Compare: Philips The One (PUS8959 / PUS8919 / PUS8909 / PUS8949 vs Philips OLED770

Philips PUS8959, also known by other designations under the abbreviation PUS89 (depending on the sales network), is a model from the popular series The One. Its biggest distinguishing feature is the Ambilight system, which continues to make a great impression. The three-sided lighting adapts to the picture on the screen, making films, series, or games literally spill over the edges of the television. The One is also a good option for gamers. The 120 Hz matrix and low input lag ensure that games run smoothly, and motion on the screen is clear. We tested several dynamic titles on the console, and the television handled them without any issues – no stutters or delays. Additionally, support for HGiG allows for better reproduction of HDR effects in games. This is an excellent solution if we care about consistency of the image with what the creators intended. The picture quality is at a good level, especially during the day. With a brightness of 550 nits, The One performs well even in well-lit rooms, and Dolby Vision in HDR films delivers vibrant colours and sharp details. However, the ADS matrix has its limitations – the black in dark scenes resembles a grey shade more, which can be noticeable when watching in a darkened room. When we watched films with the lights off, the lack of depth in the blacks was somewhat striking. The operating system Titan OS is something that still requires refinement. It is fast, but the limited number of applications can be frustrating for those accustomed to more robust platforms, such as GoogleTV. For daily use of Netflix or YouTube, it works flawlessly, but if we expect more advanced features, the system may not meet our expectations. Generally, Philips The One is a good choice in its price class. The Ambilight system impresses and significantly enhances the viewing experience, especially in the evening. It is also a solid option for gamers, thanks to the fluidity of the image and low input lag. While the black isn't perfect, and the operating system needs improvement, the television performs well in everyday use. For fans of unique solutions, such as Ambilight, it is a proposal that definitely deserves attention.

Philips OLED770 is a television that stands out primarily due to the quality of its picture – the characteristic perfect black and infinite contrast typical of OLEDs make even the most ordinary evening of watching a series feel like a small cinematic experience. After calibration, the colours gain naturalness and coherence, and details in dark scenes are separated from the lights with surgical precision. It is a screen that gives the impression of engaging with premium-class technology, even though formally it is a budget OLED in Philips' portfolio. The second pillar on which the OLED770 stands very firmly is gaming. Here, the manufacturer has really done their homework. VRR works up to 120 Hz, and we have an automatic game mode (ALLM), while input lag in standard HDR10 or SDR modes at 120 Hz can drop to 5 ms – results that will easily satisfy even the most demanding gamers. And finally, the Ambilight system – for many, it is just a gadget, but during longer sessions, it really makes a difference. The colourful LEDs behind the screen dynamically respond to what is happening in the game and can immerse you even further into the virtual world. This is precisely why one could risk stating that the OLED770 is one of the more interesting budget gaming televisions on the market.

However, not everything shines so brightly when it comes to Smart TV... TitanOS is the biggest drawback of this model. Theoretically, it has everything needed: access to applications, AirPlay support, and voice commands. In practice, however, the app list is limited, screen mirroring often does not work at all, and voice search does not support the Polish language. Additionally, the remote control, although well-designed and backlit – works via infrared, which sounds downright anachronistic in 2025. The system is supposedly fast, but it can be irritating due to errors, and instead of encouraging usage, at times it rather encourages us to turn it off. And here we come to the crux: the OLED770 is a television that works great as a screen for films and games, but not necessarily as a multimedia centre for the home. For someone who primarily uses a console, home cinema, or operator's decoder – this will be a well-chosen option. We get a fantastic picture, a full set of modern gaming functions, and of course, the proprietary AmbilightTV lighting system! But if someone is looking for a television that is meant to replace everything and be a multimedia powerhouse, it is better to look towards more expensive Philips models that offer more refined system solutions like GoogleTV.

The Philips PUS8959 television is based on ADS technology, which offers slightly different parameters compared to popular VA matrices. In the tested images, the contrast measured around 2000:1, making the black levels far from ideal. ADS panels are known for their weaker contrast compared to VA matrices, which in practice means that instead of deep blacks, we see more navy or grey shades. However, the ADS panel is still better than a standard IPS panel, which cannot achieve such a level of contrast. Additionally, the Philips PUS8959 is not equipped with local dimming technology, which could improve these parameters. The absence of this function exacerbates the effect of shallow blacks, particularly noticeable in dark scenes, like those in the film "Sicario 2". Instead of intense blacks, the screen produces a silvery glow, which can be bothersome, especially when watching in darker conditions. All of this causes the visual experience to lose depth, and details in dark scenes are not as well visible as one might expect from higher-end screens. Despite the lack of local dimming, the television is equipped with something called Global Dimming. The television is capable of completely dimming the panel to achieve higher contrast, but at the cost of details that may blend together, for example, lights in the test image from the film Oblivion. It is worth mentioning that the model we received for testing has quite significant patches resulting from uneven backlighting, although this is not a rule, one must consider that we may receive a unit like this when purchasing.

In terms of black levels and contrast, the Philips OLED770 does not introduce any revolution – but with OLEDs, it would be difficult to expect one. The organic matrix allows for the complete dimming of individual pixels, which in practice gives us almost perfect black and contrast that reaches infinity. Whether we are watching night scenes in films or scenes full of small bright points, the television precisely separates details from the background. There are no halo effects or other artifacts typical of LCD televisions with local dimming. Choosing an OLED – including the 770 model – provides assurance that in this category, the picture will look stunning.

The luminance chart for Philips PUS8959 shows that the television is capable of achieving around 550 nits of brightness, which can be considered a satisfactory level. This brightness allows for the effects of HDR to be experienced, particularly standing out in more demanding scenes. In the tested test patterns, the television performed quite well, even in challenging sequences such as those from "Sicario 2". Due to the lack of local dimming, the television does not dim small bright elements, and they shine with the full "power" of the television but at the expense of the silvery blacks mentioned in the paragraph about black levels. It is also worth praising Philips PUS8959 for its good coverage of the DCI-P3 colour palette, which amounts to approximately 94.5%. As a result, colours are vivid and close to the creators' intentions, which further enhances the quality of HDR effects and the experience of watching high dynamic range content.

The Philips OLED770 does not attempt to compete with the brightest OLEDs on the market, and it would be difficult to expect that, as it is the entry-level model in Philips' range for 2025. In our measurements, it reached a maximum of around 700 nits, which allows enjoyment of HDR effects in scenes where light appears sporadically – for example, in the flash of headlights or a starry sky. In such moments, the image can truly be stunning. However, it is different when there are more bright elements on the screen. The television, like many cheaper OLEDs, limits luminance in those situations, causing the entire image to noticeably dim. This was best observed in a scene from the film The Meg, where the sun comes out behind an oil rig – the brightness then dropped to around 250 nits, which is almost three times less. The HDR effect remains pleasant to the eye, but it is worth being aware that this model performs best in scenes with less intense light. Fortunately, the OLED770 has a trump card – the coverage of the DCI-P3 colour gamut is as high as 99%, so colours in films and games are vivid and very close to what the creator intended to convey.

The television Philips PUS8959 has been tested in the best, theoretically most precise picture mode – Filmmaker. Although the name suggests cinematic quality, it unfortunately falls short of perfection. The biggest problem in this mode is the white balance, both in HD and 4K content. It is characterised by a significant dominance of red colour and drops in green levels, resulting in unnatural colour reproduction. For example, white elements in the image have a noticeable pink hue, and the green is less vibrant, causing the overall image to lose its naturalness and colour balance. The ColorChecker test confirms these errors – it is clearly visible how the colour samples "deviate" from the correct values, which can be best observed on the sample squares that should accurately reproduce the colours. The lack of accuracy in this regard affects the realism and fidelity of the image, which is particularly undesirable in Filmmaker mode.

As for the brightness characteristics, the gamma chart resembles a true roller coaster – with small elements displayed on the screen, the brightness is excessive, causing details to become overly exposed. Conversely, at higher gamma values, the image loses contrast and becomes too dark, making the overall appearance lack dynamism. Similar problems can be observed in the EOTF characteristics – the television is unable to accurately reproduce brightness levels, negatively impacting the overall picture quality.

The first measurements already show that the factory settings of the Philips OLED770 have quite a lot to improve even in Filmmaker mode. The white balance chart clearly shows a lack of blue, resulting in a slightly yellowish tint to the image. In practice, the white is not snowy but leans towards warmer tones – which some may even appreciate, but from the perspective of accuracy, this is a deviation from the norm. The gamma, on the other hand, tends to the darker side – the average value is around 2.6 instead of the reference 2.4. In the midtones, the image appears subdued and more saturated, which may seem too "filmic," but detracts somewhat from naturalness. However, the most issues are evident in colour reproduction. The average error is relatively high, and some colours – particularly shades of grey – deviate significantly from what one should see. In everyday viewing, this means that sometimes colours may look less natural than we would like.

After calibration, the television Philips PUS8959 shows a significant improvement in colour reproduction, especially in HD content. The white balance is exceptionally even, and the Delta E error values are below 1, which can be considered a remarkable result. Additionally, the gamma, responsible for brightness in lower-quality materials, performs very well, maintaining a stable level at 2.4, leading to an appropriate balance between bright and dark areas of the image.

As for 4K HDR materials, a significant improvement is also visible. The white balance, although not as perfect as with HD content, no longer exhibits issues with excessive red exposure, resulting in a more natural and harmonious image. Unfortunately, regarding the EOTF characteristic, it is difficult to speak of any significant improvement, which stems from the structural limitations of the television that prevent any substantial enhancement in this aspect.

Nevertheless, the overall performance is significantly better after calibration, making the Philips PUS8959 one of those televisions where it is truly worth dedicating time to precise calibration to achieve satisfactory picture quality.

The Philips OLED770 from the outset signalled that it harboured significant potential, but in its factory settings, it was difficult to see this fully. The picture was often too warm, and some colours appeared to have lost their naturalness along the way. Calibration, however, revealed that it is a very responsive television – it reacted to every adjustment and almost immediately unveiled another layer of its capabilities. The white balance could be set in both SDR and HDR to eliminate the yellowish tint and introduce a neutral, clear white. The gamma stabilised closer to perfection, allowing midtones to regain their naturalness, and shadows stopped being artificially darkened, perhaps even with a slight brightening effect. The result was obvious... Films were watched with greater ease; the picture had cinematic depth, but without the feeling that something was exaggeratedly darkened. However, the most interesting aspect was the work on colours. Factory errors were not dramatic but slightly noticeable – skin tones were sometimes too warm, and grey didn’t always have the shade we expected. After calibration, the error values dropped to around 2, and in many cases even below 1. This is certainly a level lower than the threshold of human perception. In other words, after correction, the colours finally "clicked" into place. Looking at the screen, we had the impression that the television had begun to speak with its full voice. Like an instrument that has finally been well tuned.

The gradation on the Philips PUS8959 television looks very good, offering smooth tonal transitions in most scenes. Sometimes minor issues can be observed, especially during transitions between certain colours, where slight unevenness is noticeable. However, these imperfections are subtle enough that they do not significantly impact the overall viewing experience and can be considered completely acceptable. In everyday use, the television provides sufficiently good gradation quality to satisfy even more demanding users, maintaining the naturalness of the image and a lack of glaring tonal distortions.

In this category, there is a clear improvement compared to last year's Philips models. The OLED770 handles colour gradation significantly better, and strongly visible transitions or artificial bands appear less frequently than before. Interestingly, we achieved the best results in dark scenes – where most televisions, especially those with WOLED panels, tend to struggle the most. A good example is the shot of an actor floating in red water – the transition from intense red to black looks nearly perfect here, without the typical "stair-stepping." The situation is somewhat worse in bright parts of the image. With extremely bright gradients, especially close to white, the television struggles to maintain smoothness. This can be observed in a scene from the film Kingsman, where subtle sunrise bands appear in the background of a bright sky with the sun instead of a smooth blur. Fortunately, these are relatively rare situations, and in everyday viewing, the OLED770 performs very solidly and does not disrupt immersion as was the case with last year's models.

When it comes to smoothing tonal transitions, the "Distortion Reduction" function at its minimum setting performs quite well, effectively smoothing tonal transitions without excessive impact on other elements of the image. In tests, I did not notice that the reduction negatively affected the image structure, such as film grain or object details – everything remains in its place, which is a significant plus for users who appreciate the natural look of film materials.

As for digital processing, the image looks quite good, although it features very softened contours, giving it an almost "misty" character. This effect can evoke mixed feelings – some users will appreciate the fluidity and delicacy of this type of presentation, while others may find it too gentle, losing detail. It is a matter of individual preference, but it must be said that the Philips PUS8959 provides fairly subtle yet effective tools for improving tonal transitions without excessive interference in the natural character of the image.

The issue of the aforementioned colour banding can largely be mitigated thanks to the 'distortion reduction' feature, which is an algorithm for smoothing tonal transitions in Philips. It performs best at a low setting – effectively eliminating unwanted colour bands while not introducing strange artefacts or losing image detail. This is one of those features that is truly worth leaving switched on.

The situation is somewhat worse regarding upscaling. The image from a lower resolution can be too soft, while in some areas, characteristic 'jaggies' appear. The impression is that the algorithm is trying to reconcile two conflicting directions – smoothing and sharpening – and ultimately fails to find a happy medium. As a consolation, it can be added that the television has no issues with overscan, meaning it does not cut off the edges of the image, which sometimes occurs in other competing models.

Philips PUS8959 TV is equipped with a 120 Hz panel, which should satisfy more demanding users, especially those who love watching dynamic sports broadcasts or playing games. Such a high refresh rate allows for significantly smoother images, being a key aspect during dynamic scenes and fast actions.

For those who prefer watching movies, the television offers an additional motion smoother that allows adjusting the film's frame rate according to personal preferences. The Philips PUS8959 features a 10-step adjustment for functions called "Smoothness" and "Motion Blur Reduction." The "Smoothness" function is responsible for increasing the number of frames through interpolation, making the motion on the screen smoother, resembling the effect of so-called "soap opera." Meanwhile, "Motion Blur Reduction" focuses on minimising ghosting and improving motion clarity, which is particularly noticeable in dynamic sequences, such as action scenes or fast-paced sports shots.

The issue of the matrix in the Philips OLED770 is not entirely straightforward. The manufacturer claims a 120 Hz panel, but our measurements showed that the screen can accept a 4K signal even at 144 Hz. That sounds like great news – after all, who wouldn't want an additional mode for PC gamers at this price? However, the reality turned out to be more complex. With 120 Hz content, the television behaves like most OLEDs – the image is absolutely clear, with no trace of ghosting or blurring, making it perfect for both dynamic games and sports broadcasts. The problem only arises at 144 Hz. Unlike models with official support for this frequency, here you can observe the phenomenon known as frame skipping. This means that the television cannot display all the frames – some are skipped, causing motion to lose smoothness, and double contours appear on the screen. The effect resembles the operation of the BFI function, which Philips does not offer in this model anyway.

Philips PUS8959 is a television that will certainly satisfy gaming enthusiasts. It supports most modern technologies useful during gameplay, such as HGiG, allowing for better reproduction of HDR effects in games. As a result, the image is closer to what the game creators intended to achieve.

The television also supports displaying images at 120 Hz, ensuring smoothness and dynamism, which is especially important during action games and sports broadcasts. The Game Bar feature allows for quick access to game settings, making it easier to adjust the image according to user preferences without interrupting gameplay.

Unfortunately, the Dolby Vision mode does not offer low input lag, which may be noticeable during dynamic scenes. Nevertheless, thanks to the HGiG feature and high refresh rate, the Philips PUS8959 remains an attractive choice for gamers, providing good image quality and adequate smoothness during gameplay.

If someone is looking for a television for gaming, the Philips OLED770 is a contender that is hard to ignore. The mere fact that we have an OLED here provides an excellent starting point – perfect black and infinite contrast make evening sessions in atmospheric games look as if they were lifted straight from the cinema. On top of that, there is the Ambilight system, which consists of LEDs on the back of the television that extend the image onto the wall behind the screen. The effect is such that even playing FIFA can look like a small spectacle, and in horror games the atmosphere becomes truly thick. From a technical standpoint, it's also quite decent. The Philips OLED770 supports variable refresh rate (VRR) up to 120 Hz, has an automatic mode for gamers (ALLM), and if someone is using an Xbox Series X, they can also count on Dolby Vision support in games. One must only know that in this mode the input lag is slightly higher than standard, though still at an acceptable level. As a bonus, we get the “Game Bar” panel, which is a special tool bar for gamers. It isn’t the most conveniently designed solution, but it allows you to check key parameters without leaving the game. Overall, this results in a television that, on one hand, has all the essential gaming features, and on the other, can add something unique – Ambilight. And it is this mix of technology and visual effect that makes the OLED770 one of the better screens for gaming at home.

Philips PUS8959 TV offers impressive results in terms of input lag, making it an excellent choice for gamers. For content at 120 Hz, the lag is less than 6 ms, which is an absolutely outstanding result and allows for instantaneous reactions in games, especially in dynamic titles. For content at 60 Hz, the input lag is 15 ms, which is also an excellent result and ensures comfortable gameplay in most cases.

Unfortunately, the Dolby Vision mode does not perform as well, as the input lag increases to 31 ms. While this result may be acceptable for less dynamic content, it may be insufficient for demanding gamers, affecting precision and responsiveness. Nevertheless, in standard modes, Philips PUS8959 still offers remarkable performance, making it a competitive choice in the market for gaming TVs.

As we mentioned earlier, the only anomaly that was detected during testing is the Dolby Vision Gaming mode. In this setting, the delay can reach up to 30 ms. This is not particularly impressive, and more demanding gamers may wrinkle their noses, but in practice – during casual sessions – the difference will not be strongly noticeable. Standard HDR10 and SDR modes perform much better. For a 120 Hz signal, input lag drops here to a minimal 5 ms, which is an outstanding result and places the OLED770 among the top televisions suitable for fast-paced gaming. In other words, if someone is not insistent on using Dolby Vision on Xbox, the gaming experience will be quick, smooth, and free of unnecessary delays!

Philips PUS8959 is excellent as a monitor for use with a PC. With support for chroma 4:4:4, it provides full colour clarity, which is crucial for working with text – fonts are sharp and legible, regardless of the background they are on. This makes using office applications, browsing the internet, and graphic editing comfortable and precise.

Additionally, the low input lag offered by the television ensures smooth and responsive operation, which is important both for everyday tasks and for more dynamic uses, such as gaming or media editing. Philips PUS8959 is an excellent choice for users looking for a television that will also serve as a PC monitor, offering high image quality and user comfort.

Philips has learned from previous models and has finally improved the implementation of chroma 4:4:4. This is important news for those planning to connect a television to a computer, as it means no issues with sharpness and readability of fonts. Text appears clear and transparent, so the OLED770 can aptly be called an excellent screen for office work or browsing the internet. Of course, very demanding users may notice some imperfections resulting from the WRGB pixel arrangement typical of WOLED panels, but in practice, this does not significantly impact comfort. The television also performs well in games run from a PC. The panel allows for real refresh rates up to 120 Hz, and with low input lag, it delivers a very smooth image without noticeable stuttering. The only missing features are support for G-Sync and – as we have mentioned – a proper 144 Hz mode, but despite this, the overall performance is really solid. For those looking for a versatile screen for both computer and console use, the OLED770 is a choice that is hard to overlook.

Philips PUS8959, equipped with an ADS panel, offers quite good viewing angles, definitely better than those found in VA panels. The image maintains its quality even when viewed from a greater angle – colours are clear, and the contrast does not deteriorate as much as with televisions featuring VA panels. As a result, watching the television from different spots in the room still allows you to enjoy well-saturated colours and overall image quality, making the Philips PUS8959 perfect for larger rooms and for watching together with family or friends.

In terms of viewing angles, the Philips OLED770 presents a very high level typical of OLEDs. The image remains clear and vibrant even when viewing the screen from the side – there is virtually no noticeable drop in contrast or colour fading. In this category, it is only surpassed by QD-OLED panels, which can be found either in very expensive premium models or in one exceptional case – the 55-inch Samsung S85F. However, in everyday use, the differences are difficult to detect, and the OLED770 performs nearly perfectly anyway. It is only at truly extreme angles that a slight degradation of colours can be noticed.

Philips PUS8959 features a satin finish on the screen that effectively reduces light reflections, which is beneficial when using the television in bright daytime conditions. However, such a finish causes blacks to take on shades of grey during the day, losing their depth and intensity, which affects the perception of image in darker scenes.

With a brightness level of 562 cd/m², it allows for comfortable viewing of the television during the day, even in well-lit rooms. The image is bright enough to cut through daylight, and the reduction of reflections provides decent visibility of content, making Philips PUS8959 a good choice for rooms where the lighting level cannot always be controlled.

OLED770 is not one of the brightest televisions, so it is hard to recommend it for very sunny living rooms. In a bright room, its limitations quickly become apparent – the screen reflects light and acts rather like a slightly dimmed mirror. The suppression of reflections is average, and in direct light, the screen performs poorly. Fortunately, the matrix coating does not distort colours, so even during the day, the hues remain natural, and blacks do not dramatically lose their depth. Nevertheless, it is difficult to say that the OLED770 is a television made for bright spaces – it will definitely perform better in a dimmed living room or a bedroom, where its strong points can fully resonate.

Philips PUS8959 is equipped with a three-sided Ambilight system – the flagship patent of this brand, which has enjoyed a devoted fan base for years. Ambilight consists of dynamic backlighting of the wall behind the television, adapting to the content displayed on the screen, significantly enhancing the viewing experience, especially in a darkened room. This effect is unique and adds a certain kind of "magic" to watching, making many users choose Philips specifically for this feature.

As for the operating system, Philips PUS8959 uses Titan OS – a system that is still in its early stages of development. Here, we can see the issues of growing pains, especially since Philips has moved away from Android in most of its models. Titan OS has a limited number of available applications. This is frustrating for those accustomed to a broader ecosystem like GoogleTV. Additionally, the television lacks AirPlay functionality, which limits its compatibility with Apple devices and may be a drawback for users seeking a flexible way to stream content.

The usability features of Philips PUS8959 are a mix of advantages and disadvantages. The remote control that comes with the television is quite annoying – it requires aiming directly at the screen, which can be inconvenient. On the other hand, the voice function works without the need to aim, but it only supports the English language. On the plus side, the remote is backlit, making it easier to use in the dark. The television does not have Picture-in-Picture (PiP) functionality or the ability to record programmes, which is a significant drawback. However, the television is equipped with Bluetooth, allowing for the connection of headphones or a keyboard, which can be useful – especially due to the limited number of available applications, which may encourage use of the built-in web browser.

User Functions

Let’s start with the basics, namely the classic functions of a television. The Philips OLED770 doesn’t rock the boat here; it has a standard EPG interface, the ability to connect devices via Bluetooth, and a few simple configuration options, including teletext. A curiosity is the presence of a jack connection, which has become quite rare these days. However, it will be appreciated by owners of older amplifiers or wired headphones. The remote control gives a good impression—it's ergonomic and has backlighting for the numeric keypad—but here too, there is a sense of a step back. It operates on infrared, so you have to aim at the television, and we would expect full wireless support by 2025. The exception is voice commands that use Bluetooth, but even here there is no cause for euphoria.

SmartTV Features – TitanOS

Speaking of voice, let’s move on to the Smart TV system, which largely defines the daily comfort of using a television today. Here, the OLED770 clearly falls behind the competition. TitanOS operates quickly enough that it’s hard to call it a disaster, but everyday use can be frustrating due to minor errors and shortcomings. Theoretically, we get support for AirPlay, but on the other hand, screen mirroring didn’t work at all in practice. Voice search? Yes, but only through Amazon Alexa and without support for the Polish language. In other words, the features exist, but when we try to use them, their utility turns out to be severely limited, even useless. And it is the Smart TV aspect that becomes the biggest hindrance for the OLED770. The picture can be breathtaking, gaming performs excellently, and Ambilight creates a unique atmosphere—yet when we move to everyday use of applications and services, we feel a sense of dissatisfaction.

Ambilight – Philips OLED770

While in terms of smart functionality, the Philips OLED770 is rather average, it has something in store that the competition genuinely envies. We are of course talking about the three-sided Ambilight system, which has been a hallmark of televisions from this brand for years. The LED lights positioned at the back of the casing dynamically illuminate the wall in colours matching what is currently happening on the screen. The effect is simple but very suggestive—the image seems to extend beyond the confines of the television, giving us the impression that the screen has suddenly grown by extra inches. During a film viewing, it can create an atmosphere, in games it enhances immersion, and during everyday television watching, it simply pleases the eye. It is this addition that makes, despite the limitations of TitanOS, the OLED770 have something that can attract attention and give it character.

Despite the fact that the Titan OS system in the Philips PUS8959 television is still in its infancy, it deserves praise for supporting Polish subtitles embedded in films, which is a significant convenience for users relying on external files. If we want to play a film from a connected USB device, the television will do so without major issues, providing comfortable viewing without the need for additional subtitle configuration.

When it comes to photos, the television should have no major difficulties playing them. It supports most popular formats, although there is a lack of support for less common standards, such as HEIC used in Apple devices. This means that some photos, particularly from newer Apple devices, may require prior conversion to a more standard format for them to be played on the Philips screen.

The built-in media player in the Philips OLED770 works quite well, especially when it comes to subtitles – practically every format we tried was handled correctly, which will certainly please those watching films from their own library. However, there are some reservations regarding photo support. Not all resolutions are recognised, which may surprise users accustomed to viewing photographs from classic cameras or older memory cards. Other than that, everything works properly – it’s just worth ensuring that the television can manage the files we actually want to play on it.

The sound in Philips PUS8959 unfortunately leaves much to be desired. Although low tones can be heard in the playback, the bass is very weak, which translates to an overall unsatisfactory sound quality. The television plays at an average level, especially when compared to more advanced sound systems available on the market.

Despite the average quality of the speakers, the television supports all essential audio codecs, which may please users using external home theatre systems. Thanks to compatibility with various audio formats, the Philips PUS8959 is able to provide good audio experiences if connected to the right external speakers or receiver, delivering a fuller, more cinematic sound.

In terms of sound, the Philips OLED770 performs quite well, although one shouldn’t expect strong bass. For regular television watching, streaming services, or series, its capabilities are fully sufficient – dialogues are clear, and the overall tonal balance is at a decent level. However, when we want to feel a real impact in cinematic productions or games, it quickly becomes apparent that there is a lack of solid low-end frequencies. In such a situation, a natural complement is an additional soundbar or audio system that allows you to make the most of the excellent picture.

On the plus side, versatility in handling formats is noteworthy. The OLED770 handles practically all popular codecs, including Dolby Atmos, DTS:X, and Dolby TrueHD. This means that when connecting external audio equipment, you can expect a full audio experience, even if the built-in speakers in the television do not create a spectacular impression.

Philips The One (PUS8959 / PUS8919 / PUS8909 / PUS8949 vs Philips OLED770

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

TV efficiency during daytime

Details about the matrix

TV features

Classic features:

Smart features:

User Functions

SmartTV Features – TitanOS

Ambilight – Philips OLED770

Playing files from USB

Apps

Sound

Acoustic Measurements