TCL C655 / C69B (55"-85") vs Dreame S100

Overall, the quality of HDR performance in TCL C655 / C69B looks quite promising. The average value in test patterns is around 450 nits, which already allows one to feel the effects of lighting and better image dynamics. However, as mentioned earlier, this effect may be partially suppressed by slight differences in bright and dark colors, resulting from the lack of local dimming technology. However, the DCI-P3 color gamut coverage of 94% deserves high praise, and this is made possible by the use of a quantum dot (QLED) panel. As a result, colors are vibrant and well-reproduced when watching HDR content.

The Dreame S100 is a relatively bright television. In movie mode, the brightness we measured reached about 600 nits. This is a really good result, although not the highest, considering the capabilities of the competition in this price range. In fullscreen scenes, it is evident that the television can generate an image that strikes with brightness. Unfortunately, when more complex scenes appeared on the screen, the local dimming algorithm in this model tried above all to maintain the deepest blacks. However, this came at the expense of HDR effect – and in a drastic way. In such scenes, the brightness of bright elements dropped below 100 nits, which is a truly tragic result, far from any HDR effect. This aspect can be improved, though not without any "buts." It is enough to change the local dimming setting in the television's menu, but then the blacks in such scenes simply turn gray. It’s a pity that Dreame could not refine the local dimming algorithms better, and the S100 is another example that the mere number of local dimming zones does not always translate into better image quality. As a consolation, it is worth adding that the Dreame S100 is advertised as a "QLED" television, although in reality it utilizes a PFS LED filter. As a result, the colors are appropriately saturated, and the color gamut coverage we measured exceeded 94% of the DCI-P3 palette.

The TCL C655 / C69B television offers a movie mode that has been tested for color reproduction quality. Although this mode is called movie mode, unfortunately, it has quite a few errors that a director would certainly not want to see while recording their work. Starting with image analysis, it's worth looking at the white balance - both in HD and 4K HDR content, the white balance has significant errors. In both cases, the red color dominates, making the colors too warm, and overall it has a pink or yellow tint. This can be seen in the picture below from the movie "Star Wars." The Colour Checker test confirms these errors - the color samples stray into inappropriate shades, affecting the overall color fidelity. A minor issue is the brightness characteristic. However, it is also not free of flaws. The gamma chart shows a strong spike at the beginning, causing the image to be overly bright, and the EOTF curve responsible for brightness in 4K HDR material shows significant fluctuations as well – it is visible how the television tries to maintain proper brightness, but it does not always succeed effectively.

We tested the Dreame S100 in "movie" mode and definitely recommend using this setting for watching all kinds of content. Interestingly, in the deeper settings of the TV, we also find a dedicated "Filmmaker" mode, which is available today from almost every manufacturer. However, in the case of the Dreame S100, we do not recommend using it – it blocks all image-related settings and does not allow any configuration in the menu - not even motion smoothing. So how do the factory colors perform on the S100? Not too bad, but also not great. The TV itself was quite heavily tinted with blue components, which is clearly visible in our white balance measurements. This caused the image to be artificially brightened, and the colors had a slight bluish tint. This is confirmed by the Color Checker palette, which showed how color samples leaned towards blue, generating quite significant color errors. The image in HDR mode looked definitely better, where color errors were not as prominently visible, though they still fell far from ideal. Here, the white balance was also too heavily skewed towards the blue color, which caused quite significant errors in color reproduction.

After calibrating the movie mode of the TCL C655 / C69B television, the white balance has been equalized, and the colors look as they should – which is confirmed by only slight deviations in the Colour Checker test. The gamma is really accurate, which means the television should not have issues with brightness in low-resolution materials. Unfortunately, a similar EOTF characteristic is still visible, which is a natural phenomenon in televisions that do not have local dimming – they simply struggle to “shine” more brightly in a given part of the screen. Despite this structural limitation that cannot be overcome, we recommend adjustments in the settings, as the overall color representation looks really very good.

The Dreame S100 turned out to be a device very susceptible to professional calibration. In its menu, we found a whole array of advanced options that allowed us to effectively correct factory errors. Thanks to advanced white balance correction – both in SDR and HDR content – we completely eliminated excess blue components. The image immediately became much more natural and pleasant to view. After fully tuning the colors, errors in the Color Checker test dropped below Delta E values of 2-3. For the average viewer, this means that any color distortions have become nearly impossible to notice with the naked eye. This is a really nice surprise, as often new brands in the television market have significant problems with proper implementation and functioning of sliders in the calibration menu. Here, everything worked as it should. The only thing we need to criticize is the way the television manages its brightness in HDR. Due to the specific nature of the local dimming algorithms, we observed anomalies in the EOTF curve we measured. In the areas where high highlights should appear, there is a slight uplift of the curve above the reference line. In practice, this results in unnatural brightening of some of the brightest elements in movies or games. Despite this minor flaw, professional calibration brings a huge, very positive change to this model.

The TCL C655 / C69B television handles tonal transitions in low-quality materials pretty well. The "Gradual Smoothing" feature at a low setting effectively smooths tonal transitions, but at the same time, it blurs important details, such as the texture of objects. On the positive side, it does not negatively affect film grain, allowing for a natural look of the image. As for digital processing, the television adds artificial sharpness, which may appeal to some users who prefer a sharpened image. However, for those who prefer a softer look, this may be a disadvantage. A downside is also that the image has been quite heavily cropped by so-called overscan, which reduces the field of view and cuts off the edges of the image.

The scaling and digital processing in the Dreame S100 is handled by a technology that the manufacturer proudly calls Dreamind™ Pro AI. However, it is essential to clarify that this is not a proprietary processor but merely a marketing name for a chip from MediaTek – specifically, the model MT5889. Unfortunately, we are talking about quite an outdated unit, from the time when MediaTek lagged significantly behind the competition in terms of performance. This, unfortunately, has a direct impact on the image, as this chip is responsible for that as well. The upscaling in the S100 is rather mediocre, and the processor tends to strongly and artificially sharpen edges (fortunately, this can be somewhat tempered with the sharpness slider in the menu). In the options, we also find a "Contour Smoothing" function, which theoretically is supposed to improve tonal transitions. In practice, it brings almost no improvement – setting it to any level rarely eliminates visible color banding but can unnecessarily blur elements of the image that should remain sharp.

A separate problem is the phenomenon of overscan (clipping the edges of the frame), which is almost always visible here. Although there is an option to set the screen to display the full frame in low-resolution materials, it requires activating the aforementioned Filmmaker mode. And as you already know, this mode completely blocks any other adjustments in the image menu. In our test tables, we noted that the television offers the option to disable overscan, as technically such a feature exists in the system – however, in everyday use, with reasonable image settings, you will not be able to take advantage of it.

The C655 / C69B TV is equipped with a 4K@60 Hz panel, which means it performs best when watching movies and less dynamic content. It also has a "Flicker Reduction" feature that allows for adjusting the fluidity of the image – users can choose whether they prefer smoother motion or a more cinematic, frame-by-frame effect. The TV can also adapt to lower resolutions, such as Full HD and 2K at 120 Hz, which will definitely please gamers by offering a smoother image at the cost of resolution. It is worth noting that this feature is available in sizes from 55"+. Additionally, the largest variant, 98", is equipped with a 144Hz panel with full motion smoothing.

When it comes to motion fluidity, the Dreame S100 performs really well. It features a panel with a 144 Hz refresh rate, although in reality, the vast majority of users using it in a traditional way will still be limited to 120 Hz (because today's equipment, apart from PCs, only allows for such values). Thanks to the high refresh rate, the image in motion remains really sharp, largely due to the well-functioning MEMC fluidity enhancer. In the menu, we find predefined modes that allow the TV to efficiently add artificial frames, which effectively improves the fluidity of dynamic sports shots, but also helps get rid of image stuttering in film and series materials recorded at 24 frames.

The television TCL C655 / C69B offers an almost perfect set of features for gamers, supporting all the most important technologies. It has an ALLM feature that automatically switches the television to low latency mode, significantly improving responsiveness and minimizing signal delays, which is particularly important during dynamic gameplay. The VRR feature allows for synchronizing the screen refresh rate with the number of frames generated by the console, eliminating the tearing effect and ensuring smoother gameplay.

The television also supports Dolby Vision in game mode, providing better color reproduction and contrast in games that support this format, and the Game Bar enables quick access to gameplay-related settings such as response time, delay level, and other parameters. Unfortunately, C655 / C69B does not support 4K resolution at 120 Hz (with the exception of the 98" variant), which may be disappointing for more demanding gamers who expect the highest fluidity in high-resolution games. However, if we are willing to forgo 4K, the television offers support for Full HD and 2K at 120 Hz, providing a smoother image and being a great alternative for those who prefer a higher refresh rate at the expense of resolution.

The Dreame S100 seems almost like the perfect screen for gamers. The TV is equipped with 2 HDMI 2.1 ports with a bandwidth of 40 Gbps, which means that features such as Auto Low Latency Mode (ALLM) and Variable Refresh Rate (VRR) synchronization in the range of 48-144 Hz work seamlessly on consoles. It also has a well-designed game panel (Game Bar) that allows you to continuously check the most important parameters – from active picture modes to the number of frames rendered by the console, and even the ability to add a crosshair in the center of the screen. All of this looks great on paper, but the biggest issue with the S100 is the implementation of HDR mode in games. The TV does not have a properly implemented HGiG format. As a result, an unsuspecting user may incorrectly configure the console during the initial setup of the display. A wrong configuration can lead to a picture that is too dark or too bright (as a guideline: we suggest setting the brightness in the Xbox console menu to about 600 nits, and in the PS5 to 12 clicks). The Dolby Vision format is also problematic; it often just would not activate at all when using the XBOX – Dreame S100 line. And when it was managed to be activated, gaming was impossible due to a very high input lag that often exceeded 100ms. If the manufacturer can improve the HDR issue in games through an update, the S100 will be truly excellent equipment for gamers. For now, however, one must reckon with compromises.