Samsung U8000F (VA) vs Sony BRAVIA 7 II

While the U8000F with a VA panel can still be praised for decent blacks, there are no longer any reasons to be impressed regarding brightness – especially in HDR scenes. The television reaches a maximum of just under 250 nits, which is simply too little to talk about any impressive light effects. Bright elements come off as pale, and scenes that should shine look rather flat. An interesting situation was observed during the test of a scene from the movie Sicario 2 – the screen noticeably darkened, as if the television were trying to hide its limitations in displaying blacks. One might get the impression that the device artificially darkens the image to improve contrast, but in practice, the effect doesn't make much of a difference, other than that we see less on the screen. Additionally, there's the issue of colors – the U8000F does not support a wide color gamut, so don't expect vibrant, saturated shades known from better models. The HDR image here resembles slightly brightened SDR and… maybe that’s even a good thing. For this model, it's not worth setting expectations for cinematic experiences – it's better to treat HDR as a modest addition.

The Sony Bravia 7 II handles HDR very well and, above all, is simply a bright TV. In the proper "Professional" viewing mode we measured about 2000 nits of peak brightness, so the panel's capabilities are really substantial. Of course, with Mini-LEDs the result on a test pattern is only part of the story, because a lot depends on how the TV controls the backlight in real scenes. And here Sony's algorithms perform really well. Depending on the scene, the brightness we measured in movies ranged from around 1100 up to 1700 nits. That's already a level at which HDR has the proper punch and bright effects can really impress. It's not perfect in every situation, though. With small bright elements on a very dark background the Bravia 7 II clearly prioritizes maintaining good black levels, which can cause their brightness to drop to around 500 nits. It still looks good, but you can see the TV doesn't always operate without compromises.

Colors

The second thing that has a huge impact on the HDR effect is, of course, color. And this is where True RGB technology was supposed to bring one of the biggest changes. Looking at the panel's raw capabilities, the Bravia 7 II performs very well. We measured about 98% DCI‑P3 coverage and 88% BT.2020, so the potential to display highly saturated colors is really large. However, in RGB TVs the situation is a bit more complex. When we performed the same measurements with a movie background applied, the gamut coverage dropped to about 92% DCI‑P3 and 78% BT.2020. Those are still good figures, especially for an RGB Mini-LED TV, but they clearly show that the final result largely depends on how the algorithms control the three backlight colors. In most scenes the Bravia 7 II handles this well and colors retain high saturation. The biggest differences are seen in shades of blue, where samples start to deviate more noticeably from the reference values and coverage is weaker than for the other primary colors. So True RGB does offer real additional possibilities here, but like with brightness, much depends on what is actually happening on the screen.

The Samsung U8000F has been tested by us in the best picture mode available out of the box – namely, Filmmaker Mode. This profile is supposed to provide a neutral, cinematic image, free of unnecessary enhancements and artificial beautifications. In the case of SDR content – mainly in HD or SD resolution – the television performed surprisingly well right out of the box. The only noticeable imperfection was brightness management. The gamma chart showed some deviations – slight brightening or dimming of certain tones – but in practice, it did not significantly affect the viewing experience. For a television in this segment, it performs quite well.

However, the situation is considerably weaker in HDR mode. Although white balance was still acceptable, color errors were very pronounced. In the Color Checker test, almost every sample was outside the target point, and the image itself looked unnatural – colors were shifted, sometimes too cool, at other times simply dull and lifeless. The main problem lies in the hardware limitations – the U8000F does not support the wide color gamut of DCI-P3, so it is physically unable to reproduce the colors anticipated by the HDR standard. And unfortunately, this is evident in almost every more demanding scene.

To evaluate the out-of-the-box colors we chose Professional mode, because it performs best among the available settings. It's not perfect, though. In SDR the white balance leans slightly toward magenta, so some scenes look a bit warmer and less neutral than they should. A bigger issue is the gamma, which sits closer to 2.5 than 2.4. That makes the image a bit too dark in places, especially in the midtones. In HDR the situation is better. As brightness increases there is a bit too much red, but it's not a fault that stands out during viewing. Overall, Professional mode is a good starting point, although you can get a little more out of it with calibration.

Right out of the box, the U8000F offered quite a decent picture in SDR for its price range. However, we managed to slightly enhance it – we reduced a subtle purple tint and improved the gamma characteristics, giving it a more natural curve. Despite these adjustments, the TV still tends to brighten the brightest details a bit too aggressively – the gamma graph shows a clear dip that cannot be fully corrected.

On the other hand, in HDR mode, it is noticeably weaker. It's hard to talk about any significant improvement here – despite attempts to tweak the settings, the picture still presents considerable color errors. A Delta E exceeding 7 means noticeable deviations that couldn't be effectively reduced. Unfortunately, this is a limitation of the design itself – the U8000F was simply not designed for serious HDR. In everyday SDR viewing, it performs quite well, but when it comes to HDR content... it's best not to have too high expectations.

After calibration the Bravia 7 II can look significantly better. First of all, we managed to set the white balance very well, both in SDR and HDR. Gamma can also be improved, and after correction it runs very close to the reference value. For most users, those changes will have the biggest impact on the picture. There is, however, a limitation when it comes to colors. On the Bravia 7 II Sony does not provide access to a classic CMS that would let us adjust individual hues separately. A lot is therefore left in the hands of the algorithms controlling the True RGB backlight. If the TV reproduces a specific color inaccurately, we are not always able to do anything about it. In our measurements this is most evident with some reds and blues, where errors can still be quite large. That does not, however, diminish the value of calibration. Correctly setting the white point and gamma strongly affects the overall image, so even without the ability to precisely tweak every color the difference compared with the factory settings is noticeable.

When it comes to how the Samsung U8000F handles lower quality materials, we must admit that Samsung has made progress compared to its predecessor from last year – the DU7192 model, which theoretically occupies the same position in the lineup. This year's model is equipped with a feature for improving the fluidity of tonal transitions, which has been implemented much better than last year. Yes, the TV still uses quite strong algorithms that can distort details or remove film grain, but despite that – it can be confidently said that it works effectively. However, not everything went perfectly. The U8000F has noticeable issues with slight image stuttering when watching very old content in very low resolution. If someone plans to play their old VHS tape, they should be prepared for the image to appear slightly "choppy."

Upscaling and digital processing are among the Bravia 7 II's strongest assets and one of Sony's biggest advantages over the competition. Sony has handled digital image processing well for years, and it shows here too. Above all, the "Smooth Gradation" function works very well; it can smooth weak tonal transitions in lower-quality content. It's safest to set it to Low, but we'd comfortably recommend Medium as well. The effect is stronger then, and the TV still handles details very delicately. Some fine detail may be slightly smoothed, but Sony does it much more subtly than many other brands. The upscaling itself also performs very well. Lower-resolution sources are well upscaled to 4K; the picture looks clean and retains a lot of detail. Of course the TV won't magically turn native HD material into true 4K, but the Bravia 7 II does a very good job with what can be extracted from such a source.

The Samsung U8000F is equipped with a 60 Hz panel, so right from the start, it's clear that we shouldn't expect miracles. This is simply standard in this class – sufficient for everyday viewing but without any frills. The TV offers one motion enhancement slider – a feature called "Motion Blur Reduction," which allows us to adjust the smoothness of the image in movies. Higher settings give a more "theatrical" and smoothed effect, while lower settings help maintain the original character of the film with a slight 24p effect. An interesting feature is "Clear Motion LED," which is a BFI mode – inserting black frames between image frames to improve motion sharpness. However, in practice, the screen flickers heavily when it's activated, and it should be treated more as an experiment than something that genuinely improves gaming comfort.

The Bravia 7 II uses a 120 Hz panel, so in terms of motion smoothness it delivers everything you’d expect from a TV in this class. With sports or games at 120 fps the picture is appropriately smooth, and for movies Sony provides an advanced motion smoothing feature. You can adjust the level of interpolation separately and decide whether you want to keep a more cinematic motion or achieve noticeably smoother motion. The issue of motion blur is a bit worse. The VA panel used isn’t among the fastest, and you can notice a slight trail behind moving objects, especially on darker backgrounds. It’s not at a level that will be highly distracting during normal viewing, but last year’s Bravia 7 performed better in this respect and had a noticeably faster panel.

[UPDATE] We have updated our 2025 Samsung TV reviews following the release of firmware version 1131, which officially restores the essential HGiG (HDR Gaming Interest Group) support.

Samsung U8000F offers a basic set of features for gamers, which nonetheless may be sufficient for less demanding users. It has an automatic game mode – when a game is launched on the console, the TV automatically switches to low latency mode, significantly improving response time. It also includes a VRR feature, or variable refresh rate, which operates in the range of 48 to 60 Hz. This means that both Xbox and PS5 will not produce a "tearing" effect on the screen – as long as we stay within this range.

And unfortunately, that's about it when it comes to advantages. Additions like Game Bar or higher refresh rates are reserved for higher models of Samsung from the 2025 line. In theory, the TV also supports the HGiG function, which should adjust the HDR image to the intentions of game developers. Unfortunately – even though this feature appears in brochures and marketing materials – its configuration on the Xbox console turned out to be... impossible in practice.

The Bravia 7 II essentially has everything you'd expect from a good console TV today. It supports 4K at 120 Hz, VRR from 48 to 120 Hz, and ALLM, so when you start a game the TV automatically switches to low-latency mode. There's also a properly working HGiG, which means that after setting up HDR on the console the TV won't try to further brighten the image on its own. Just remember to turn off tone mapping in the TV's menu. Dolby Vision in game mode is another plus, especially for Xbox owners. Sony also includes its own Game Menu. From it you can quickly view key signal information, check VRR, or change gaming settings without digging through the TV's entire menu. The only thing missing from the feature list is support for 1440p at 120 Hz.

Our biggest complaint is not really with the features themselves, but with the connectors. The Bravia 7 II has four HDMI ports, but only two of them support full HDMI 2.1 at 48 Gbps. One of those is also an eARC port. So if you connect a soundbar or AV receiver via HDMI, in practice you have only one full HDMI 2.1 port left for a console or PC. With a single console that's fine, but with a PS5, an Xbox, and an audio setup it starts to get tight. That's hard to justify from Sony. Two HDMI 2.1 ports might be acceptable in cheaper TVs, but in a model of this class, especially in 2026, we'd expect all four ports to be HDMI 2.1.