XIAOMI A PRO 2025 vs LG UA75006LA (IPS)

In the HDR category, the Xiaomi A Pro performs poorly overall. Under ideal conditions, it achieves a brightness level of around 250 nits, which is underwhelming. However, many competing models offer similar or even lower brightness levels. Such limited brightness is insufficient to fully showcase the potential of HDR content. In practical terms, the image lacks the depth and intensity expected from high-quality HDR. Instead, the visuals resemble standard dynamic range (SDR), with scenes that should display striking brightness and contrast appearing flat and uninspiring. That said, for its price, the television offers solid DCI-P3 colour gamut coverage at 92%, made possible by its quantum dot (QLED) technology. This ensures vibrant and saturated colours, making it an appealing choice for gamers and movie enthusiasts seeking richer hues and improved colour reproduction compared to standard models.

The situation is even more modest in the IPS version, where the peak brightness reaches only 250 nits. In practice, this means that there can be no real sense of HDR effect, and the materials being viewed resemble ordinary SDR. Similar to the VA case, the image behaves stably on most test screens, but in demanding scenes with fine details, the television tends to slightly dim the image. As a result, blacks appear somewhat better, but at the cost of losing detail in bright elements. The lack of additional color filters is also noticeable here. The UA7500 in the IPS version does not belong to QLEDs or PFS LED panels, and the DCI-P3 color gamut stops at 80%, which means that HDR films present themselves without much color depth and give the impression of being heavily flattened.

The Xiaomi A Pro 2025 performs best in movie mode for colour reproduction straight out of the box, though it is not without its flaws. An analysis of the white balance shows negative green values, causing distortions in white tones. At full white, there are noticeable deviations, and the high-contrast image leads to poor tonal transitions in red, negatively impacting the overall colour quality. Before calibration, the image often displays a pink hue in its scenery.

The gamma contrast graph falls below the 2.4 mark, indicating an overemphasis on darker tones and a lack of prominence in lighter areas. Additionally, the EOTF curve shows a sharp rise early on, which can result in lost detail in bright scenes and an oversaturated appearance. These issues suggest that further calibration is needed to balance the colour reproduction and enhance the overall image.

Factory colour settings on the Xiaomi A Pro 2025 are average, and while this is common in televisions of its class, users seeking accurate colour representation may need to adjust the settings. After proper calibration, the TV delivers a more natural and vibrant palette, aligning better with cinematic standards. For those prioritising precise colour reproduction, professional calibration will significantly improve image quality.

The Filmmaker mode on the LG UA7500 performs better than one might expect from such a budget TV, but let’s not get carried away with enthusiasm. The picture is fairly well put together and at first glance does not offend, but its weaknesses quickly start to show. This is most evident in scenes with bright points — background lamps or light reflections on the skin are clearly overemphasized. The faces of the characters often look unnatural, as if they have been "blown out." Additionally, the default gamma characteristic brightens the smallest details and causes the image to lose subtlety in darker areas. That said, given its price range, the UA7500 in factory mode provides a pretty decent starting point. However, it is clear that without additional adjustments, these problems cannot be avoided, which is why — as with other TVs — we decided to check what could be achieved after calibration.

After calibration, the Xiaomi A Pro 2025 TV shows significant improvement. The white balance is the most noticeable change, with previous errors corrected in HD and 4K content. Most deviations are now minimal, falling within an acceptable range, resulting in a more balanced and natural colour representation that enhances viewing comfort.

In terms of gamma, the drop has been largely addressed, leading to a more consistent rendering of tones across various scenes. However, the EOTF curve still hasn't seen substantial improvement, as there is limited control over dynamic tone mapping. This limitation means that some details may still be lost in bright scenes, affecting the perception of certain materials.

Despite these minor issues, the overall picture quality is improved after calibration. The enhanced white balance and reduced gamma issues provide a more realistic and enjoyable viewing experience. While further adjustments could enhance the image even more, the TV now showcases its potential, meeting the expectations of many users.

The biggest improvement we noticed was when calibrating the mode designed for everyday SDR content. We managed to smooth out the white balance in an acceptable way and tackle the problem of excessive brightening of small elements due to the gamma characteristic. As a result, the image gained consistency and naturalness that was lacking in the factory settings. After such correction, we can confidently state that for everyday television content, programs, or materials from YouTube, the LG UA7500 performs really well – especially after professional calibration. The situation is somewhat different for HDR content. Here, calibration allowed us to tame the white balance and slightly improve brightness management, but the limitations of the design are immediately apparent. The lack of additional filters to broaden the color palette makes the most vibrant colors appear flat, and the image lacks the intensity we would expect from good HDR. So, in SDR, the UA7500 performs quite well, but in HDR – despite corrections – it remains far behind, and this is a feature one has to come to terms with when choosing this television.

The Xiaomi A Pro 2025 handles tonal transitions effectively, especially when dealing with lower-quality materials. Thanks to its advanced digital processing, the colour contour removal feature performs surprisingly well. Setting this option to "Medium" provides the best balance, enhancing the smoothness of tonal transitions while avoiding excessive smoothing of other image elements, like film grain.

In the case of a tested frame featuring a model with numerous branches in the background, the TV demonstrated its digital processing strengths. Adding artificial sharpness clarified the model’s details, particularly enhancing the hair's definition. However, around the branches, subtle contours emerged due to digital intervention. While this adds detail to the overall image, excessive sharpness can sometimes cause certain elements to appear unnaturally highlighted.

The version with the IPS matrix performed significantly worse here. Image scaling was uneven – this was particularly noticeable in lower-quality materials, where edges became jagged and the image looked less detailed. At times, there was also a sense of slight blurriness that detracted from sharpness and made the overall presentation seem less polished than in the VA version. The tonal smoothing function turned out to be a lifesaver. At the medium setting, it worked very well – it didn't ruin the image with excessive softening, while smoothing out colors in such a way that everyday content gained consistency. The difference was especially visible with television programs or streaming materials of poorer compression quality, where the television with the function enabled presented itself much better. This is one of those features that is worth keeping active because it significantly enhances the reception of everyday materials.

The Xiaomi A Pro 2025 features a motion smoothing option known as "Motion Smoothing," which is designed mainly for film viewing. It allows users to adjust the effect to either a more cinematic, film-like appearance with visible frames or a smoother, theatrical image. This feature will likely satisfy movie lovers. However, gamers and sports enthusiasts might be disappointed. The TV uses a 60 Hz refresh rate panel, typical for this price range, which doesn’t offer exceptional motion handling. Our "Ufo" test revealed some motion blur, so those seeking sharper moving images may find it lacking in this regard.

LG UA7500 is a television with a 60 Hz panel, so it's difficult to expect any excitement in this category. It's more of a screen intended for everyday content or an evening movie session rather than for following dynamic sporting events or playing action games. It's clear that the manufacturer designed this model specifically for that group of viewers – and in that regard, it works properly. We have access to the TruMotion feature, which is a motion smoother. It's simple, with just one slider, but it can make a noticeable difference. At lower settings, the picture looks more raw and cinematic, while at higher values, the motion becomes smoother and more pleasant to the eye.

The Xiaomi A Pro 2025 includes several gamer-friendly features, such as the Game Bar, which sets itself apart from the typical dashboards seen in other brands. This feature allows quick access to game-related settings, making it convenient during intense gaming sessions. The TV also supports Automatic Low Latency Mode (ALLM), automatically switching to a game-optimised mode to reduce signal delays. However, it lacks HDMI 2.1 support, limiting compatibility with the latest gaming consoles that require higher bandwidth. Additionally, it does not support features like VRR (Variable Refresh Rate) or G-Sync, which are becoming essential for gamers seeking smoother visuals and reduced tearing. While the Xiaomi A Pro 2025 has some useful features, there are better options in this price range offering more advanced gaming solutions.

LG UA7500 is a television that can be confidently recommended for "casual" gamers. While it lacks a 120 Hz panel and HDMI 2.1 ports, making full use of the potential of modern consoles out of the question, the manufacturer has included a few additions that can enhance the gaming experience. Notably, the Game Bar deserves mention – a very nicely designed panel that allows quick access to and modification of the most important settings. From this panel, we have access to features such as ALLM mode (automatic switching to game mode) and frame synchronization, which is VRR. The range of VRR is limited – it operates from 48 to 60 Hz – but the mere presence of this feature in such an affordable television is impressive.

Additionally, it supports HGiG, which is a calibration mode for HDR specifically for gaming. This sounds good, but based on testing experience, we already know that in the case of the UA7500, this option doesn't make much sense. The television doesn't handle HDR very well, so paradoxically, we achieved better results with this feature turned off. This is another signal that the UA7500 is more of a screen for occasional gamers who value simplicity and comfort rather than for those looking for a complete experience from the latest consoles.