Hz. And that's not just a spec-sheet curiosity. In fast-paced games that support that frame rate you can really notice the difference in smoothness, so if you care more about smoother motion than maximum image sharpness, that mode can make a lot of sense. Of course that doesn't make the P7L a true 120 Hz TV. Even so, it's precisely those extra modes that make the P7L perform really well for gaming.