Sony X85L vs SONY BRAVIA 3 II (XR35M2)

The Sony X85L TV offers solid HDR performance with a brightness level of 750 nits, which is sufficient to enjoy vivid effects. In scenes of moderate difficulty, such as the first, third, or fifth test scenes, a brightness of around 600 nits allows one to fully experience the HDR effect. Unfortunately, in more demanding segments, such as the scene from the movie Sicario 2, the TV shows its limitations. Drops in brightness to 250 nits make the HDR effect lose its impressive quality and resemble regular SDR instead. Nevertheless, it is worth highlighting the very good coverage of the DCI-P3 color palette at 95%, which definitely deserves praise and positively affects the overall image quality.

Bravia 3 II is certainly not a TV that tries to impress with brightness. In our measurements it reached about 450 nits, so it's far from the strongest designs on the market. That said, HDR here is not just a paper feature. Compared with regular SDR material, the brightest parts of the image can already punch through, and reflections, highlights, or stronger exposures have a bit more energy and stand out better from the rest of the scene. You can see this best in simpler shots where many bright elements appear on screen. Then the Bravia 3 II can give a hint of a higher-dynamic-range picture. The problem only starts with more demanding content, where much greater brightness headroom is needed. There the TV quickly shows its limits and instead of strong, striking HDR we get only a correctly rendered picture.

Colors

Bravia 3 II uses a QLED-type panel, although technically it does not use a traditional quantum-dot layer. Instead Sony applied a PFS phosphor-based solution that serves a very similar role: it allows for more saturated reds and greens and thus lets the TV display a much wider color gamut. Measurements showed about 94% coverage of the DCI-P3 gamut and about 74.4% of the very wide BT.2020. Those are good results for this class of hardware, meaning the Bravia 3 II has no problem showing adequately saturated colors in HDR content. Colors don't look washed out, and the more intense shades can look really attractive.

The Sony X85L television was tested in IMAX Enhanced mode, which, although associated with world-class cinema, does not guarantee an image that aligns with the director's vision. The main issue is the white balance – there is a noticeable strong dominance of blue color and significant lack of red. As a result, the image becomes unnaturally cool and appears artificial. The color reproduction errors were confirmed by the Colour Checker test, which showed significant discrepancies – colors were "scattered" like shots from a rifle, and only a few samples hit the target values. This clearly shows that the precision of color reproduction leaves much to be desired.

The brightness of the image is one of the positive features of the TV. The gamma for HD content is at an acceptable level, although there are minor errors, but generally, it is quite good. However, the brightness characteristics for 4K materials remain an issue, controlled by the EOTF curve. It is evident that very small, bright elements of the image are too dim, which is a result of the limited number of dimming zones due to the design of the television.

In Professional mode the Bravia 3 II, straight out of the box, delivers a fairly good level of color reproduction. In SDR the most noticeable issue is a slightly low gamma, which makes the midtone areas a bit brighter. White balance is not perfect either; as brightness increases there is a slight lack of blue and red, so whites can sometimes take on a slightly warmer, mildly greenish tint. However, these are not errors that immediately stand out while watching a movie. Average error values hover around 3, so the factory preset can be considered quite good. The situation is similar in HDR. Here again there is a slight deficiency in the blue component, so the image is a touch warmer than the reference, but the difference is not large enough to be significantly distracting during normal viewing.

Thanks to the use of calibration tools offered by Sony X85L, the image quality has been significantly improved. After calibration, the white balance for HD content is much more stable, making colors look more natural and the image gains authenticity. Although it is not perfect, these changes allow viewers to enjoy a more realistic representation of colors, eliminating the earlier cool tone. The gamma, which already performed decently, has been adjusted to an even better version. As a result, tonal transitions and brightness are more consistent, positively affecting the depth and detail of the image.

As for 4K content, despite efforts, the white balance still struggles with a deficiency of red, which can result in overly warm colors in some scenes. Synthetic tests showed that the EOTF curve in HDR is quite stable, with a slight boost in mid-bright scenes. However, in real film materials, the TV can still be too bright with fine, light details, which is a result of the limitations of large local dimming technology.

Nonetheless, calibration has brought significant benefits, particularly in color accuracy, improving overall image quality and providing a more natural and cohesive directorial vision.

After calibration you can get a lot out of SDR content. The white balance was set almost perfectly, gamma practically matches the reference value, and average color errors fell from around 3 to about 1. That's a level at which differences from the reference image are, in practice, very hard to detect. The Bravia 3 II therefore shows that despite its position in Sony's lineup it has quite a lot of potential for precise picture tuning. Improvements are also visible in HDR, although here you can no longer work around all of the TV's limitations. After equalizing the colors it's easier to notice that the EOTF curve in film material runs slightly below the reference value in places, meaning the Bravia 3 II slightly darkens part of the image. That's not ideal from a reference standpoint, but in this particular TV it also has an advantage. With no local dimming and average black levels, this behavior slightly reduces the visibility of the backlight in darker scenes and helps maintain a greater sense of contrast. So you could say Sony partially masks the limits of the panel that way, rather than trying at all costs to stick to the reference luminance.

In terms of smoothing tonal transitions, the Sony X85L television does not offer any dedicated enhancement options, which is a downside. On the other hand, image scaling performs quite well – the television adds a bit of artificial sharpness, which can make details such as tree branches more pronounced, although sometimes with noticeable jaggedness. This type of effect may appeal to some viewers who prefer a more detailed image.

The Bravia 3 II is Sony’s first TV to use the new MediaTek Pentonic 800 chipset, and you can see a few changes in image processing. Starting with the basics: upscaling is solid. The TV can sensibly upscale lower-resolution material and doesn’t have a strong tendency to overemphasize jagged edges or other source imperfections. With regular broadcast TV or lower-quality streaming the picture remains quite pleasing. We have more reservations about the digital image processing. In this model Sony replaced the well-known "Smooth Gradation" feature with a new setting called "Digital Noise Reduction." Its role is essentially the same: to smooth unpleasant tonal transitions and artifacts caused by heavy compression. Unfortunately, this feature performs noticeably worse than before. At the "Large" setting — the only one that noticeably affected the picture — the TV can smooth away too many image elements at once, causing film grain to disappear and surface textures or even character skin to start looking unnatural. Worse, the effect is not very consistent. When a scene contains more motion the function’s effect weakens significantly and at times it looks as if the TV stops intervening in the image altogether. For everyday viewing we therefore don’t recommend using it at a high level. It can help on a static shot, but the price is often too much loss of detail.

The Sony X85L, equipped with a 120 Hz panel, will meet the expectations of a wide range of users – from sports and gaming fans to movie buffs. Movie enthusiasts will surely appreciate the presence of one of the best motion smoothing systems, Motionflow. This system offers adjustment via smoothness and clarity sliders – smoothness is responsible for motion fluidity, eliminating stutter, while clarity enhances the sharpness of fast scenes, reducing blur.

Motion handling is definitely one of the Bravia 3 II's strongest points. The TV uses a 120 Hz VA panel, a solution that by nature, despite the high refresh rate, doesn't always cope well with motion blur. Here Sony has managed to get that problem very well under control. Fast-moving objects remain sharp, and the characteristic trails and blurring are reduced to a very low level, if not to zero. It's one of the least smearing LCD TVs we've had the chance to test. Interestingly, in this respect the Bravia 3 II can even outperform the much more expensive flagship True RGB series: the Bravia 9 II.

Sony X85L offers quite a solid set of features for gamers, making it an attractive choice for gaming enthusiasts. First and foremost, the TV has a 120 Hz panel, translating to smooth and dynamic image display, ideal for both fast-paced action games and more demanding sports titles. It is equipped with two HDMI 2.1 ports with full bandwidth of 48 Gb/s, allowing for the full utilization of next-gen console capabilities. Additionally, the Sony X85L supports VRR (Variable Refresh Rate) technology, which helps reduce stuttering and artifacts during gameplay, providing a fluid experience. The TV also supports G-Sync, which is particularly beneficial for gamers using NVIDIA graphics cards, allowing for screen refresh rate synchronization with GPU performance, eliminating the tearing effect. It is worth mentioning the Game Bar feature, which facilitates quick access to essential gaming-related settings such as VRR, brightness levels, and display modes, making it convenient and useful during gameplay.

However, there are certain limitations. The TV does not support HGiG, which may be a downside for some gamers, as HGiG optimizes HDR effect rendering in games, providing a more authentic visual experience. Additionally, while Dolby Vision mode is available, it is not practical for gaming due to very high input lag.

Sony Bravia 3 II is a very good TV for gamers, although not everything has been handled the way we'd like. The biggest change concerns the connections. For the first time in a Sony TV we get four full HDMI 2.1 ports with 48 Gb/s bandwidth, thanks to the new MediaTek Pentonic 800 chipset. That removes one of the long-standing issues that has plagued the manufacturer's TVs. You can connect several devices at once and use each input's full capabilities, including VRR and ALLM. There's also a simple Game Bar that lets you check key signal parameters and change a few useful settings, such as black level, when you want to improve visibility in darker parts of a game.

There are, however, two limitations worth knowing. The first is the lack of support for 1440p at 120 Hz. This won't be a problem for everyone, but people using that resolution on a console or PC, for example to get higher frame rates in certain games, will have to choose 1080p. We have more reservations about HGiG support. Sony does not allow disabling tone mapping on the Bravia 3 II, so the TV continuously processes HDR content even when you would prefer to leave that task to the console. You can most easily notice this during HDR setup. The checkerboard pattern does not disappear at the point corresponding to the TV's actual capabilities. That doesn't mean HDR in games will look bad. You just need to approach the setup a bit differently and, instead of relying on the pattern, manually set the peak brightness to about 450 nits. The issue can be worked around, but you should know about it before you start configuring your console.