TCL C655 / C69B 98' vs SONY BRAVIA 3 II (XR35M2)

The quality of the HDR effect on TCL C655 / C69B looks quite promising. The average value in test patterns is about 450 nits, which already allows you to feel the brilliance of light effects and better image dynamics. However, as previously mentioned, this effect can be somewhat muted by slight differences in bright and dark colors, resulting from the lack of local dimming technology. However, the coverage of the DCI-P3 color palette at 94% deserves high praise, and this is possible due to the use of a quantum dot (QLED) matrix. As a result, colors are vibrant and well-reproduced when watching HDR content.

Bravia 3 II is certainly not a TV that tries to impress with brightness. In our measurements it reached about 450 nits, so it's far from the strongest designs on the market. That said, HDR here is not just a paper feature. Compared with regular SDR material, the brightest parts of the image can already punch through, and reflections, highlights, or stronger exposures have a bit more energy and stand out better from the rest of the scene. You can see this best in simpler shots where many bright elements appear on screen. Then the Bravia 3 II can give a hint of a higher-dynamic-range picture. The problem only starts with more demanding content, where much greater brightness headroom is needed. There the TV quickly shows its limits and instead of strong, striking HDR we get only a correctly rendered picture.

Colors

Bravia 3 II uses a QLED-type panel, although technically it does not use a traditional quantum-dot layer. Instead Sony applied a PFS phosphor-based solution that serves a very similar role: it allows for more saturated reds and greens and thus lets the TV display a much wider color gamut. Measurements showed about 94% coverage of the DCI-P3 gamut and about 74.4% of the very wide BT.2020. Those are good results for this class of hardware, meaning the Bravia 3 II has no problem showing adequately saturated colors in HDR content. Colors don't look washed out, and the more intense shades can look really attractive.

The TCL C655 / C69B TV offers a movie mode that has been tested for color reproduction quality. Although this mode is called movie mode, it unfortunately has quite a few flaws that a director would certainly not want to see when recording their work. Starting with image analysis, it's worth looking at the white balance – both in HD and 4K HDR content, the white balance has significant errors. In both cases, the red color dominates, which makes the colors too warm, and the overall image takes on a pink or yellow tint. The Colour Checker test confirms these errors – the color samples shift to the wrong shades, affecting overall color fidelity. A lesser issue is the brightness characteristics. However, it is also not without flaws. The gamma chart shows a strong spike at the beginning, which can make the image excessively bright, and the EOTF curve responsible for brightness in 4K HDR content also has significant fluctuations – it is evident that the TV tries to maintain appropriate brightness, but it does not always succeed effectively.

In Professional mode the Bravia 3 II, straight out of the box, delivers a fairly good level of color reproduction. In SDR the most noticeable issue is a slightly low gamma, which makes the midtone areas a bit brighter. White balance is not perfect either; as brightness increases there is a slight lack of blue and red, so whites can sometimes take on a slightly warmer, mildly greenish tint. However, these are not errors that immediately stand out while watching a movie. Average error values hover around 3, so the factory preset can be considered quite good. The situation is similar in HDR. Here again there is a slight deficiency in the blue component, so the image is a touch warmer than the reference, but the difference is not large enough to be significantly distracting during normal viewing.

After calibrating the movie mode of the television TCL C655 / C69B , the white balance has been adjusted, and the colors appear as they should – which is confirmed by only slight deviations in the Colour Checker test. The gamma is really good, which means the television shouldn’t have issues with brightness in low-resolution materials. Unfortunately, a similar EOTF characteristic is still noticeable, which is a natural phenomenon in televisions that do not have local dimming – they simply struggle to "shine" brighter in a given part of the screen. Despite this design limitation that cannot be bypassed, we recommend adjustments in the settings because the overall color presentation is really very good.

After calibration you can get a lot out of SDR content. The white balance was set almost perfectly, gamma practically matches the reference value, and average color errors fell from around 3 to about 1. That's a level at which differences from the reference image are, in practice, very hard to detect. The Bravia 3 II therefore shows that despite its position in Sony's lineup it has quite a lot of potential for precise picture tuning. Improvements are also visible in HDR, although here you can no longer work around all of the TV's limitations. After equalizing the colors it's easier to notice that the EOTF curve in film material runs slightly below the reference value in places, meaning the Bravia 3 II slightly darkens part of the image. That's not ideal from a reference standpoint, but in this particular TV it also has an advantage. With no local dimming and average black levels, this behavior slightly reduces the visibility of the backlight in darker scenes and helps maintain a greater sense of contrast. So you could say Sony partially masks the limits of the panel that way, rather than trying at all costs to stick to the reference luminance.

The TCL C655 / C69B TV handles tonal transitions well in lower-quality content. The "Gradual Smoothing" feature at its lowest setting effectively eliminates visible banding, but it also results in a loss of detail, such as in the texture of objects. A plus is that it does not interfere with film grain, allowing the image to maintain a natural look.

In terms of digital processing, the TV adds a considerable amount of artificial sharpness, which may appeal to those who prefer a vivid image. For those who prefer a more subtle representation of details, this could be a drawback. Another downside is the rather aggressive overscan – the image is cropped, which leads to the loss of parts at the edges and limits the field of view.

The Bravia 3 II is Sony’s first TV to use the new MediaTek Pentonic 800 chipset, and you can see a few changes in image processing. Starting with the basics: upscaling is solid. The TV can sensibly upscale lower-resolution material and doesn’t have a strong tendency to overemphasize jagged edges or other source imperfections. With regular broadcast TV or lower-quality streaming the picture remains quite pleasing. We have more reservations about the digital image processing. In this model Sony replaced the well-known "Smooth Gradation" feature with a new setting called "Digital Noise Reduction." Its role is essentially the same: to smooth unpleasant tonal transitions and artifacts caused by heavy compression. Unfortunately, this feature performs noticeably worse than before. At the "Large" setting — the only one that noticeably affected the picture — the TV can smooth away too many image elements at once, causing film grain to disappear and surface textures or even character skin to start looking unnatural. Worse, the effect is not very consistent. When a scene contains more motion the function’s effect weakens significantly and at times it looks as if the TV stops intervening in the image altogether. For everyday viewing we therefore don’t recommend using it at a high level. It can help on a static shot, but the price is often too much loss of detail.

Unlike the smaller versions, the 98” model stands out with significantly better motion fluidity. Instead of the standard 60 Hz, this colossal screen is equipped with a full-fledged 144 Hz matrix, which opens up completely new possibilities – both for gamers and movie enthusiasts. With full motion smoothing, the TV provides incredible image fluidity, eliminating motion blur and improving the viewing comfort of dynamic scenes. It is worth emphasizing that this technology operates across the full refresh rate range, meaning there is no need to compromise between fluidity and quality. Additionally, the "Flicker Reduction" feature allows you to adjust the fluidity to your own preferences – you can opt for a more cinematic effect with visible frame drops or a maximally smooth image.

Motion handling is definitely one of the Bravia 3 II's strongest points. The TV uses a 120 Hz VA panel, a solution that by nature, despite the high refresh rate, doesn't always cope well with motion blur. Here Sony has managed to get that problem very well under control. Fast-moving objects remain sharp, and the characteristic trails and blurring are reduced to a very low level, if not to zero. It's one of the least smearing LCD TVs we've had the chance to test. Interestingly, in this respect the Bravia 3 II can even outperform the much more expensive flagship True RGB series: the Bravia 9 II.

The 98-inch TCL C655 / C69B is excellently equipped for gamers. Full-fledged HDMI 2.1 ports and a 144 Hz panel allow you to enjoy games in 4K resolution at 120 Hz, providing smoothness and responsiveness that will impress even the most demanding.

The TV supports Variable Refresh Rate (VRR), which eliminates screen tearing, and the Automatic Low Latency Mode (ALLM) ensures that games start instantly, without the need to manually switch settings. There’s also support for Dolby Vision and HGiG, making the image quality in games even better - details are sharp, colors natural, and contrast perfectly balanced.

Additionally, the TV offers a dedicated gaming panel that allows for quick adjustment of image settings without having to leave the game. It’s a device that meets practically all the requirements of the modern gamer.

Sony Bravia 3 II is a very good TV for gamers, although not everything has been handled the way we'd like. The biggest change concerns the connections. For the first time in a Sony TV we get four full HDMI 2.1 ports with 48 Gb/s bandwidth, thanks to the new MediaTek Pentonic 800 chipset. That removes one of the long-standing issues that has plagued the manufacturer's TVs. You can connect several devices at once and use each input's full capabilities, including VRR and ALLM. There's also a simple Game Bar that lets you check key signal parameters and change a few useful settings, such as black level, when you want to improve visibility in darker parts of a game.

There are, however, two limitations worth knowing. The first is the lack of support for 1440p at 120 Hz. This won't be a problem for everyone, but people using that resolution on a console or PC, for example to get higher frame rates in certain games, will have to choose 1080p. We have more reservations about HGiG support. Sony does not allow disabling tone mapping on the Bravia 3 II, so the TV continuously processes HDR content even when you would prefer to leave that task to the console. You can most easily notice this during HDR setup. The checkerboard pattern does not disappear at the point corresponding to the TV's actual capabilities. That doesn't mean HDR in games will look bad. You just need to approach the setup a bit differently and, instead of relying on the pattern, manually set the peak brightness to about 450 nits. The issue can be worked around, but you should know about it before you start configuring your console.