Samsung QN900D Neo QLED 8K vs Samsung The Frame 2026 (LS03H)

The Samsung QN900D easily showcases its high capabilities in light production during synthetic tests – 1400 nits is truly an impressive result. It also demonstrated these capabilities in the first scene of the movie "Life of Pi," where we see a brilliant burst of the rising sun. However, due to issues with the dimming algorithm, some problems can be observed here. In the test scenes from "Sicario 2" and the second scene from "Life of Pi," these values are not as high, averaging around 500-600 nits. While this may not be the worst result among Mini LED TVs, more could be expected given the price of the television. Nevertheless, the television deserves praise for covering a wide colour gamut of DCP P3 at 96%. Although there are technologies offering higher values, this result is still satisfactory.

The Frame 2026 is a genuinely bright TV. Its peak brightness reaches around 650 nits and, importantly, it maintains similar levels regardless of the type of scene being displayed. It doesn’t really matter whether we’re watching a very bright full-screen image or just a small highlight occupying part of the screen. The backlight remains powerful, allowing bright parts of the image to stand out clearly.

This gives The Frame a solid foundation for HDR. Bright highlights can look impactful, and the picture doesn’t appear flat or overly dim. Unfortunately, there is a compromise. Without local dimming, the TV cannot darken the black areas surrounding very bright objects.

This is clearly visible in scenes 2 and 4 of our test procedure. Bright elements look impressive, but at the same time, the blacks around them become noticeably raised. As a result, the image loses some of its depth, especially when watching in a dark room. This is why The Frame performs best with HDR in bright and moderately bright scenes, where its high brightness works to its advantage. In darker scenes, the situation is quite the opposite.

Colours

The Frame also performs well when it comes to colour reproduction. As a QLED TV, it can display a wide colour gamut and produce rich, saturated colours. DCI-P3 coverage reaches around 94%, while BT.2020 comes in at around 72%. These are good results, and you can see the difference in actual content.

Colours look vivid without appearing washed out, particularly in bright and colourful scenes. Animations and other content with plenty of saturated colours can look really good on The Frame. With this type of material, the TV shows one of its stronger sides.

The QN900D television offers a Filmmaker mode that is designed to watch movies in the most natural way possible; however, this mode is not without its flaws. For HD content, the white balance shows a dominance of red and blue, which causes the image to shift towards pink hues. In contrast, for 4K HDR content, the situation is reversed – the reduction of blue and red levels results in warmer scenes and a shift towards yellow tones. This is confirmed by Color Checker tests, which clearly show that the colour samples veer in that direction.

When it comes to brightness and the associated contrast, the gamma is significantly distorted. The biggest issue is a noticeable jump at the beginning of the curve, indicating that dark details are overly brightened, causing the image to lose depth in the darkest areas - this is due to local dimming. For 4K HDR materials, the EOTF curve looks quite good, but it remains below the reference level, impacting the overall dynamics of the image.

For assessing the factory colour setup we chose the Filmmaker Mode. If you’re encountering it for the first time, it’s a mode designed to reproduce films and TV shows as faithfully as possible. The TV then turns off most additional image enhancers, and the colours and luminance response are intended to be as close as possible to what the creators intended. And it must be said that The Frame 2026 performs quite well in this respect straight out of the box. The biggest deviation is seen in the white balance. As brightness increases, blue starts to fall short and there’s a slight increase in green. As a result, the image shifts towards warmer tones. So white isn’t perfectly neutral, and in some scenes you can notice a subtly warmer cast.

The luminance response, both gamma and EOTF, looks pretty good. Through most of the range they stay fairly close to the target, although larger deviations are visible in the darkest parts of the image. In practice, some shadow details emerging from black may therefore be a bit more pronounced. However, it’s not an error that jumps out during normal viewing. Overall, Filmmaker Mode is a good starting point here. However, the factory picture is a bit too warm and not all hues land exactly where they should.

After calibration, the Filmmaker mode can truly be called worthy of its name. The white balance for both HD and 4K HDR content has significantly improved, resulting in colours that are more natural and consistent. The image has gained in realism, with pink hues in HD content effectively eliminated, as well as the yellow haze in 4K HDR content. Thanks to the calibration, the television now offers much better colour reproduction, positively impacting the viewing experience.

When it comes to brightness, the situation with gamma is now the opposite – a clear drop is visible at the beginning of the graph, making the darkest details harder to discern. The EOTF curve for 4K HDR content has remained largely unchanged and is still below the reference level, indicating that the television still struggles to maintain adequate brightness. This is related to the aggressive dimming algorithm that affects the overall brightness of the image. You can see how the television fights to maintain high brightness or perfect black.

Despite the limitations associated with local dimming, the Samsung QN900D has improved in colour reproduction quality, as confirmed by the Color Checker test results – the colour samples are now much closer to the references, making the image more natural and pleasant to the eye.

After calibration we mainly managed to remove that warmer tint and better even out the white balance. We also smoothed the brightness response a bit, which made the picture more neutral and predictable. There are, however, things calibration won't fix. It's mainly the black performance, which comes from the backlight design and the lack of local dimming. In some scenes the blacks will therefore still be slightly lifted, and you just have to accept that. It's more a characteristic of this model than something you can fix with the settings. HDR is also somewhat limited. Samsung doesn't give full freedom to work across the widest colour gamut here, so not all colours can be reproduced perfectly. In normal viewing it will probably be hard to notice, but it's worth being aware of.

The fluidity of tonal transitions in lower-quality materials looks fantastic – the Noise Reduction feature very effectively smooths out tonal transitions while getting rid of film grain. Although the removal of grain isn't always desirable, the overall final effect is very aesthetically pleasing, especially for those who prefer a cleaner image.

When it comes to upscaling, or image scaling, QN900D shows the tremendous capabilities of the new processor with AI technology. Photos and materials in lower resolution are scaled while retaining many details – for example, a photo with a model looks amazing, free of unnecessary jagged edges, and the branches in the background are not overly serrated.

As with many of Samsung’s newer TVs, this one also uses the NQ4 AI processor, albeit the older, second-generation version. I must admit it handles digital image processing quite well. Lower-resolution material is sharpened effectively, and when upscaled to 4K it still looks natural. The TV can also tidy up weaker sources a bit, such as older recordings or lower-quality broadcasts. That doesn’t, of course, mean it will suddenly turn poor footage into true 4K, but at close viewing distances the difference compared with simpler models with weaker processors is easy to spot. Edges are clearer and fine details aren’t lost as much to signal compression.

Samsung also provides a few extra picture-enhancing features, but as usual it’s best to use them sparingly. At stronger settings, noise reduction can very effectively reduce posterisation, but it also noticeably interferes with the image. The picture then starts to look quite artificial, for example by heavily smoothing faces. So these features make most sense with really poor sources when all the noise is very distracting.

Samsung QN900D is currently the fastest television in the world – literally. A refresh rate of 240 Hz in 4K resolution is an amazing value that PC gamers will surely appreciate. As for movie fans, they won't be disappointed either – Samsung offers a 10-level scale in the picture clarity settings, allowing users to adjust the image. We can choose whether the television should provide a smoother, theatrical effect at the highest settings, or a more cinematic one, with a visible frame, at the lowest settings.

Samsung again used a panel here with a maximum refresh rate of 144 Hz. Refresh rates up to 120 Hz mainly offer greater flexibility with high-motion content. The TV can use additional motion smoothing systems that can improve smoothness in sports and other fast-paced content. However, a high refresh rate alone does not solve everything. The Frame still uses a VA panel, which has a fairly slow response time, resulting in quite pronounced motion blur. With fast-moving objects, especially against dark backgrounds, the trails are easy to notice. There's also a slight double-imaging of edges, which can be visible even after turning off additional motion enhancement systems. We already saw similar behaviour in last year's The Frame 2025, and it's a shame Samsung hasn't fixed this. The 144 Hz itself provides a good foundation, but the panel's response time still limits this TV.

Samsung QN900D is a television that offers excellent compatibility with consoles and a range of features that gamers will appreciate. It has 4 HDMI 2.1 ports, although unfortunately without the full bandwidth of 48 Gb/s. Nonetheless, for the average user, this is more than sufficient. Additionally, the television supports Auto Low Latency Mode (ALLM) and Variable Refresh Rate (VRR), which means smoother images and no screen tearing during dynamic gameplay. The G-Sync and FreeSync technologies are also noteworthy, providing optimal compatibility with consoles and computers equipped with the appropriate graphics cards, minimising stuttering effects and ensuring a smooth picture.

One of the unique features available only in Samsung televisions is the Xbox Game Pass app, which allows for game streaming without the need for a console. This is a very convenient solution that lets you enjoy your favourite games without having to purchase additional hardware. Furthermore, the QN900D has Game Bar – a special panel that enables quick access to gaming-related settings, making game mode setup quick and intuitive.

Another interesting feature is the Auto Motion Plus Game function, which is a special motion smoothing mode that can increase the frame rate (works up to a maximum of 4K@60Hz). Importantly, this does not cause a significant increase in input lag, allowing players to enjoy both greater image fluidity. All these features make the Samsung QN900D an excellent choice for those looking for a gaming television with the highest possible parameters.

When it comes to gaming features, The Frame is practically on par with Samsung’s flagship TVs. Once a console is connected, the TV automatically switches to Game Mode thanks to ALLM, so there’s no need to change the settings manually every time. There’s also VRR, which matches the screen’s refresh rate to the frame rate generated by the console or PC. When the frame rate drops, this helps prevent the characteristic screen tearing that can otherwise occur.

The Frame naturally supports 4K at 120Hz, allowing you to take advantage of higher frame rates on the PlayStation 5 and Xbox Series X. HGiG also works correctly. Once HDR has been properly calibrated on the console, the TV doesn’t try to additionally brighten the image on its own, so bright highlights in games are displayed as they should be.

Samsung also includes its Game Bar. This quick-access menu can be opened without leaving the game and lets you check things like VRR operation or the current frame rate, while also giving you quick access to the most important gaming settings. PC users get even more flexibility, as the Full HD mode mentioned earlier allows the refresh rate to be increased all the way up to 240Hz.

There is really only one feature missing, and by now it’s something we’ve come to expect from Samsung TVs: Dolby Vision Gaming. Xbox owners will notice this the most, as Xbox consoles can actually use Dolby Vision in supported games.

There is one more limitation worth mentioning that applies specifically to this model. The One Connect box has only one HDMI 2.1 port, so this is the only input you can use for a console or PC if you want to play at 4K 120Hz. Fortunately, Samsung hasn’t combined this port with eARC. This means you can connect a soundbar separately to HDMI 3 and still keep the full-bandwidth HDMI 2.1 port available for your console.