P7K / P79K
Available screen sizes:
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Panel type: LCD VA Refresh rate: 60Hz Brand: TCL Resolution: 3840x2160 System: Android TV Model year: 2025
Can a budget television be both a treat for movie lovers and a powerful tool for gamers? Our editorial team takes a closer look at the TCL P7K / P79K – a model that on paper appears to be yet another solid, budget-friendly option. We decided to check how much truth lies in its specifications. In our detailed review, we examine every aspect of it, looking for compromises that the manufacturer had to make to achieve such an attractive price. Is this the new king of budget gaming? Or perhaps its biggest rival is... another model from the same factory?
We invite you to read the full test!
5.8
Overall rating
The time has come to gather all observations. The TCL P7K / P79K is a television that cleverly juggles compromises, offering significantly more than we could expect in its price range. Its undeniable advantage is the VA panel, guaranteeing deep blacks and high contrast, and a surprisingly rich package for gamers (with VRR and 120 Hz support at lower resolutions) makes it a phenomenal choice for console owners. The whole package is tied together by the functional Google TV system. Of course, low peak brightness means that HDR content lacks spectacular highlights, and the TV's performance in sunlit rooms is limited. And while at its relatively low price, the P7K / P79K is quite a decent option, its biggest competitor turns out to be… its more refined sibling, the P8K. Often FOR a small extra charge, we get a device a class higher – with a native 4K 144 Hz panel, significantly better audio system, and generally higher build quality, which is reflected in its much higher rating on our portal. Therefore, the final verdict must be as follows: if your budget is absolutely non-negotiable, the P7K / P79K will be a good and cost-effective choice. However, if you can afford to add a small amount, the P8K model will offer significantly more and will ultimately be a more satisfying investment.
Great black and high contrast
Support for 120 Hz in games (at lower resolutions)
Very low responsiveness (input lag), great for dynamic gameplay
Modern features for gamers, such as VRR and ALLM
Efficient Google TV system with a huge app database
Very well-functioning Google Assistant in Polish
Easy screen mirroring from your phone (support for AirPlay)
Attractive price
Low brightness, resulting in a weak HDR effect and the image being barely visible in sunlight
The picture loses quality and colors when viewed at an angle
Not suitable as a computer monitor due to very poor letter readability
Strong dithering effect (highly digital image)
Movies and series in UHD quality
5.1
Classic TV, YouTube
5.5
Sports broadcasts (TV and apps)
5.3
Gaming on console
7.1
TV as a computer monitor
2.0
Watching in bright light
4.6
Utility functions
7.0
Apps
9.6
Sound quality
6.2
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HDMI inputs: 0 x HDMI 2.0, 3 x HDMI 2.1 (48Gbps) Other inputs: Toslink (Optical audio) Outputs: Toslink (Optical audio), eARC (HDMI), ARC (HDMI) Network Interfaces: Wi-Fi 2.4GHz, Wi-Fi 5GHz, Ethernet (LAN) 100Mbps
Build quality: Average
Stand type: Legs
Bezel colour: Graphite
Stand: Fixed
Flat design: No
Accessories: Stand
The TCL P7K is a TV that really appeals at first glance. It has slim bezels, looks modern, and gives the impression of higher-end equipment. In the right corner, the "Premium QLED" label shines, reminding us that this is not just any screen. Well, maybe that's a bit exaggerated, but it looks nice. From the side, it's apparent that it's more of a mid-range model – the casing isn't particularly slim, and the fit of the elements could be better. However, it's not a disaster – it's simply a TV that doesn't pretend to be luxurious, it just looks decent and does its job. In the package, we get two widely spaced legs, which allow it to stand steadily, although you need to account for the fact that it requires some space on the shelf.
Select size:
5.2/10
Local dimming function: No
Result
4,000:1
Result
6,500:1
Result
2,700:1
Result
2,800:1
Result
3,800:1
Visibility of details in the lights:
In the discussion about image quality, the conversation almost always starts with the issue of black depth and contrast, which are parameters defining the plasticity and realism of the observed world. And here, the TCL P7k/P79k immediately lays its strongest asset on the table – a VA-type panel. It is its construction that makes the native relationship between the brightest and darkest parts of the image more than satisfactory, especially in the context of the price segment that this model represents. In the majority of scenes, the achieved black has a noble depth, which allows for building an engaging viewer experience. To illustrate the scale, it is worth mentioning that competitive constructions based on IPS panels often offer results that are even four or sometimes five times lower, which constitutes a chasm in direct comparison. Of course, entering the territory of models oriented towards affordability, we must be aware of certain compromises. In the discussed television, we will not find an advanced local dimming system that could further enhance the impression of contrast. However, the absence of this feature is fully understandable and constitutes a logical consequence of positioning the product in the market – this technology in TCL's portfolio for 2025 has been reserved for higher-positioned, more prestigious series marked with the letter "C".
Halo effect and black detail visibility:
4.3/10
Supported formats: HDR10, HDR10+, Dolby Vision, HLG Color gamut coverage: DCI P3: 86.3%, Bt.2020: 65.0%
Luminance measurements in HDR:
Result
206 nit
Result
247 nit
Result
297 nit
Result
237 nit
Result
281 nit
When evaluating the HDR effect, we must make it clear and without marketing embellishment: the P7K/P79K is not and was never meant to be a master in this field. The maximum peak brightness that this panel can generate is only around 300 nits. This is a borderline value, a sort of thin red line between what can be considered a barely satisfactory HDR signal and what is really not much different from standard dynamic range (SDR), unfortunately leaning towards the latter. Synthetic tests found brutal confirmation in reality – our measurements taken during movie screenings showed that luminance in key bright parts of the content rarely exceeded the threshold of 200-250 nits. Therefore, this is not a television that would allow content produced in a wide tonal range to truly shine, and we must openly acknowledge that.
Unfortunately, the issue of color reproduction is presented equally restrained. Although the manufacturer positions this model in the "QLED" family, thanks to the use of a PFS LED filter, the results do not match the heightened expectations. The coverage of the wide DCI-P3 color gamut is only 86%. Compared to the market, this is at best an average result, as most devices that employ additional layers to expand the color spectrum easily achieve values at a minimum level of 90-92%.
Scene from the movie “Pan” (about 2800 nits)
Scene from the movie “Billy Lynn” (about 1100 nits)
Dry technical data and measurement results are one thing, but the real test for any television takes place where it matters – on the screen during viewing. And this brings us to the intriguing duality of the P7K / P79K model. Indeed, a discerning eye will easily notice that the image lacks a bit of color saturation, which is a direct consequence of the previously discussed limited coverage of the DCI-P3 color palette. Additionally, in dark scenes, blacks can be somewhat brightened, revealing a lack of advanced local dimming technology. However, it would be a great injustice to state that the picture presented by TCL is unattractive. On the contrary, the television surprises with something that can be called intelligence in adaptation. In most film scenes, even the most demanding ones, the device had no problem properly reproducing the most challenging details hidden in lights and shadows. Impressively, this also applies to source materials mastered to values around 3000 nits, significantly exceeding its physical capabilities. The ability to so effectively map tones and adapt HDR content to its modest parameters is undoubtedly a clear and non-obvious advantage of this model.
HDR luminance chart:
HDR luminance
This inherent intelligence of the television in handling HDR10 material, a format with static metadata, raises a natural question about the role and benefits of dynamic standards, such as Dolby Vision or HDR10+, which the P7K/P79K also supports. It turns out that while its image processor can independently make impressive "interpretations" of the image, support from dynamic metadata acts like an additional, precise navigator. The image presented with their use gains even more precision because the television receives exact instructions on how to optimize each scene individually, which in a sense "saves" it from potential errors in tone mapping during the most difficult moments. This is good news, as it is precisely dynamic formats that currently reign on the largest streaming platforms. Screenings on Netflix, Disney+, or Apple TV+ thus allow this TCL model to showcase the full extent of its already surprisingly good adaptive capabilities. Support for Dolby Vision and HDR10+ is therefore not just another logo on the box, but it translates into a better experience when enjoying favorite movies and series on a daily basis.
Static HDR10
Dynamic: Dolby Vision
5.9/10
Every reliable image quality assessment must begin by selecting the most optimal factory mode. In the case of the tested model P7K/P79K, the choice was confidently made for the "Film" mode. It is this mode that presents an image closest to the creators' intentions, avoiding both the exaggerated brightness of dynamic mode and the excessive dimming known from eco settings. And it must be admitted that, for a device in this price range, the factory calibration is surprisingly decent, although it is not free from a few stumbles. The most noticeable flaw turned out to be an imperfectly adjusted white balance. A slight dominance of the blue component gives the image a subtly cool, chilly character, thus deviating from the exemplary neutrality that the director wanted to show us. The television performs much better in reproducing the grayscale in a standard dynamic range – the gamma curve is executed almost perfectly. A minor reservation can only be made for the darkest parts of the image, where a slight deviation from the norm causes a loss of some detail in the shadows. The most serious challenge for TCL's software, however, was the interpretation of the HDR signal, which is illustrated by the EOTF curve. The television follows its own, rather free path here – the darkest details are disproportionately brightened, followed by a noticeable slowdown in brightness increase for midtones. Fortunately, most of these imperfections are software-related issues that can be eliminated. With this thought in mind, we proceeded to the professional calibration process.
7/10
The calibration process turned out to be a home run, especially in the context of standard dynamic range (SDR) content. We successfully managed to eliminate the TV's tendency to emphasize cool tones, restoring the whites to their natural neutrality. Furthermore, precise adjustments allowed us to correct a slight error in the gamma curve, so the darkest areas of the image regained their proper depth, without a trace of unnatural brightening. The effects are measurable and impressive – in the ColorChecker test, the vast majority of color reproduction errors fell below the perceptual threshold, achieving a deltaE value below 2. This is a result that would not shame much more expensive constructions. Unfortunately, in the case of HDR content, we hit a wall in the form of the inherent limitations of the panel itself. And although we managed to bring the colors in line, the software's specifics mean that the TV still adapts brightness in its own way, as evidenced by the persistent, non-standard EOTF curve. In summary, calibration brings tremendous added value, but one must be aware that it cannot overcome certain physical barriers. A slight boost in black levels, resulting from the lack of local dimming, and limited peak brightness mean that HDR content will not always be able to showcase its full potential. This is simply not the main task of this display; its true strength, especially after professional tuning, lies in the viewing of SDR materials.
5/10
The issue of fluidity in tonal transitions, or popular grading, is another area where the P7K / P79K evokes mixed feelings and surprises with its dual nature. If we were to evaluate solely its ability to render smooth color gradients, we would undoubtedly give it a solid score of 8/10. Unfortunately, this positive image is marred by the use of very aggressive and unsightly dithering. This artifact is particularly noticeable on demanding test patterns – such as the one depicting an actor submerged in red water – where a rough, unnatural texture appears on uniform color surfaces, revealing the digital nature of the image. This is particularly disappointing as it is not a new issue. It seems to be a sort of legacy from previous generations of budget TCL models, which is a shame because it constitutes a flaw on what is essentially a quite competent image and is a mistake that could have been avoided.
7/10
Smooth transition function
Image without overscan on the SD signal
After a series of harsh evaluations, fortunately, the time comes for praise, and this is due to the TCL AiPQ image processor for its work in digital processing and content scaling. It should be noted right away that we are not talking about the level known from flagship designs; nevertheless, in the price segment represented by the P7K/P79K, the results achieved are more than solid. The feature that smooths tonal transitions performs particularly well, effectively eliminating posterization, which are the characteristic bands often visible in materials with higher compression, such as from the YouTube service. The algorithm can elegantly remove unwanted gradients, which ultimately looks really good. The television also competently handles upscaling, which is the task of raising low-resolution materials to 4K standard. The output image, although it may seem a bit too sharp out of the box, fortunately, is not a problem. The software allows for easy adjustment of this parameter using a sharpness slider, so the final appearance can be easily tailored to personal preferences.
4.8/10
Maximum refresh rate of the panel: 60Hz
Film motion smoothing option: Yes
Blur reduction option: No
BFI function 60Hz: No
BFI function 120Hz: No
The issue of fluidity and sharpness of the image in motion is inextricably linked to the fundamental parameter of the panel, and in the case of the TCL P7K/P79K, we are dealing with a panel that has a native refresh rate of 60 Hz. This specification already defines its capabilities and makes it difficult to unequivocally recommend it to enthusiasts of dynamic sports broadcasts. During rapid camera movements, the image loses sharpness, and the panel itself also shows a slight tendency to blur, which may be noticeable to more sensitive viewers. Fortunately, not everything in this aspect has been left to chance. The manufacturer has implemented a simple motion smoothing system, which is primarily used in film materials recorded at 24 or 30 frames per second. Thanks to a dedicated slider, the user can independently decide on the final character of the motion – from a fully cinematic, slightly juddery image to achieving a very smooth, almost theatrical effect. It is a simple yet effective tool that allows users to tailor the viewing experience to their own preferences.
Blur (native resolution, maximum refresh rate):
6.7/10
Although on paper the native 4K@60Hz matrix might suggest that the TCL P7K/P79K is not a TV tailored for gamers, the reality turns out to be surprisingly different. On the contrary, the manufacturer has ensured a rich package of features that make it a very friendly companion for next-generation consoles. Onboard, we find key technologies such as ALLM, which provides automatic switching to low-latency mode, and VRR, or variable refresh rate, which eliminates screen tearing. The list is completed by support for Dolby Vision Gaming and a simple yet functional Game Bar. However, the real and extremely pleasant surprise is something else. It turns out that the TV easily supports high refresh rate signals of 120 Hz, but at lower resolutions – 1080p and 1440p. This is fantastic news for console owners who know full well how rarely games run in native 4K at a full 120 frames per second. The ability to choose between higher resolution and doubled smoothness is therefore an extremely sensible compromise.
In summary, although the P7K/P79K may not be the target screen for the most avid tournament gamers, it offers a package of options for the casual or occasional console user that is hard to find among many competitors at this price point.
9.9/10
Complementing this rich package for gamers is a parameter that has a direct impact on comfort and performance in gameplay – input lag. Even in native 60 Hz mode, the television boasts an excellent result of just 15 ms. However, the real magic happens when switching to 120 Hz mode, when the lag drops nearly in half, reaching values below 10 ms. Such responsiveness means that every command from the controller is transferred to the screen in the blink of an eye, something not only professionals will appreciate, but anyone who values smooth and immediate interaction with the game.
SDR | HDR | Dolby Vision |
---|---|---|
1080p60: 15 ms | 2160p60: 14 ms | 2160p60 DV: 14 ms |
1080p120: 10 ms | ||
2160p60: 14 ms |
2/10
Chroma 444 (maximum resolution and refresh rate): No
Font clarity: Average
Readability of dark text and shapes: Poor
Input lag in PC mode (4K, maximum refresh rate): 16ms
Matrix subpixel arrangement: BGR
Max refresh rate: 60Hz
G-Sync: Yes
We finally come to an area that can undoubtedly be described as the biggest Achilles' heel of the TCL P7K/P79K – its cooperation with a PC. This is paradoxical because on paper, everything looks promising. The presence of G-Sync and support for high refresh rates at lower resolutions might suggest that it would also be a great monitor. Unfortunately, practice brutally verifies these assumptions. The key issue is the lack of support for full 4:4:4 chroma sampling. In everyday use, this translates to terrible font rendering quality – they, especially colorful ones, become jagged, surrounded by artifacts, and simply hard to read. This is not the end, as in PC mode, a significant issue with aggressive dithering also becomes evident, giving the entire image an artificial, overly digital appearance. The only consolation in this situation is the fact that in games, we can take advantage of additional hertz and G-Sync technology, but these are not benefits that could compensate for the fundamental shortcomings in displaying a static interface. The verdict is therefore clear: while it can still hold up as a screen solely for gaming on PC, in the role of a monitor for work or internet browsing, the P7K/P79K simply performs poorly.
3.2/10
Brightness drop at an angle of 45 degrees: 78%
When it comes to viewing angles, we enter a territory where VA matrix technology dictates inevitable conditions. As expected, this is the weak point of this model. It is enough to move away from the screen's axis to observe a gradual degradation of the image: colors begin to fade, contrast noticeably drops, and black loses its depth. In direct competition with IPS panels, which are renowned for their generosity in this aspect, the VA matrix must concede superiority to its competitor. Is there a plus side to this? Paradoxically, yes. Poor viewing angles are, in fact, the price we consciously pay for the fundamental advantage of this technology – a significantly higher native contrast and deeper blacks when viewed head-on. So, one could say that this is a television that favors the viewer sitting in the "ideal" spot, offering them a maximally vibrant image at the cost of universality.
4.6/10
Matrix coating: Satin
Reflection suppression: Decent
Black levels during daytime: Good
The last practical test for any television is its daily performance in daylight conditions when it must compete with ambient light. In this competition, the TCL P7K / P79K has a slight advantage thanks to its satin screen coating. Its structure manages to quite effectively dampen direct reflections, dispersing them and protecting the image from excessive color fading or black brightness. However, passive combat with reflections is one side of the coin. The other is the active ability to "break through" bright surroundings, and here one of the key limitations of this model becomes apparent. The previously mentioned peak brightness of around 300 nits is simply too low to provide a fully comfortable and dynamic viewing experience in a brightly lit living room. In such conditions, the image may lack punch, and lower brightness scenes may lose clarity.
Matrix brightness
Average luminance SDR
TCL P7K / P79K: 299 cd/m2
7/10
System: Android TV
System performance: Decent
The heart and brain of the TCL P7K / P79K is the Google TV system, which in itself is a huge advantage. This platform provides access to an almost endless library of applications from the Play Store, ensuring that we won't be missing any key streaming service. Integration with other devices is exemplary – Apple device owners will appreciate the seamless cooperation via AirPlay, while Windows and Android users will easily take advantage of the screen mirroring feature. It is also worth highlighting the Google Assistant, which performs fantastically with voice searches in Polish, remaining one of the most effective and convenient solutions of its kind on the market. The operation of the system on the tested model can be described as "average plus." The interface is mostly smooth, but during testing, it experienced occasional slowdowns and even sporadic "freezes" requiring a moment of patience. Minor hiccups are also visible in the translation of some system messages, which can be awkward – however, these are just small oversights on TCL's part, not affecting overall functionality.
In the age of smart systems, traditional television functions often take a back seat, and this is also the case here. A significant advantage is the inclusion of a classic remote control with a numeric keypad, which does not require precise aiming at the screen for communication, greatly enhancing user comfort. The presence of Bluetooth technology for connecting external devices, like headphones or speakers, should also be noted positively. However, this is where the list of conveniences basically ends. It is evident that TCL has placed nearly everything on the Google TV card, treating classic functions as an absolute minimum. Therefore, we will not find the option to record programs from built-in tuners to a USB drive or the once-popular PiP (Picture-in-Picture) feature. This is therefore a basic package that simply works, but does not offer anything beyond what is necessary.
9.6/10
7.2/10
Maximum photo resolution: | Supported photo formats: |
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The built-in media player in the P7k/P79k model is at least a puzzling case, putting us in quite an unusual situation. On one hand, its engine handles decoding most popular video formats, which is obviously good news. On the other hand, we encountered a surprising and irritating issue – the default application has a fundamental problem displaying Polish diacritical characters in subtitle files correctly. Instead of letters like "ą", "ę", or "ż", empty squares or random, unreadable symbols appeared on the screen. Fortunately, thanks to the flexibility of the Google TV system, this problem can be easily circumvented. Installing an alternative, advanced player, such as the reliable VLC or KODI, completely resolves this inconvenience. The situation is peculiar because this flaw did not occur in other TCL models we tested previously. We are therefore dealing with a clear software oversight, which, hopefully, will be fixed in a future update.
6.2/10
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Maximum volume
Supported codecs
(TV speakers)
Dolby Digital Plus 7.1
Dolby True HD 7.1
Dolby Atmos in Dolby Digital Plus (JOC)
Dolby Atmos in Dolby True HD
DTS:X in DTS-HD MA
DTS-HD Master Audio
In terms of the built-in audio system, the TCL P7k/P79k presents a level that can be described as functional and correct, but lacking audiophile ambitions. The speakers play quite loudly, and dialogues in movies and TV shows are conveyed clearly and without distortion, which is crucial in everyday use. However, the soundstage definitely lacks a foundation in the form of low tones. This is a direct consequence of the absence of a dedicated subwoofer – an element that in the higher P8K series, with a large Onkyo subwoofer at the back of the cabinet, defined the strength of its sound. Here, that element is simply missing, making the sound seem flatter and lacking the depth that creates a cinematic atmosphere. We also noticed a peculiar feature in the software – when trying to set the maximum volume, the TV automatically reduces it. It's hard to conclusively determine whether this is a form of protection against distortion or a minor software bug; nonetheless, it's a pity, as the power reserves seem to be somewhat greater.
Acoustic Measurements
No acoustic data
Software version during testing: V8-0008T01-LF1V441
Image processor: RTD6748 2GB RAM
Subpixel Structure:
Panel uniformity and thermal imaging:
Backlight Type: PFS LED
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Journalist, reviewer, and columnist for the "ChooseTV" portal
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