LG NANO82T6B vs Hisense E7Q PRO / E79Q PRO

The brightness of the LG NANO82T is rather average, especially compared to other TVs in a similar price range. With a peak brightness of approximately 280 nits, it falls short of many competitors offering levels exceeding 400-500 nits. This limitation impacts the viewing experience, particularly for HDR content. Bright areas of the image may lack definition, and the HDR effect fails to deliver the dramatic impact expected from higher-end displays, making the overall image less striking in well-lit scenes.

If it comes to the quality of the HDR effect, the E7Q PRO is unfortunately not a television that can impress with brightness alone. In real film materials, we measured about 250–300 nits, which is simply too little for HDR to look spectacular. It lacks that "spark" in bright details, flashes, and light effects, and in many HDR scenes, it can resemble better SDR than true cinematic HDR. A consolation in all of this is the colors. We managed to confirm that the E7Q PRO is a PFS type television, meaning it has an additional filter that enhances color gamut coverage. As a result, even if the brightness doesn't deliver, the colors in HDR content can be adequately saturated and pleasant to the eye, without the feeling of a "faded" image.

The colour reproduction in the LG NANO82T in Filmmaker mode, while the best factory setting available, does have flaws. The primary issue lies in white balance, where measurements reveal a drop in the level of blue. This shifts towards yellow hues, making the image warmer than intended. Such deviations prevent natural colour reproduction, especially in scenes with white or neutral backgrounds. For instance, in Star Wars, where numerous elements should appear white, the colours deviate noticeably. The Color Checker test corroborates this, showing some shades "escaping" into others, further highlighting the lack of accurate colour rendering.

In terms of contrast, the gamma graph analysis showed a drop to 2.1, falling short of the optimal 2.4. This leads to darker parts of the image appearing brighter, reducing depth and dynamism. Additionally, the EOTF curve, which governs brightness reproduction, shows a slight spike at the start. This can result in an excessive brightness boost in the brightest areas, causing a loss of detail in very bright scenes.

In terms of color reproduction, we tested the Hisense E7Q Pro in Movie mode, which proved to be the best built-in preset without a doubt. This mode, unlike the Eco, Standard, or Dynamic settings, offers the most natural colors right out of the box. Although no factory mode is completely free of flaws, the E7Q Pro deserves high praise for its color representation in standard SDR content. The color palette is very well tuned here, and errors in Color Checker tests often did not exceed a value of 3, which is an exceptional result rarely seen in such inexpensive TVs. The only drawback we noted in SDR is a tendency to darken some image elements, as indicated by a slightly raised gamma chart. The TV performs somewhat worse with colors in HDR mode. Here, color errors become noticeable to the naked eye, mainly due to a deficiency of blue in the white balance. This causes the colors on the screen to appear too warm, and for some viewers, they may seem “too cinematic.” Of course, to improve these parameters, we proceeded with professional calibration.

After calibration, the colour reproduction in SDR content on the LG NANO82T is impressive. The white balance has been effectively corrected, resulting in natural, balanced tones across various scenes. Gamma adjustments ensure more precise rendering of details in shadows and bright areas, enhancing the viewing experience. These improvements allow the television to perform well in everyday use, delivering solid colour accuracy and well-balanced images in SDR mode.

Unfortunately, the situation with HDR content is less satisfactory. The TV lacks support for a wide colour gamut, limiting the depth and richness that HDR can achieve. The EOTF curve deviates from the ideal, leading to overemphasis on details in brighter areas. This causes noticeable colour reproduction errors, as confirmed by Colour Checker tests. Additionally, the panel's low brightness further hampers HDR image quality, diminishing dynamic range effects and causing colours to appear washed out.

Overall, the TV significantly improves after calibration, particularly in SDR mode. The enhancements to white balance and gamma elevate image quality, offering more natural and cohesive colour reproduction. Compared to its pre-calibration state, the difference is evident, and the television now performs noticeably better in standard dynamic range scenarios.

In the case of materials with a standard color range (SDR), our efforts in Filmmaker mode turned out to be largely cosmetic 😉. We mainly focused on gentle white balance correction and gamma curve adjustment, which allowed us to recover details in the darker parts of the image that previously tended to get lost. It is worth noting, however, that the E7Q Pro unit we tested happened to be exceptionally well-made from the factory. We remind you that these parameters depend on the specific unit – with mass production, factory calibration can be random, so your unit may require slightly different adjustments. The biggest beneficiary of professional calibration was undoubtedly the HDR mode. This is where we did the most work, which yielded spectacular results. We managed to effectively tame the excessive warmth of the image, caused by a factory deficiency of blue color. After calibration, color errors were reduced to a significantly lower level, which will certainly please those who watch a lot of streaming content in HDR format, expecting faithful reproduction.

The LG NANO82T features a "Smooth Gradation" option for handling tonal transitions in low-quality materials. The "Low" setting improves the most problematic transitions, providing a noticeable and helpful enhancement. However, the "High" setting, while further smoothing tonal transitions, sacrifices some detail in the process. This can be a compromise that not all viewers will appreciate.

The image scaling on the LG NANO82T has some limitations, particularly when displaying lower-resolution content. The TV applies a subtle artificial sharpening, which makes the image appear sharper, but this effect is mainly due to artificial contours. Some users may find this beneficial, as it highlights details more prominently, but for others who prefer a more natural image, it may appear overly processed and artificial. This is a subjective preference that varies from viewer to viewer.

When it comes to upscaling and digital image processing, the E7Q PRO deserves praise. The scaling performs really well here and does not fall drastically behind much more expensive, advanced televisions. Lower-quality materials can look clean and sensible, without the impression that the image is artificially "overdrawn." However, the smoothing function presents a bit worse. It can indeed be effective and improve tonal transitions in low-quality materials, but at the same time, it can introduce unwanted effects. Sometimes it removes film grain or adds unwanted artifacts, giving the image a more "digital" character. Therefore, we mainly recommend it to those who prefer a smoother, less cinematic style of image.

LG televisions, including the NANO82T, come with an interesting motion smoother called TruMotion providing users with control over the quality of films they watch. The TruMotion feature allows adjustment of the motion fluidity on a 10-point scale, offering a personalised visual experience.

However, when it comes to more dynamic content, such as games or action films, the performance falls short. With its 60Hz panel and relatively slow pixel response, motion fluidity is less than ideal. This results in noticeable trailing and less smooth playback during fast-paced scenes.

Overall, the LG NANO82T is a good option for those who primarily watch movies and prefer more subdued content. Viewers who prioritise fast, dynamic motion, may prefer an alternative model.

In the category of motion blur and fluidity of movement, the E7Q PRO has one very strong argument. At this price, Hisense has added a 120 Hz panel, and in PC mode, it can even operate at 144 Hz. This immediately provides greater possibilities in motion settings, as the menu displays more options for smoothing the image. Among other things, we have frame interpolation options, which allows us to adjust the fluidity for sports or for movies, depending on whether we prefer a more cinematic character or a "theatrical" smoothness.

When playing on the console, the LG NANO82T offers several features that can enhance the gaming experience, though it also has some limitations. Notably, the ALLM (Auto Low Latency Mode) feature stands out, automatically adjusting picture settings to switch the television to low latency mode, which is especially beneficial for gamers requiring quick reactions. Another advantage is the support for HGiG (HDR Gaming Interest Group), ensuring HDR games are displayed as intended by the creators and providing vibrant and realistic visuals. These features contribute to a solid gaming experience, but there are some drawbacks, particularly in fast-paced scenes.

The LG NANO82T has limitations when it comes to advanced gaming features. It lacks support for variable refresh rate (VRR), which affects gameplay smoothness, especially in more dynamic games. The TV's 60Hz panel restricts the ability to use higher refresh rates, a significant downside for gamers seeking smoother gameplay at higher resolutions. Additionally, the absence of G-Sync technology limits image synchronisation, potentially leading to tearing and stuttering during gameplay.

These limitations mean that while the LG NANO82T offers a good gaming experience for casual gamers, it may not meet the expectations of more demanding players seeking advanced features and maximum image fluidity.

These shortcomings may mean that the LG NANO82T does not meet the expectations of the most demanding gamers looking for advanced features and the highest image fluidity.

The E7Q PRO is a phenomenal screen for gamers. Aside from the typical "thorn" of Hisense, which is the lack of support for the HGiG format due to the constantly active tone mapping, we practically get everything one might expect from a television that is supposed to have a gaming label. There are two HDMI 2.1 ports, along with a full set of key features. We have variable refresh rates, automatic switching to game mode, and support for 4K at 120 Hz. On top of that, all the most important settings are at hand in a clear Game Bar. This tool not only looks modern but also has a distinctly "gaming" edge and actually makes life easier while playing.