TCL C655 / C69B (43" - 50") vs TCL C7K / QM7K 50"

The quality of the HDR effect in the TCL C69B / C655 television is quite average. A brightness level of 350 nits, while not the worst, still does not allow for fully enjoying HDR effects, which require higher luminance to show their strength. Additionally, despite the use of a quantum dot coating (QLED), the television offers average coverage of the wide DCI-P3 color gamut at 91%, which may limit its richness of colors in HDR content.

TCL C7K is one of the brightest MiniLED televisions in its price range. Under the best test conditions, the screen was able to achieve over 1200 nits, resulting in impressive, and at times blindingly bright scenes. And most importantly – this is not just a theoretical measurement. In practice, the brightest parts of movies can shine with true cinematic grandeur. Home HDR cinema fans should be truly pleased.

The impression is especially great in scenes with large areas of brightness – white skies, explosions, sun reflections, or magical sunsets can surprise with the intensity of light that rarely appears in this price range.

However, things get a bit worse when more challenging scenarios appear on the screen, which have been described in terms of contrast – meaning images full of details, with small bright elements against a dark background. In such cases, the C7K often chooses to retain black at the expense of brightness. An example? Scenes from the movies Sicario 2 or Life of Pi, where small light sources (like a distant lantern) can be less visible, and details in the lights are simply dimmed or blend into the background.

For many viewers, this may be an acceptable compromise – as we achieve deep blacks and pleasant image texture. Nevertheless, it is worth being aware that the visibility of small details in bright areas is not the strongest suit of this model. It is simply a technological limitation that still exists – even with over 300 zones.

The television TCL C69B / C655 tested in movie mode unfortunately does not meet expectations regarding color accuracy. Although movie mode suggests better reproduction, it has little in common with film. There are quite a few errors visible, especially in white balance – both for HD and 4K HDR content – where the dominance of the blue color is very apparent. For the viewer, this means that the image becomes unnaturally cool, affecting the overall perception of colors and the visual impression. The color checker confirms these errors, showing that colors shift to cooler shades.

As for brightness characteristics and the associated contrast, gamma is very unstable for material, which can make the image slightly darker. The EOTF curve for 4K material shows some errors, with significant deviations at the end of the chart, negatively affecting the perception of darker areas of the image.

A new feature in TCL televisions for 2025 is the long-awaited Filmmaker mode, which until now could be found in most competitive brands. This is great news because this mode is considered the truest to the original vision of the creators and is often recommended by enthusiasts of good image quality. Unfortunately – as is often the case – the mere presence of this feature does not guarantee perfection. The Filmmaker mode in the TCL C7K is not free of flaws. One could point out the incorrect white balance, particularly the slight dominance of blue, which caused cool, somewhat grayish skin tones. But that was not the biggest problem. The main complaint was excessive brightness exposure, which is clearly visible on the gamma and EOTF graphs. The image was simply too bright, at times even blown out, which affected not only the plasticity of the scenes but also the overall viewing experience. Some details simply got lost, and the whole image looked as if someone had overdone it with the brightness slider. As always – we decided to see what could be squeezed out of it after calibration. And this is where things got really interesting...

After calibration, the movie mode on the TCL C69B / C655 television improves in quality. The most significant improvement can be seen in tonal quality, and the white balance is much better – without major errors. We will no longer see an excessive dominance of cool tones. Gamma has also been improved, which translates to a more stable representation of brightness and contrast. However, due to the limitations of the television's average color palette, Colour Checker tests for 4K materials did not achieve remarkable results. Despite these technological limitations, the image has become more authentic, positively influencing the reception of film content.

After calibration, the TCL C7K showed itself in a really good light, especially when it comes to SDR content. We managed to fine-tune the white balance, color gamut, and brightness characteristics so precisely that color errors on the ColorChecker palette dropped below a value of 2. For the uninitiated – this is an almost perfect result, meaning that the image is very close to what the creators intended. Unfortunately, it was less impressive with 4K HDR content. Although we managed to slightly calm the white balance and correct its earlier errors, it is still evident that the TV has certain "MiniLED traits," especially in managing brightness. When we checked how the C7K performed with the EOTF curve on real movie scenes rather than just synthetic test patterns, it turned out that the screen still has a tendency to slightly brighten the entire image. This affects the overall experience – the black loses some depth, and the image becomes less contrasty than it should be. Despite these minor shortcomings in HDR content, the overall reception of materials – especially in SDR – is really very good. After calibration, the C7K can display an image that can successfully compete with much more expensive models. Good color tuning, natural skin tones, and pleasant brightness make movie sessions and everyday content viewing more than satisfactory.

The "Gradual Smoothing" function works very well on the TCL C69B television and, surprisingly, does not remove desired effects like film grain – unlike some solutions from other manufacturers. Unfortunately, the image scaling looks poor. The TV artificially sharpens the image, causing the edges of objects to be heavily jagged. This state of affairs may appeal to some users who prefer a more "hard" look of the image, but it is not an ideal solution for those who value naturalness and the smoothness of details.

The TCL C7K features a function that, according to the manufacturer, is supposed to smooth out unwanted color transitions – something like a rescue for less successful tonal shifts. It's called "Gradual Smoothing" and... well, it sounds ambitious, but in practice, it works very poorly. Regardless of whether we set it to low or high, the difference is minimal. What's worse – the function can remove elements from the image that should remain. Fortunately, film grain remains untouched, so at least it doesn't smooth everything indiscriminately, but still – it's better to just turn this option off.

As for scaling lower-resolution content, it's already better. SD and HD materials look quite decent, though sometimes we had the impression that the image loses sharpness and becomes too soft – as if something took away its clarity. Fortunately, at very low sources (e.g., 576p), there was no overscan effect, meaning the image was not artificially cropped – everything fit on the screen as it should.

The TV TCL C69B / C655 in its smallest variants offers decent, although not perfect, results in terms of motion fluidity. In the case of movies, the TV has a "Flicker Reduction" function that allows for motion fluidity adjustment on a scale from 1 to 10. With this option, we can adjust the appearance of the image to cinematic or more theatrical preferences (with lower or higher speed).

TCL C7K handles motion smoothness really very well. The matrix used in it offers a refresh rate of 144 Hz, which already suggests that this TV is something more than just an ordinary "60 Hz" panel. Moreover – if we connect the C7K to a computer and set the resolution to Full HD. But we will write more about this in the paragraph about gamers and PC cooperation. Returning to everyday use – both sports and movies look very good here. Thanks to the fast panel and well-functioning motion smoother, the C7K is perfect for watching matches, but also for movie screenings. In the menu, we will find two sliders – blur reduction and flicker reduction – which allow us to adjust the motion smoothness effect to our own preferences. At lower settings, we get a more cinematic effect, with slight frame motion. At higher settings – the image becomes more theatrical, smooth to the point of exaggeration. Everyone can set it to their liking.

The TCL C69B / C655 television in its smallest variants offers a range of features dedicated to gamers, such as ALLM (Auto Low Latency Mode), VRR (Variable Refresh Rate), Dolby Vision for gamers, and Game Bar. ALLM automatically switches the television to low latency mode, improving responsiveness and minimizing delays in control. VRR allows for synchronization of the screen refresh rate with the number of frames generated by the console, eliminating tearing, resulting in smoother gameplay. Dolby Vision for gamers ensures better color and contrast representation in games that support this format, resulting in better image quality. Meanwhile, Game Bar provides quick access to game settings and allows monitoring of key parameters, such as input lag.

However, the television has certain limitations that may affect gaming comfort. The 60 Hz panel does not allow for displaying signals with a higher refresh rate, which may impact image smoothness in dynamic games. The lack of support for G-Sync technology for PCs may also be noticeable when gaming on a computer, especially with demanding, fast-paced titles.

TCL C7K is a TV that looks like the dream equipment for gamers on paper – and most importantly, it also performs well in practice. First, the good news: we have two HDMI 2.1 ports with full bandwidth, so we can easily connect both a console and a computer, taking full advantage of their capabilities. The panel itself supports 144 Hz refresh rate, which provides a significant advantage in dynamic games. Additionally, it comes with a full package of gaming features: VRR (Variable Refresh Rate), ALLM (Auto Low Latency Mode), and Dolby Vision support in games. There is also an HGiG mode, which allows for HDR effects that align with the creators' intentions. GameBar, which is an information bar for gamers. It operates quickly, looks clear (like a Nintendo console👌), and shows what’s most important: the current frame count, VRR status, and even HDR parameters.