Samsung QN900D Neo QLED 8K vs Philips OLED770

The Samsung QN900D television demonstrates its high capabilities in light production in synthetic tests without any issues – 1400 nits is truly an impressive figure. It also showcased these capabilities in the first scene from the film "Life of Pi," where we see a brilliant burst of the rising sun. However, due to problems with the dimming algorithm, some issues can be noticed here. In the test scenes from "Sicario 2" and the second scene from "Life of Pi," these values are no longer as high and amount to around 500-600 nits. While this may not be the worst result among Mini LED televisions, one could expect more given the price of the television. Nonetheless, the television deserves praise for covering a wide colour gamut of DCP P3 at 96%. Although there are technologies offering higher values, this result is still satisfactory.

The Philips OLED770 does not attempt to compete with the brightest OLEDs on the market, and it would be difficult to expect that, as it is the entry-level model in Philips' range for 2025. In our measurements, it reached a maximum of around 700 nits, which allows enjoyment of HDR effects in scenes where light appears sporadically – for example, in the flash of headlights or a starry sky. In such moments, the image can truly be stunning. However, it is different when there are more bright elements on the screen. The television, like many cheaper OLEDs, limits luminance in those situations, causing the entire image to noticeably dim. This was best observed in a scene from the film The Meg, where the sun comes out behind an oil rig – the brightness then dropped to around 250 nits, which is almost three times less. The HDR effect remains pleasant to the eye, but it is worth being aware that this model performs best in scenes with less intense light. Fortunately, the OLED770 has a trump card – the coverage of the DCI-P3 colour gamut is as high as 99%, so colours in films and games are vivid and very close to what the creator intended to convey.

The television QN900D offers a Filmmaker mode that has been created with the intention of watching films in the most natural way possible, however, this mode is not without certain flaws. For HD content, the white balance shows a dominance of red and blue colours, causing the image to take on pink hues. In contrast, for 4K HDR content, the situation is the opposite – the decrease in blue and red levels warms up scenes and shifts colours towards yellow tones. This is confirmed by Color Checker tests, which clearly show that colour samples are veering in this direction.

As for brightness and the associated contrast, the gamma is significantly impaired. The biggest issue is a noticeable jump at the beginning of the graph, which indicates that dark details are excessively brightened, resulting in a loss of depth in the darkest areas of the image – this is due to local dimming. For 4K HDR materials, the EOTF curve looks quite good, however, it remains below the reference level, impacting the overall dynamics of the image.

The first measurements already show that the factory settings of the Philips OLED770 have quite a lot to improve even in Filmmaker mode. The white balance chart clearly shows a lack of blue, resulting in a slightly yellowish tint to the image. In practice, the white is not snowy but leans towards warmer tones – which some may even appreciate, but from the perspective of accuracy, this is a deviation from the norm. The gamma, on the other hand, tends to the darker side – the average value is around 2.6 instead of the reference 2.4. In the midtones, the image appears subdued and more saturated, which may seem too "filmic," but detracts somewhat from naturalness. However, the most issues are evident in colour reproduction. The average error is relatively high, and some colours – particularly shades of grey – deviate significantly from what one should see. In everyday viewing, this means that sometimes colours may look less natural than we would like.

After calibration, the Filmmaker mode can indeed be called worthy of its name. The white balance for both HD and 4K HDR content has been significantly improved, making colours more natural and consistent. The image has gained in realism, and pink hues in HD content have been effectively eliminated, as has the yellowish glow in 4K HDR content. Thanks to calibration, the television now offers much better colour reproduction, positively affecting the viewing experience.

As for brightness, the situation with gamma is now quite the opposite – at the beginning of the graph, there is a noticeable drop, making the darkest details harder to discern. The EOTF curve for 4K HDR content has remained largely unchanged and is still below the reference level, meaning the television still struggles to maintain proper brightness. This is related to the aggressive dimming algorithm that affects the overall brightness of the image. You can see how the television fights to maintain high brightness or perfect black.

Despite the limitations associated with local dimming, the Samsung QN900D has improved colour reproduction quality, as confirmed by the Color Checker test results – the colour samples are now much closer to the targets, making the image more natural and pleasing to the eye.

The Philips OLED770 from the outset signalled that it harboured significant potential, but in its factory settings, it was difficult to see this fully. The picture was often too warm, and some colours appeared to have lost their naturalness along the way. Calibration, however, revealed that it is a very responsive television – it reacted to every adjustment and almost immediately unveiled another layer of its capabilities. The white balance could be set in both SDR and HDR to eliminate the yellowish tint and introduce a neutral, clear white. The gamma stabilised closer to perfection, allowing midtones to regain their naturalness, and shadows stopped being artificially darkened, perhaps even with a slight brightening effect. The result was obvious... Films were watched with greater ease; the picture had cinematic depth, but without the feeling that something was exaggeratedly darkened. However, the most interesting aspect was the work on colours. Factory errors were not dramatic but slightly noticeable – skin tones were sometimes too warm, and grey didn’t always have the shade we expected. After calibration, the error values dropped to around 2, and in many cases even below 1. This is certainly a level lower than the threshold of human perception. In other words, after correction, the colours finally "clicked" into place. Looking at the screen, we had the impression that the television had begun to speak with its full voice. Like an instrument that has finally been well tuned.

The fluidity of tonal transitions in lower-quality materials is impressive – the Noise Reduction feature effectively smooths tonal transitions while eliminating film grain. Although the removal of grain is not always desirable, the overall final effect looks very aesthetically pleasing, particularly for those who prefer a cleaner image.

When it comes to upscaling, or image scaling, QN900D shows the enormous potential of the new processor with AI technology. Images and materials in lower resolution are upscaled while preserving many details – for example, a photo of a model looks fantastic, free of unnecessary jagged edges, and the branches in the background are not overly jagged.

The issue of the aforementioned colour banding can largely be mitigated thanks to the 'distortion reduction' feature, which is an algorithm for smoothing tonal transitions in Philips. It performs best at a low setting – effectively eliminating unwanted colour bands while not introducing strange artefacts or losing image detail. This is one of those features that is truly worth leaving switched on.

The situation is somewhat worse regarding upscaling. The image from a lower resolution can be too soft, while in some areas, characteristic 'jaggies' appear. The impression is that the algorithm is trying to reconcile two conflicting directions – smoothing and sharpening – and ultimately fails to find a happy medium. As a consolation, it can be added that the television has no issues with overscan, meaning it does not cut off the edges of the image, which sometimes occurs in other competing models.

Samsung QN900D is currently the fastest television in the world – literally. A refresh rate of 240 Hz in 4K resolution is an incredible value that PC gamers will surely appreciate. As for cinema fans, they will not be disappointed either – Samsung offers a 10-step clarity scale in the picture settings, allowing for image adjustments. We can choose whether the television should provide a smoother, theatrical effect at the highest settings, or a more cinematic experience, with visible frames, at the lowest settings.

The issue of the matrix in the Philips OLED770 is not entirely straightforward. The manufacturer claims a 120 Hz panel, but our measurements showed that the screen can accept a 4K signal even at 144 Hz. That sounds like great news – after all, who wouldn't want an additional mode for PC gamers at this price? However, the reality turned out to be more complex. With 120 Hz content, the television behaves like most OLEDs – the image is absolutely clear, with no trace of ghosting or blurring, making it perfect for both dynamic games and sports broadcasts. The problem only arises at 144 Hz. Unlike models with official support for this frequency, here you can observe the phenomenon known as frame skipping. This means that the television cannot display all the frames – some are skipped, causing motion to lose smoothness, and double contours appear on the screen. The effect resembles the operation of the BFI function, which Philips does not offer in this model anyway.

Samsung QN900D is a television that offers excellent compatibility with consoles and a range of features that gamers will appreciate. It has 4 HDMI 2.1 ports, although unfortunately without the full bandwidth of 48 Gb/s. Nevertheless, for the average user, this is more than sufficient. Additionally, the television supports Auto Low Latency Mode (ALLM) and Variable Refresh Rate (VRR), which means a smoother image and no screen tearing during dynamic gameplay. The G-Sync and FreeSync technologies also deserve attention, as they ensure optimal cooperation with consoles and computers equipped with the appropriate graphics cards, minimizing stuttering and providing a smooth image.

One of the unique features available only in Samsung televisions is the Xbox Game Pass app, which allows for game streaming without the need for a console. This is a very convenient solution that lets you enjoy your favourite games without the need to purchase additional hardware. Furthermore, the QN900D has a Game Bar – a special panel that enables quick access to game-related settings, making the configuration of game mode fast and intuitive.

Another interesting feature is a function called Auto Motion Plus Game, which is a special motion smoothing mode that can increase the frame rate (operating at a maximum for a 4K@60Hz signal). Importantly, this does not cause a significant increase in input lag, allowing the player to enjoy both greater image smoothness. All these features make the Samsung QN900D an excellent choice for those looking for a gaming television with the highest possible specifications.

If someone is looking for a television for gaming, the Philips OLED770 is a contender that is hard to ignore. The mere fact that we have an OLED here provides an excellent starting point – perfect black and infinite contrast make evening sessions in atmospheric games look as if they were lifted straight from the cinema. On top of that, there is the Ambilight system, which consists of LEDs on the back of the television that extend the image onto the wall behind the screen. The effect is such that even playing FIFA can look like a small spectacle, and in horror games the atmosphere becomes truly thick. From a technical standpoint, it's also quite decent. The Philips OLED770 supports variable refresh rate (VRR) up to 120 Hz, has an automatic mode for gamers (ALLM), and if someone is using an Xbox Series X, they can also count on Dolby Vision support in games. One must only know that in this mode the input lag is slightly higher than standard, though still at an acceptable level. As a bonus, we get the “Game Bar” panel, which is a special tool bar for gamers. It isn’t the most conveniently designed solution, but it allows you to check key parameters without leaving the game. Overall, this results in a television that, on one hand, has all the essential gaming features, and on the other, can add something unique – Ambilight. And it is this mix of technology and visual effect that makes the OLED770 one of the better screens for gaming at home.