Samsung QD-OLED S90D / S94D vs Philips OLED770

In the HDR effect quality category, Samsung S90D achieves remarkable results. On the luminance chart up to 10% window, the TV exceeds the magical threshold of 1000 nits, which is an impressive outcome. However, in the film scenes we tested, these values were slightly lower. Additionally, in the case of a scene with fullscreen sunlight glare, brightness drops to around 500 nits, but it still remains at a very good level. It is worth mentioning that this model stands out with very high colour gamut coverage, thanks to the QD-OLED panel used, which gives it an advantage over TVs with WOLED panels that cannot achieve such a wide spectrum of colours.

The Philips OLED770 doesn't try to compete with the brightest OLEDs on the market, and it's actually hard to expect that, as it's the entry-level model in Philips' range for 2025. In our measurements, it reached a maximum of around 700 nits, which allows for enjoyment of HDR effects in scenes where light appears in spots – for instance, in the flash of headlights or a starry sky. In such moments, the picture can truly amaze. However, it's different when there are more bright elements on the screen. The TV, like many cheaper OLEDs, restricts luminance at that point, and the entire image noticeably dims. This was best seen in a scene from the movie The Meg, where the sun rises behind an oil platform – the brightness dropped to around 250 nits, which is almost three times less. The HDR effect remains pleasing to the eye, but it's worth being aware that this model performs best in scenes with less intense light. Fortunately, the OLED770 also has an ace up its sleeve – the coverage of the DCI-P3 colour palette is as high as 99%, so colours in movies and games are vibrant and very close to what the creator intended.

Samsung 65 S90D with a QD-OLED panel has been tested in Filmmaker mode, which the manufacturer has been using for years to provide the best possible picture settings. In this mode, the TV offers a fairly decent image but with some shortcomings worth noting. In terms of white balance in HD content, viewers may notice a dominance of the red color. This effect can lead to the impression that certain skin tones appear unnatural and the overall scene will be too warm, which in turn can affect immersion in the watched material. In scenes where subtle differences in color are crucial, these distortions can be particularly noticeable. Similar sensations may also occur in 4K HDR content. Changes in white balance in this case can be analogous, with a noticeably smaller deviation in red color. This can also cause certain details and colors to not be fully represented, making the image lose its naturalness.

When it comes to contrast, the gamma presents quite well, however, some errors are still noticeable. Gamma values are below the reference level of 2.4, which can result in bright areas of the image being washed out and dark areas lacking detail. This limitation can cause some scenes to lack depth and detail, which in turn affects the overall presentation quality. On the other hand, the EOTF curve related to contrast in 4K HDR content performs really well, showing that the TV can effectively convey differences in brightness. Nevertheless, it is worth noting that these values are slightly below the ideal level on the graph, indicating the need for further optimization in this regard.

Samsung S90D in Filmmaker mode offers solid color reproduction, but requires some adjustments to fully realise the potential of the TV, especially in the context of different types of content.

The first measurements already show that the factory settings of the Philips OLED770 have a lot to improve, even in Filmmaker mode. The white balance chart clearly indicates a lack of blue, giving the image a slightly yellowish tint. In practice, white is not snow-like, but leans towards warmer hues – which some may even find appealing, but from a precision standpoint, this is a deviation from the norm. The gamma, on the other hand, tends to be on the darker side – the average value is around 2.6 instead of the reference 2.4. In mid-tones, the image appears muted and more saturated, which can look too "cinematic" but detracts a bit from the naturalness. However, the most significant issues are visible in colour reproduction. The average error is relatively high, and some colours – particularly shades of grey – deviate significantly from what should be seen. In everyday viewing, this means that sometimes colours may look less natural than we would wish.

After calibrating the TV, the Samsung S90D in film mode gains quality more than one might expect. The white balance for HD and 4K HDR content has been adjusted to near perfection. Although minor shortcomings can be noticed, they are subtle enough that they don’t significantly impact the overall picture quality. The colours have become more harmonised, aiding in the natural reproduction of details, particularly in scenes that require precise colour representation. It is worth noting that this model, in this size, uses a QD-OLED panel which offers broader colour gamut coverage compared to other sizes of this model that are equipped with a WOLED panel.

The contrast has also significantly improved. After calibration, the gamma graph is much closer to the expected line, providing a better balance between light and dark tones in the picture. The EOTF curve, which before calibration indicated issues with overexposed scenes, now shows significantly better results. This effect allows for the retention of more details in the bright areas of the image, especially in HDR materials.

Philips OLED770 had shown signs from the start that it harboured significant potential, but it was hard to fully appreciate this in its factory settings. The image was often too warm, and some colours appeared as if they had lost their naturalness along the way. Calibration revealed that this television was very amenable to work – it responded to every adjustment and almost immediately unveiled another layer of its capabilities. The white balance was set in both SDR and HDR so that the yellowish haze disappeared and a neutral, clear white emerged. Gamma stabilised closer to perfection, which helped restore the naturalness of mid-tones, while shadows ceased to be artificially darkened, perhaps even with a slight brightening effect. The result was obvious... Movies are watched with greater ease; the image has cinematic depth without the feeling that something is overly darkened. However, the most interesting aspect was working on the colours. Factory errors were not dramatic, but slightly noticeable – skin tones could be too warm, and grey wasn’t always the shade we expected. After calibration, the error values dropped to around 2, and in many cases even below 1. This is a level that is definitely lower than the threshold of discernibility for the human eye. In other words, after correction, the colours finally “clicked” into place. Looking at the screen, we felt like the television had begun to speak with a full voice. Like an instrument that had finally been properly tuned.

The television handles tonal transitions excellently, allowing colours to flow smoothly into each other, creating a natural image. The built-in noise reduction feature can further enhance these transitions, which can be useful in certain situations. However, it is worth remembering that activating this option may lead to excessive smoothing of the desired film grain structure, which in turn can affect the authenticity and atmosphere of the image. Therefore, caution is recommended when using this feature to avoid losing the character and depth of the content.

The Samsung S90D model effectively processes materials in lower resolutions. This can be seen in the displayed image. The model's silhouette is clear and naturally reproduced, with details well preserved. Additionally, the branches of the trees are well-defined, showing no visible jagged edges that could degrade the quality of the image. Thanks to effective upscaling, even lower resolution materials look attractive on the screen, which will surely please users enjoying a variety of content sources, such as standard cable or antenna television.

The problem of the previously mentioned colour connections can largely be mitigated thanks to the "distortion reduction" function, which is an algorithm for smoothing tonal transitions in Philips. It works best at a low level – effectively eliminating unwanted colour bands while not introducing strange artifacts or losing image detail. This is one of those features that is truly worth keeping on.

The issue of upscaling is somewhat less impressive. Images from lower resolution can be too soft, while in some parts the characteristic "jaggies" appear. The impression is that the algorithm is trying to reconcile two contradictory directions – smoothing and sharpening – and ultimately fails to find the golden mean. As a consolation, it's worth noting that the television does not have problems with overscan, meaning it does not cut off the edges of the image, which can sometimes happen in other competing models.

Samsung S90D TV, equipped with a refresh rate panel of 120 Hz, and in the appropriate PC configuration even 144 Hz, ensures excellent motion fluidity. Samsung focuses on a variety of image clarity settings on a ten-point scale, giving users the freedom to adjust the display to their own preferences. In UFO tests, the OLED panel shows its strengths, eliminating any blurring. The lightning-fast pixel response makes dynamic movements faithfully reproduced.

Similar results can be observed in other sizes of this model with a WOLED panel, which also offer excellent image fluidity. Organic technology, in this case, is considered one of the best on the market. The picture of Samsung S90D, regardless of the type of panel, is incredibly sharp and detailed, making this TV perfect for dynamic scenes, both during gaming and sports broadcasts. Additionally, its capabilities in terms of refresh rate and clarity ensure that every movement is smooth and natural, which will certainly satisfy even the most demanding users.

The issue of the panel in the Philips OLED770 is not entirely straightforward. The manufacturer claims a 120 Hz panel, but our measurements showed that the screen can accept a 4K signal even at 144 Hz. This sounds like great news – because who wouldn't want an additional mode for PC gamers at this price? However, the reality turned out to be more complex. With 120 Hz content, the television behaves like most OLEDs – the image is absolutely clear, with no trace of blurring or smearing, ideal for both dynamic games and sports broadcasts. The problem only arises at 144 Hz. Unlike models with official support for this frequency, here we see the phenomenon of so-called frame skipping. This means that the television is unable to display all the frames – some of them are skipped, causing motion to lose smoothness and double outlines to appear on the screen. The effect resembles the operation of the BFI function, which Philips does not offer in this model anyway.

Television S90D is an excellent solution for gamers, offering a range of advanced features that elevate the gaming experience to a new level. Equipped with the HDMI 2.1 standard, the model supports modern technologies such as VRR (Variable Refresh Rate) and ALLM (Auto Low Latency Mode). Thanks to these solutions, the image is incredibly smooth, and the response to commands is instantaneous, which is crucial in dynamic titles. Additionally, the S90D supports HLG (Hybrid Log-Gamma) and G-Sync and FreeSync image synchronisation. This allows for a perfect connection with the Xbox, PlayStation, or PC, eliminating issues with tearing and stuttering. The built-in operating system offers the Xbox Game Pass app, providing access to a massive library of games directly from the television. This solution makes gaming even more convenient and accessible. The Game Bar feature provides quick access to important information, such as current settings, performance statistics, and the ability to adjust image options. This allows for on-the-fly modification of display parameters, which is incredibly useful during intense gameplay. Despite lacking support for Dolby Vision, Samsung S90D still delivers excellent HDR image quality, allowing for full utilisation of the potential of games and films. As a result, S90D represents a unique combination of modern technologies, excellent image quality, and intuitive features, perfect for any gaming enthusiast.

If someone is looking for a TV for gaming, the Philips OLED770 is a candidate that's hard to overlook. The mere fact that this is an OLED gives it a great starting point – perfect blacks and infinite contrast make evening sessions in atmospheric games look like they've been taken straight out of a cinema. Added to that is the Ambilight system, which uses LEDs on the back of the TV to extend the image onto the wall behind the screen. The effect is such that even just playing FIFA can look like a small spectacle, and in horror games, the atmosphere becomes really thick. On the technical side, it's also quite decent. The Philips OLED770 supports variable refresh rate (VRR) up to 120 Hz, has an automatic mode for gamers (ALLM), and for those using an Xbox Series X, Dolby Vision support in games is also available. You just need to know that in this mode, the input lag is slightly higher than standard, although still at an acceptable level. As a bonus, we also get the 'Game Bar', which is a special tool strip for gamers. It's not the most conveniently designed solution, but it allows for a quick view of key parameters without exiting the game. Overall, this gives a picture of a TV that has all the most important gaming features on one hand, and on the other can add something unique – Ambilight. And it's this mix of technology and visual effect that makes the OLED770 one of the better screens for gaming in a home environment.