Compare: TCL C855 vs Samsung The Frame 2026 (LS03H)

Once again, the manufacturer shows that despite being a relatively young player in Poland (but not globally) when it comes to the RTV market, it certainly cannot be said that it is a second-rate choice. The TCL C855 is an incredibly versatile device that performs well in various applications and excels in its price range. Thanks to Mini LED backlighting, the results for contrast and black levels are very solid, allowing for a deep and vivid image. It is worth noting that the television's algorithm effectively manages to maintain uniformity of blacks, and the blooming effect is rarely noticeable. This backlighting is also a strong point for the television in HDR content, although with some reservations. The TCL C855 can achieve brightness levels of up to 1800 nits, which is an impressive result; however, brightness can drastically drop, even to around 200 nits, when a bright but small element appears on the screen. Another drawback is the boosted mid-tones, which can lead to a loss of contrast and reduce the image's alignment with the director's vision. The television also performs excellently when connected to a console or a powerful PC. In this category, the TCL C855 truly shows its strength, offering extremely low latency and high-quality gameplay, thanks to the full implementation of HDMI 2.1 features. The Google TV operating system is another advantage, providing the user with nearly unlimited possibilities for installing applications, even those outside the official store, thanks to support for APK files.

In summary, the TCL C855 is the ideal choice for those who know what they expect from a television. It is a good, versatile piece of equipment that, although not perfect, offers great picture quality, low gaming latency, as well as a flexible and expanded operating system.

Samsung The Frame 2026 is still a TV aimed at a fairly specific type of buyer. If your main priority is having a screen that looks good in your interior, hangs almost flush against the wall, and doesn’t simply turn into a large black rectangle when switched off, there are very few TVs on the market that execute this idea quite as well. The matte screen, interchangeable bezels, external One Connect box, and extensive Art Mode allow The Frame to genuinely become part of the room rather than just another TV sitting in the living room. And that’s exactly where we see its biggest appeal.

Importantly, though, that doesn’t mean design is all you’re getting. The Frame performs really well in bright rooms. Its matte coating is very effective at reducing reflections, brightness reaching around 650 nits is enough for comfortable daytime viewing, and the wide colour gamut means colourful content, animation, and brighter HDR scenes can look very impressive. On top of that, there’s 144Hz support at 4K and, for the first time, up to 240Hz at Full HD. VRR, ALLM, FreeSync, G-Sync, HGiG, low input lag, and an extensive Game Bar make The Frame a much more capable gaming TV than its “artistic” character might suggest.

The biggest compromises become apparent when you look at it as a TV primarily intended for home cinema. The Frame has no local dimming, so blacks become noticeably raised in dark scenes, and this is where the difference compared with good Mini LED and OLED TVs is most obvious. HDR therefore looks best with bright and colourful content, while evening movie sessions in a dark room are definitely not its strongest suit. There is also noticeable motion blur and only one full-bandwidth HDMI 2.1 port on the One Connect box, which may be frustrating for some users, especially gamers.

The Frame 2026, then, isn’t a TV for someone looking for the absolute best picture quality in its price range. There are models that offer deeper blacks or a more impactful HDR experience. But if the TV is meant to become part of a well-designed living room, is often used during the day, displays artwork, and at the same time needs to perform well with a wide variety of content, The Frame still makes a lot of sense. Samsung has barely changed its formula here, but it’s easy to see why — the “picture on the wall” concept is still executed extremely well. Owners of the previous model have little reason to upgrade, but for new buyers looking for this particular combination of design and TV functionality, it remains one of the most interesting options on the market.

TCL C855 uses a high-contrast VA panel. The ANSI contrast (without dimming) reached a very respectable 5238:1, which allows for at least very good black levels. Additionally, the panel is equipped with multi-zone Mini LED backlighting, which is divided into 1344 independent dimming zones for the 65-inch model. This number allows for very good results in our tests. It is worth noting that TCL, as one of the few manufacturers, offers such a panel specification without spending excessively, unlike the classic big four manufacturers. As you can see, in the vast majority of scenes we've prepared, the results are impressive, particularly in the first three scenes, as even in the third, with a result of 54,000:1, it cannot be said that the black levels and contrast are weak, as they are more than satisfactory. These worsen in two scenarios: scenes with film strips and when there are many elements surrounded by black on the screen. And just as the last of the test scenes still has excellent contrast, in the final tested scenario, a slight blooming of blacks can be noticed. The frame from the film "Oblivion" performed excellently on TCL C855, and the level of black can even be compared to OLED screens, which is no small feat. It is also worth noting the good separation of lights, which is not an easy thing to achieve. Our flagship scene from "Sicario 2" also performed well in terms of contrast, but it is evident that details are lost in the blacks on the first, second, and third planes. The operation of the backlight control algorithm, which minimizes halo/blooming effects to an absolute minimum, deserves praise as well. However, it is worth noting that very small elements, such as stars, can sometimes be completely dimmed by the TCL C855.

Samsung The Frame 2026 uses a VA panel but doesn't have local dimming. That means the TV can't dim selected parts of the screen. The backlight therefore works fairly evenly across the whole panel. The VA panel itself gives some advantage over IPS or ADS screens. Blacks are noticeably better, and the picture doesn't look as washed out when watching in the evening. That doesn't change the fact that, in terms of contrast, The Frame performs fairly averagely. You can see this most clearly in dark scenes. If a bright object appears on a black background, the TV can't dim the area around it. The black then takes on a more navy tone and the image loses depth. It's similar with films that have black bars. With the lights off it's quite easy to notice that the bars aren't truly black. In simpler, brighter scenes the issue is much less noticeable. So during regular TV, sport or daytime viewing, contrast is unlikely to be a major problem. It looks worse for evening viewing sessions, especially if you've previously been using an OLED or a good Mini-LED. The difference in black levels to The Frame's disadvantage is then very noticeable.

TCL C855 delivers a highly varied HDR effect. On one hand, the television truly shines, while on the other, it resembles a lower model with FALD backlighting. Such a state of affairs is regularly observed with this brand, so it was not a surprise for us. The first and last scene, which has large light elements, looks phenomenal, "shining" with brightness levels of 1470 and 1820 nits respectively. Such effects will certainly make many people squint, while simultaneously feeling the extraordinary dynamism of the scene itself. You can truly feel as if you were inside the movie. The situation drastically changes when small or minor elements with high luminance surrounded by black appear on the screen. The TCL C855, to avoid the halo effect, significantly reduces brightness to a level of even 240 nits, which is a disappointing outcome, causing the film to not look like it was shot in HDR. The HDR effect in TCL C855 makes watching dynamic scenes more engaging, and the viewer can feel like they are part of the action. Even with smaller elements of high luminance, the television manages to maintain details without excessive dimming. Moreover, the TCL C855 test shows that the brightness of the image is adapted to scenes with a large amount of detail, increasing viewing comfort.

The Frame 2026 is a genuinely bright TV. Its peak brightness reaches around 650 nits and, importantly, it maintains similar levels regardless of the type of scene being displayed. It doesn’t really matter whether we’re watching a very bright full-screen image or just a small highlight occupying part of the screen. The backlight remains powerful, allowing bright parts of the image to stand out clearly.

This gives The Frame a solid foundation for HDR. Bright highlights can look impactful, and the picture doesn’t appear flat or overly dim. Unfortunately, there is a compromise. Without local dimming, the TV cannot darken the black areas surrounding very bright objects.

This is clearly visible in scenes 2 and 4 of our test procedure. Bright elements look impressive, but at the same time, the blacks around them become noticeably raised. As a result, the image loses some of its depth, especially when watching in a dark room. This is why The Frame performs best with HDR in bright and moderately bright scenes, where its high brightness works to its advantage. In darker scenes, the situation is quite the opposite.

Colours

The Frame also performs well when it comes to colour reproduction. As a QLED TV, it can display a wide colour gamut and produce rich, saturated colours. DCI-P3 coverage reaches around 94%, while BT.2020 comes in at around 72%. These are good results, and you can see the difference in actual content.

Colours look vivid without appearing washed out, particularly in bright and colourful scenes. Animations and other content with plenty of saturated colours can look really good on The Frame. With this type of material, the TV shows one of its stronger sides.

The best factory mode for the TCL C855 is "Film," and it is on this mode that we conducted all our tests. However, like every mode predefined by the manufacturer, it had flaws that are worth correcting to achieve an image that is as close as possible to what the film producer intended. We will look at the colour characteristics in both SDR and HDR materials. Taking the former into account, we see a clear dominance of green in the white balance, which, as you might guess, gave an unpleasant greenish tint to the entire image. Examining a very important gamma chart, responsible for the contrast of the image, we see a significant deviation from the reference line marked at 2.4. From the left, we can observe a strong spike in the measured value, which at this point caused contrast exaggeration and blending of details into a dark blob. This state of affairs persisted for quite a while, up to 20% of the chart’s value, before then diving below the reference. This, in turn, meant that the image was brightened and contrast decreased significantly. The factory mode performed somewhat better in HDR materials, as the white balance looked quite good, except for the second half, where green again took over. Looking at the EOTF curve, which, unlike gamma, shows the rate of brightness increase, we see primarily two errors: the darkest scenes were too dark, and the brightest ones were overexposed. This, by the way, could be observed in the scene from the film "Pan" in the check paragraph for the TV's HDR.

For assessing the factory colour setup we chose the Filmmaker Mode. If you’re encountering it for the first time, it’s a mode designed to reproduce films and TV shows as faithfully as possible. The TV then turns off most additional image enhancers, and the colours and luminance response are intended to be as close as possible to what the creators intended. And it must be said that The Frame 2026 performs quite well in this respect straight out of the box. The biggest deviation is seen in the white balance. As brightness increases, blue starts to fall short and there’s a slight increase in green. As a result, the image shifts towards warmer tones. So white isn’t perfectly neutral, and in some scenes you can notice a subtly warmer cast.

The luminance response, both gamma and EOTF, looks pretty good. Through most of the range they stay fairly close to the target, although larger deviations are visible in the darkest parts of the image. In practice, some shadow details emerging from black may therefore be a bit more pronounced. However, it’s not an error that jumps out during normal viewing. Overall, Filmmaker Mode is a good starting point here. However, the factory picture is a bit too warm and not all hues land exactly where they should.

TCL, just like the vast majority of manufacturers, provides advanced calibration tools in its televisions. Here we find 2- and 20-point grey scale adjustments as well as an advanced colour management system. The results, as you can see, are very good and in SDR materials we have significantly approached the reference image. We eliminated both the green tint and the gamma issue, although there is still a slight "kink" at the very beginning. It went a bit worse with HDR materials, which the television ChooseTV C855 did not allow us to model properly. We only managed to slightly adjust the EOTF curve and significantly improve the colours themselves.

After calibration we mainly managed to remove that warmer tint and better even out the white balance. We also smoothed the brightness response a bit, which made the picture more neutral and predictable. There are, however, things calibration won't fix. It's mainly the black performance, which comes from the backlight design and the lack of local dimming. In some scenes the blacks will therefore still be slightly lifted, and you just have to accept that. It's more a characteristic of this model than something you can fix with the settings. HDR is also somewhat limited. Samsung doesn't give full freedom to work across the widest colour gamut here, so not all colours can be reproduced perfectly. In normal viewing it will probably be hard to notice, but it's worth being aware of.

Nevertheless, an important aspect in assessing image quality are tonal transitions. To achieve a clear image free from posterisation effects, the television must demonstrate very good algorithms for smoothing out colour gradation. We must admit that the applied feature in TCL C855 called "Gradual Smoothing" is one of the better ones we have had the opportunity to test. Practically every scene performs very well here, and nothing can be faulted. The best example of this is the scene from "The Green Knight", which is the most demanding due to the vast number of fine and subtle transitions in the fog. The C855 effectively smooths everything present in the scene and allows the viewer to experience its entire suspense. The only moment where a slight posterisation can be noticed is in a frame from the film "The Green Knight", where the reds in the top left section of the screen contrast against each other.

Gradation in The Frame 2026 performs well, though not perfectly. In bright tonal transitions you can notice slight issues and occasional mild banding. These aren't faults that seriously affect normal viewing, but they can be picked up on our test patterns and in more demanding scenes. We'd rate the bright-tone gradation at roughly 7.5-8 out of 10.

Interestingly, gradation looks much better in the dark parts of the image. Here the transitions are very smooth and it's hard to find clear signs of posterization. That's the opposite of many LCD TVs, where the near-black areas usually cause more problems. In photos of dark scenes you can, however, spot some image irregularities. They don't come from the gradation itself but from panel uniformity and the backlight. Unfortunately, in that respect our sample of The Frame wasn't perfect, so in very dark shots you could see brighter and darker patches from the backlight.

Once again, we will look at the function of smoothing tonal transitions, but this time also image scaling. The latter is particularly important when watching materials of lower quality, such as some TV programs or older films. We will focus on the function responsible for tonal transitions. Interestingly, just like in the scenes in the previous test, it performed splendidly and smoothed out practically all the choppiness, but here it had problems. Using the menu responsible for the operation of this function, we found that none - not even the strongest - setting helped.

The image scaling in TCL C855 is characterised as one of the best we have had the opportunity to test so far. The image is sharp, but in a way that could be described as natural to our eye. Even small, fine branches do not have jagged contours, and there is no white halo around figures, which is characteristic of weaker scaling systems.

As with many of Samsung’s newer TVs, this one also uses the NQ4 AI processor, albeit the older, second-generation version. I must admit it handles digital image processing quite well. Lower-resolution material is sharpened effectively, and when upscaled to 4K it still looks natural. The TV can also tidy up weaker sources a bit, such as older recordings or lower-quality broadcasts. That doesn’t, of course, mean it will suddenly turn poor footage into true 4K, but at close viewing distances the difference compared with simpler models with weaker processors is easy to spot. Edges are clearer and fine details aren’t lost as much to signal compression.

Samsung also provides a few extra picture-enhancing features, but as usual it’s best to use them sparingly. At stronger settings, noise reduction can very effectively reduce posterisation, but it also noticeably interferes with the image. The picture then starts to look quite artificial, for example by heavily smoothing faces. So these features make most sense with really poor sources when all the noise is very distracting.

The maximum refresh rate that we can set on TCL C855 is 144 Hz. Naturally, this is only possible when connecting the TCL C855 TV to a very powerful PC. Otherwise, we will operate at a maximum refresh rate of 120 Hz, which is recommended if we primarily want to watch sports or content with a high level of motion dynamics. For those who require high fluidity of image, the manufacturer has implemented a multi-level motion smoother. It has been divided into two separate sliders that adjust the sharpness of moving images (Blur Reduction) and judder (Judder Reduction). Both sliders can be set in the range of 0 to 10, with each level affecting the degree of smoothing, so everyone can find their sweet spot. We present a setting that allows for slight smoothness without the soap opera effect.

The panel of TCL C855 features a very good response time. This is especially important, as VA panels often have issues with so-called ghosting, which is the effect where a black halo can be noticed behind a fast-moving object.

Samsung again used a panel here with a maximum refresh rate of 144 Hz. Refresh rates up to 120 Hz mainly offer greater flexibility with high-motion content. The TV can use additional motion smoothing systems that can improve smoothness in sports and other fast-paced content. However, a high refresh rate alone does not solve everything. The Frame still uses a VA panel, which has a fairly slow response time, resulting in quite pronounced motion blur. With fast-moving objects, especially against dark backgrounds, the trails are easy to notice. There's also a slight double-imaging of edges, which can be visible even after turning off additional motion enhancement systems. We already saw similar behaviour in last year's The Frame 2025, and it's a shame Samsung hasn't fixed this. The 144 Hz itself provides a good foundation, but the panel's response time still limits this TV.

The TCL C855 television is equipped with full HDMI 2.1 ports with a bandwidth of 48 Gb/s. During our tests, we confirmed the seamless operation of all functions that come with this standard. As you can see, all the checkboxes light up green, which will certainly be appreciated by gamers, both console and those using the television as a computer monitor. Additionally, the TCL C855 supports both AMD FreeSync and NVIDIA's G-Sync, which can be easily activated in the graphics card settings. Users with very powerful setups can provide a 144 Hz signal to the C855, which the television handles effortlessly. It's also worth mentioning the implementation of the HGIG mode, which, due to the shortcomings of the "Game" mode, is overly bright, making it difficult to configure properly on-screen. Fortunately, the television performs excellently with the Dolby Vision format.

The TCL C855, as one of the first manufacturers, has equipped its televisions with a special GameBar feature that allows extensive setting changes on the fly, without the need to exit the game. It includes functions such as an additional crosshair grid, black level correction, and settings for individuals with disabilities. In the photo, we see the next generation of this solution.

In summary, the TCL C855 television will be an ideal solution for those looking for a screen for any kind of electronic gaming. With all the features supporting such entertainment, it is incredibly engaging. It should also be emphasized that it has very low input lag, regardless of the selected settings, including with the Dolby Vision HDR format.

When it comes to gaming features, The Frame is practically on par with Samsung’s flagship TVs. Once a console is connected, the TV automatically switches to Game Mode thanks to ALLM, so there’s no need to change the settings manually every time. There’s also VRR, which matches the screen’s refresh rate to the frame rate generated by the console or PC. When the frame rate drops, this helps prevent the characteristic screen tearing that can otherwise occur.

The Frame naturally supports 4K at 120Hz, allowing you to take advantage of higher frame rates on the PlayStation 5 and Xbox Series X. HGiG also works correctly. Once HDR has been properly calibrated on the console, the TV doesn’t try to additionally brighten the image on its own, so bright highlights in games are displayed as they should be.

Samsung also includes its Game Bar. This quick-access menu can be opened without leaving the game and lets you check things like VRR operation or the current frame rate, while also giving you quick access to the most important gaming settings. PC users get even more flexibility, as the Full HD mode mentioned earlier allows the refresh rate to be increased all the way up to 240Hz.

There is really only one feature missing, and by now it’s something we’ve come to expect from Samsung TVs: Dolby Vision Gaming. Xbox owners will notice this the most, as Xbox consoles can actually use Dolby Vision in supported games.

There is one more limitation worth mentioning that applies specifically to this model. The One Connect box has only one HDMI 2.1 port, so this is the only input you can use for a console or PC if you want to play at 4K 120Hz. Fortunately, Samsung hasn’t combined this port with eARC. This means you can connect a soundbar separately to HDMI 3 and still keep the full-bandwidth HDMI 2.1 port available for your console.

The lag time of the TCL C855 is astonishingly low in every scenario. Even the most passionate gamers will surely appreciate the very low input lag at demanding 4K 120 Hz settings with HDR, clocking in at just 7 ms. Furthermore, the lag at these same settings, but with Dolby Vision HDR enabled, remains at the same level, which isn't so obvious with competing models. Therefore, the TCL C855 deserves the highest rating and recommendation.

Those who worried that the additional One Connect module might cause greater delay between our action on the controller and what happens on screen can rest easy. The input lag we measured is as low as in other Samsung TVs.

At a 60 Hz signal it's about 15 ms, and when switching to 120 Hz it drops to around 8 ms. Those are very good results, so the delay is hard to notice in practice, even in fast-paced games. The One Connect module itself doesn't introduce any noticeable issue.

TCL C855 when connected to a computer as a monitor performs very well. This is thanks to the very low latency between the mouse-eye-screen and the excellent readability of fonts, which comes from the proper implementation of chroma 4:4:4 at all resolutions, including 4K@144Hz. The subpixel layout is BGR, which does not negatively impact usage in Windows. However, the situation may change when using macOS or other software that may not be able to adjust fonts to this subpixel layout. Additionally, the TV has minor issues displaying fonts on a black background, for which we deducted some points.

In this category you could jokingly say the new The Frame gives with one hand and takes with the other. If we look purely at PC gaming, it performs really well. It offers 144 Hz at 4K or even 240 Hz in Full HD, plus support for G-Sync and FreeSync and very low input lag. The Frame can easily serve as a large gaming monitor and there’s little to complain about. On the other hand, we got the impression that font readability in the new model has slightly worsened. When you look at text up close you can notice extra fringing along the bottom edges of letters caused by the behaviour of individual subpixels. This gives a slight impression of softened text. Of course this is mainly an issue for people who would actually want to use The Frame as a desktop monitor, for example for working with text. At a typical viewing distance the problem is practically impossible to notice. And let’s be honest, it’s hard to imagine anyone putting a 55- or 65-inch The Frame on their desk.

A widely known drawback of VA panels without an angle coating is their poor performance regarding viewing angles. The same is true for the TCL C855, where even a slight off-axis shift leads to significant image washout and colour degradation.

Viewing angles are not a strong point of this model. Compared with LCD TVs with IPS panels, and even more so with OLEDs, the picture degrades fairly quickly when viewed at an angle.

The glossy finish of the panel on the TCL C855 prevented it from achieving the highest rating for TV performance during daytime viewing, although it is precisely due to this that the blacks during the day are very good. Thanks to the high brightness in SDR content, the actress's face strongly stands out through reflections. However, a downside of the panel is that light hitting directly on the TV "spills" out rather than being contained in one spot. Generally speaking, if sunlight doesn't hit the panel, the TCL C855 will be a very good choice for brightly lit rooms.

The Frame is, by design, a TV that will often be used in a bright living room, and its matte finish suits that very well. The screen effectively diffuses reflections, so a window or a lit lamp doesn't turn into a clear mirror. In that respect it's really good and it's one of this model's stronger points. The matte finish does have a downside. Strong light falling directly on the screen scatters over a larger area and slightly raises the black level. During the day blacks therefore don't look as "deep" as at night, especially when the room is very bright. But we think that's a fair compromise. Working in The Frame's favour is its high brightness. The TV has enough brightness so the image doesn't wash out and remains clearly visible during the day. Overall, it's a good TV for a bright living room, especially if reflections bother you more.

TCL C855 operates on the Google TV system, which is a significant advantage compared to TVs equipped with proprietary systems from manufacturers, where installing applications from a USB drive can be challenging or often downright impossible. With Google TV, we have the option to install almost any application, both from the official store and directly from internet repositories via APK files.

This system also offers many conveniences in terms of control. We can connect a keyboard with a touchpad, which significantly simplifies entering queries. Additionally, thanks to integration with Google, we can utilise voice control features using the remote, which works very well, although there can be minor issues with translating functions and options. It’s worth mentioning that Google TV regularly receives updates that improve functionality and introduce new options. We can also confirm that according to reports from users of older models, the software can have its off days, and sometimes it does have its "bad day".

In summary: Google TV is currently one of the most popular systems on the market. Thanks to its powerful CPU, it runs very smoothly, does not freeze, and has no issues with stuttering for a significant part of its usage. This is definitely the best option for those who want to make the most of the TCL C855 TV’s capabilities and appreciate the openness of the system.

Operating System: Tizen

Samsung The Frame 2026 runs on the familiar Tizen operating system, so when it comes to Smart TV features, you get pretty much everything you would expect from a modern TV. There is a wide selection of streaming apps, AirPlay, SmartThings, and the ability to cast content from a smartphone. The system itself is fast and responsive, while the menu layout is very similar to what you’ll find on other Samsung TVs.

When it comes to traditional TV features, things are a little more basic. The Frame doesn’t really stand out in this area, focusing primarily on its online features and lifestyle-oriented functionality.

Art Mode

The key feature, of course, remains Art Mode. It allows The Frame to display artwork or your own photos when you’re not watching TV, effectively turning the screen into part of your interior. The matte screen coating plays an important role here, as it helps the displayed artwork look less like an image shown on a glowing TV screen.

Another interesting addition is the motion sensor, something you won’t normally find on other TVs. It’s worth pointing out that this is not the same thing as the ambient light sensor. The latter adjusts the screen brightness to match the conditions in the room, while the motion sensor detects whether someone is nearby. If the room is empty, the TV can automatically turn Art Mode off and then switch it back on when you return. This means the screen doesn’t have to stay on all the time.

Another feature that works particularly well with this model is One Connect. In our opinion, it makes a lot of sense on a TV like The Frame, which is designed to sit as close to the wall as possible. All the main cables are connected to a separate box, while only a single cable runs to the screen itself. It’s simply a very convenient solution.

It’s also worth mentioning that Samsung includes a dedicated wall mount in the box. That might sound obvious, but it really isn’t. With the flagship S99H, for example, which also puts a strong emphasis on flush wall mounting and blending into the interior, the appropriate wall mount has to be purchased separately. With The Frame, it’s included, so you can save yourself a bit of extra money right from the start.

*The Art Mode photo was taken on The Frame Pro 2026. It looks identical on the standard The Frame — we have to admit that we simply forgot to take a photo of it during testing. 😉

The default media player on the TCL C855 handles practically all the media we've prepared for it very well. Almost every video format is supported. However, an important downside may be the lack of a font colour change feature. There are hardly any issues with photos and their maximum resolution. It's definitely worth noting the absence of support for Apple's HEIC and SVG files. On the other hand, we can play audio files without any problems, and we don't think many of you are using AIFF or DSD64. One undeniable advantage of the C855 and its operating system is that at any time we can download another player from the app store that will play anything.

When it comes to playing files from USB, The Frame performs adequately. The TV handles the main video, photo and audio formats with no trouble, so in everyday use there shouldn't be many surprises. However, we again ran into problems with the HEIC format, which is common on Apple devices. Photos saved in that format couldn't be opened correctly, which can be annoying if you often transfer photos directly from an iPhone. Apart from that, the media player operated without any major issues.

When assessing the sound on the TCL C855, we pay attention to several key aspects, such as whether the tones are clearly audible and do not interfere with each other, as well as whether none of them dominates the others. In the case of the TCL C855, the sound performs well – it is balanced and does not evoke any negative feelings. Generally, the sound is simply good.

For those with a home theatre system, the TCL C855 offers a wide range of audio codecs, including the two most important ones: DTS-HD Master Audio and Dolby Atmos. This ensures high sound quality that will satisfy users seeking better audio experiences.

Despite using a 40W 2.0.2 speaker system, which on paper is slightly better than what you’ll find in many standard TVs, the sound quality is fairly average. Our biggest issue is that it simply sounds flat. As with most very slim TVs, there isn’t much bass or depth.

Fortunately, the midrange and treble are reproduced well enough. Dialogue is clear, and at normal listening volumes there are no major distortions. For watching the news or regular TV, the built-in speakers are perfectly adequate. With movies, music, or games, however, you’ll quickly start to miss a fuller and more powerful sound.

For that reason, we would definitely recommend pairing The Frame with a soundbar or external speakers. Samsung also offers an increasing number of audio products designed specifically with lifestyle TVs in mind, including the slim S800 series, as well as Music Frame and Music Studio speakers, which visually complement The Frame particularly well.

TCL C855 vs Samsung The Frame 2026 (LS03H)

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Colours

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

Daytime performance

Panel details

TV features

Classic features:

Smart features:

Sound connection options

Supported audio formats (external HDMI eARC audio):

Senior accessibility

Operating System: Tizen

Art Mode

Apps

Playing files from USB

Sound

Sound Quality Test

Acoustic Measurements