Compare TCL C855 vs Samsung The Frame LS03D

The TCL C855 is a standout television in the TV market, showcasing a versatile performance across various applications and excelling in its price range. With Mini LED backlighting, the TV achieves impressive contrast and black levels, resulting in deep, vivid images. Its algorithm effectively maintains black uniformity, minimizing blooming effects, a significant advantage for viewing HDR content.

While the TCL C855 can reach brightness levels of up to 1800 nits, which is commendable, it is worth noting that brightness can significantly drop to around 200 nits when bright but small elements appear on-screen. Additionally, the mid-tone boost can compromise contrast and reduce fidelity to the director's original vision.

For gamers, the TCL C855 shines brightly, offering extremely low latency and high-quality performance thanks to its full implementation of HDMI 2.1 features. The inclusion of the Google TV operating system adds to its appeal, providing nearly limitless options for application installation, including support for APK files from outside the official store.

The TCL C855 is an excellent choice for those seeking a reliable and versatile television. While it may have some drawbacks, its overall image quality, gaming performance, and advanced operating system make it a strong contender in the market.

Samsung The Frame (2024) is not just an ordinary television that you could put in the corner and forget about after two days. Here, it's immediately evident that the manufacturer focused on something beyond just displaying movies. First, the "Art" mode catches the eye – with just a few clicks, we can turn The Frame into a digital gallery, showcasing artworks that, combined with the matte panel, truly resemble a real painting in a frame. And speaking of the frame, we have the option to customize its color to perfectly match our interior. Additionally, the package includes a wall mount, allowing the TV to be hung practically "flat," which further enhances the impression of engaging with a picture rather than a typical screen. The matte panel provides excellent protection against light reflections, which, paired with high brightness (650 cd/m²), works well in full sunlight. Moreover, we have a VA panel with quite decent contrast and a refresh rate of 120 Hz, so when watching sports or playing dynamic titles, everything appears really smooth and pleasant to the eye. If we add a gaming features package – VRR, ALLM, and HGiG – it becomes clear that Samsung also thought of console and PC fans. As a result, The Frame can be both a picturesque decoration for the living room and a quite sensible gaming monitor. The aforementioned One Connect is another handy gadget – thanks to it, we can hide all cables in one place, pulling only a thin wire connecting the TV to this magical box. If we like order, this is a solution made for us. Another advantage is the Tizen system – user-friendly, fast, and full of applications. We might not find absolutely everything in it (e.g., the Tidal app), but it still offers a wide range of options for searching new streaming platforms. Of course, there’s no rose without thorns. The lack of local dimming is noticeable in dark scenes, where black becomes less defined. We also have to remember that there is only one HDMI 2.1 port, so if we want to connect more devices in 4K and 120 Hz, we might feel limited. Additionally, viewing angles are rather average, so it's better for the most important viewer (i.e., us) to sit directly in front of the TV. For Dolby Vision fans, this also won’t be the perfect choice, as The Frame only supports HDR10 and HDR10+. Moreover, the sound – like in most slim TVs – is mediocre, so it's worth considering a soundbar if we care about clearer bass and a bit deeper sound. Despite these weaker points, The Frame still leaves a great impression. It is striking, stylish, and versatile – suitable for watching the latest hits as well as displaying reproductions of paintings on the wall. If we care about a unique appearance, high brightness, and at the same time want to play something with low input lag, this model will be a home run. And although it may not be the leader in terms of cost-effectiveness or a technological "monster" in terms of picture quality, it has something that is simply likable. It’s a piece of equipment that stands out with its unique character and can fit into any interior, attracting attention both in TV mode and as a digital art gallery.

The TCL C855 features a high-contrast VA matrix, achieving an impressive ANSI contrast ratio of 5238:1 without dimming. This level allows for very good black levels. Furthermore, the panel incorporates multi-zone Mini LED backlighting, divided into 1344 independent dimming zones for the 65-inch model. Such a configuration yields excellent results in our tests. Notably, TCL is among the few manufacturers offering such advanced panel specifications at a reasonable price, unlike the traditional big four brands. In the majority of scenes we evaluated, the performance was impressive, particularly in the first three tests; even in the third, with a ratio of 54,000:1, the black level and contrast were far from weak, demonstrating satisfactory results. However, performance does dip in two specific scenarios: scenes with movie strips and when the screen contains many elements surrounded by black. While the last test scene maintained excellent contrast, the final scenario revealed some blooming in the blacks. A frame from the movie "Oblivion" showcased the TCL C855's capabilities, with black levels that can rival those of OLED screens—a notable achievement. The television also demonstrates commendable light separation, which is no small feat. In our flagship scene from "Sicario 2" the contrast was equally impressive, although some loss of detail in the blacks across the first, second, and third planes was evident. The backlight control algorithm effectively minimizes halo and blooming effects, which is praiseworthy. However, it's important to note that very small elements, like stars, can occasionally be completely dimmed by the TCL C855.

The Frame uses a VA panel, which in itself provides quite high contrast. In our tests, the results ranged from 4000 to 5000:1, which will be quite sufficient for most users. However, the lack of local dimming becomes noticeable, especially on more demanding test screens. In dark scenes, one can notice that the black has a slight navy hue. During the day or in a well-lit room, this won't be an issue, but during an evening viewing, more discerning viewers may feel a slight disappointment.

The TCL C855 delivers a highly varied HDR effect. At times, the television truly excels, while at other moments, it appears reminiscent of a low-end model equipped with FALD backlighting. Inconsistency is frequently found with this brand, so it didn’t come as a surprise. The first and last scenes, which feature large light elements, are nothing short of spectacular, boasting brightness levels of 1470 and 1820 nits, respectively. Such brightness can make viewers squint their eyes, allowing them to feel the extraordinary dynamism of the scene. It genuinely immerses the audience, creating a sensation of being inside the movie itself. However, the situation shifts dramatically when small or subtle elements with high luminance appear against a dark background. In these instances, the TCL C855 significantly reduces brightness to levels as low as 240 nits to mitigate halo effects. This reduction is disappointing, as it can make the movie appear as if it was not filmed in HDR. Despite these shortcomings, the HDR effect on the TCL C855 enhances the viewing experience during dynamic scenes, making it feel more engaging and allowing the viewer to feel part of the action. Even with smaller high-luminance elements, the television retains details without excessive dimming. Additionally, the TCL C855 adjusts image brightness according to scenes with rich detail, further enhancing viewing comfort.

The Frame really handles brightness well. With results at the level of 700 nits, bright elements on the screen look impressive and detailed, whether they illuminate the entire screen or appear as small bright spots against a dark background. In more demanding scenes, like the fourth sequence from the movie Sicario 2, the blacks perform averagely, but we already discussed that in the section regarding contrast. However, when it comes to brightness – here the TV definitely performs well. An additional advantage is the quantum dot coating, i.e., QLED technology. Thanks to it, the color palette coverage has been improved, although The Frame does not stand out in this regard compared to the competition.

The best factory mode for the TCL C855 is the "Film" setting, and all our tests were conducted using this mode. However, like many predefined modes, it has flaws that should be addressed to achieve an image closer to the producer's original vision. In our examination of the colour characteristics for both SDR and HDR materials, issues were found.

Focusing first on SDR content, there is a noticeable dominance of green in the white balance, which leads to an unpleasant greenish tint across the entire image. The gamma chart, crucial for image contrast, shows a significant deviation from the reference line marked at 2.4. Initially, there is a pronounced spike in the measured value, resulting in an over-contrasted image where details can merge into a dark blob. This condition persists for nearly 20% of the chart before it dips below the reference line, causing the image to brighten and resulting in a substantial drop in contrast.

In HDR materials, the factory mode performs somewhat better; the white balance appears more balanced overall, although the green tint resurfaces in the latter half of the spectrum. When we look at the Electro-Optical Transfer Function (EOTF) curve—unlike gamma, which reflects contrast—we identify two main errors: the darkest scenes are too dark, while the brightest ones become overexposed. This discrepancy was evident in our review of the scene from the movie "Pan," further illustrating the TCL C855's HDR performance issues.

Samsung offers several picture modes in its TVs, but without a doubt, the Filmmaker Mode is the one that should provide the most natural representation of content. Unfortunately, as is often the case with mass production, the differences between units can be significant, and our tested model did not escape a few problems.

In the case of SDR content, the white balance heavily leaned towards red, with a slight boost in blue. This effect was particularly visible in comparison photos – in the example of a photograph with a boy, whose face was almost unnaturally flushed. The gamma, or brightness characteristic, also did not perform perfectly – the image was slightly brightened, which took away its depth.

In 4K HDR content, the white balance was again dominated by red, this time combined with green. Meanwhile, blue clearly lost intensity, which could be easily noticed on the Color Checker palette, where the colors began to "run away" in the wrong direction. The EOTF curve, responsible for brightness in HDR content, showed that the TV tends to excessively brighten the image, especially in the darkest elements of scenes.

Overall, although it did not look tragic, it definitely needed correction. Fortunately, Samsung offers extensive calibration options, which provide an opportunity for significant image improvement. Therefore, we proceeded with professional calibration to extract the full potential of this TV.

TCL, like most manufacturers, offers advanced calibration tools within its televisions. These include both 2-point and 20-point adjustments for grayscale, as well as a comprehensive colour management system. As a result, we achieved impressive results in SDR materials, bringing the image significantly closer to the reference standard. We successfully eliminated both the green tint and the gamma issue, although a slight "kink" at the very beginning of the gamma curve still persists.

In contrast, the situation with HDR materials was less favourable, as the TCL C855 did not allow for precise modelling. We were only able to make minor adjustments to the EOTF curve while significantly enhancing the overall colour accuracy. This limitation suggests that while calibration tools are effective, they may require further refinement for optimal HDR performance.

After professional calibration, the Filmmaker Mode shows its full potential. The white balance in HD content is exemplary – an error level of 0.5 indicates almost perfect color reproduction precision. The image now looks natural, and the colors are exactly as they should be. In 4K HDR content, the effect is not as perfect, but it still maintains a really high level. The colors are vibrant, well-saturated, and the overall image quality is impressive.

So where does the problem arise, if we praise the color reproduction so much? Unfortunately, the overall experience is disrupted by the brightness characteristic. The gamma in HD content looks decent, but in 4K HDR it's not as good. The EOTF curve shows that the TV excessively brightens certain parts of the image, which is a result of design limitations. The lack of local dimming means that the TV cannot precisely control the differences between the brightest and darkest areas of the screen. This is a barrier that simply cannot be overcome in this model.

Nevertheless, after calibration, The Frame offers excellent color reproduction, especially in HD content, and the overall appearance is much better than before the settings correction.

Another important aspect of assessing image quality is tonal transitions. To achieve a clean image free from posterisation effects, a television must employ highly effective algorithms for smoothing colour gradations. We must acknowledge that the algorithm used in the TCL C855, known as "Gradual Smoothing," ranks among the best we've had the opportunity to test. In nearly every scene, the performance is impressive, leaving little room for criticism. A prime example of this capability is the scene from "The Green Knight," which poses a challenge due to the multitude of fine and subtle transitions in the fog. The C855 successfully smooths out the details within this scene, allowing the viewer to fully appreciate its suspenseful atmosphere. The only instance where slight posterization is noticeable occurs in a frame from "The Green Knight," where the reds in the upper left part of the screen create a contrasting effect.

This is one of the best TVs we have had the opportunity to test in terms of the smoothness of tonal transitions. Any potential imperfections are so minor that you really have to strain your eyes to notice them. They are subtle enough that we only deducted a symbolic fraction of points in this category. Undoubtedly, this is one of the greatest advantages of this model. It's possible that such a good effect is partly due to the matte coating of the screen, which gently masks any irregularities in color gradation. The smoothness of tonal transitions in The Frame is at a level that will satisfy even exceptionally demanding users. Kudos to the LS03D!

Once again, we will take a look at the function of smoothing tonal transitions, but this time also image scaling. The latter is particularly important when watching materials of lower quality, such as some television programs or older films. We will focus on the function responsible for tonal transitions. Interestingly, just like in the scenes from the previous test where it performed excellently and smoothed out practically all the inconsistencies, here it had issues. Using the menu responsible for the operation of this function, we found that no setting—even the strongest—was helpful.

Image scaling in TCL C855 is defined as one of the best we have had the opportunity to test so far. The image is sharp, but in a way that could be described as natural to our eye. Even small, fine branches do not have jagged edges, and there is no white halo around figures, a characteristic of weaker scaling systems.

It was time to check how The Frame handles older, lower-quality materials. We already know that the smoothness of tonal transitions is very high here, so we were curious to see how the TV would manage their smoothing.

The noise reduction feature in the "Standard" setting performs well – tonal transitions are noticeably smoothed out, and the image does not lose too much detail. However, it's worth noting that this effect also smooths out film grain, so its use will be a matter of individual preference.

When it comes to image scaling, the TV also performed really well. The tested frame was solid – the model was rendered correctly, with clear details. The branches in the background, although slightly jagged in places, generally look natural and do not stand out as a flaw.

The maximum refresh rate you can set on the TCL C855 is 144 Hz. Naturally, this is only possible after connecting the TCL C855 TV to a very powerful PC. Otherwise, we will be operating at a maximum refresh rate of 120 Hz, which is recommended if we want to watch primarily sports or materials with a lot of motion dynamics. For those who require high image fluidity, the manufacturer has implemented a multi-stage motion smoother. It is divided into two separate sliders which control the sharpness of moving images (Motion Blur Reduction) and flicker (Flicker Reduction). Both sliders can be adjusted from 0 to 10, with each level affecting the degree of fluidity, so everyone can find their sweet spot. We present a setting that allows for slight smoothing without the soap opera effect. The matrix of the TCL C855 features a very good response time. This is particularly important since VA panels often struggle with the so-called ghosting effect, where a black halo can be observed behind a fast-moving object. where a black halo can be observed behind a fast-moving object.

First of all, it is worth noting that the model we tested in 55 inches, just like the 65, 75, and 85-inch versions, is equipped with a 120 Hz panel. Unfortunately, the 43 and 50-inch variants of this series offer only 60 Hz panels, which is worth considering when making a purchase. As for improving motion fluidity, the TV offers a feature called "Picture Clarity." This is a classic motion smoother that gives users the ability to adjust it using two sliders:

Motion Blurring Reduction – this is responsible for sharpening the image during dynamic scenes. The higher the value, the less blur during rapid camera movement or moving objects. However, overly aggressive settings can make the image look unnatural and start to resemble a “soap opera”.

Judder Reduction – this slider affects the smoothness of frame playback, particularly in materials with a lower frame rate, such as films (24 fps). Higher settings can smooth out motion but can also lead to an excessive "plasticky" effect on the image.

Both sliders operate on a scale from 0 to 10, allowing for precise adjustment of the effect to one’s own preferences. It is worth experimenting with the settings to find the perfect balance between fluidity and the natural appearance of the image. We recommend setting them as shown in the picture.

The TCL C855 TV has fully-featured HDMI 2.1 ports, boasting a full bandwidth of 48 Gb/s. During our testing, we confirmed the seamless operation of all functions included in this connection standard. As highlighted, all checkboxes are illuminated in green, a feature that will undoubtedly be appreciated by gamers, whether on consoles or those using the TV as a computer monitor. Additionally, the TCL C855 supports both AMD FreeSync and NVIDIA's G-Sync, which can be easily activated in the graphics card settings. Those with powerful configurations can feed a 144 Hz signal to the C855, which handles this effortlessly. It is also worth noting the implementation of the HGIG mode, which can be excessively bright due to the shortcomings of the "Game" mode, making proper configuration on the screen challenging. Fortunately, the TV excels with the Dolby Vision format.

TCL, as one of the pioneering manufacturers, has equipped its televisions with a special GameBar, allowing for extensive adjustment of settings "on the fly" without the need to exit the game. This feature includes options like an additional crosshair grid, black level correction, and settings designed for individuals with disabilities. The image showcases the next generation of this solution.

In summary, the TCL C855 TV is an ideal choice for those seeking a screen for all forms of electronic gaming. With comprehensive features supporting such entertainment, it provides an extremely engaging experience. It is also important to emphasise that it maintains very low input lag, regardless of the selected settings, including when using the Dolby Vision HDR format.

The Frame in version 2024 is equipped with four HDMI ports, but only one of them supports the 2.1 standard with a bandwidth of 40 Gb/s. This is an important piece of information if we plan to connect more than one device that requires a 4K@120 Hz signal – for example, two consoles or a console and a gaming PC. In terms of gaming features, The Frame truly has a lot to offer. We find ALLM (Auto Low Latency Mode), VRR (Variable Refresh Rate), and HGiG. It is worth emphasizing that HGiG has been very well implemented here, which is particularly important since the TV does not support Dolby Vision in games (which is only available on Xbox consoles). In this case, HGiG proves to be a better standard for gaming. Samsung has not forgotten about features that enhance the gaming experience. Game Bar is an advanced panel for gamers that allows for quick adjustment of screen settings without the need to sift through the TV menu. We can even change the aspect ratio from 16:9 to cinematic 21:9, which for some gamers can be a significant advantage. However, Samsung's biggest ace up its sleeve is the Game Motion Plus feature. This is a special smoother dedicated to games, which adds extra frames of animation without significantly impacting input lag. The effect is really noticeable – the image appears much smoother, which fans of dynamic titles will particularly appreciate. In summary – Samsung The Frame is a television that offers a solid set of features for gamers. Although the limitation to one HDMI 2.1 port may be a downside, the rest of the solutions make gaming on this TV a truly enjoyable experience.

The input lag of the TCL C855 is impressively low across all scenarios. Even the most dedicated gamers will appreciate the minimal input lag of just 7 ms at demanding 4K 120 Hz settings with HDR. Furthermore, this lag remains consistent when enabling Dolby Vision HDR, which is not always the case with competing models. As such, the TCL C855 merits the highest rating and recommendation.

In terms of latency, The Frame really impresses. 13 ms with 60 Hz content and 8 ms with 120 Hz are results that will satisfy even the most demanding gamers. Such low values make the reactions to controller movements almost instantaneous. In dynamic games like shooters or racing, every fraction of a second matters – here The Frame performs excellently.

When connected to a computer as a monitor, the TCL C855 performs exceptionally well. This is largely due to its very low latency time along the mouse-eye-screen line and excellent font readability, achieved through a chroma 4:4:4 at all resolutions, including 4K@144Hz.

The subpixel layout is BGR, which does not negatively affect usage in the Windows environment. However, this situation may change when using macOS or other software that cannot adjust fonts to accommodate this subpixel layout.

Using a computer on The Frame is truly a pleasant experience. The fonts are clear and well-rendered thanks to the 4:4:4 chroma support. There is no blurring or fuzziness that often appears in cheaper televisions. Of course, if someone scrutinizes small texts, they may notice minimal imperfections, but it's really a minor issue that doesn't interfere with everyday work. It's also suitable for PC gaming. The 120 Hz panel, support for G-Sync, and truly low input lag make games run smoothly and without delays.

A well-known drawback of VA panels without an angle coating is their poor performance regarding viewing angles. This holds true for the TCL C855, where even a slight deviation from the central axis results in noticeable image fading and colour degradation.

The viewing angles on The Frame are average, which is typical for a VA panel. And here comes a bit of a snag – this television is supposed to serve as a display for images and works of art, which are not always viewed head-on. When viewed at an angle, colors start to lose their intensity, and black turns into shades of gray. This is not at a level that completely ruins the experience, but if the TV is placed in a position where it will often be viewed from the side, the effect may be noticeable. It's a pity because better viewing angles would be a significant advantage in a TV intended for such purposes.

The glossy finish of the TCL C855 panel prevents it from achieving the highest rating for daytime viewing performance. However, this finish contributes to impressive black levels during the day. The high brightness in SDR material makes the actress's face stand out prominently against reflections. A downside of this panel is that light falling directly on the screen tends to "spill" rather than being contained in one area. Generally speaking, if sunlight does not directly hit the panel, the TCL C855 remains a solid choice for well-lit rooms.

The Frame is equipped with a matte display that manages to effectively suppress direct light reflections. As a result, even in a brightly lit room, the image remains readable, and reflections do not interfere with viewing. Of course, as is usually the case with matte coatings, there is a trade-off – colors lose some intensity, and black seems more faded during the day. Fortunately, the television compensates for this with a brightness level of 650 cd/m². This ensures that the image is bright, clear, and well visible even in a heavily lit room.

The TCL C855 operates on the Google TV platform, which offers a significant advantage over TVs with proprietary systems from other manufacturers, where installing applications from a USB drive can often be challenging or impossible. With Google TV, users can install virtually any application, whether from the official store or directly from online repositories via APK files.

This system also provides various conveniences in terms of control. Users can connect a keyboard with a touchpad, making it easier to enter queries. Additionally, thanks to integration with Google, voice control features via the remote work very well, although minor issues may occasionally arise with function translations. It's worth noting that Google TV regularly receives updates that enhance functionality and introduce new options. However, according to reports from users of older models, the software can sometimes have its off days, leading to occasional performance hiccups.

In summary, Google TV is currently one of the most popular systems on the market. Thanks to its efficient CPU, it runs very smoothly, avoiding freezing and stuttering for the majority of usage. This makes it an excellent choice for those looking to fully utilise the capabilities of the TCL C855 and who appreciate the openness of the system.

The Frame is a television that stands out from other models and is difficult to describe in a traditional way. Of course, we will find all the standard Smart TV features thanks to the Tizen system. The system works responsively, is extensive, and offers a wide selection of applications. The remote control supports voice commands in Polish, and we can connect additional devices via Bluetooth – just like in many other televisions. But this is not the essence of this model.

The greatest strength of The Frame is its design. The "Art" mode allows you to display thousands of high-resolution images, which, combined with the matte display, look truly exceptional. The effect is surprisingly realistic and hard to compare to any other television.

The frames may not be the thinnest on the market, but they can be customized in terms of color and style to perfectly match the interior. (Sold separately) And although the frames themselves are not ultra-thin, the entire construction is sleek and elegant. The wall mount is also noteworthy, as it is included (its value is around 400 PLN). With it, the television can be mounted almost flush, with no gap from the wall, which further emphasizes the "picture" effect.

And what about the cables? Samsung thought of that too. The Frame is equipped with the One Connect module – an external box to which we connect all devices. Only one nearly invisible cable leads to the television, which transmits both signal and power. The box can be easily hidden in a cabinet or behind furniture, ensuring that nothing disrupts the aesthetics of the interior.

The Frame is more than just an ordinary television – it is a thoughtfully designed decorative element that combines modern Smart TV functionality with exceptional design and practical solutions. Although it lacks typical features like USB recording or PiP, it is not a model created with a classic approach to television in mind. The LS03D is a television that is easy to like for its innovation, originality, and how well it fits into any interior.

The default file player on the TCL C855 performs admirably with nearly all the media formats tested. Most video formats are supported, providing a versatile viewing experience. However, a notable drawback is the lack of functionality to change font colours. When it comes to photo playback, the TV handles high-resolution images well, but it is worth mentioning that it does not support Apple's HEIC or SVG file formats.

On the audio front, the TCL C855 manages to play various audio files without any issues, although it's unlikely that many users are reliant on formats like AIFF or DSD64. A significant advantage of the C855, alongside its operating system, is the ability to download alternative media players from the app store, ensuring compatibility with a wider range of file types.

The built-in media player in The Frame handles most popular video and audio formats without major issues. Video files, even those with our added subtitles, play smoothly and without interruptions. The same goes for audio files – there are no major surprises here either. The situation is somewhat worse when it comes to photo format support. The built-in player has some limitations and does not support all possible types of graphic files. However, nowadays most people use wireless photo transfer, so this will not be a major problem for many users.

When evaluating the sound quality of the TCL C855, several key aspects come into play, such as clarity, balance, and the absence of dominant frequencies. In this case, the sound performance is commendable; it is well-balanced and does not evoke any negative sensations, providing an overall good audio experience.

For those who utilise a home theatre system, the TCL C855 supports a wide range of audio codecs, including the two most significant ones: DTS-HD Master Audio and Dolby Atmos. This support ensures high sound quality, making it a suitable choice for users seeking an enhanced audio experience.

The sound in The Frame is... well, quite average. The slim design of the television, while impressive, does not provide much space for decent speakers. As a result, the sound is flat and lacking in dynamics – just like most televisions in this category. Samsung is clearly aware of this, as it has a special series S of soundbars in its offer, created specifically for the "lifestyle" line of televisions to which The Frame belongs.

TCL C855 vs Samsung The Frame LS03D

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

TV efficiency during daytime

Details about the matrix

TV features

Playing files from USB

Apps

Sound