Compare: TCL MQLED85 / C765 vs Philips PQS9011 / PQS9001 (The One 2026)

TCL MQLED85, or model C765, is a television that can truly surprise, especially in this price range. It is one of the cheapest models with mini-LED technology, which is immediately evident from the picture quality. The blacks are deep, and the brightness is sufficient even in a brightly lit room. Thanks to the large number of dimming zones, watching films in the evening is a pure pleasure – the blacks are genuinely deep, and the image in dark scenes appears clear. However, it is not perfect – in some shots, you can notice minor issues with small bright elements, but this is really a trifle compared to what this model offers. Google TV works excellently here – there are plenty of applications, and using the system is simply convenient. Voice control in Polish operates flawlessly, which can be particularly useful if you don’t want to type film titles using the remote. Of course, there are minor shortcomings, like the lack of recording features, but these are not things that hinder everyday use. For gamers, it is also a great option. Support for HDMI 2.1, VRR, and low input lag make the television handle consoles well and compete effortlessly with more expensive models from Korean or Japanese manufacturers. It's hard to find something better in this price range concerning smooth and responsive gameplay. During testing, we encountered a few minor software issues, but it's difficult to say if this is a significant drawback. We hope that TCL will release updates, so there is a chance this issue will be resolved quickly. TCL MQLED85/C765 is an excellent choice if you’re looking for a television with good picture quality and modern features at a reasonable price. This model combines accessible mini-LED technology with a convenient Google TV system, while also performing exceptionally well in gaming. The minor software shortcomings are something you can live with, especially considering what this television offers in its class.

The idea behind The One has hardly changed over the years and with the Philips PQS9001 this is both a strength and its biggest drawback. You still get a versatile mid-range television whose main distinguishing feature is Ambilight. The light that follows the picture can change the atmosphere of an evening viewing and for many people will be the main reason to buy it. It's easy to see why: once you like that effect, you often don't want to go back to watching without it. The picture quality itself is good, but a very similar level has been seen in this series in previous years. The VA panel delivers decent blacks, colours are nicely saturated and the brightness is sufficient for comfortable viewing in a typical living room. It's a pity, though, that Philips didn't take another step and at least implement some form of local dimming. In a dark room you can see a navy-black rather than true black, and HDR, though noticeable, is less impressive as a result. After so many years of The One on the market we'd expect more.

There is a clear step forward in Titan OS. Compared with last year, and especially the version from two years ago, the system has become much more pleasant to use. A few apps have been added, many small functions improved and the annoying bugs we complained about before have been fixed. Overall it runs respectably, although we're again bothered by a remote that has to be pointed at the television. Philips stubbornly sticks with infrared for basic control, even though voice control uses radio connectivity. That makes it harder to understand why radio wasn't also used for menu navigation. The One also has a lot to offer gamers. Four HDMI 2.1 ports and extensive features are one thing, but what impressed us most was the panel's response time. Our unit showed virtually no smearing, even on dark backgrounds, which is rare for LCD TVs with a VA panel. That deserves considerable praise. The ability to play in 4K at 144 Hz or in Full HD at 240 Hz further encourages connecting a PC. Unfortunately there's an unfinished element here too: Dolby Vision when gaming on Xbox incurs very high input lag.

The PQS9000 therefore leaves mixed impressions. It can surprise with excellent motion handling and shows that Philips has worked on the system, but the image quality lacks a similar step forward. This is a television we can recommend primarily to Ambilight fans. If that lighting is what convinces you to choose Philips, buying The One makes a lot of sense. It's worth checking, though, whether you can't find a Mini LED model with good local dimming at a similar price, which would offer deeper blacks and more striking HDR. Then you need to decide what matters more to you: the ambience created by Ambilight or better image quality itself.

TCL MQLED85/C765 stands out due to its use of a VA panel and Mini LED backlighting, which makes a significant difference compared to traditional backlighting systems. Mini LED, with its considerably smaller diodes, allows for more precise control of the screen's backlighting, resulting in much better contrast and deeper blacks. The 55-inch model we are testing has an impressive number of over 700 local dimming zones, providing exceptional precision in image display. However, it is worth noting that the number of backlighting zones may vary depending on the screen size – for larger diagonals, the number of zones naturally increases due to the larger screen area, allowing larger displays to achieve better results in terms of contrast and black levels. Thanks to the vast number of zones, the TCL MQLED85/C765 achieved a performance comparable to OLED screens on our first test scene from the film "Oblivion," offering nearly reference-level contrast. But what happens when we test this model in even more demanding conditions? How will the television perform in more challenging scenarios? Overall, the TCL MQLED85/C765 performs very well in displaying blacks, but in some cases, the local dimming algorithm is not perfect. On dark backgrounds, smaller bright elements can lose clarity and brightness, as confirmed by our recent test scene from the Pioneer Kuro test disc. Despite some imperfections in the local dimming algorithm and the slight occurrence of the HALO effect (which is a bright halo around bright objects on a dark background caused by screen local dimming deficiencies), the results achieved by the TCL MQLED85/C765 are impressive, especially considering its price. This television offers contrast and black depth that can compete with models that are even half again as expensive.

Black levels and contrast on the Philips PQS9000 are decent for an LCD TV without local dimming. That's mainly thanks to the VA panel; in our film scenes contrast often exceeded 5000:1, and in weaker results dropped to around 4000:1. That delivers an image with quite good depth and a clear advantage over typical IPS panels, where blacks are much more prone to looking grey. Unfortunately that's basically where the panel's strengths end. The TV has no local dimming, so it can't dim dark areas separately while retaining strong highlights elsewhere on the screen. All it has is global dimming, which brightens or dims the entire backlight at once. In a completely dark room these limitations become apparent: blacks take on a dark navy hue, and shadowy scenes lack the depth of a good screen with local dimming. Fortunately Ambilight helps here. The light on the wall makes the on-screen blacks appear deeper and slightly masks the panel's glow. That doesn't change the TV's actual contrast, but it affects how our eyes perceive it. In this case Ambilight is therefore not just decorative, as it can also make evening viewing more pleasant.

The television TCL MQLED85/C765 handles HDR well. In the tested movie scenes where the screen is covered with 100% brightness, the model achieves impressive results of around 1000 nits, providing intense and realistic rendering of HDR content. However, similar to contrast, the dimming algorithm may exhibit certain limitations. Despite a large number of Mini LED zones, the television does not always manage to "wow" the user with brightness in very challenging test scenes. For example, in the scene from the film "Life of Pi," where a bright moon appears against a dark background, and in another scene from "Sicario 2," where a very bright light effect is visible on a dark background, the television did not reach maximum intensity. For users expecting perfect HDR performance in such extreme cases, the TCL MQLED may be slightly disappointing. However, in terms of colours, the television stands out with very high coverage of the DCI P3 colour palette at 95%, which is an impressive result, comparable to much more expensive models. TCL MQLED85 / C765 offers support for various HDR formats, including Dolby Vision and HDR10+, which is significant for cinema image enthusiasts. Although this model achieves brightness over 1000 nits, TCL MQLED85 may struggle to reflect details in very high-contrast scenes. For better HDR quality control, C765 is equipped with a dynamic tone mapping option, making the image more realistic and natural depending on the content.

Philips PQS9000 is a moderately bright TV. In our HDR scenes it reached roughly 450 to just over 500 nits. That's enough to notice a difference compared with SDR. Reflections of the sun, lamps or flares have a bit more sparkle than on basic TVs, whose brightness often tops out around 300 nits. However, it is not a level at which bright elements make a particularly strong impression. The biggest limitation remains contrast. Without local dimming, when the TV brightens a bright object it also raises the black level around it. There is therefore no clear separation of strong highlights from a dark background, and it is that contrast that can show what HDR can do. The PQS9000 offers more than the cheapest models, but despite decent brightness the effect remains fairly basic.

Colours

Philips deserves praise for the colours. Although the manufacturer calls this model QLED, in reality a PFS phosphor is used here instead of quantum dots. That choice does not prevent the TV from achieving good results. On both test patterns and in measurements of film scenes we recorded about 94% coverage of DCI-P3 and 75% of BT.2020. For this class of TV that is really good. In practice this means that the vast majority of colours used in HDR films and series will have appropriate saturation. Vibrant green or intense red are not much of an issue and add appeal to the picture. Limitations are easier to notice in some games and in rarer content that use the most saturated shades of the wide BT.2020 gamut. In such situations, displays with wider colour coverage, such as SQD or RGB LED, can show more. In its price bracket, however, the PQS9000 has nothing to be ashamed of.

The television TCL MQLED85/C765 was tested in movie mode, which, although it seems to be the best setting from the manufacturer, is not without flaws. The colour reproduction in HD/SDR mode MQLED85 shows some shortcomings. In the analysis of white balance, there is a significant lack of blue, which can affect the overall image quality, especially in bright scenes where blue shades are crucial for natural representation. The overall shape of the image may then appear too warm. Regarding gamma contrast, the graph shows a large jump above the reference line of 2.4 at the beginning, which may suggest significant dimming of brightness in darker areas, leading to loss of detail in black. Then, for most of the time, the values lie below this line, which may lead to loss of detail in brighter parts of the image. Such a distribution can negatively impact perceived image quality, particularly when watching regular television in HD quality.

In the case of 4K HDR image quality of the TCL MQLED85/C765, there is a noticeable excess of red in the analysis of white balance. This excess can significantly affect the viewer's experience, leading to several significant effects. Firstly, an excessive amount of red can make other colours, such as green or blue, appear muted or unnatural. This distortion of colour balance can result in an overall impression of "over-saturation," which detracts from the naturalness and authenticity of the image. As for contrast, the EOTF (Electro-Optical Transfer Function) graph indicates that most values are above the reference line, suggesting an intense boost in brightness in bright areas of the image. However, there is an exception at the beginning of the graph, where the EOTF line is below the reference line, which can lead to excessive dimming of small light elements.

Users should be aware that despite using the best mode, which is movie mode, the television is not free from flaws in terms of image settings, so it is worth considering adjusting the settings to achieve better results.

Unfortunately, the factory picture settings for Film mode on the PQS9000 need refinement. In SDR the most noticeable problem is an excess of red in the white balance, which makes whites, greys and skin tones too warm, sometimes even slightly pinkish. On top of that the gamma runs below the reference across most of the range. The TV therefore brightens midtones and highlights, making the overall image look flatter than it should.

In HDR the white balance itself is much better. Apart from minor deviations the RGB components track closely, so there is no pronounced colour cast as in SDR. However, the EOTF curve shows a slight brightening of parts of the image, and the biggest issue appears in measurements of the wide colour gamut. Many hues deviate significantly from the target, with errors reaching levels of 8–9. The good gamut coverage we praised earlier therefore does not mean the TV hits specific colours equally well. It can display a wide colour range, but out of the box it does not use it very precisely.

After the professional calibration of the television TCL MQLED85/C765, its colour properties in movie mode have significantly improved, resulting in a much more satisfying visual experience. Both in SDR and HDR modes, the white balance shows no serious errors, and the graph appears much better harmonised. Users can now enjoy natural colour reproduction, which is crucial for obtaining an authentic experience when watching films. It is worth noting that in HDR content, there may be slight colour reproduction errors at the end of the graph, but these are much smaller than before calibration. As a result, characters and landscapes become more realistic, enhancing the depth of immersion in the story.

In terms of contrast, the gamma curve, responsible for HD quality, has been completely free of drops below the reference line, meaning better detail visibility in dark scenes. Nevertheless, there is still a slight boost at the beginning of the graph, which may affect the perception of bright elements. For HDR content, the EOTF curve also exhibits smaller errors, although certain issues with medium tone reproduction may still be noticeable. The EOTF curve measured on actual movie scenes still shows a significant brightness boost, making the image appear more intense but artificially brightened. This is a typical problem for TCL televisions, which may appeal to inexperienced viewers, but can be irritating for those more familiar with an ideal image.

What benefits does professional calibration bring for film enthusiasts? Thanks to it, viewing becomes even more realistic and immersive, and each scene can be fully experienced, preserving details and natural colours.

Calibration brought a significant improvement, especially in SDR material. We managed to even out the white balance and remove the previous colour cast, and the Color Checker measurements now look really very good. Colours are much closer to what should be on screen, so with ordinary TV or SDR films we can be satisfied with the outcome. Unfortunately HDR somewhat spoils that result. On the one hand it is limited by the panel itself, because calibration won't improve contrast or replace local dimming. On the other hand there remain colour errors that we couldn't correct because the CMS settings, that is the colour management controls, were greyed out and inactive. That costs Philips points with us. The white balance can be fine‑tuned, but without access to wide‑gamut adjustments it's not possible to order HDR colours equally well. It's a shame, because the SDR results show the potential is there, but we weren't allowed to make full use of it everywhere.

The fluidity of tonal transitions in the television TCL MQLED85/C765 is quite decent, although some issues are noticeable in both bright and dark test scenes. In particular, colour blending is evident in the scene from the film "The Green Knight", where the red colour of the water transitions to black. Despite these imperfections, the overall quality of gradation is acceptable and does not overly detract from the visual experience. The television handles most scenes well, offering satisfactory tonal transitions, which contributes to an overall pleasing visual experience that will not spoil our cinema enjoyment.

The Philips PQS9000 handles tonal transitions very well. This is especially evident in dark scenes, where shades flow smoothly into one another without visible banding or distinct boundaries between colours. As a result, even on large, uniform areas the image looks smooth. Minor imperfections only appear in lighter tones, but you have to look closely to notice them. During normal viewing they are unlikely to distract from the film. In this category Philips performs really well.

Let’s take another look at the tonal transitions in the TCL MQLED85/C765 television, but in the context of poorer image quality. Despite the presence of the "Gradual Smoothing" option, when set to "low," the effects are practically invisible, disappointing users expecting an improvement in image quality. On the other hand, the "high" setting produces minimal results, and worse still, it can blur significant details, negatively affecting the sharpness and clarity of the displayed image. However, in the context of image scaling, the television successfully displayed the image without overscan, meaning we do not lose any part of the view. The image looks rather decent, and details such as tree branches or the outlines of models do not exhibit significant jaggedness, which positively impacts the visual quality.

Digital picture processing in the Philips PQS9000 performs well, though we have a few reservations. The "Distortion Reduction" function helps to smooth tonal transitions in lower-quality material, but it works rather unevenly. It can improve one part of the image, only to seem to lose its effect a moment later, still in the same scene, and show banding between shades again. A plus is that it doesn't remove film grain or fine noise, so the image retains its texture. We found the 'Medium' setting worked best and we recommend it. The upscaling to 4K itself is acceptable, although the image is very soft. Edges are heavily smoothed, which may leave some viewers feeling the picture lacks definition. In that case, it's worth slightly increasing the sharpness in the TV's menu, as this will make edges appear more defined. However, don't overdo the sharpening slider, otherwise artificial halos may appear instead of an improvement.

TCL MQLED85/C765 is equipped with a panel featuring a standard refresh rate of 120 Hz, with the capability to increase to 144 Hz when connected to a powerful computer. The television also offers a multi-level motion smoother, primarily aimed at users wishing to enhance motion fluidity in films. It allows for the adjustment of effect intensity on a scale from 0 to 10, enabling precise tuning of image smoothness to individual preferences. The response time of the panel is decent, but not perfect. We can observe blurring occurring behind both dark and medium objects.

In terms of motion handling the Philips PQS9000 performs exceptionally well for an LCD TV. It's not just the 144 Hz refresh rate, but above all how quickly the panel itself responds. At 120 Hz there are virtually no typical trailing smears behind moving objects. What is particularly pleasing is that this also applies to darker scenes, where many VA panels clearly struggle. Here motion remains clear and, in this respect, Philips pleasantly surprised us.

The "Motion Styles" feature lets you adjust how motion is displayed. It includes two sliders: "Smoothness" and "Blur Reduction", allowing you to tailor the effect to the content you're watching and your own preferences. Our suggested settings are shown in the photo. Treat them as a starting point and try to find the level of smoothing that suits you best.

TCL MQLED85/C765 has received an impressive rating in the gaming features category, making it an excellent choice for gaming enthusiasts. The television supports all the latest technologies that significantly enhance the gaming experience. Among the key gaming features is ALLM (Auto Low Latency Mode), which automatically switches the TV to low-latency mode, minimising response time and ensuring smooth gameplay. VRR (Variable Refresh Rate) functioning in the range of 48 to 144 Hz eliminates stuttering and screen tearing in dynamic game scenes. Additionally, the TV supports Dolby Vision Game Mode, which provides better image quality in games with exceptional colour depth and contrast. TCL MQLED85/C765 also features a decent if not the best implementation of HGiG (HDR Gaming Interest Group), optimising HDR game display; however, for TCL, it causes detail in whites to be brightened, resulting in some elements merging into a white blob - we can read more about this in the colour reproduction section. It supports various resolutions, such as 1080p@120Hz, 1440p@120Hz, and 4K@120Hz, allowing players to enjoy higher image quality and better fluidity. The Game Bar feature allows easy switching between game settings and quick parameter control, greatly simplifying the adjustment of the television to individual needs. With support for G-Sync and FreeSync technologies, users of NVIDIA and AMD graphics cards will be pleased with the refresh rate synchronisation capabilities, eliminating tearing and stuttering issues, thereby providing a smoother and more immersive gaming experience.

MQLED85/C765 is a television that combines advanced technologies and excellent support for gamers, making it the perfect choice for those who wish to maximise their gaming experiences.

Gaming features

In terms of gaming features, the Philips PQS9000 has a lot to offer. Four HDMI 2.1 ports let you connect several devices without having to choose which one gets the full-capability port. Consoles can use 120 Hz at Full HD, 1440p and 4K, while a PC can also make use of 144 Hz at 4K or 240 Hz if you drop to Full HD. There's also VRR, which matches the refresh rate to the frame rate and prevents screen tearing. Its range is 48 to 240 Hz, with the upper limit applying in Full HD mode.

ALLM is present, so the TV automatically switches to game mode, and HGiG works properly, which is useful when setting HDR on a console. There's also a Game Bar for quick access to settings and signal information. The list even includes Dolby Vision gaming, but it's hard to enjoy this option because of very high input lag. Aside from that caveat, the feature set is really solid.

The latency time on the TCL MQLED85 television reaches impressively low levels in all conditions. Even the most demanding gamers will surely appreciate the minimal input lag of just 8 ms at 4K 120 Hz settings with HDR. Moreover, the latency remains at the same level even with Dolby Vision HDR turned on, which is not the case for many competing models.

Input lag is already less impressive than the gaming features themselves. At 60 Hz we measured 32 ms, both in SDR and HDR. That result is fine for more relaxed games, but in fast-paced shooters you can feel a slight lag. At 120 Hz the delay drops to 16 ms and gaming is noticeably more enjoyable, though the competition can respond even faster.

The biggest problem appears when Dolby Vision is enabled. At 60 Hz the delay is as much as 213 ms, and at 120 Hz it reaches 106 ms. The response to controller input is then clearly delayed, which seriously disrupts gameplay. Therefore, on the PQS9000 it is definitely better to stick with HDR10. Dolby Vision is supported for games, but its practical usefulness remains limited.

TCL MQLED85 will perform well as a computer monitor. With support for chroma 4:4:4, the text on the screen is sharp and legible, which is important for those working with word documents or spreadsheets. One of the greatest assets of this model is its exceptionally low input lag in "PC" mode, which is just 8 ms. This is a reference-level result that ensures fluidity and responsiveness, crucial for both gamers and those engaged in video editing. However, it is worth noting that there is a certain issue related to font display on dark backgrounds. When zooming in on the tested font image, one can see that the horizontal lines are darker compared to the vertical ones. This means that the sub-pixels in the television do not fully illuminate in this case, which can affect the quality of the displayed text. Nevertheless, the overall performance of TCL MQLED85 as a computer monitor is very good and will certainly meet the expectations of many users.

The PQS9000 scores highly for PC compatibility, mainly thanks to its gaming capabilities. A 144 Hz refresh rate at 4K and support for G-Sync Compatible and AMD FreeSync Premium Pro allow frame-rate synchronisation on compatible NVIDIA and AMD cards. Working with text is also good. Regular fonts are sharp and legible, and thanks to proper 4:4:4 chroma handling coloured letters, icons and small desktop elements retain their clarity. The main reservation concerns very small, dark text: the horizontal strokes of letters are noticeably darker than the verticals, which makes some characters look uneven. You probably won't notice this from the sofa, but if someone plans to put The One on a desk and work up close, this flaw may become annoying.

The viewing angles on the TCL MQLED85 television are not its strong suit. The use of a VA panel means that the picture loses a significant amount of brightness when viewed at an angle. Changing the viewer's position, especially when watching with a larger group, can cause colours to appear less saturated and the contrast to become less pronounced. For this reason, it is recommended to sit directly in front of the screen to fully enjoy the picture quality. Although the television offers excellent colour reproduction from a direct view, the loss of brightness and detail at an angle can be problematic for those planning to use the television in a larger room or from different locations.

Viewing angles are one of the weakest points of the Philips PQS9001. Simply moving to the side is enough for the colours to lose saturation noticeably, and for the picture to look washed out and less contrasty. When watching with several people, seats directly in front of the screen will therefore be by far the best.

Unfortunately this is a typical characteristic of VA panels, where good contrast when viewed head-on comes at the cost of poorer off-axis performance. Most TVs with such a panel suffer the same problem and The One is no exception. The swivelling stand helps a little, allowing you to angle the screen towards the viewer, but it won't solve the issue when seats are widely spaced.

MQLED85 performs reasonably well in daytime conditions, and it is worth noting the satin finish of the panel. Although it doesn't handle reflections perfectly, it offers decent performance in various lighting conditions. An average brightness level of over 600 nits is an impressive achievement, allowing for comfortable viewing even in well-lit rooms. As a result, the television performs well both during the day and during evening movie sessions, providing satisfactory picture quality.

The Philips PQS9001 performs quite well for daytime viewing. The main advantage is a stable brightness of around 500 nits, regardless of how many bright elements appear on the screen. Even when watching winter sports or a scene full of white, the image does not dim. In a typical living room that level is more than enough to watch television comfortably without having to draw the curtains.

The satin finish does a decent job of suppressing reflections, though it does not eliminate them completely. A window opposite the screen will be visible and can be distracting, especially in darker scenes. Black holds up well in daylight, so the picture does not become overly washed out. For everyday viewing, it's therefore quite good, as long as the sun is not shining directly on the screen.

TCL MQLED85 television offers many features that enhance user comfort, with the centrepiece of its functionality being the Google TV system. This modern interface allows for easy content searching as well as access to applications available in the Google Play store. Users can utilize voice search in Polish, which greatly facilitates navigation and allows for the quick discovery of interesting programmes, films, or applications. It is also worth noting that Google TV is currently the only system on the market that does not restrict Polish users in accessing applications, offering the greatest availability among all platforms. However, in the context of traditional television viewing, this television has its limitations. It does not offer recording functionality, which may be a significant drawback for those who would like to save their favourite programmes. Additionally, the absence of the Picture-in-Picture (PIP) option limits the ability to simultaneously follow several video sources. On the other hand, the television features the "MultiVision" function, which allows for screen division between the television and a mobile device. This enables users to use applications on their phone while simultaneously watching a television programme. This solution will certainly appeal to those who enjoy multitasking and want to watch television while using social media or browsing the internet on their smartphone. Despite certain limitations, the TCL MQLED85 presents itself as a solid option for users who value modernity and functionality.

Titan OS in this year’s The One shows that Philips has worked on its system. Compared with last year’s version many small details and functions that previously did not behave as they should have been fixed. Now you can use AirPlay without problems, stream the picture from a computer via Miracast or search for something by voice in Polish. The system itself runs decently, though it is certainly not among the fastest. The app library has also grown, with Netflix, Prime Video, Disney+, CANAL+, Apple TV and YouTube available. The selection is still smaller than on Google TV, but when using popular services Titan gives fewer reasons to complain. Everyday convenience has improved in the basic features as well. You can connect Bluetooth headphones and listen through them at the same time as the TV’s speakers, and there is a mode that lets you switch the screen off and leave only the audio playing. USB recording and picture-in-picture (PiP) are missing. What’s most disappointing is the remote — despite its backlit buttons it still controls the TV via infrared, so you have to point it at the screen. The system has gained many useful tweaks, but that part of the operation has stayed the same and can be irritating in daily use.

Thanks to the built-in player, the television is capable of playing most file formats found on external storage devices, making it a versatile tool for consuming multimedia. However, there may be certain limitations in supporting some formats, which could be annoying for more demanding users. Fortunately, the Google TV system allows the installation of other media players from Google Play, which helps eliminate compatibility issues. As a result, users have the option to choose applications that best meet their needs, significantly enhancing the functionality of the television.

The built-in USB player works quickly and smoothly and handles most of the files we tested without a problem. Music playback is good, from popular MP3s to FLAC files, including 96 kHz/24-bit. It's perfectly adequate for everyday playback of media from a USB stick. However, our main reservations again concern photo handling. The player is rather selective about image resolution: it opened our 8, 16 and 32 MP files, but failed with, among others, 4, 12 and 24 MP files. It's hard to see the logic in that when a larger photo works but a smaller one doesn't. That can be irritating when browsing holiday photos.

The sound of the television TCL MQLED85 can be described as decent, making it sufficient for daily viewing of films, television programmes, and games. The speakers branded by Onkyo offer surprisingly good audio quality, and the sound does not screech or distort even at higher volumes.

The Philips PQS9001 has a 2.0 audio system with a total power output of 40 W, which is two 10 W drivers on each side. It performs quite well and noticeably better than most budget TVs. There's plenty of volume, but the sound itself lacks depth. The biggest issue is the lack of low bass, so explosions in films and the heavier parts of music don't have the proper weight.

Higher frequencies aren't reproduced evenly either. Measurements show a clear dip around 2 kHz, a boost at 6-7 kHz and a drop above roughly 8 kHz. This can emphasise sibilant consonants and give the sound an edge, despite the roll-off of the highest treble. It's adequate for everyday viewing, but for films and music it's worth considering additional audio equipment, all the more so given that the TV supports surround sound formats, including Dolby Atmos and DTS. A compatible soundbar or AV receiver will make better use of those formats than the built-in speakers.

TCL MQLED85 / C765 vs Philips PQS9011 / PQS9001 (The One 2026)

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Colours

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Gaming features

Input lag

Compatibility with PC

Viewing angles

Daytime performance

Panel details

TV features

Classic features:

Smart features:

Sound connection options

Supported audio formats (external HDMI eARC audio):

Senior accessibility

Apps

Playing files from USB

Sound

Sound Quality Test

Acoustic Measurements