Sharp GP7 vs Samsung The Frame 2025 (LS03F)

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Samsung The Frame 2025 (LS03F)
$1 525

GP7265E / GP7465E / GP7765E

Info

The Frame / LS03FAU

Info

Available screen sizes: 55”65”75”

Available screen sizes: 43”50”55”65”

Panel type: LCD VA

Resolution: 3840x2160

System: Google TV

Model year: 2024

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Panel type: LCD VA

Resolution: 3840x2160

System: Tizen

Model year: 2025

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Overall rating

6.2

7.0

  • Movies and series in UHD quality

    6.5

    6.8

  • Classic TV, YouTube

    6.3

    6.5

  • Sports broadcasts (TV and apps)

    5.5

    6.4

  • Gaming on console

    6.0

    8.3

  • TV as a computer monitor

    5.7

    8.2

  • Watching in bright light

    5.3

    6.3

  • Utility functions

    5.7

    7.2

  • Apps

    9.6

    8.7

  • Sound quality

    6.6

    6.0

Advantages

  • Google TV system – intuitive, advanced interface

  • Good HDR quality with Dolby Vision

  • Solid contrast

  • Decent brightness

  • Good image scaling

  • Smooth tonal transitions

  • The matte display effectively reduces reflections

  • Customization options for the screen with interchangeable frames + art mode

  • Free accessories in the form of a wall mount + OneConnect module

  • High native contrast

  • Decent brightness

  • High refresh rate - 120/144Hz

  • Lots of features for gamers - VRR, ALLM, Gamebar, proprietary motion smoother working in games

Disadvantages

No like
  • Average choice for gamers

  • No AirPlay

  • No recording / PiP feature

  • No HGiG mode – makes it difficult to set HDR accurately on the console.

  • No DTS support – requires additional equipment for certain films from Blu-ray discs.

  • Paid image mode

Our verdict

Sharp GP7 is a TV that certainly has its strengths, but it also doesn't escape a few shortcomings. Is it perfect? No, but for its price, it does a really decent job and will work quite well as a nice choice in many homes. The biggest plus? Google TV. Here, Sharp GP7 shows its class – we have an enormous selection of applications, probably the largest on the market. It doesn't matter if we want to watch Netflix, YouTube, or something less known – we will find everything in one place. Additionally, the interface is simple and intuitive, and if we don't feel like clicking, we just need to say to the remote what we are looking for, as it supports voice commands in Polish. Google TV definitely elevates the value of this TV, as we don't feel like we are missing anything. It just works. As for picture quality, it's also quite good. Brightness at 500 nits combined with Dolby Vision does the job – movies look really solid for this price range. Colors, thanks to the PFS (QLED) coating, are vibrant, the contrast from the VA panel gives dark scenes depth, and the overall picture just "plays." It's not premium level, but for this price, you can't really complain. It's a good picture that will satisfy most users. Of course, there are also weaker points. The TV struggles with dynamic scenes – sports or video games won't look perfect here. The 60 Hz panel and response time of the panel are not able to ensure the highest fluidity. Additionally, the manufacturer mentions HDMI 2.1, but all we find here is the ALLM feature. There is a lack of VRR, G-Sync, or other additions that could attract gamers.

In summary – Sharp GP7 is a solid TV for everyday watching of movies and series. It is not for gamers or fans of sports broadcasts, but for universal use – absolutely. If we value access to a rich ecosystem of applications and good picture quality at a reasonable price, this model might be just for us.

Samsung The Frame 2025 is a TV unlike any other – and even though competition has emerged for it, it still does it best. The matte display, flush mounting to the wall, and one thin cable thanks to the One Connect module make the device look more like a painting than any other screen. The Art Store app still offers the best scanned artwork on the market (even if it's subscription-based), and with interchangeable frames, we can adapt the TV to the interior almost like a piece of furniture. As for the image itself, because we are also talking about a regular TV, there are no significant changes, but also no disappointments compared to last year's model LS03D. The Frame still offers high native contrast and solid brightness at 600 nits, which combined with the matte coating provides very comfortable use during the day. The colors are not as vibrant as on glossy screens, but against the backdrop of competing matte constructions – it performs the best. A novelty is the 144 Hz refresh rate, though in practice, mainly PC gamers will benefit from it. And indeed – in terms of features for gamers, The Frame has almost everything: low input lag, variable refresh rate (VRR) support, automatic game mode (ALLM), Game Bar, and a unique motion smoother designed for gaming. Unfortunately, not everything is as perfect as it might seem. Why? Because the HGiG mode is suddenly missing from the latest version of the Tizen system. And here Samsung really should respond, as for many gamers this is a crucial element of screen selection. And we fully understand that. Although LS03F The Frame 2025 doesn’t bring major revolutions, it is still a unique TV that, apart from its appearance, offers quite a solid picture and extensive gaming features. It’s just a shame that year after year we also encounter new compromises.

TV appearance

HDMI inputs
4 x HDMI 2.0, 0 x HDMI 2.1
3 x HDMI 2.0, 1 x HDMI 2.1 (40Gbps)
Other inputs
RCA (Chinch)
Outputs
Toslink (Optical audio), eARC (HDMI), ARC (HDMI), Mini-Jack (Headphones)
Toslink (Optical audio), eARC (HDMI), ARC (HDMI)
Network Interfaces
Wi-Fi 2.4GHz, Wi-Fi 5GHz, Ethernet (LAN) 100Mbps
Wi-Fi 2.4GHz, Wi-Fi 5GHz
Build quality
BuildQuality-Good
Premium
Stand type
Central
Legs
Stand type
stand-type-Silver
stand-type-Changeable Frame
Stand
stand-Fixed
stand-Height Adjustment
FlatDesign
Nie
Yes
Accessories
accessories-Stand
accessories-Stand, accessories-Wall Bracket, accessories-OneConnect Box

Contrast and black detail

5.8/10

6/10

Local dimming function: No

Local dimming function: No

Contrast:

Review Sharp GP7 Contrast and black detail

Result

5,250:1

Review Sharp GP7 Contrast and black detail

Result

5,450:1

Review Sharp GP7 Contrast and black detail

Result

5,950:1

Review Sharp GP7 Contrast and black detail

Result

5,950:1

Review Sharp GP7 Contrast and black detail

Result

4,000:1

Review Samsung The Frame 2025 (LS03F) Contrast and black detail

Result

4,800:1

Review Samsung The Frame 2025 (LS03F) Contrast and black detail

Result

4,750:1

Review Samsung The Frame 2025 (LS03F) Contrast and black detail

Result

14,900:1

Review Samsung The Frame 2025 (LS03F) Contrast and black detail

Result

4,500:1

Review Samsung The Frame 2025 (LS03F) Contrast and black detail

Result

4,300:1

Halo effect and black detail visibility:

The Sharp GP7 utilizes a VA matrix, which allows it to boast a fairly decent contrast. In our measurements, we achieved around 5000:1, which is a solid result for this price range. For example, when watching bright, contrasting scenes in Oblivion, we did not have the impression that the lights were merging into one blob. There are still clear boundaries between individual light sources. On the other hand, the lack of local dimming results in the blacks in dark areas of the image often leaning towards blue tones. This is a phenomenon that did not surprise us, as it is difficult to expect absolute perfection in this regard at this price level. However, it is worth keeping this in mind if we expect the television to deliver pitch-black blacks rather than what we can experience during the tested scene from Sicario 2.

The year 2025 looks quite interesting when it comes to lifestyle TVs. Why? Because Samsung has prepared two versions of the iconic model The Frame – one regular and another with the "Pro" label. In this review, we take a look at the version without "Pro," which – as will soon become evident – is quite significant. The regular model LS03F does not feature any local dimming technology, unlike its more expensive sibling. This is important because it affects not only the overall picture quality but primarily how this TV handles black levels.

The VA panel used in The Frame 2025 has a high native contrast – and this obviously works to its advantage. In the tested movie scenes, details in the dark parts of the image were clearly visible; nothing blended together, and it didn’t create a uniform black/bright spot. For the average viewer, this will be more than sufficient. But of course, not everything is perfect. The lack of local dimming causes the black levels on this TV not to be perfectly deep – it resembles a dark navy more than pitch black. Additionally, in our tested unit, we noticed slight backlighting in the right part of the screen, but this may just be the "beauty of the specimen" rather than a rule. Theoretically, one could try to improve the perception of blacks by backlighting the screen – for example, with an LED strip – but in the case of The Frame, this is rather impossible because this TV is meant to sit flush against the wall like a painting. So to achieve better blacks visible to our eyes, we are forced to watch the LS03F with the lights on. Such is the charm of this technology.

HDR effect quality

5.5/10

6/10

Supported formats
HDR10, Dolby Vision, HLG
HDR10, HDR10+, HLG
Color gamut coverage
DCI P3: 95.2%, Bt.2020: 73.0%
DCI P3: 91.5%, Bt.2020: 72.2%

Luminance measurements in HDR:

Review Sharp GP7 Brightness measurement

Result

428 nit

Review Sharp GP7 Brightness measurement

Result

448 nit

Review Sharp GP7 Brightness measurement

Result

492 nit

Review Sharp GP7 Brightness measurement

Result

471 nit

Review Sharp GP7 Brightness measurement

Result

499 nit

Review Samsung The Frame 2025 (LS03F) Brightness measurement

Result

642 nit

Review Samsung The Frame 2025 (LS03F) Brightness measurement

Result

589 nit

Review Samsung The Frame 2025 (LS03F) Brightness measurement

Result

574 nit

Review Samsung The Frame 2025 (LS03F) Brightness measurement

Result

584 nit

Review Samsung The Frame 2025 (LS03F) Brightness measurement

Result

631 nit

Scene from the movie “Pan” (about 2800 nits)

Scene from the movie “Billy Lynn” (about 1100 nits)

Static HDR10

Dynamic: Dolby Vision

Dynamic: HDR10+

HDR luminance chart:

Samsung The Frame 2025 (LS03F)

Luminancja HDR

Luminance of RGB colors

Sharp GP7

Luminancja HDR

Luminance of RGB colors

In terms of HDR, the Sharp GP7 can pleasantly surprise us. The maximum brightness around 500 nits is the threshold at which the real advantages of high dynamic range become visible. During our tests, we achieved stable values between 430 and 500 nits, which translated to clearer distinction of elements in both bright and slightly darker scenes. Additionally, there is a DCI-P3 color gamut coverage of around 95%, which allows for vibrant, visually pleasing colors. Of course, this is not the highest league, but for this price range – a big plus.

The Frame LS03F is a television that can surprise with its brightness. The maximum luminance reaches around 650 nits, which already looks solid on paper. But as we know, lab tests are one thing, and real movie scenes tell a completely different story. When watching HDR content in natural conditions, The Frame 2025 maintains very good results. In most film scenes, peak brightness remained at levels of 550–650 nits. This is enough to feel the difference between standard image quality and that of HDR – bright highlights, reflections on water, and moonlight appear clear and impressive.

It’s also worth noting that the LS03F is a QLED television, which translates to solid color saturation. The coverage of the DCI-P3 color space reaches about 92%, allowing for vibrant, intense colors in HDR content. It may not be at the level of top premium models, but for a lifestyle screen, the result truly deserves recognition.

Factory color reproduction

7.1/10

7.1/10

Factory Mode

After calibration

Factory Mode

After calibration

Upon taking it out of the box, in movie mode, the GP7 doesn’t perform badly at all. In HD materials, we noticed slight disturbances in white balance – drops in red and blue, which made the image have a slightly greenish tint. This is visible, for example, on the faces of characters, which become less three-dimensional. The gamma is somewhat brightened in places, resulting in less deep blacks. In 4K HDR content, a cooler, bluish tone additionally emerges, making colors appear less natural. On the other hand, looking from the "out of the box" perspective, these settings are not bad – just minor adjustments are needed, and we will try to improve them with special tools.

When it comes to image quality right out of the box, even in Filmmaker mode, which is supposed to be the closest to reference, there were issues. In both HD and 4K HDR content, we noticed noticeable deviations in white balance. The image was heavily skewed towards red and blue, giving the screen a characteristic rosy tint. This effect was most visible in bright scenes – for example, in shots with a lot of white, where neutral light should naturally dominate. In such moments, the screen clearly leaned towards pink tones, which can also be seen in the attached comparison photo. As for brightness characteristics – it wasn't as bad as one might expect given such color inaccuracies. Analysis of the gamma curve and EOTF showed a slight brightening of the image compared to the reference, but not enough to drastically affect the perception of the material.

Color reproduction after calibration

7.5/10

8/10

Calibration really makes a difference in GP7. After implementing the adjustments, we achieved a better white balance in HD content, and the colors started to look much more natural, with minimal deviations and without a clear dominance of individual colors. In 4K HDR, the change is not as spectacular, but still noticeable. The gamma has been brought to a more neutral level, although there is still a visible issue with a slight boost in the brightest details on the screen. The lack of control over dynamic tone mapping limits our maneuvering room, but nonetheless, this is a significant step forward compared to the factory settings.

After calibration, the movie mode gained a completely new quality. The issue of pink tint, which had previously been clearly visible, especially in bright scenes, was effectively eliminated. Colors began to look much more natural, and the white balance no longer dominated the rest of the image. It was no longer the same exaggerated “box picture” – everything gained coherence and a cinematic character. Additionally, the tendency of the television to slightly brighten scenes, previously visible in the EOTF curve analysis, was partially corrected. Of course, this was within the limits of what the design allows without local dimming – it’s hard to speak of perfect brightness management here. Nevertheless, the final effect was definitely closer to what one would expect from a mode called Filmmaker.

Smoothness of tonal transitions

9/10

9/10

The fluidity of tonal transitions is a strong point of the GP7. Shades of colors blend smoothly, without distinct lines or blotches. Whether we were watching dynamic action scenes or calm, picturesque landscape shots, we did not see any significant issues with so-called banding. Any potential shortcomings are subtle enough that most of us wouldn't even notice them. The only flaw is the average uniformity of backlighting, which can sometimes disrupt the perfect effect.

In terms of the fluidity of tonal transitions, the LS03F maintains a high level – just like last year’s models. The television had no issues during the testing of more challenging movie scenes, where visible transitions between color shades can easily occur. The color grading is very good here – both in the lighter and darker parts of the image. We did not observe the typical banding effect or other disturbances that could stand out while watching movies. If we had to nitpick, in the most demanding scenes – with subtle transitions and delicate gradients – small imperfections can be noticed. But only when one gets really close to the screen and begins to analyze the image from a distance not intended by the manufacturer.

Image scaling and smoothness of tonal transitions

7.1/10

6.7/10

Image without overscan on the SD signal
OK
No
Smooth transition function
OK
OK

Smooth transition function

Image without overscan on the SD signal

The TV can quite well scale lower quality content. Our test panels were well reproduced, and although there was minimal aliasing on small, delicate shapes (for example, thin branches), it still looked satisfactory. Additionally, the GP7 offers a "10-bit color reproduction" feature to smooth out tonal transitions in poor quality materials. It is useful, but at the expense of some details, which is why we recommend turning it on only when we are really watching something of poor quality.

The LS03F is equipped with the NQ4 processor, which is responsible for improving image quality—especially in lower-quality materials. In practice, it works surprisingly well, particularly with older content and recordings with lower resolution. Activating the "noise reduction" feature yields noticeable effects. The television effectively smooths tonal transitions and removes digital noise that can appear in darker areas of the image. Compared to previous generations, there is a clear improvement—previously, this feature often smoothed everything too much, including details that it shouldn't have removed. In this year's model, the smoothing still occurs, but it is done in a much more acceptable manner. Textures of materials, skin, or fabric details are no longer so heavily muted as before—the image retains more naturalness. However, this does not change the fact that film grain is still removed by the television, which may not be to everyone's liking. On the other hand, it is no longer as aggressive an intervention as in previous models. It is also worth mentioning that the LS03F may struggle with very weak signals—such as recordings from VHS tapes or video in low resolution. In such cases, we noticed slight clipping of the image at the edges—so-called overscan. This can lead to situations where a small part of the image (e.g., subtitles at the bottom edge) gets cut off.

Blur and motion smoothness

4.8/10

6.9/10

Maximum refresh rate of the panel
60Hz
144Hz
Film motion smoothing option
OK
OK
Blur reduction option
No
OK
BFI function 60Hz
Nie
Yes, 60Hz (image flickers)
BFI function 120Hz
Nie
Nie
Brightness drop with BFI
-%
43%

Blur (native resolution, maximum refresh rate):

Blur (BFI function enabled):

Image flickers in this mode

With a 60 Hz refresh rate and an average response time, it's hard to expect miraculous smoothness. In dynamic tests, like the one with the "little green man," it is evident that the image can blur and occasionally lose sharpness. For watching movies and series, this is acceptable, especially since one can use a motion smoother with three levels of adjustment. However, if we care about ultra-smooth sports broadcasts or super responsive gaming, we may feel underwhelmed.

A novelty in The Frame for 2025 is the panel with a refresh rate of 144 Hz. Yes – in a television primarily associated with displaying artwork, you can now not only watch Van Gogh but also comfortably play on a console or follow dynamic sports action. This is a definite step towards greater versatility. In the case of Samsung films, as usual in models with a 120 Hz panel and above, it allows you to adjust motion smoothness according to your own preferences. You can set a more cinematic representation while maintaining frame rate or opt for full motion smoothing. The range of options is wide, allowing you to tailor the effect to your taste – whether the viewing experience is meant to resemble classic cinema or a presentation on a modern theater panel.

*this part of the test refers to the model LS03FAU in sizes 55 and 65 inches, which is equipped with a 144Hz panel; the 43 and 50-inch sizes have 60Hz panels, and therefore perform much worse in terms of motion smoothness.

Console compatibility and gaming features

3.4/10

8.1/10

  • ALLM
    Yes
    Yes
  • VRR
    No
    Yes
  • VRR range
    No
    48 - 144Hz
  • Dolby Vision Game Mode
    Warning Yes, high input lag
    No
  • Correct implementation of HGIG
    No
    No
  • 1080p@120Hz
    No
    Yes
  • 1440p@120Hz
    No
    Yes
  • 4K@120Hz
    No
    Yes
  • Game bar
    No
    Yes

Let's not kid ourselves – the GP7 is not a television for the most demanding console gamers. Yes, it has ALLM that will automatically switch the TV to low latency mode, but it lacks VRR or G-Sync. There is also no advanced menu to facilitate the adjustment of settings during gameplay. Dolby Vision in games? Yes, but with such high input lag that it's hard to talk about comfort. If we play occasionally and do not aim for the highest standards, we can get by, but fans of technical innovations will be disappointed.

As we mentioned earlier – although The Frame likely displays images and works of art most of the time, Samsung has recognized that a Van Gogh enthusiast can just as easily be an avid gamer. And it must be admitted that The Frame 2025 has almost everything it needs to become a fully-fledged gaming television.

On board, we find support for ALLM (automatic game mode) and variable refresh rate (VRR) thanks to the implementation of one HDMI 2.1 port. The television handles lower resolutions at higher refresh rates without any issues and features an expanded Game Bar – already known from other Samsung models – which allows for quick previewing and changing of the most important gaming-related settings. For this, it earns additional points from us. The proprietary motion smoother Auto Motion Plus Game also deserves special mention, which – and it's worth emphasizing – works without increasing input lag. Samsung remains the only manufacturer that has managed to implement this feature in a practically noticeable way in terms of delays. The result? Much better fluidity in games, especially those that struggle to maintain stable 60 frames. This solution can realistically improve the gaming experience in more demanding titles – especially on consoles that don’t always manage full fluidity, especially in AAA games.

As for the downsides – the lack of Dolby Vision is already considered standard in Samsung televisions, so there's nothing to particularly complain about here. However, the problem is something entirely different. In the latest version of the Tizen system, the HGiG option has disappeared. Literally – it's not there. This is a significant setback when configuring a console for proper HDR content display in games. It’s hard to understand why such a decision was made, but one thing is certain – this should be fixed as soon as possible. We are talking about a brand that has set standards for gaming on televisions for years. If HGiG comes back – and we hope that it will – The Frame LS03F can confidently aspire to be a true gaming television. Not just as a decoration on the wall, but as equipment that really provides joy in gaming.

Input lag

8.6/10

10/10

SDR

1080p60
37 ms
13 ms
1080p120
8 ms
2160p60
13 ms
13 ms
2160p120
8 ms

HDR

2160p60
13 ms
13 ms
2160p120
8 ms
4320p60

Dolby Vision

2160p60 DV
2160p120 DV

In terms of input lag, we have mixed feelings. In 4K, we achieve around 13 ms, which is an excellent result and is more than enough for most of us. Unfortunately, Dolby Vision raises it to a level that makes gaming practically impossible, and in Full HD around 37 ms is already noticeable for those of us who prioritize quick reactions. Therefore, it's best to use 4K if we care about the highest possible responsiveness.

In terms of input lag, Samsung maintains a high standard – and it's a very high one. The LS03F, like most of this year's models from this brand, achieves a score of 8 ms for 4K content, which is almost a reference value. This result allows you to play even the most dynamic titles without delays and with full responsiveness. Well done!

Compatibility with PC

5.7/10

8.2/10

Chroma 444 (maximum resolution and refresh rate)
Yes
Yes
Font clarity
Good
Good
Readability of dark text and shapes
Good
Average
Input lag in PC mode (4K, maximum refresh rate)
13ms
8ms
Matrix subpixel arrangement
BGR
BGR
Max refresh rate
60Hz
144Hz
G-Sync
No
Yes

As a monitor for office work or browsing the internet, the GP7 performs quite well. Chroma 4:4:4 ensures text readability, although we noticed minor issues with very small fonts on a dark background. It is hard to recommend for PC gaming due to the lack of advanced features and higher refresh rates, but for simple office work or watching movies in the evening – why not?

The collaboration of The Frame 2025 with a computer poses no major issues. Let's start with gaming, as this is where this model shows its strengths – support for a 144 Hz signal, low input lag, and compatibility with G-Sync technology (for NVIDIA cards) make it hard not to consider it a fully-fledged gaming monitor. It is one of the more interesting "PC gaming" TVs available on the market in this class.

When it comes to daily work, the situation looks just as good. The Frame easily handles chroma 4:4:4, which translates to good font readability and overall user comfort. We only noticed minor issues with dimming very thin lines and dark details on a bright background – this effect may occur particularly when working with small interface elements. However, in practice, with a 55-inch screen and standard office working distance, it will be difficult to notice this problem realistically. Nonetheless, it's worth keeping this in mind if the television is to serve as a monitor not only for entertainment but also for precise work with graphics or text.

Viewing angles

3.3/10

3.5/10

Brightness drop at an angle of 45 degrees
71%
70%

In terms of viewing angles, we have the typical limitations of VA panels. If we sit directly in front of the screen, everything looks good, but just leaning back a bit causes the colors and contrast to start weakening. This is nothing unusual for this type of panel, so it's worth being aware that when watching with a larger group, the extreme seats on the couch will have a worse view.

As one could expect from a VA panel, the viewing angles on The Frame 2025 are at best average. The image loses saturation and contrast when viewed off-angle. It’s a pity, because we are talking about a model that displays digital artworks while in standby mode—and it is precisely in such moments that wide viewing angles would make the most sense, enhancing the feeling of being in the presence of a real image, rather than just its screen imitation.

Perhaps in the future, manufacturers will decide to introduce special coatings or modified versions of VA panels that will improve this aspect—because in the case of lifestyle televisions, it would have real significance not only in terms of usability but also aesthetics.

TV efficiency during daytime

5.3/10

6.3/10

Matrix coating
Satin
Matte
Reflection suppression
Average
Very Good
Black levels during daytime
Good
Poor

Matrix brightness

Average luminance SDR

Samsung The Frame 2025 (LS03F): 596 cd/m2

Sharp GP7: 427 cd/m2

The satin matrix does not minimize reflections as effectively as we would like, so in a bright, heavily sunlit room, we may see some glare. Fortunately, the TV has quite decent brightness (about 430 cd/m²), which allows us to use it without covering the windows, as long as we don't have sunlight directly hitting the screen. In extremely sunlit interiors, it may be more challenging, but in standard conditions, it is still usable.

One of the most characteristic features of The Frame is its matte display – and it must be admitted that Samsung has really refined this aspect. From our experience, this is one of the best solutions for reducing reflections, especially direct ones. If reflections on the screen can be irritating, it will be hard to find a better display in this budget than the matte panel used in Samsung TVs. Of course, this comes with a certain compromise. In very strong sunlight, colors may appear slightly washed out, and the image loses some depth. However, this is something we consciously accept when choosing a matte screen – something for something. In practice, the colors and contrast on Samsung's matte screen still perform better than on Chinese models like TCL NXT Vision or Hisense Canvas TV. If effectively reducing reflections and the desire to use the TV also as a 'digital picture' in bright rooms are priorities, it’s hard to find a better choice.

The Frame achieves about 600 nits of brightness, which, combined with the matte coating, allows the TV to handle well-lit daytime conditions without any issues. It may not reach the level of flagship models, but in everyday use – in a living room with plenty of light – it performs seamlessly.

Details about the matrix

Backlight Type
PFS LED
QLED
Software version during testing
RTM7.230903.178
T-PTMFDEUC-0090-1110.7, E2500007, BT-S
Image processor
m7632 2gb ram

Subpixel Structure:

Panel uniformity and thermal imaging:

Sharp GP7

Samsung The Frame 2025 (LS03F)

TV features

5.7/10

7.2/10

  • HDMI inputs
    4 x HDMI 2.0, 0 x HDMI 2.1
    3 x HDMI 2.0, 1 x HDMI 2.1 40Gbps
  • Other inputs
    RCA (Chinch)
  • Outputs
    Toslink (Optical audio), eARC (HDMI), ARC (HDMI), Mini-Jack (Headphones)
    Toslink (Optical audio), eARC (HDMI), ARC (HDMI)
  • Network Interfaces
    Wi-Fi 2.4GHz, Wi-Fi 5GHz, Ethernet (LAN) 100Mbps
    Wi-Fi 2.4GHz, Wi-Fi 5GHz
  • TV reception
    DVB-T, DVB-T2, DVB-S, DVB-S2, DVB-C
    DVB-T, DVB-T2, DVB-S, DVB-S2, DVB-C

Classic features:

  • Recording to USB (terrestrial TV)
    No
    No
  • Recording programming
    No
    No
  • Picture in Picture (PiP)
    No
    No
  • RF remote control (no need to aim at the screen)
    Yes
    Yes
  • Backlit remote control
    No
    No
  • Teletext
    Yes
    Yes
  • Audio only mode
    Yes
    Yes
  • Possibility to connect Bluetooth headphones to the TV
    Yes
    Yes
  • Possibility to simultaneously use Bluetooth headphones and the TV speaker
    No
    Yes

Smart features:

  • AirPlay
    No
    Yes
  • Screen mirroring (Windows Miracast)
    Yes
    Yes
  • Wyszukiwanie głosowe
    Yes
    Yes
  • Voice search in native language
    Yes
    Yes
  • Ability to connect a keyboard and mouse
    Yes
    Yes

The Sharp GP7 operates on the Google TV system, which provides access to a rich library of applications and streaming services. Its main advantage is a clear interface that integrates content from various sources in one place, making it easier to search and manage. Voice control in Polish works flawlessly, and with the remote control featuring a built-in microphone, we can quickly find content of interest, such as movies, series, or music. Regular system updates ensure that Google TV stays current, adapting to new user needs and introducing additional features. It is a convenient and modern solution that makes using the television intuitive and enjoyable.


Although Google TV is a strong point of the GP7, the other features of the television are not as impressive. There is a lack of program recording or picture-in-picture (PiP) mode, and Apple users may feel the absence of support for AirPlay. However, there is Miracast for Windows and Bluetooth, allowing for the connection of headphones or a keyboard. This is a sufficient base for less demanding users, although those expecting more advanced features may feel a sense of disappointment. The GP7 mainly focuses on the smart capabilities offered by Google TV, leaving traditional solutions in the background.

Classic TV Features

In terms of classic features, The Frame does not stand out in any way compared to the competition. There is no USB recording option or PiP (picture in picture) feature, which may be disappointing for some users. On the other hand, the TV allows for simultaneous use of speakers and headphones, which can be useful – especially for older users. The EPG, or electronic program guide, is quite readable, and despite the lack of traditional buttons on the remote, we managed to launch even the teletext. In everyday use, the basic functions work smoothly and without significant complaints.

Smart System – Tizen and Apps

The Frame 2025 runs on the Tizen operating system, which has been considered one of the most refined Smart TV solutions on the market for years. It is a system designed for devices that are more than just a television – and it was created with that spirit in mind. Tizen offers full integration with external devices – supporting both Apple AirPlay and Miracast. With the SmartThings app, it is possible to control not only the television but also other devices within the smart home. Since last year, Samsung has also been developing its own voice assistant with support for the Polish language, which significantly facilitates operation. However, the greatest strength of the Smart system in The Frame remains the Art Gallery app. Although access to it is paid (via subscription), it offers the best art scans on the market – we are talking about scans, not just ordinary photos. As a result, the effect of a digital artwork hanging on the wall looks much better than in any other lifestyle TV.

Playing files from USB

9/10

9.1/10

Supported photo formats:

JPEG
Yes
Yes
HEIC
Yes
No
PNG
Yes
Yes
GIF
Yes
No
WebP
Yes
No
TIFF
No
No
BMP
Yes
Yes
SVG
No
No

Maximum photo resolution:

4 Mpix
Yes
Yes
6 Mpix
Yes
Yes
8 Mpix
Yes
Yes
10 Mpix
Yes
Yes
12 Mpix
Yes
Yes
16 Mpix
Yes
Yes
20 Mpix
Yes
Yes
24 Mpix
Yes
Yes
28 Mpix
Yes
Yes
32 Mpix
Yes
Yes

The media player performs quite well, handling most popular formats. The only minor drawback is the lack of an option to change the font color in subtitles, although for some of us, this is a detail. We can always install another player from the Google Play store and customize it to our own preferences.

During testing, we did not notice any major problems with playing files from a USB memory. The TV handled both video materials and photos well. Of course, there are some exceptions – for example, lack of support for the HEIC format (used by Apple devices) – but it’s hard to consider this surprising. On the plus side, there is full support for high-resolution photos – the TV displays files with a high number of megapixels without any issues, which may be particularly important for those who want to treat The Frame as a digital frame as well. However, during testing, we noticed a limitation regarding subtitles – the TV only properly handled files in the .txt format. It's worth keeping this in mind and ensuring that the downloaded subtitles for movies are saved in this format, otherwise they may simply not display.

Apps

9.6/10

8.7/10

OK
Disney_Plus
OK
Amazon_Prime_Video
OK
Player_TVN
OK
Polsat_Box_Go
OK
Canal_Plus_Online
OK
TVP_VOD
OK
Apple_TV_Plus
OK
SkyShowtime
OK
Rakuten
OK
CDA_Premium_Browser
OK
Spotify
OK
Tidal
OK
Netflix
OK
YouTube
OK
HBO_MAX
OK
Kodi
No
Apple_music
OK
Eleven_sports
No
Xbox Game Pass
OK
GeForce Now!
No
Amazon Luna
OK
Boosteroid
OK
Steam Link
OK
Disney_Plus
OK
Amazon_Prime_Video
OK
Player_TVN
OK
Polsat_Box_Go
OK
Canal_Plus_Online
OK
TVP_VOD
OK
Apple_TV_Plus
OK
SkyShowtime
OK
Rakuten
OK
CDA_Premium_Browser
OK
Spotify
No
Tidal
OK
Netflix
OK
YouTube
OK
HBO_MAX
No
Kodi
OK
Apple_music
No
Eleven_sports
OK
Xbox Game Pass
OK
GeForce Now!
OK
Amazon Luna
OK
Boosteroid
No
Steam Link

Sound

6.6/10

6/10

  • Maximum volume
    -
    -
  • Dolby Digital Plus 7.1
    Yes
    Yes
  • Dolby True HD 7.1
    No
    No
  • Dolby Atmos in Dolby Digital Plus (JOC)
    Yes
    Yes
  • Dolby Atmos in Dolby True HD
    No
    No
  • DTS:X in DTS-HD MA
    No
    No
  • DTS-HD Master Audio
    No
    No

Despite the collaboration with Harman Kardon, the speakers perform rather average. The sound is decent, but there is nothing in it that would really surprise us. It does not support DTS:X, but Dolby Atmos is onboard, which can slightly enhance the experience when combined with good material. If we care about better audio quality, we will probably consider purchasing an external soundbar or audio system anyway.

For such a slim TV, the sound is quite good. It's full, sufficient for everyday viewing, but without much excitement – typical for flat designs. There's not much bass, although at times it can be heard. The speakers in a 2.0.2 configuration have a total power of 40 W (in the 55+ inch version). Unfortunately, the TV does not support DTS format, so when watching films with that audio, external equipment, such as a home theater system, must be used. You can connect a soundbar, and thanks to the Q-Symphony feature, the TV plays along with it. Samsung also offers visually matching models to The Frame like S700D or S800D, but they are sold separately. (This shouldn't surprise anyone😉).