Sony X90L vs TCL C7L

HDR on the Sony X90L television looks promising. The luminance chart showed that the TV has a solid power reserve, reaching a maximum of 1000 nits in synthetic tests. But how does it perform in real scenarios? In scenes such as the first one from Life of Pi or the final sequence from The Meg, the TV can deliver this power on HDR content, achieving around 800 nits. Unfortunately, displaying small light elements on a black background, as in the scene from Sicario 2, poses greater challenges for the X90L – here the results reach about 600 nits. Despite this, when looking at competitive models with mini-LED technology, the effect looks very good and can shine enough to impress us. The color gamut coverage is also noteworthy, with a result of 96% for DCI-P3 and 76% for BT.2020, indicating good color reproduction in HDR content.

TCL C7L is undoubtedly an extremely bright television. In synthetic tests on static images, it can achieve peak brightness levels of around 2800 nits. This is an absolutely phenomenal result, considering the price range it falls into. Unfortunately, the tests with real film scenes are not as spectacular as the measurements of white squares. The brightness in actual HDR shots drops to around 1200 nits in the C7L model. This is still a very good result, as the vast majority of contemporary films are mastered at such a value. However, when small, pinpoint elements appear on the screen, the brightness of those details drastically drops – even to about 400 nits – which diminishes the HDR effect somewhat. The television does this intentionally to maintain a better level of black and prevent a huge glare of light. This is somewhat explainable, but it also shows that Mini LED technology is not completely uncompromising in this regard. As for the HDR effect itself – alongside brightness, colors are obviously key here. And these, thanks to the use of new, "super" quantum dots, are simply outstanding and among the best on the market. The television can achieve around 90% coverage of the ultra-wide color gamut BT.2020 and 99% of the DCI-P3 gamut, easily matching the best RGB MINI-LED screens. Best of all, the C7L can maintain such high color saturation regardless of the scene being displayed, which is often problematic in competing RGB Mini-LED televisions.

The best mode in Sony televisions is the IMAX Enhanced mode. Although IMAX is mainly associated with the cinematic experience, here the color reproduction right out of the box is average. In the case of lower quality materials, such as HD – regular TV or YouTube – it is worth paying attention to the white balance. It is characterized by a deficit in red and an excessive dominance of blue, which gives the image a pinkish hue. The brightness characteristic, or gamma, for HD content is quite decent, but a slight boost may cause the image to become washed out and appear as if it is behind a light fog.

In 4K HDR content, the situation looks a bit different. The white balance shows a significant boost in blue, which makes the image appear unnaturally sharp and gives it an artificial feel. Such an exaggeration in color reproduction may not appeal to everyone, especially if one prefers more realistic shades. Additionally, the EOTF curve in Sony X90L looks quite decent at first glance. However, at the end of the graph, there are certain fluctuations that suggest the television is trying to maintain the appropriate brightness to avoid overexposing larger elements.

When it comes to colors straight out of the box, what's new in TCL TVs, including the C7L model, is the addition of a picture mode called Filmmaker Mode. That's significant because until now that mode wasn't available from this manufacturer at all. In theory, as the name suggests, the image in this setting is meant to represent the filmmaker's full intent. From our tests we can confirm that it's without a doubt the best built-in mode on this TV if you care about faithful color reproduction right out of the box. However, we wouldn't say it's perfect. Like most devices on the market, this C7L also had some factory issues. The white balance in Filmmaker Mode tended toward a slightly greenish-yellow tint, caused mainly by an excess of the green channel and a noticeable lack of blue. For the average viewer this won't be a drastic flaw, but if you care about perfect whites, natural skin tones, and getting the full potential out of the structure of these new "super" quantum dots, the TV really begs for professional calibration.

Sony offers many tools to improve image quality, including two additional image modes that we decided to use during testing and apply calibration to them. This solution significantly facilitates the calibration work and is very effective, provided that the right tools are available. In the case of HD content, the white balance has been almost perfectly aligned – only one shade of gray exceeds the error value of "1", which is an excellent result. The same can be said about the brightness characteristic (gamma), which looks nearly perfect, with microscopic deviations of around 0.01.

In the case of 4K HDR content, the situation is not as ideal. Although the white balance has been significantly improved, it has not been possible to completely eliminate the dominance of blue color. Nonetheless, errors in the Colour Checker test only occasionally exceed the value of "2", which means that image distortions are practically unnoticeable. As for the EOTF curve, it is worth activating the filter in the upper right corner "EOTF in Movies" – the graph looks correct, but the television encounters difficulties illuminating very small elements, which results from the limited number of backlight zones. Despite these minor flaws, it is thanks to the calibration carried out that the IMAX Enhanced mode in the Sony X90L makes watching movies resemble a true cinema experience.

After a professional calibration we were able to greatly improve the out-of-the-box Filmmaker Mode. After our adjustments, errors in the ColorChecker test and across the wide color gamut fell below the threshold of human perception, that is below a value of 3, which is a very good result. The TCL C7L definitely benefits from this treatment in terms of color accuracy, and that's hard to argue with. A bit worse, however, is the issue of brightness management in HDR content after calibration. As I described earlier, even though we set this model up correctly, when you play real movie scenes on the TV it can manage its brightness in a rather peculiar way. It often brightens certain elements on the screen contrary to the creator's intent, which can be clearly seen on EOTF charts measured in particular films. Despite this flaw, or rather a specific quirk of this TV, you can't take away one thing: after calibration the C7L was able to reproduce colors accurately.

The Sony X90L TV features a tone transition smoothing function known as Smooth Gradation, which is incredibly effective. Even at the "low" setting, the effects are satisfactory, but at the "medium" setting, it works like a dream – we recommend using this option for the best results. The image scaling on the Sony X90L is simply excellent. The image is not overly sharpened, which gives a natural effect and makes everything look cohesive. It is evident that the engineers really put effort into this aspect, creating a solution that impresses and works well in everyday use. Because of this, even when watching content like regular television or YouTube, where the image is not inherently stunning, one can enjoy a smooth, cohesive, and visually pleasing experience.

This point could, in a sense, be called the Achilles' heel of the C7L. Unfortunately, this TV uses an older MediaTek chipset, the Pentonic 700, which was never known for outstanding digital image processing. You can clearly see this in the operation of the gradual smoothing function, which is responsible for reducing jagged edges and removing digital noise. It simply performs very poorly; when set to low, its effectiveness is practically nonexistent. The only small plus is that the algorithm doesn't further degrade the image or forcefully blur details. Upscaling itself, meaning the scaling of lower-resolution content to 4K, performs a bit better. It's simply adequate and doesn't stand out compared with the competition. That said, there's no denying the C7L would gain a lot in this area if the manufacturer decided to use the newer Pentonic 800 processor, which is now appearing in an increasing number of competing models.

Sony X90L with a 120 Hz panel is a great choice for both gamers and movie enthusiasts. The TV is equipped with the Motion Flow smoothness feature, which allows you to adjust motion smoothness using two sliders: "smoothness" and "clarity." The "smoothness" slider controls the level of motion fluidity, which helps reduce image stuttering, while "clarity" is used to reduce blurring and improve motion sharpness, which is especially useful in dynamic scenes.

The TCL C7L uses a native 4K panel with a 144 Hz refresh rate, which, at lower resolutions when using a PC, can even reach up to 288 Hz. Those are obviously very high numbers and look impressive on paper, but in everyday use it's worth remembering that almost all dynamic content you play on this TV will still run at around a maximum of 120 Hz. To tame that motion, the TV's menu includes a motion smoothing system called "Motion Clarity." It offers several predefined modes, including a user mode that we strongly recommend setting manually using our tried-and-true guides on our YouTube channel. There are two key sliders available there. The first, "Blur Reduction," reduces smearing and improves sharpness in dynamic 60-fps material, such as sports broadcasts. The second slider, "Flicker Reduction," lets you add artificial frames to movies and TV series shot at cinematic 24 or 30 fps. This, of course, allows you to completely eliminate the annoying image judder during camera motion.

Sony X90L is a television that performs well in terms of compatibility with consoles and features for gamers. Its 120 Hz panel and two HDMI 2.1 ports with a bandwidth of 48 Gb/s allow for smooth play in high resolution and at a high frame rate. Gamers can also take advantage of the ALLM feature, which automatically switches the TV to low latency mode, and VRR, which provides smooth gameplay without screen tearing. Game Bar is an additional advantage – an intuitive tool that allows for quick access to the most important settings and gaming features, making it easier to control gameplay.

Unfortunately, in terms of HDR in games, the Sony X90L has its limitations. There is no support for HGiG, a standard that many gamers consider essential for precise HDR reproduction in games. Although the TV supports Dolby Vision, which theoretically could improve image quality in games, the practical application of this feature is problematic. Dolby Vision in game mode is associated with very high input lag, making gameplay less comfortable and precise movements more difficult. Additionally, it is not possible to enable Dolby Vision along with VRR. This means that despite numerous advantages, gamers seeking perfect HDR in games may feel a sense of disappointment.

When it comes to gaming, the TCL C7L is simply an outstanding TV for gamers. Thanks to two full-bandwidth HDMI 2.1 ports at 48 Gbps, you get access to all the key features required by console owners and users of powerful PCs. It has a well-implemented ALLM mode with very low input lag and VRR frame-sync that works in an impressive range from 48 to 288 Hz. Importantly, unlike some competitors, TCL implemented the console HDR10 HGIG profile correctly and added support for Dolby Vision in games. Rounding out the package is a very well-designed player panel, the Game Bar, which even lets you edit its appearance and change the theme to perfectly match your console’s style. The only thing you can — and should — criticize is that the TV offers only two full HDMI 2.1 ports, while the other two are older HDMI 2.0. That creates a fairly significant logistical problem. Why? Because one of those fast ports also supports eARC (enhanced Audio Return Channel). In practice, that means if you connect a soundbar or a home theater system, you’ll only have one free HDMI 2.1 port left. If you have two consoles at home, or a console and a powerful PC, you’ll unfortunately have to give something up or constantly juggle cables at the back while trying to maintain convenient control of your audio system.