Sony Bravia 8 MK2 vs Xiaomi S Pro 2026

Thanks to the new QD-OLED panel, the Sony Bravia 8 II can achieve astronomically high brightness levels of around 2000 nits, translating to nearly reference quality in films and series recorded in HDR format. In test materials such as Life of Pi and Sicario 2, the effect is simply stunning – details in bright parts of the image remain perfectly visible, while night scenes captivate with depth and contrast. However, it's not perfect. Compared to the fiercest competitors, the Bravia 8 II shows a noticeable drop in brightness during full-screen, very bright scenes. When comparing peak luminance to 100% white brightness in HDR mode, the Bravia 8 II is even two or three times dimmer than the LG G5 or Samsung S95F models. This was particularly evident in a scene from the movie The Meg – the screen became noticeably darker than in competing televisions. Despite this drawback, the results of the Bravia 8 II still place it among the very top of the market. It deserves praise for its absolutely top-notch color gamut coverage – DCI-P3 at nearly 100%, and BT.2020 close to 90%. These parameters allow for fully extracting the potential of HDR content and providing a cinematic experience in the comfort of your home.

When it comes to HDR quality, the Xiaomi S Pro 2026 is undoubtedly a really bright TV. On our synthetic measurement charts, we were able to generate a peak brightness of around 1400 nits. This is not only a very good result but even spectacular, considering the price of this model. However, as we always repeat, for our editorial team, measurements and experiences from the content we watch every day—movies and series—are more important. So let's analyze how Xiaomi handles film material. Unfortunately, the result is somewhat mixed. When very bright scenes appear on the screen, the S Pro 2026 truly shows its full potential and can achieve real brightness of 800-1000 nits on bright elements. Moreover, even smaller objects can "burn" the eyes— in scenes from the movie Sicario 2, small metallic elements of the helicopter were really bright. The problem is this—and here the story comes full circle back to our assessment of contrast—that in such scenes, we cannot count on absolutely cinematic black. In our opinion, this compromise is too significant; high visibility of details in bright areas should not come at the expense of such a substantial boost in black levels. And even though the HDR effect itself can be striking here, it is important to remember that when very difficult, mixed scenes appear on the screen, we may feel a slight disappointment. Exactly the one we mentioned in the previous paragraph regarding dimming issues in HDR mode. On a positive note, it is worth adding that the S Pro 2026 is equipped with an additional PFS filter (which works similarly to a QLED layer), effectively broadening the color palette coverage. As a result, measurements showed a DCI-P3 color gamut coverage of up to 94%. This gives us the confidence that in most colorful scenes, the image will look rich and appropriately saturated.

Right out of the box, the Bravia 8 II performs really well. In the best IMAX® Enhanced mode, the television can reproduce colors in a pleasing and natural way, although “good” here does not mean “best in class.” The white balance definitely needs adjustment – skin tones tend to lean into slightly pink/cool hues, both in SDR and HDR materials. We also noticed that the EOTF curve characteristics show a tendency to brighten the darkest parts of the image. This is probably due to the manufacturer's desire to highlight as many details as possible, even in deep shadows. Is this a good approach? It's hard to say definitively, but we know one thing – it's not an ideal solution.

Of course, we conducted all our measurements in "Film" mode, which is usually the best and most accurate choice you get straight out of the box. And we have to say it bluntly: even though this is the best mode, it is still very far from ideal. First of all, the television has a clear tendency to give the image a cool, bluish tint – this is due to a poorly set white balance. Additionally, there is a problem with how the S Pro 2026 manages its brightness right after being taken out of the box, which results in an overly bright image. These two flaws contribute to really huge colorimetric errors (Delta E). In HDR content, they were able to exceed our expected error scale of "10" (meaning values close to 20). For reference – the threshold of perceivable error by the human eye is a Delta E value of around 3. Results at the level of 20 mean that the image significantly deviates from what the director intended.

After calibration, the excessive cooling of the image caused by the strong boost of blue color was eliminated. Reds became deeper, and skin tones took on a natural, healthy appearance. Actors who previously seemed "cold" now appear much livelier and more convincing on screen. However, one thing has not changed – the analysis of the EOTF curve still shows that the Bravia 8 II tends to lighten the darkest parts of the image. It's hard to say whether this is a deliberate choice by the manufacturer or a result of the panel design and software. In practice, this means that scenes the creators wanted to leave in deep darkness can reveal more details than intended. Nevertheless, the viewing experience after calibration is clearly better – warm, natural colors and realistic skin tones make watching on the Bravia 8 II simply more pleasant to the eye.

So how does the S Pro 2026 perform after our calibration treatment? We must admit that after calibration, the television becomes a really pleasant device for watching everyday content. As you can see in the graphs, we managed to bring both white balance and gamma values to nearly perfection in HD (SDR) material. Most importantly, the colorimetric errors have become practically invisible to the human eye. In this scenario, the S Pro 2026 is simply a great television that, after professional calibration, can provide a lot of enjoyment while watching. However, it is worth noting clearly – our efforts helped little in 4K HDR mode. Despite calibration, the television still interprets the image rather strongly "in its own way," which is clearly seen in the measurement of the EOTF curve (luminance tracking). It's a bit of a shame, because this shows that the problem lies not in the panel itself, but in the software. Underdeveloped image management algorithms in HDR content can, unfortunately, disqualify this television for many more discerning users.

Upscaling and digital image processing are a true showcase of the capabilities of Bravia 8 II. Sony has long been regarded as a master in this field, and here it only confirms its reputation. The proprietary XR processor can extract nearly maximum quality from lower resolution materials—whether it's television or an old DVD movie, the image looks sharper, with more details and better depth. Sure, if we feed it exceptionally low-quality material (like our archival photo with the Model), it won't work miracles, but in everyday viewing, it's hard to find anything to complain about.

The soft gradation feature also performs excellently. In the "Medium" setting, it effectively smooths tonal transitions, eliminating banding on colored and gray gradients, while simultaneously preserving film grain and fine image details. It is this balance between delicacy and effectiveness that keeps Sony TVs among the best on the market in this category.

Let's start with the issue we addressed in the previous paragraph: can a TV even fix the problem of poor tonal transitions in dark scenes? Theoretically, yes – in the menu, we find a feature with the promising name "Color Contour Removal." Well, "theoretically." Unfortunately, in practice, this setting – regardless of which of the three power levels is selected – yielded absolutely no real results. So we have a feature that, in practice, only exists in the menu. Moving on to the quality of upscaling (scaling the image from a lower resolution to 4K), unfortunately, we have more bad news for you. The S Pro 2026 handles this task very poorly. Interestingly, the phenomenon of "overscan" (slight image cropping) is not a big issue here. The problem is that the TV simply displays a very raw, unprocessed image. Its attempt to upscale the signal to a higher resolution looks simply poor and lacks any "smart" enhancement. There is no denying it – the whole digital image processing is the true Achilles' heel of this model.

Motion smoothness is practically a closed topic in the case of Bravia 8 II. The OLED with 120 Hz refresh rate naturally provides a very clean, clear image in dynamic scenes, so there is little to complain about. However, particular praise is due to one of the best motion smoothing systems on the market. They allow for precise adjustment of film smoothness according to one's preferences – from gentle smoothing to an almost "theatrical" effect – without the risk of artificial jumps, tearing of the image, or annoying artifacts. This is one of those features that will be appreciated both during movie screenings and while watching sports.

On paper, the specification of the S Pro 2026 looks impressive. The television is equipped with a native 144 Hz panel, capable of displaying images up to 288 Hz in a dedicated gaming mode. These are amazing results, but what interested us the most, in the context of everyday use, was how the television handles motion blur and how the image looks at 120 Hz. After all, this is the frequency used today by consoles like PlayStation 5, Xbox Series X/S, and it is desired by sports fans. Generally speaking, the panel "holds up." The matrix is fast enough to meet these challenges, and objects displayed at native 120Hz fluidity are shown correctly. As for the software, the television is equipped with a motion smoothing system, but with a key caveat – it only works for input signals up to 60 Hz. This means it is mainly suitable for classic television, movies, and series. Thanks to this, we can adjust the fluidity of the image to our own preferences – from a very smooth, "theatrical" approach to setting the slider to "zero" and maintaining a fully cinematic character.

Sony really learned its lesson from previous years and in the Bravia 8 II prepared a package of features for gamers that is difficult to describe as anything other than "almost perfect." We have everything expected in equipment of this class – VRR, ALLM, Dolby Vision Gaming mode, HGiG, and even a convenient Game Bar that allows you to quickly preview parameters and change settings without leaving the game. Additionally, it's worth noting how smoothly and flawlessly these features work – no delays, no strange stutters. You simply turn on the game and everything looks as it should. Unfortunately, there are a few "buts." The manufacturer still gives us only two full-bandwidth HDMI ports, so if someone has a console, a PC, and another device like a Soundbar connected via eARC, it starts a game of cable swapping. It's also surprising that there is no support for 1440p resolution at 120 Hz – particularly important for Xbox gamers. Overall, however – this is one of those TVs that can comfortably be placed in the center of a gaming lounge, allowing you to enjoy gameplay without significant compromises.

For gamers, the Xiaomi S Pro 2026 is, on paper, an almost ideal proposition. It is equipped with two HDMI 2.1 ports, allowing us to unlock (although these options are somewhat hidden in the menu) the full suite of features: ALLM, VRR, and, crucially, the ability to work in 4K at 144 Hz. This last feature should particularly please owners of powerful PCs. The TV also has something akin to a gaming panel – and while it’s hard to call it a full-fledged "Game Bar," it does its job by displaying key information. It’s just a shame that in its default form, it covers a relatively large part of the screen.

However, our biggest issue with this model concerns how the S Pro 2026 handles gaming in HDR mode. To put it bluntly: it doesn’t handle it well. Due to the poorly implemented HGiG function (the HDR tone mapping standard for games), during the initial HDR calibration on the console, it’s very easy to "blow out" the image. If someone is unaware of this software flaw and follows the on-screen instructions, they will simply set the image incorrectly, with burnt-out details in bright areas. Another major problem is the Dolby Vision mode for gaming. While it does work, it generates such a high input lag that it becomes noticeable in dynamic titles. (All our latency measurements can be checked in the paragraph below). In summary: generally, it’s a really good screen for gamers, but with one small caveat. We would rather avoid HDR mode on it – unless we decide to manually adjust the brightness bar on the console "by eye," completely ignoring the instructions from the console's pictogram.