Sharp GP6765 vs Panasonic Z85A

In movie mode, the Sharp GP6765 reaches a brightness of 300 nits, which is relatively average. This level of brightness is more suited to standard SDR content than to the full HDR experience. As a result, the TV struggles to deliver the depth and dynamics typically expected from a good HDR mode. Visual effects that might appear sharp and detailed on other models could seem more subdued here, and high-contrast scenes won't be as striking. However, compared to other models in this price range, this is still a decent performance. A positive feature is the TV's support for a wide DCI-P3 colour gamut, covering 92.5%, thanks to the inclusion of quantum dots (Quantum Dot/QLED). This offers a solid improvement, particularly in this price bracket, resulting in vibrant and more saturated colours, although the limited brightness still prevents a fully immersive HDR experience.

The Panasonic Z85A is an OLED television, so you can expect great effects in movies right away. And indeed – our tests show that the WOLED panel can achieve around 800 nits of peak brightness in optimal conditions. This is a solid result that performs well in most demanding HDR scenes, allowing you to enjoy a dynamic and detailed image. However, like every OLED, the Z85A has its limits. In very bright scenes that cover the entire screen – like the final sequence from the movie The Meg – the television reduces brightness to about 400 nits. This is standard behavior for this technology, so if someone plans to watch movies in a brightly lit living room, it's worth keeping this in mind. The coverage of the DCI-P3 color gamut at 98% also deserves a big plus. As a result, the television delivers a wide range of colors that stand out with vibrancy and depth, and details in HDR scenes are sharp and precise. In short – the Panasonic Z85A provides a solid HDR effect that will satisfy any movie enthusiast.

The Sharp GP6765 was launched in movie mode, which offers the best settings for colour reproduction. However, despite this, the quality remains far from ideal. In SDR mode, the white balance graph shows significant increases in the red colour, making the image appear somewhat yellowish and distorting natural skin tones. This results in some scenes looking unnatural, and colours losing their authenticity. In HDR mode, the issue worsens as blue becomes the dominant colour, which negatively affects the colour balance and causes a loss of detail in cool tones. As a result, the image can appear cold and unbalanced, highlighting the TV's inability to achieve optimal colour reproduction. Tests with the Colour Checker tool confirm these shifts across several samples.

In terms of contrast, the HD mode shows a significant jump at the start of the graph, but it remains close to the reference line at 2.4. This means that in most scenes, the TV delivers a satisfactory level of contrast, enhancing details in shadows and adding depth to the image. However, in HDR mode, the EOTF curve fluctuates significantly at both ends of the graph, leading to inconsistencies in bright and dark areas of the image. In scenes with intense light, such as explosions or dynamic actions, key details may be lost, and the image may appear blurry. Similarly, in darker scenes, the lack of clear differences in shades may cause details to merge into a uniform spot, reducing overall quality. While movie mode offers the best factory settings for the GP6765, there are still significant issues with colour reproduction and contrast.

The Panasonic Z85A offers many picture modes, but the Filmmaker mode definitely stands out from the rest. It is rare for a television to be so well-tuned straight out of the box, and the unit we had the opportunity to test really impressed us positively.

However, there were some minor shortcomings. In the SDR signal, we noticed a slight deficiency in red and blue colors, which made the image have a cooler shade than it should. This is particularly evident in the comparative photo. Conversely, in 4K HDR materials, the situation was the opposite – the excess of red made the image seem warmer than the creators intended. In terms of brightness characteristics (gamma) and maintaining the appropriate EOTF curve, it is hard to find fault. There are some minor deviations, but they are so minimal that the average viewer is unlikely to notice them.

It is also worth emphasizing that our observations pertain to a specific unit of the television. Two identical models can differ from each other due to natural production variations. Nevertheless, the unit we had in hand is really solid and deserves praise. Now it's time for our calibration – we'll see if we can squeeze even more from this screen!

After calibration, the Sharp GP6765 television shows marked improvement in film mode, particularly in SDR content. The white balance now closely aligns with the reference line, offering more natural and true-to-life colour reproduction. While not perfectly straight, the results are still satisfactory for the price range, significantly enhancing the overall visual experience and immersion in movies. The colour gamut shows some improvement, with the initial jump in the graph persisting but being less noticeable, leading to a more consistent and enjoyable image.

For HDR content, while the white balance performs somewhat worse than in SDR, it is still a notable improvement compared to pre-calibration. The calibration ensures better colour consistency, though some shortcomings remain. As for contrast, no major gains were observed. The lack of control over dynamic tone mapping prevented significant improvement in EOTF, resulting in uneven brightness reproduction.

Despite some limitations, particularly in HDR content and dynamic tone mapping, the Sharp GP6765 reveals a more polished performance after calibration. The improved white balance and colour reproduction in SDR make it more visually appealing. While further refinement is needed, it still provides a satisfying visual experience, making it a strong contender in its price category.

The Panasonic Z85A offers truly wide possibilities when it comes to image settings, so we enthusiastically set about calibration. Although we mainly focused on white balance correction, the final effect exceeded our expectations. Both HD and 4K HDR content now present nearly perfect color reproduction, with minimal errors that are difficult to catch with the naked eye. Well-calibrated televisions are rare, and we must admit – it is truly gratifying. Although gamma and EOTF curve did not require drastic adjustments, we managed to further stabilize their characteristics across the entire brightness scale. After calibration, the Panasonic Z85A is a true gem for home cinema enthusiasts. The image is precise, colors are natural, and every scene looks exactly as the director intended.

The Sharp GP6765 television delivers solid performance with its "10-bit colour reproduction" feature, particularly in the tested scene featuring light bulbs. Setting this option to "medium" provides satisfactory results, with no issues related to grain smoothing or the blurring of important image elements. Even the "low" setting performs well, delivering a clear image without compromising detail. These transition smoothing options enhance visual quality by providing more natural colour transitions.

In terms of image scaling, the Sharp GP6765 shows strengths, such as the absence of overscan when displaying test material. This ensures viewers can enjoy the full image without losing edge details. However, some weaknesses were noted in a tested scene featuring a model. Elements such as branches or trousers appear slightly jagged, indicating a lack of effective edge-smoothing techniques. This can cause certain details to look distorted, impacting the overall viewing experience.

Now that we know how the Panasonic Z85A handles tonal transitions in 4K materials, it's time to look at its "Gradation Smoothing" feature. It works, but unfortunately not entirely effectively. Regardless of the selected value – whether low, medium, or high – we were unable to achieve perfectly smooth tonal transitions in our test sequence. We recommend setting this feature to an intermediate level. While it may slightly blur fine details, it at least avoids the problem of losing film grain, which can be crucial for many viewers when watching classic productions.

When it comes to image scaling, the television performs quite well. It is evident that the image is slightly sharpened, and thin lines can sometimes appear somewhat jagged. However, this is standard in most televisions and fortunately, it can be adjusted using the sharpness slider. This gives us full control – we can achieve a more plastic, blurred image or a clearer one, though more "harsh" and artificially sharp. It all depends on the user’s preferences and the type of content we are watching. Overall, the scaling is at a solid level and should satisfy most users who are using lower resolution materials.

When it comes to motion blur and movement fluidity, the Sharp GP6765 TV offers rather average performance. Equipped with a 60 Hz panel, it handles movies adequately. The TV includes a motion smoother called "Motion Enhancement," which allows users to control motion fluidity, enabling a choice between visible film frame interpolation or a smoother, more theatrical appearance. This feature should meet the needs of most users focused on movie viewing.

However, the TV's performance falls short in sports or gaming. In the tested UFO alien scene, noticeable blurriness indicates that the panel's low response time negatively impacts the sharpness of moving objects. This issue becomes particularly evident during dynamic sequences, where rapid movements are frequent. For viewers who enjoy sports or fast-paced video games, these limitations in motion handling can be off-putting, making the Sharp GP6765 less suitable for such content.

The Panasonic Z85A has a 120 Hz panel, which will surely please both gamers and sports fans. Sure, it's not 144 Hz like some gaming TVs, but in practice, the difference is really hard to notice. In games, the image is stable and clear, and during fast action, there's no sign of any motion blur. The same goes for sports – a quick run by a soccer player or a dynamic car maneuver looks smooth and natural. The TV also has an "Intelligent Frame Creation" feature, which is a motion smoother. There are two sliders – one for reducing motion blur and the other for motion smoothness. With these, you can adjust the picture to your personal preferences – whether you prefer a more cinematic effect with gentle transitions between frames or a maximally smooth image perfect for watching sports.

The gaming functionality of the Sharp GP6765 leaves much to be desired. Although this model includes HDMI 2.1 ports, which theoretically promise modern features, the reality is far less impressive. The only feature that takes advantage of this standard is Auto Low Latency Mode (ALLM). Unfortunately, the absence of key functionalities such as Variable Refresh Rate (VRR) and HDR Gaming Interest Group (HGIG) significantly limits its appeal to gamers. VRR is crucial for eliminating screen tearing and stuttering, particularly in dynamic games where fluidity is essential. Similarly, HGIG ensures optimal HDR mapping, enhancing visual quality and immersion. While Dolby Vision might seem like a benefit, it proves useless for gaming due to the very high input lag in this mode.

The inclusion of HDMI 2.1 ports in the Sharp GP6765 feels like a marketing ploy, potentially misleading users into believing that the standard automatically provides all its associated benefits. Gamers expecting full functionality from HDMI 2.1 are likely to be disappointed.

Panasonic is mainly associated with home cinema televisions, but the Z85A shows that it can also enter the gaming world with a really strong punch. This is equipment that can easily be called a gaming beast - it has everything needed for comfortable gameplay.

Even though we only have two HDMI 2.1 ports, both operate at full bandwidth, so we can easily connect both a next-gen console and a gaming PC. All key features are supported: ALLM automatically switches the TV to game mode, VRR ensures smooth images without stuttering and tearing, and with properly implemented HGIG and Dolby Vision, HDR games look really good - colors are vivid, details clear, and dark scenes readable. There is also a Game Bar in the form of a clear, circular menu. It may not look as impressive as with the competition, but it is intuitive and contains all the most important settings that we would like to have at hand during gaming.

In summary - the Panasonic Z85A is equipment that really surprises with its gaming capabilities. It is a television where both console gamers and PC gamers will feel at home. It's smooth, dynamic, and simply good.