XIAOMI A PRO 2025 vs Hisense U7Q PRO

In the HDR category, the Xiaomi A Pro performs poorly overall. Under ideal conditions, it achieves a brightness level of around 250 nits, which is underwhelming. However, many competing models offer similar or even lower brightness levels. Such limited brightness is insufficient to fully showcase the potential of HDR content. In practical terms, the image lacks the depth and intensity expected from high-quality HDR. Instead, the visuals resemble standard dynamic range (SDR), with scenes that should display striking brightness and contrast appearing flat and uninspiring. That said, for its price, the television offers solid DCI-P3 colour gamut coverage at 92%, made possible by its quantum dot (QLED) technology. This ensures vibrant and saturated colours, making it an appealing choice for gamers and movie enthusiasts seeking richer hues and improved colour reproduction compared to standard models.

U7Q PRO is truly a bright television. In synthetic tests, it achieved over 1500 nits, which is an outstanding result for this price range. Such brightness – at least in theory – allows for displaying HDR content as intended by creators, even in more demanding scenes with strong light. In practice, it can be very good, but not always perfect. In bright scenes with a large surface area – such as the test screen with intense sunlight from the movie "Pan" – U7Q PRO makes a huge impression. It can almost blind with light, which is definitely an advantage in the context of HDR content. Unfortunately, this is not always maintainable when a lot of small bright details appear on a dark background. In such moments, local dimming algorithms decide to dim some bright elements to maintain good black levels – and the side effect is that some details simply disappear from the frame. This is a classic compromise in mini-LED televisions – and U7Q PRO is no exception. However, with such a large number of dimming zones, one could expect a somewhat more mature algorithm responsible for controlling them. Fortunately, the overall reception of HDR content is very positive. U7Q PRO is not only bright but also colorful; thanks to the PFS LED (QLED) coating, the coverage of the DCI-P3 color palette is at 95%, and BT.2020 is around 73%.

The Xiaomi A Pro 2025 performs best in movie mode for colour reproduction straight out of the box, though it is not without its flaws. An analysis of the white balance shows negative green values, causing distortions in white tones. At full white, there are noticeable deviations, and the high-contrast image leads to poor tonal transitions in red, negatively impacting the overall colour quality. Before calibration, the image often displays a pink hue in its scenery.

The gamma contrast graph falls below the 2.4 mark, indicating an overemphasis on darker tones and a lack of prominence in lighter areas. Additionally, the EOTF curve shows a sharp rise early on, which can result in lost detail in bright scenes and an oversaturated appearance. These issues suggest that further calibration is needed to balance the colour reproduction and enhance the overall image.

Factory colour settings on the Xiaomi A Pro 2025 are average, and while this is common in televisions of its class, users seeking accurate colour representation may need to adjust the settings. After proper calibration, the TV delivers a more natural and vibrant palette, aligning better with cinematic standards. For those prioritising precise colour reproduction, professional calibration will significantly improve image quality.

We tested the U7Q PRO in the best possible picture mode that this model offers – Filmmaker Mode. And indeed, it is this mode that performs best in terms of color reproduction. But that doesn't mean it's perfect. In our test unit, both in SDR and HDR content, the image had a slightly cooled tone. The white balance was shifted towards blue, which made the overall impression feel a bit "cooler." It's not glaring, but definitely noticeable – especially on white backgrounds that, instead of neutral, appeared slightly bluish. Additionally – as we mentioned earlier – the television tends to slightly brighten and oversaturate the image, which is also confirmed by the gamma and EOTF charts. All of this together means that without calibration the image may seem a bit unnatural – too cool, with slightly exaggerated dynamics. That's why we decided to conduct our own calibration – and its effects and charts can be seen below.

After calibration, the Xiaomi A Pro 2025 TV shows significant improvement. The white balance is the most noticeable change, with previous errors corrected in HD and 4K content. Most deviations are now minimal, falling within an acceptable range, resulting in a more balanced and natural colour representation that enhances viewing comfort.

In terms of gamma, the drop has been largely addressed, leading to a more consistent rendering of tones across various scenes. However, the EOTF curve still hasn't seen substantial improvement, as there is limited control over dynamic tone mapping. This limitation means that some details may still be lost in bright scenes, affecting the perception of certain materials.

Despite these minor issues, the overall picture quality is improved after calibration. The enhanced white balance and reduced gamma issues provide a more realistic and enjoyable viewing experience. While further adjustments could enhance the image even more, the TV now showcases its potential, meeting the expectations of many users.

Thanks to calibration, we managed to tame the white balance in both SDR and HDR content. For SDR materials, the effect is really very good – the image becomes neutral, consistent, and simply pleasant to view. Everything looks as it should.

The performance in HDR is a bit worse. Although the white balance looks correct and overall the image gains in naturalness, unfortunately, delta E errors remain noticeable. Why? Because Hisense does not give us full control over how the U7Q PRO manages brightness in HDR mode. This is where the limitation appears. When we look at the EOTF curve for HDR content, we can clearly see what we mentioned earlier – at the beginning of the graph, there is a noticeable drop, meaning the television dims the smallest sections more than it should. On the other hand, the brightest elements can be illuminated a bit too much. As a result, some details are lost, others are too aggressive, and overall control over brightness does not always align with what we are trying to achieve during calibration.

Does the image look better after calibration? Definitely yes, in terms of color. But when it comes to managing brightness in HDR, we have to accept that the Hisense U7Q PRO will do it its own way.

The Xiaomi A Pro 2025 handles tonal transitions effectively, especially when dealing with lower-quality materials. Thanks to its advanced digital processing, the colour contour removal feature performs surprisingly well. Setting this option to "Medium" provides the best balance, enhancing the smoothness of tonal transitions while avoiding excessive smoothing of other image elements, like film grain.

In the case of a tested frame featuring a model with numerous branches in the background, the TV demonstrated its digital processing strengths. Adding artificial sharpness clarified the model’s details, particularly enhancing the hair's definition. However, around the branches, subtle contours emerged due to digital intervention. While this adds detail to the overall image, excessive sharpness can sometimes cause certain elements to appear unnaturally highlighted.

If someone happens to come across older materials where the issue of color banding appears – Hisense has a solution for that. In the U7Q PRO, we find a feature called "Smooth and Gradient Picture." Set to the "Medium" level, it works really well – it eliminates most of the gradation issues while not smoothing out the entire image, like blur in Photoshop. 😉 Film grain remains, details do not disappear – this is exactly how it should work. Kudos for the implementation!

As for scaling weaker materials, it’s just good. It’s not at the level of the most expensive TVs with advanced upscaling, but older content looks good. There is some mild aliasing at very low resolutions, but that’s completely normal and hard to avoid. On the plus side – even with the oldest materials, there is no overscan effect; the image is not cropped or artificially stretched.

The Xiaomi A Pro 2025 features a motion smoothing option known as "Motion Smoothing," which is designed mainly for film viewing. It allows users to adjust the effect to either a more cinematic, film-like appearance with visible frames or a smoother, theatrical image. This feature will likely satisfy movie lovers. However, gamers and sports enthusiasts might be disappointed. The TV uses a 60 Hz refresh rate panel, typical for this price range, which doesn’t offer exceptional motion handling. Our "Ufo" test revealed some motion blur, so those seeking sharper moving images may find it lacking in this regard.

“Speed” – this word was mentioned most frequently during our tests of the U7Q PRO. The television is equipped with a 165 Hz panel, which is impressive in itself – especially since we are talking about a model in the mid-price range. Of course, PC gamers will benefit the most from its full capabilities, but even during everyday viewing, it is evident that this is a fast and efficient panel. Like most modern televisions, the U7Q PRO can also enhance the smoothness of movies that are primarily shot in 24 frames. In the menu, there is a slider that allows you to adjust the effect to your preferences – from a more cinematic feel, with subtle motion, to stronger smoothing with the characteristic “soap opera effect.”

The Xiaomi A Pro 2025 includes several gamer-friendly features, such as the Game Bar, which sets itself apart from the typical dashboards seen in other brands. This feature allows quick access to game-related settings, making it convenient during intense gaming sessions. The TV also supports Automatic Low Latency Mode (ALLM), automatically switching to a game-optimised mode to reduce signal delays. However, it lacks HDMI 2.1 support, limiting compatibility with the latest gaming consoles that require higher bandwidth. Additionally, it does not support features like VRR (Variable Refresh Rate) or G-Sync, which are becoming essential for gamers seeking smoother visuals and reduced tearing. While the Xiaomi A Pro 2025 has some useful features, there are better options in this price range offering more advanced gaming solutions.

The Hisense U7Q PRO is a television that seems almost designed for gamers. It has practically everything you could expect from a gaming screen: variable refresh rate (VRR), automatic mode (ALLM), and as many as four HDMI 2.1b ports with full bandwidth of 48 Gb/s. Additionally, there is a clear and quite functional Game Bar, as well as a well-implemented Dolby Vision GAMING mode that works seamlessly with Xbox Series S and X consoles.

Sounds like perfection? Well, almost. Unfortunately, Hisense has yet to implement the HGiG feature, which is the system's limit on tone mapping on the TV's side. This means that when configuring HDR brightness on the console, we do it "by eye" or look for settings in online guides because the screen doesn't show the real range of its brightness. It's a pity - because HGiG makes it easier to match the console to the TV and helps avoid clipping or overly dark scenes in HDR games.

Fortunately, the other elements work very well. Signal delay (input lag) is low, responsiveness is excellent, and the handling of other functions is flawless. And although not everything worked perfectly, the U7Q PRO can still be recommended to gamers without hesitation.