Samsung U8000F (IPS) vs Panasonic W95B

Better does not mean good – and that perfectly summarizes the capabilities of the U8092F when it comes to displaying bright movie scenes in HDR mode. The brightness of the panel is just under 250 nits, which is definitely too little to enjoy any lighting effects. An interesting situation was noted during the measurement of the fourth scene from the movie Sicario 2 – the television clearly dimmed the entire screen in an attempt to achieve better black levels (which are still weak). One could even suggest that the device uses some form of "global dimming," but unfortunately, the results are still very poor. To make matters worse, the television does not support a wide color gamut – the coverage of the DCI-P3 space is about 80%, so there’s no hope for truly vibrant colors. HDR images here look rather like lightly brightened SDR, and that's the form we would suggest sticking to when it comes to this television.

The Panasonic W95B is truly a bright screen, capable of achieving peak luminance levels of around 1400 nits. In brighter, well-lit movie scenes, this value translates into spectacular HDR effects that can leave a big impression. However, knowing our test setup, you probably see that in very demanding shots – such as the distant moon or helicopter lights in a scene from Sicario 2 – the TV does not impress. In such situations, brightness drops to around 200 nits, making the HDR effect much less visible. This happens because Panasonic prioritizes maintaining deep black levels without lighting up the background – for many users, this shouldn't be a cause for concern. However, it's important to remember that in these moments, the image starts to resemble SDR content. The coverage of the color palette also deserves praise, as it reaches about 93% of the DCI-P3 color space thanks to the use of the PFS filter (also known from QLED technology). As a result, most movies look very good in terms of saturation and colors, maintaining a cinematic quality of the image.

The Samsung U8000F was tested in the best possible picture mode built into the TV, which is Filmmaker Mode. This mode should – at least in theory – offer a cinematic, reference-quality image without unnecessary enhancements. For SDR content (mainly HD/SD), the TV performed surprisingly well straight out of the box. White balance errors hovered around a value of 3, which is roughly at the threshold of perception. The only complaint could be about brightness management – the gamma chart showed a slight tendency to brighten or darken certain areas, but overall it performed quite well for this price segment.

Unfortunately, it looks much worse in HDR mode. Although the white balance wasn't terrible, the TV had significant color errors – particularly noticeable on the Color Checker chart, where almost every sample landed outside the target point. The HDR image simply looks unnatural, and colors can be shifted, dull, or too cool. This largely stems from the fact that the U8000F does not support a wide color gamut (DCI-P3). The TV is physically incapable of displaying accurate colors in HDR standard – and this unfortunately shows in every more demanding material.

In Filmmaker mode, the Panasonic W95B offers an image with quite accurate color reproduction, although it is not without minor imperfections. The white balance slightly leans towards red, which can cause a subtle warming of the image, and the gamma curve is slightly elevated, making the screen appear somewhat brightened. It’s good that the manufacturer has included this mode – even in its factory configuration, it provides a fairly natural look for movies. However, knowing how susceptible Panasonic televisions are to calibration, we decided to check how much the image could improve after professional tuning.

Although the U8000F offered quite a decent picture in SDR right out of the box, we were able to adjust it a little more. We managed to eliminate a slightly purplish tint and calibrate the gamma to a more reasonable level. However, the television still tends to overemphasize the smallest and brightest parts of the image – the gamma chart shows a characteristic "dip" that is difficult to completely correct.

Unfortunately, the situation looks worse in HDR. It's hard to talk about any significant improvement here – the television is simply not designed for HDR content. We tried to adjust the picture in the advanced settings, but despite everything, the color errors remained quite large – a delta E above 7 indicates noticeable deviations. It's a bit of a shame, but that's the charm of a budget design. In SDR, the U8000F performs just fine, while HDR is simply not its league.

After professional calibration, the Panasonic W95B shows what it is really capable of. Color errors have mostly dropped below 2–3, making them practically invisible to the human eye. The excess red in the white balance has also been corrected, which has eliminated the slight pink tint, and details in dark areas no longer get lost due to overly strong dimming in the gamma. Improvements are also noticeable in HDR content – color saturation is now more stable and does not veer towards blue as clearly as before. It is truly a great television for watching movies and series in the highest possible quality. Although we know that Mini LED screens are not always perfectly suited for this, the W95B is an excellent example that with proper refinement, an OLED-like effect can be achieved.

When it comes to how the Samsung U8000F handles lower-quality materials, we have to admit that Samsung has made progress compared to its predecessor from last year – the DU7192 model, which theoretically occupies the same place in the lineup.

This year's model is equipped with a function to improve the fluidity of tonal transitions, which has been implemented much better than last year. Yes, the television still uses quite strong algorithms that can distort details or remove film grain, but even so – it can be confidently said that it works effectively.

However, not everything went perfectly. The U8000F has noticeable issues with slight frame cutting when watching very old content in very low resolution. If someone plans to play their old VHS tape, they should be prepared for the image to appear slightly “cut off.”

In terms of image processing, the Panasonic W95B performs excellently. The proprietary processor responsible for digital image processing effectively upscales lower-resolution content to 4K, preserving a great amount of detail and a natural appearance of contours. The final effect is impressive – the upscaling is at a truly high level, and Full HD content can look surprisingly good. The way the television smooths tonal transitions in low-quality materials is also worth noting. The algorithm does not operate as aggressively as in some competing models, but as a result, it does not cause loss of detail or blurring of film grain.

The Samsung U8000F is equipped with a 60 Hz panel, so right from the start, it’s clear that we shouldn’t expect any miracles. This is simply the standard in this class – sufficient for everyday viewing, but without any fireworks.

The TV offers one motion smoothing slider – a feature called "Motion Blur Reduction", which allows us to adjust the smoothness of the image in movies. Higher settings provide a more "theatrical" and smoothed effect, while lower settings help retain the original character of the film with a slight 24p effect. Interestingly, there is a feature called "Clear Motion LED", which is a BFI mode – that inserts black frames between the frames of the picture to improve motion clarity. However, in practice, the screen flickers significantly when activated, and it should be regarded more as an experiment than something that realistically enhances gaming comfort.

The 144 Hz panel used in the Panasonic W95B offers excellent smoothness, although in practice, considering how television content looks or the values to which next-generation consoles are limited, it's worth looking at its behavior when refreshing at 120 Hz. In this mode, the TV performs wonderfully – despite it being a VA panel, which is not known for the fastest pixel response times, motion blur here is minimal and difficult to detect with the naked eye.

Samsung U8000F offers a basic set of features for gamers, which may still be sufficient for less demanding users. It includes an automatic game mode – when a game is launched on the console, the TV automatically switches to low latency mode, significantly improving response time. We also find the VRR feature, or variable refresh rate, which operates in the range of 48 to 60 Hz. This means that both Xbox and PS5 will not produce the “tearing” effect, as long as we stay within this range.

[UPDATE] We have updated our tests of Samsung TVs from the 2025 range due to the release of software version 1131, which restored the HGiG feature, crucial for gamers.

And unfortunately, that's about it when it comes to advantages. Additional features like Game Bar or higher refresh rates are reserved for higher models of Samsung from the 2025 line. In theory, the TV also supports the HGiG feature, which should adjust HDR image settings to the intentions of game creators. Unfortunately – despite the fact that this feature appears in brochures and advertising materials – its configuration on the Xbox console turned out to be... impossible in practice.

Aside from the previously mentioned drawback related to the VRR mode, in which local dimming does not work, the Panasonic W95B is a true gaming monster. The television offers practically everything gamers can expect – except for four HDMI 2.1 ports, as there are only two available. On board, we find an auto low latency mode (ALLM), properly implemented HDR modes for gamers, including HGiG, as well as support for Dolby Vision in games. This is complemented by an interestingly designed Game Bar, presented in the form of circles. While it may not be the most visually appealing, it serves its purpose – allowing a quick glance at key game parameters and adjusting settings without entering the system menu.