Samsung S85D vs SONY BRAVIA 3 II (XR35M2)

Brightness is a key parameter in televisions, and the S85D Samsung model offers a level comparable to other OLEDs from a few years ago. Though it doesn't impress in this regard, its huge advantage is a very competitive price. A peak brightness of 600 nits provides good image quality in HDR conditions, giving users a taste of cinema-like experiences in the comfort of their home. However, as with many budget OLED models, the biggest problem is very bright, full-screen scenes – in such moments, like the final shot from the movie "The Meg," the television can lose as much as half of its brightness, which is noticeable compared to more expensive OLED models. Despite this, the television offers an impressive DCI-P3 colour gamut coverage of 99%, allowing for the display of vibrant and accurate colours.

The Bravia 3 II isn't exactly a TV that tries to impress with brightness. In our measurements it reached around 450 nits, so it's well short of the brightest models on the market. That doesn't mean HDR is just a paper feature here. Compared with standard SDR material, the brightest parts of the image can already punch through noticeably, and highlights, light sources and stronger exposures have a bit more energy and stand out better from the rest of the scene. You can see this best in simpler shots where the screen contains lots of bright elements. Then the Bravia 3 II can give a taste of a higher-dynamic-range picture. The problem only starts with more demanding content, where much greater brightness headroom is needed. There the TV quickly shows its limits and instead of bold, spectacular HDR we’re left with a merely competent picture.

Colours

The Bravia 3 II uses a QLED panel, although technically it doesn't employ a traditional quantum-dot layer. Instead Sony has used a PFS phosphor-based solution, which performs a very similar role: it allows for more saturated reds and greens, and thus reproduces a much wider colour gamut. In our measurements coverage of the DCI-P3 gamut was about 94%, and of the very wide BT.2020 around 74.4%. Those are good results for this class of hardware, which means the Bravia 3 II has no problem showing suitably saturated colours in HDR material. Colours don't look washed out, and the more intense hues can look really attractive.

The Filmmaker mode on Samsung's S85D does indeed offer the best factory settings, but it is not without flaws, particularly evident in colour reproduction. The white balance graph for HD and HDR content shows clear issues – both red and blue colours are significantly weakened, leading to a dominance of green. The result is an unnatural yellowish tint that can affect the perception of realistic scenes. The Color Checker test clearly shows that the colour samples deviate from the expected values – for HD materials, the colours tend to be overly saturated, with a marked shift towards green, which is also evident in the white balance graph. Conversely, for 4K HDR content, the colours appear too dull and lacking in depth, causing the image to lose its appeal and naturalness. This effect is particularly noticeable in delicate scenes where colour precision plays a key role, which can be disappointing for discerning viewers who expect faithful reproduction of details and colour intensity.

When it comes to brightness, the gamma graph for HD content looks quite good; however, there is a clear spike at the end, exceeding the value of 2.4. Although this is not a major issue in most scenes, in more demanding sequences it can affect the clarity of bright details. For 4K content, the EOTF curve, responsible for rendering brightness, proves to be problematic. The initial part of the graph shows a slight spike. This phenomenon can result in excessive boosting of brightness in the brightest areas of the image, leading to a loss of detail in very bright scenes.

Although Samsung S85D offers quite decent factory settings, especially in Filmmaker mode, it is worth considering manual adjustment of settings to improve some imperfections, particularly in colour reproduction.

In Professional mode the Bravia 3 II delivers a fairly good level of colour reproduction straight out of the box. In SDR the most noticeable issue is a slightly low gamma, which makes the midtones a little brighter. The white balance isn't perfect either; as brightness increases a bit of blue and red drops away, so whites can sometimes appear a touch warmer with a faint greenish tint. These aren't mistakes that immediately jump out when watching a film. Average error values hover around 3, so the factory setup can be considered quite good. The situation in HDR is similar. Here too there's a slight lack of blue, so the picture is marginally warmer than the reference, but the difference isn't large enough to be distracting during normal viewing.

After calibration, the Filmmaker mode on Samsung S85D really impressed. The white balance, regardless of the type of content, has improved significantly, resulting in more natural colours. The Color Checker test shows that colour reproduction errors are now minimal and rarely exceed acceptable values, which indicates precise colour reproduction. The factory colour representation left a lot to be desired, but now the situation has significantly improved – colours are natural, accurate, and look as if they have been precisely rendered according to the creators' intentions. This is a huge step forward compared to earlier generations, where colours were often distorted or too intense.

The brightness characteristics have also benefited from calibration – it's now more vivid and precise. The gamma, although reasonably good before, has become even more stable, providing a deeper, more natural image. The EOTF curve has been flattened, allowing details in dark areas to be more visible, and the contrast is better balanced. Thanks to all these improvements, the television delivers an image close to reference quality, which definitely enhances the enjoyment of watching films and HDR content.

After calibration you can get a lot out of SDR material. The white balance was set almost perfectly, gamma practically matches the reference value, and average colour errors fell from around 3 to about 1. That’s already the level at which differences from the reference image are very hard to spot in practice. The Bravia 3 II therefore shows that despite its place in Sony’s range it has quite a bit of potential for precise picture tuning. Improvement is also visible in HDR, although here you can’t avoid all the limitations of the TV itself. Once the colours are evened out it’s easier to notice that the EOTF curve in film material runs slightly below the reference value in places, meaning the Bravia 3 II gently darkens parts of the image. That isn’t ideal from a reference point of view, but in this particular TV it also has an advantage. With no local dimming and average black levels this behaviour slightly reduces the visibility of the backlight in darker scenes and helps preserve a stronger sense of contrast. You could say Sony is partly masking the limitations of the panel this way, rather than trying at all costs to stick to the reference brightness.

Samsung S85D does a great job of scaling images and smoothing tonal transitions. Like other Samsung models, the television offers three noise reduction modes: off, standard, and high. While it improves gradation well, it unfortunately also removes film grain, which many viewers desire to give the image a cinematic character. This grain often adds authenticity and a certain rawness to films that is lost once it is smoothed out. Removing the grain can make the image appear too sterile and smooth, which takes away some of the charm of the original film material. When it comes to image scaling, the Samsung S85D excels at displaying lower resolution content – the model in the photo and the branches in the background were shown correctly, without major issues with jagged edges. The only noticeable downside is the presence of overscan, which can sometimes cut off parts of the image, which may not appeal to everyone.

Bravia 3 II is Sony's first TV to use the new MediaTek Pentonic 800 chip, and you can see a few changes in the image processing. Starting with the basics: the upscaling itself is decent. The TV can sensibly upscale lower-resolution material and doesn't have a strong tendency to over‑emphasise jagged edges or other source imperfections. With regular broadcast TV or lower-quality streaming material the picture therefore remains quite attractive.

We have more reservations about the digital image processing. In this model Sony has replaced the well-known "Smooth Gradation" function with a new setting called "Digital Noise Reduction". Its job is basically the same: to smooth out ugly tonal transitions and artifacts caused by heavy compression. Unfortunately, this function performs noticeably worse than before. At the "Large" setting (the only one that had any visible effect) the TV can smooth away too many image elements at once, which causes film grain to disappear and object textures or even skin to start looking unnatural. Worse still, the effect is not particularly stable. When there's more motion in a scene, the function's effect noticeably weakens and at times it looks as if the TV stops intervening in the image altogether. So for everyday viewing we wouldn't recommend using it at a high level. It can help on static shots, but the trade-off is often too much loss of detail.

As befits an OLED television, Samsung S85D offers excellent motion fluidity. Equipped with a 120 Hz panel and a fast response time, the TV delivers very smooth playback of dynamic scenes without visible blurring. For movie enthusiasts, there is a feature called "Picture Clarity Settings," which allows for adjusting the image smoothness to individual preferences on a 10-point scale. Motion blur reduction enhances the sharpness of fast-moving objects, while motion smoothing eliminates the "judder" effect for a smoother motion. This way, every user can set the appropriate level of clarity that best suits their taste, from a more cinematic effect to clearer, smoother movements.

Motion handling is definitely one of the Bravia 3 II's strongest points. The TV uses a 120 Hz VA panel, a solution that by nature, despite the high refresh rate, doesn't always cope well with motion blur. Sony has, however, managed that issue very well here. Fast-moving objects remain sharp, and the characteristic motion trails and blur are reduced to a very low level, if not to zero. It's one of the least motion-blur-prone LCD TVs we've had the chance to test. Interestingly, in this respect the Bravia 3 II can even outperform the much more expensive flagship True RGB series, the Bravia 9 II.

Samsung S85D OLED is an excellent choice for gamers thanks to its many modern features that make gameplay easier and more enjoyable. The TV has four full-bandwidth HDMI 2.1 ports, allowing you to connect the latest consoles without worrying about limitations in image quality or frame rates. This means support for 4K resolution at 120 Hz, which is ideal for modern titles. Additionally, the Samsung S85D has an ALLM (Auto Low Latency Mode) feature that automatically activates low latency mode when it detects a gaming device. This means you don’t have to manually switch settings – the TV takes care of ensuring fast response times, which is crucial in games where every second counts.

The VRR (Variable Refresh Rate) feature and G-Sync support are additional elements that make gameplay smoother. VRR adjusts the refresh rate to match the frame rate generated by the console or computer, eliminating screen tearing and stuttering. This is especially useful in fast-paced games where the frame rate can fluctuate. Auto Motion Plus Game is a feature that Samsung introduced with gamers in mind, and it’s worth appreciating. It makes the picture in games smoother – 30 frames per second looks like 45, and 60 Hz gains in smoothness, giving an effect close to 90 Hz. At the same time, there’s no significant increase in input lag, which remains below 25 ms, making this feature stand out compared to others available on the market. Gamers can enjoy smoother visuals without worrying about reduced responsiveness.

Samsung has also thought of something extra – the TV has a built-in Xbox Game Pass app, which means you can game in the cloud without needing a console. It’s a great solution for those who want to enjoy gaming without investing in additional hardware. All you need is an internet connection, and you have a massive library of games at your fingertips. This makes Samsung S85D an excellent choice for both casual and more advanced gamers.

The Sony Bravia 3 II is a very good TV for gamers, although not everything has been solved the way we’d like. The biggest change concerns the connectors. For the first time in a Sony TV we get four full HDMI 2.1 ports with 48 Gb/s bandwidth, thanks to the new MediaTek Pentonic 800 chipset. That removes one of the problems that has hung over this manufacturer’s TVs for years. You can connect several devices at once and on each input use the device’s full capabilities, including VRR and ALLM. There’s also a simple Game Bar that lets you check the key signal parameters and change a few useful settings, such as black level, when you want to improve visibility in darker parts of a game.

There are, however, two limitations worth knowing. The first is the lack of support for 1440p at 120 Hz. That won’t be an issue for everyone, but people using that resolution on a console or PC—for example to get higher frame rates in certain games—will have to choose 1080p. We have more reservations about HGiG support. Sony doesn’t let you disable tone mapping on the Bravia 3 II, so the TV keeps processing HDR even when you’d prefer to leave that task to the console. It’s easiest to spot during HDR setup—the checkerboard test pattern doesn’t disappear at the point where it should based on the TV’s actual capabilities. That doesn’t mean HDR in games will look bad. You just need to set up a little differently and, rather than relying on the pattern, manually set the peak brightness to about 450 nits. So the issue can be worked around, but you should know about it before you start configuring your console.