Compare: TCL MQLED85 / C765 vs Hisense U7S / U77SE

TCL MQLED85, or model C765, is a television that can truly surprise, especially in this price range. It is one of the cheapest models with mini-LED technology, which is immediately evident from the picture quality. The blacks are deep, and the brightness is sufficient even in a brightly lit room. Thanks to the large number of dimming zones, watching films in the evening is a pure pleasure – the blacks are genuinely deep, and the image in dark scenes appears clear. However, it is not perfect – in some shots, you can notice minor issues with small bright elements, but this is really a trifle compared to what this model offers. Google TV works excellently here – there are plenty of applications, and using the system is simply convenient. Voice control in Polish operates flawlessly, which can be particularly useful if you don’t want to type film titles using the remote. Of course, there are minor shortcomings, like the lack of recording features, but these are not things that hinder everyday use. For gamers, it is also a great option. Support for HDMI 2.1, VRR, and low input lag make the television handle consoles well and compete effortlessly with more expensive models from Korean or Japanese manufacturers. It's hard to find something better in this price range concerning smooth and responsive gameplay. During testing, we encountered a few minor software issues, but it's difficult to say if this is a significant drawback. We hope that TCL will release updates, so there is a chance this issue will be resolved quickly. TCL MQLED85/C765 is an excellent choice if you’re looking for a television with good picture quality and modern features at a reasonable price. This model combines accessible mini-LED technology with a convenient Google TV system, while also performing exceptionally well in gaming. The minor software shortcomings are something you can live with, especially considering what this television offers in its class.

Hisense U7S is the latest iteration of the U7 series, whose biggest advantage remains its price-to-quality ratio. You get a Mini LED TV with local dimming, which really improves black levels and gives the picture depth for evening viewing. During the day, the generous brightness headroom is useful, so you don't have to immediately cover the windows. It's not a device without compromises, but as an everyday TV it makes a lot of sense. Gamers benefit a lot as well. The U7S supports high refresh rates from consoles and PCs, has an extensive set of gaming features, and responds very quickly to controller input. Pleasingly, the low input lag is preserved in Dolby Vision too. Add in the smoothly running VIDAA, which offers both Smart features and handy extras for regular TV, and the package is fairly versatile, though compared with last year's U7Q it's hard to call it a big step forward. Unfortunately there are also things that clearly bother us. The first is motion blur. The panel has a high refresh rate, but its pixels don't always keep up, so visible trails follow moving objects. Fans of sports and fast-paced games will notice this especially. The second issue is HDR, which the TV shows somewhat "its own way." Instead of sticking to the brightness encoded in the content, it strongly brightens parts of the image. That was probably meant to look more impressive, but it often has the opposite effect: the scene becomes over-bright, loses depth, and clearly departs from the creators' intent. It's a shame this behavior can't be effectively corrected even during calibration. Despite these remarks, the U7S remains an interesting choice if you're looking to get as much as possible for a reasonable price. Compared with basic LCDs without local dimming, which you can still find at a similar price, it primarily offers much better blacks. And that's exactly its greatest strength. You don't have to reach for an expensive model to get a Mini LED whose advantages are actually noticeable when watching. If you accept its flaws, the Hisense U7S can above all be a cost-effective purchase.

TCL MQLED85/C765 stands out due to its use of a VA panel and Mini LED backlighting, which makes a significant difference compared to traditional backlighting systems. Mini LED, with its considerably smaller diodes, allows for more precise control of the screen's backlighting, resulting in much better contrast and deeper blacks. The 55-inch model we are testing has an impressive number of over 700 local dimming zones, providing exceptional precision in image display. However, it is worth noting that the number of backlighting zones may vary depending on the screen size – for larger diagonals, the number of zones naturally increases due to the larger screen area, allowing larger displays to achieve better results in terms of contrast and black levels. Thanks to the vast number of zones, the TCL MQLED85/C765 achieved a performance comparable to OLED screens on our first test scene from the film "Oblivion," offering nearly reference-level contrast. But what happens when we test this model in even more demanding conditions? How will the television perform in more challenging scenarios? Overall, the TCL MQLED85/C765 performs very well in displaying blacks, but in some cases, the local dimming algorithm is not perfect. On dark backgrounds, smaller bright elements can lose clarity and brightness, as confirmed by our recent test scene from the Pioneer Kuro test disc. Despite some imperfections in the local dimming algorithm and the slight occurrence of the HALO effect (which is a bright halo around bright objects on a dark background caused by screen local dimming deficiencies), the results achieved by the TCL MQLED85/C765 are impressive, especially considering its price. This television offers contrast and black depth that can compete with models that are even half again as expensive.

Hisense U7S delivers good black levels, especially for an entry-level Mini LED model. The 55-inch sample we tested uses 192 local dimming zones, which work well with the VA panel. In most of our scenes contrast ranged from about 21,000:1 to over 51,000:1, and in one it even exceeded 500,000:1. In many films you can clearly see the difference. Dark scenes have depth and blacks don't look grey like on many cheaper LCDs without local dimming.

It gets worse when the screen shows a lot of small bright objects on a dark background (for example the scene shown below). There are too few zones to light each of them separately, so small objects have a bright ring around them. This so-called halo effect is most noticeable when watching in a dark room. In the most demanding shot the contrast fell to around 5,650:1 and here the backlight limitations are already apparent. Even so, given the class of the television, it is hard to call this a flaw, because many Mini LED televisions in a similar price range will have comparable problems.

The television TCL MQLED85/C765 handles HDR well. In the tested movie scenes where the screen is covered with 100% brightness, the model achieves impressive results of around 1000 nits, providing intense and realistic rendering of HDR content. However, similar to contrast, the dimming algorithm may exhibit certain limitations. Despite a large number of Mini LED zones, the television does not always manage to "wow" the user with brightness in very challenging test scenes. For example, in the scene from the film "Life of Pi," where a bright moon appears against a dark background, and in another scene from "Sicario 2," where a very bright light effect is visible on a dark background, the television did not reach maximum intensity. For users expecting perfect HDR performance in such extreme cases, the TCL MQLED may be slightly disappointing. However, in terms of colours, the television stands out with very high coverage of the DCI P3 colour palette at 95%, which is an impressive result, comparable to much more expensive models. TCL MQLED85 / C765 offers support for various HDR formats, including Dolby Vision and HDR10+, which is significant for cinema image enthusiasts. Although this model achieves brightness over 1000 nits, TCL MQLED85 may struggle to reflect details in very high-contrast scenes. For better HDR quality control, C765 is equipped with a dynamic tone mapping option, making the image more realistic and natural depending on the content.

The Hisense U7S has considerable potential for HDR display, but it cannot exploit that potential in every scene. On a test pattern it reaches around 1,100 nits, so the backlight itself is very strong. In our brighter film scenes we measured about 640 to 745 nits. That is still plenty for the sun or bright highlights to have a clear bloom and to show an advantage over SDR material. When the TV needs to brighten a larger portion of the image, it handles it fairly well.

The problem appears with small highlights on a dark background. Each of the 192 zones covers an area much larger than a tiny point on the screen. If the TV were to light that whole zone strongly, it would also brighten the area around the highlight. Hisense tries to avoid that and dims the entire zone. This makes blacks look better, but a small bright object that should attract the eye also loses intensity. That is why in two more demanding scenes we recorded only 297 and 154 nits. The difference is large: in one shot HDR can impress, and in the next small highlights are noticeably muted. The U7S therefore prioritises preserving deep blacks, even at the expense of bright details. With that number of zones it is an understandable compromise, but worth bearing in mind — the peak 1,100 nits tells us about the backlight’s capability, not how brightly the TV will show every element of a film.

Colours

Hisense describes the U7S as ULED, but that is a marketing name, and it is a PFS phosphor backlight that expands the colour palette here. In our measurements the TV covered about 91% of the DCI-P3 colour space and 71% of BT.2020. Those are good results, though they fall short of the best screens on the market. The largest shortfall is in green — the TV does not even reach the DCI-P3 boundary here, so the most intense shades will be less saturated than they should be. Most colours in HDR films and series still look suitably vibrant. A positive is the repeatability of the results. Gamut coverage on test patterns and in film scenes is practically identical.

The television TCL MQLED85/C765 was tested in movie mode, which, although it seems to be the best setting from the manufacturer, is not without flaws. The colour reproduction in HD/SDR mode MQLED85 shows some shortcomings. In the analysis of white balance, there is a significant lack of blue, which can affect the overall image quality, especially in bright scenes where blue shades are crucial for natural representation. The overall shape of the image may then appear too warm. Regarding gamma contrast, the graph shows a large jump above the reference line of 2.4 at the beginning, which may suggest significant dimming of brightness in darker areas, leading to loss of detail in black. Then, for most of the time, the values lie below this line, which may lead to loss of detail in brighter parts of the image. Such a distribution can negatively impact perceived image quality, particularly when watching regular television in HD quality.

In the case of 4K HDR image quality of the TCL MQLED85/C765, there is a noticeable excess of red in the analysis of white balance. This excess can significantly affect the viewer's experience, leading to several significant effects. Firstly, an excessive amount of red can make other colours, such as green or blue, appear muted or unnatural. This distortion of colour balance can result in an overall impression of "over-saturation," which detracts from the naturalness and authenticity of the image. As for contrast, the EOTF (Electro-Optical Transfer Function) graph indicates that most values are above the reference line, suggesting an intense boost in brightness in bright areas of the image. However, there is an exception at the beginning of the graph, where the EOTF line is below the reference line, which can lead to excessive dimming of small light elements.

Users should be aware that despite using the best mode, which is movie mode, the television is not free from flaws in terms of image settings, so it is worth considering adjusting the settings to achieve better results.

Out-of-the-box colours on the Hisense U7S are decent, but there are a few areas to improve. In SDR there is a red bias in the white balance, which makes the picture too warm and, in places, slightly pink. You can notice this on faces and on bright, neutral surfaces. The gamma also runs below the target, so the TV brightens the image, particularly in darker areas. That makes shadow detail easier to see, but the scene loses some of its depth.

In HDR the white balance is somewhat more even, but not entirely neutral, with a shortage of blue in the mid-tones and a lack of red in the brightest parts. A bigger issue is how brightness is rendered. The EOTF curve shows a large portion of the mid-tones being lifted, causing the picture to look brighter than the source intends. Color Checker measurements are also weaker than in SDR: many errors are around 3 to 4, and some reach as high as 8. Colours can therefore look attractive, but they are not always faithful to what we should see. There is room for improvement here and we will see how much can be corrected through calibration.

After the professional calibration of the television TCL MQLED85/C765, its colour properties in movie mode have significantly improved, resulting in a much more satisfying visual experience. Both in SDR and HDR modes, the white balance shows no serious errors, and the graph appears much better harmonised. Users can now enjoy natural colour reproduction, which is crucial for obtaining an authentic experience when watching films. It is worth noting that in HDR content, there may be slight colour reproduction errors at the end of the graph, but these are much smaller than before calibration. As a result, characters and landscapes become more realistic, enhancing the depth of immersion in the story.

In terms of contrast, the gamma curve, responsible for HD quality, has been completely free of drops below the reference line, meaning better detail visibility in dark scenes. Nevertheless, there is still a slight boost at the beginning of the graph, which may affect the perception of bright elements. For HDR content, the EOTF curve also exhibits smaller errors, although certain issues with medium tone reproduction may still be noticeable. The EOTF curve measured on actual movie scenes still shows a significant brightness boost, making the image appear more intense but artificially brightened. This is a typical problem for TCL televisions, which may appeal to inexperienced viewers, but can be irritating for those more familiar with an ideal image.

What benefits does professional calibration bring for film enthusiasts? Thanks to it, viewing becomes even more realistic and immersive, and each scene can be fully experienced, preserving details and natural colours.

Calibration of the Hisense U7S brought the biggest improvements with SDR material. We managed to even out the white balance, so the previous warm tint has gone and whites and greys now look neutral. Gamma is also now very close to the reference, and the TV no longer brightens the picture unnecessarily, so darker scenes have regained depth. Color Checker measurements confirm the improvement: most errors are below 2. That means the picture is very well set up for watching regular TV and SDR films. It wasn't as smooth in HDR. There is no effective way to correct the EOTF curve, so the TV still interprets a film's brightness somewhat on its own. It brightens parts of the picture and can dim the brightest elements depending on the scene and the behaviour of the local dimming. Calibration could not eliminate this. This is also reflected in the Color Checker results, where many errors remain around 3–4 and a few exceed 7. So the result in SDR is really very good, but in HDR we must accept that the TV adds its own interpretation of brightness to the image.

The fluidity of tonal transitions in the television TCL MQLED85/C765 is quite decent, although some issues are noticeable in both bright and dark test scenes. In particular, colour blending is evident in the scene from the film "The Green Knight", where the red colour of the water transitions to black. Despite these imperfections, the overall quality of gradation is acceptable and does not overly detract from the visual experience. The television handles most scenes well, offering satisfactory tonal transitions, which contributes to an overall pleasing visual experience that will not spoil our cinema enjoyment.

Smoothness of tonal transitions is one of the strengths of the Hisense U7S. HDR10 content performs particularly well, with colours blending gently from one to another without obvious banding. Even in dark scenes it is hard to find significant issues. Minor colour banding becomes visible only in brighter shots, but during normal viewing it is hardly noticeable. It is slightly worse in Dolby Vision, where the boundaries between tones can be more apparent. For that reason Hisense loses some points with us, although overall this remains a very good result and one of the better performers in its class.

Let’s take another look at the tonal transitions in the TCL MQLED85/C765 television, but in the context of poorer image quality. Despite the presence of the "Gradual Smoothing" option, when set to "low," the effects are practically invisible, disappointing users expecting an improvement in image quality. On the other hand, the "high" setting produces minimal results, and worse still, it can blur significant details, negatively affecting the sharpness and clarity of the displayed image. However, in the context of image scaling, the television successfully displayed the image without overscan, meaning we do not lose any part of the view. The image looks rather decent, and details such as tree branches or the outlines of models do not exhibit significant jaggedness, which positively impacts the visual quality.

The handling of lower-quality material is fairly mediocre on the Hisense U7S. The Pentonic 700 chipset used here does not cope particularly well with strong compression artefacts. The menu includes a "Smooth and Gradient Image" function, but its performance leaves much to be desired. At the low setting tonal transitions show little improvement, although at least the image does not suffer. The medium and high settings still do not remove obvious banding between shades, and they begin to blur details; in our test material even parts of characters' faces disappeared. Interestingly, film grain remains untouched at every level. If you do use this feature, stick to the low setting. Its current behaviour needs refinement, but that is mainly down to the chipset used here.

Upscaling to 4K performs much better. Lower-resolution content gains in legibility, edges are well reproduced, and fine elements look sharp. That does not mean it recovers details that were never in the recording, but the TV makes good use of what it receives from the source. Another plus is that it does not crop the image edges, even with an SD signal.

TCL MQLED85/C765 is equipped with a panel featuring a standard refresh rate of 120 Hz, with the capability to increase to 144 Hz when connected to a powerful computer. The television also offers a multi-level motion smoother, primarily aimed at users wishing to enhance motion fluidity in films. It allows for the adjustment of effect intensity on a scale from 0 to 10, enabling precise tuning of image smoothness to individual preferences. The response time of the panel is decent, but not perfect. We can observe blurring occurring behind both dark and medium objects.

Motion handling on the Hisense U7S is decent thanks to the 144 Hz refresh rate. For films there is also a motion smoother with adjustable judder and blur reduction. You can therefore keep a more cinematic motion or increase smoothness if jerky camera pans bother you. The high refresh rate is also useful for sports and gaming, but unfortunately it does not solve the panel's biggest problem.

That problem is pixel response time. Fast-moving objects leave long, clearly visible trails, as our UFO test shows. It looks worst on dark backgrounds, where the trail behind the object is particularly pronounced. So motion can be smooth, but the moving object itself loses sharpness, and that difference on the U7S is fairly easy to notice.

TCL MQLED85/C765 has received an impressive rating in the gaming features category, making it an excellent choice for gaming enthusiasts. The television supports all the latest technologies that significantly enhance the gaming experience. Among the key gaming features is ALLM (Auto Low Latency Mode), which automatically switches the TV to low-latency mode, minimising response time and ensuring smooth gameplay. VRR (Variable Refresh Rate) functioning in the range of 48 to 144 Hz eliminates stuttering and screen tearing in dynamic game scenes. Additionally, the TV supports Dolby Vision Game Mode, which provides better image quality in games with exceptional colour depth and contrast. TCL MQLED85/C765 also features a decent if not the best implementation of HGiG (HDR Gaming Interest Group), optimising HDR game display; however, for TCL, it causes detail in whites to be brightened, resulting in some elements merging into a white blob - we can read more about this in the colour reproduction section. It supports various resolutions, such as 1080p@120Hz, 1440p@120Hz, and 4K@120Hz, allowing players to enjoy higher image quality and better fluidity. The Game Bar feature allows easy switching between game settings and quick parameter control, greatly simplifying the adjustment of the television to individual needs. With support for G-Sync and FreeSync technologies, users of NVIDIA and AMD graphics cards will be pleased with the refresh rate synchronisation capabilities, eliminating tearing and stuttering issues, thereby providing a smoother and more immersive gaming experience.

MQLED85/C765 is a television that combines advanced technologies and excellent support for gamers, making it the perfect choice for those who wish to maximise their gaming experiences.

The Hisense U7S has a lot to offer gamers. You get two HDMI 2.1 ports and support for 120 Hz at Full HD, 1440p, and 4K, so modern consoles’ capabilities are well used. When connected to a PC you can use 144 Hz at 4K or switch the resolution to Full HD and run 240 Hz. So there’s a wide choice, although it’s worth remembering the motion smearing mentioned earlier, which the high refresh rate does not eliminate. VRR and ALLM are also present. The first helps prevent tearing when frame rates in a game change. The second automatically switches the TV into game mode, so you don’t have to dig through the menu each time. VRR works from 48 to 240 Hz, with the highest refresh rate available in Full HD. Xbox users can also play in Dolby Vision, including at 120 Hz. Importantly, this format does not introduce significant input lag here. The Game Bar also looks very good. It’s easy to read, visually appealing, and lets you quickly check what signal the TV is receiving. There are also handy gaming settings at your fingertips, including shadow brightening. If it’s hard to spot an opponent in a dark game, you can improve visibility without digging through the entire menu.

Our biggest complaints concern HGiG. Hisense continues to do its own tone mapping, which makes setting HDR on the console confusing. You adjust a checkerboard test pattern and the TV continuously adapts how it looks. As a result, the moment the pattern disappears does not correctly indicate the screen’s brightness limit, and it’s easy to set the value too high. For this model it’s better to set the target HDR peak brightness on the console to about 900 to 1000 nits, rather than relying on the configurator.

The latency time on the TCL MQLED85 television reaches impressively low levels in all conditions. Even the most demanding gamers will surely appreciate the minimal input lag of just 8 ms at 4K 120 Hz settings with HDR. Moreover, the latency remains at the same level even with Dolby Vision HDR turned on, which is not the case for many competing models.

In terms of input lag, the Hisense U7S performs excellently. At 60 Hz we measured 14 to 16 ms, and at 120 Hz just 9 to 10 ms. The controls are responsive and even in fast-paced games the TV doesn't add any noticeable delay. Importantly, Dolby Vision performs just as well: 14 ms at 60 Hz and 9 ms at 120 Hz mean you don't have to give up the format for fear of added latency. The motion blur described earlier is a separate issue: the screen reacts quickly to inputs, but the pixels do not always keep up with changes in colour.

TCL MQLED85 will perform well as a computer monitor. With support for chroma 4:4:4, the text on the screen is sharp and legible, which is important for those working with word documents or spreadsheets. One of the greatest assets of this model is its exceptionally low input lag in "PC" mode, which is just 8 ms. This is a reference-level result that ensures fluidity and responsiveness, crucial for both gamers and those engaged in video editing. However, it is worth noting that there is a certain issue related to font display on dark backgrounds. When zooming in on the tested font image, one can see that the horizontal lines are darker compared to the vertical ones. This means that the sub-pixels in the television do not fully illuminate in this case, which can affect the quality of the displayed text. Nevertheless, the overall performance of TCL MQLED85 as a computer monitor is very good and will certainly meet the expectations of many users.

When connected to a PC you can run 4K at 144 Hz, with G-Sync enabled and input lag of around 10 ms. It's a good setup for gaming, although panel smearing is still noticeable in fast-moving scenes. 4:4:4 chroma subsampling also works correctly, even at the maximum refresh rate, so coloured text and small desktop elements remain legible.

For web browsing or occasional work the U7S is quite suitable, but not all fonts look equally sharp. Our main complaint is small, dark text: thin strokes of letters can disappear and characters look uneven. It's hard to notice that from the sofa, but when working up close, especially with text or spreadsheets, it can become distracting.

The viewing angles on the TCL MQLED85 television are not its strong suit. The use of a VA panel means that the picture loses a significant amount of brightness when viewed at an angle. Changing the viewer's position, especially when watching with a larger group, can cause colours to appear less saturated and the contrast to become less pronounced. For this reason, it is recommended to sit directly in front of the screen to fully enjoy the picture quality. Although the television offers excellent colour reproduction from a direct view, the loss of brightness and detail at an angle can be problematic for those planning to use the television in a larger room or from different locations.

Viewing angles are unfortunately a weak point of the Hisense U7S. Even after shifting to the side, colours lose saturation, blacks become lighter and the picture looks washed out. At a 45-degree angle we measured as much as a 74% drop in brightness, so the difference compared with watching head-on is really significant. This is a typical limitation of VA panels. When seated centrally you can appreciate its good contrast, but people at the far ends of a wide sofa will see a noticeably poorer picture. The U7S is therefore best suited to setups where seating is positioned as directly in front of the screen as possible.

MQLED85 performs reasonably well in daytime conditions, and it is worth noting the satin finish of the panel. Although it doesn't handle reflections perfectly, it offers decent performance in various lighting conditions. An average brightness level of over 600 nits is an impressive achievement, allowing for comfortable viewing even in well-lit rooms. As a result, the television performs well both during the day and during evening movie sessions, providing satisfactory picture quality.

The Hisense U7S handles daytime viewing well. In SDR we measured an average of around 664 nits, and depending on the screen content brightness ranged roughly between 500 and 800 nits. Even with an all-white image it stays above 500 nits, so a sports broadcast or a bright TV programme does not suddenly look dimmed. That is plenty of headroom for comfortable viewing in most living rooms. The satin coating does a decent job suppressing reflections, but a window opposite the TV will still be visible. In the photo it is clear that its reflection can obscure part of the picture, so high brightness alone does not solve everything. A plus is the handling of blacks and colours in daylight, which do not become overly grey. Overall the U7S performs well in a bright room, though you should position it to avoid direct reflections from windows.

TCL MQLED85 television offers many features that enhance user comfort, with the centrepiece of its functionality being the Google TV system. This modern interface allows for easy content searching as well as access to applications available in the Google Play store. Users can utilize voice search in Polish, which greatly facilitates navigation and allows for the quick discovery of interesting programmes, films, or applications. It is also worth noting that Google TV is currently the only system on the market that does not restrict Polish users in accessing applications, offering the greatest availability among all platforms. However, in the context of traditional television viewing, this television has its limitations. It does not offer recording functionality, which may be a significant drawback for those who would like to save their favourite programmes. Additionally, the absence of the Picture-in-Picture (PIP) option limits the ability to simultaneously follow several video sources. On the other hand, the television features the "MultiVision" function, which allows for screen division between the television and a mobile device. This enables users to use applications on their phone while simultaneously watching a television programme. This solution will certainly appeal to those who enjoy multitasking and want to watch television while using social media or browsing the internet on their smartphone. Despite certain limitations, the TCL MQLED85 presents itself as a solid option for users who value modernity and functionality.

Smart TV: VIDAA

VIDAA HOME OS on the Hisense U7S is feature-rich, yet runs quickly and does not complicate everyday use. Besides apps there is AirPlay for streaming from Apple devices and Miracast, which lets you mirror a computer’s screen. There is also voice search in Polish, so instead of typing a film title with the remote you can simply say it. You can also connect a keyboard and mouse. So there is little to complain about in terms of smart features, although before buying it is worth checking the availability of specific apps you use, because it is not as extensive as on competing systems.

Conventional features and the remote

Hisense has not forgotten people who watch regular TV. The U7S lets you record programmes from terrestrial TV to USB and schedule recordings for later. There is teletext, the ability to listen to audio with the screen turned off, and support for Bluetooth headphones. Usefully, headphones can work at the same time as the TV speakers, so one person can use them, for example a senior, while others continue to listen normally. One notable omission is picture-in-picture, or PiP.

We were not fond of the remote itself. It feels very plastic and looks rather cheap, but it does its job well. It has a full numeric keypad, plenty of shortcuts and operates via radio, so you do not need to point it at the screen. It is a shame the buttons are not backlit. Hisense reserves more stylish versions of the remote for higher-end models, such as the U7S Pro.

Thanks to the built-in player, the television is capable of playing most file formats found on external storage devices, making it a versatile tool for consuming multimedia. However, there may be certain limitations in supporting some formats, which could be annoying for more demanding users. Fortunately, the Google TV system allows the installation of other media players from Google Play, which helps eliminate compatibility issues. As a result, users have the option to choose applications that best meet their needs, significantly enhancing the functionality of the television.

The USB player in the Hisense U7S handles most common file types. It played our H.264 and H.265 material without problems, including high-bitrate 4K clips and a Dolby Vision test file. SRT and SUB subtitles work, including Polish characters and changes to font colour. Not everything ran, though. AV1 and H.266 VVC files did not play, nor did ASS and TXT subtitles. Audio performance is good, from ordinary MP3s to FLAC 96 kHz/24-bit, although AIFF and DSD are not supported.

Our biggest reservations concern photos. The range of supported formats is broad — besides JPEG and PNG, WebP and TIFF also work, but HEIC won’t open. Resolution handling is odd. The TV displayed 4, 6, 8, 16 and 32 Mpix images but couldn’t cope with 10, 12 or 24 Mpix files. So this isn’t a simple image-size limitation. The player is perfectly adequate for movies and music, but when showing holiday photos you may find you need to convert some files beforehand.

The sound of the television TCL MQLED85 can be described as decent, making it sufficient for daily viewing of films, television programmes, and games. The speakers branded by Onkyo offer surprisingly good audio quality, and the sound does not screech or distort even at higher volumes.

The USB player in the Hisense U7S handles most common video and music files well. It supports 4K content, including a Dolby Vision file we tested, and displays Polish characters correctly in subtitles. It should therefore be sufficient for everyday use with a USB stick, although there are problems with less common formats. Our main reservations concern photos. The TV handles photo resolutions rather inconsistently and can open a larger image but refuse to display a smaller one. That can be irritating when browsing a holiday album, as you cannot be sure that all photos will work. Some will require prior preparation on a computer.

TCL MQLED85 / C765 vs Hisense U7S / U77SE

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Colours

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

Daytime performance

Panel details

TV features

Classic features:

Smart features:

Sound connection options

Supported audio formats (external HDMI eARC audio):

Senior accessibility

Smart TV: VIDAA

Conventional features and the remote

Apps

Playing files from USB

Sound

Sound Quality Test

Acoustic Measurements