Samsung S90D / S94D 48" (WRGB OLED) vs TCL V6C

In the tested movie scenes, the Samsung S90D delivers impressive brightness levels, exceeding 800 nits in the first four shots—a very strong result. In the final shot, featuring a full-screen burst of sunlight, brightness drops to approximately 400 nits, which is still acceptable. Notably, larger versions of this model exceed 1,000 nits, offering even more impressive performance. Additionally, the colour space coverage of DCI-P3 at 97% ensures rich and realistic colour reproduction, greatly enhancing image quality. For those considering the size of the S90D, it is worth noting that larger variants with QD-OLED panels deliver even better HDR performance, making them an excellent choice for those seeking optimal visual fidelity.

When it comes to HDR, the TCK V6C clearly shows that it is not its strong suit. Peak brightness around 200 nits makes it difficult to talk about true HDR effects – the image simply remains too dark to extract details in bright scenes or convey the appropriate dynamics. Although the TV formally supports many HDR formats, in practice it is not adapted for such demanding content. The lack of additional coatings that enhance colors, such as QLED or PFS LED, further limits the appeal of the image – in more spectacular productions, colors may seem washed out compared to more expensive models. Therefore, the V6C will primarily serve as a television for everyday TV, YouTube, or SDR materials, rather than as equipment for high-quality cinematic experiences.

The Samsung S90D television has been tested in Filmmaker mode, which offers good colour reproduction, although with some imperfections that may be noticeable to more demanding users. This mode may seem too warm, and users who switched from Standard mode may experience a slight shock. It is worth noting that this state of affairs is caused by poor settings, for example, in the white balance, rather than the Filmmaker mode itself. In both SDR and HDR content, the device shows drops in blue colour, causing colours to become warmer than they should be. In practice, this means that some shades, such as sky blue or skin tones, may appear less natural and more tinged with pink or yellow. The Colour Checker test confirms these deviations, showing shifts towards warmer tones. In SDR content, the gamma graph indicates slight fluctuations, causing the image to be minimally darker, especially in shadows. This may affect less distinct details in darker scenes. Meanwhile, in 4K HDR materials, the EOTF curve is above the recommended line, which leads to some parts of the image being displayed too brightly, potentially causing clipping in the brightest areas. Overall, the Samsung S90D presents a solid picture straight out of the box, but for the best results, especially with more demanding content, additional calibration is recommended.

We started the color reproduction tests with the Filmmaker mode, which in theory should be the best choice right after taking the television out of the box. It certainly performs better than the Eco or Dynamic modes, which heavily interfere with the image and spoil its natural character. As you can see in the charts, the factory tuning of the V6C is not ideal, although it’s not a disaster either. The biggest problem turned out to be a lack of red – the television clearly "cools" the image, which is particularly noticeable on human faces, giving a "corpse skin" effect. This issue was the most bothersome in daily viewing. Looking at the color palette in HDR content, the deficiencies in red are also noticeable, and their source is the relatively narrow coverage of the color space. Of course, every television can be calibrated, so we decided to check how the V6C would perform after such an adjustment.

After calibration, the S90D TV delivers an even more impressive performance in movie mode. The white balance for both HD and 4K HDR content is now nearly perfect. While there are still some minor imperfections, they are so subtle that they don't significantly impact the overall image quality. The colours are more balanced, offering a natural depiction of details, especially in scenes that require precise colour accuracy.

It's important to note that the 48-inch model features a WOLED panel, which differs from the larger sizes. This results in a smaller coverage of the wide colour gamut, meaning it doesn't offer the same rich colours as the 65-inch version, which is equipped with a QD-OLED panel.

Contrast has also seen a substantial improvement. The gamma curve after calibration is much closer to the ideal line, achieving a better balance between bright and dark areas of the image. The EOTF curve, which previously showed issues with overly bright scenes, now performs much better, retaining more detail in the bright sections of the image, especially in HDR content.

My dear friends – we haven't had such a difficult "calibration battle" in years. The V6C turned out to be one of the most stubborn TVs we've dealt with in the editorial office. The calibration trials alone took us several working hours and required a lot of patience. We finally managed to slightly warm up the skin tones, which made the faces stop looking like they were straight out of a horror film, a flaw in the factory settings. Unfortunately, that's not the end of it – the TV reacted to our adjustments in white balance in a completely unpredictable way. Where we expected image stabilization in a given area, new errors appeared, and the Color Checker measurements showed deviations that couldn't be rationally explained. It's hard to say whether the software or the construction itself was to blame, but one thing is certain – the V6C offered exceptionally strong resistance. In the end, the calibration brought improvement, especially in SDR content, where the image became more pleasant and natural. However, it must be clearly stated that the design limitations remained. The TV still flattens the image in HDR material and has significant deficiencies in color reproduction. This is equipment rather intended for everyday TV watching or SDR materials than for cinematic screenings in the highest quality.

The S90D TV excels in smoothing tonal transitions, offering natural and seamless colour shifts. Thanks to its advanced technology, it ensures a smoother visual experience overall. The noise reduction feature can further enhance tonal transitions, making it beneficial in certain situations. However, it’s important to note that enabling noise reduction may also smooth out the film grain, which can detract from the cinematic feel. For this reason, it's advisable to use the feature sparingly, preserving the natural grain that adds depth and authenticity to the content.

Samsung continues to impress with its scaling capabilities, with the S90D effectively processing lower-resolution content. The image is sharp and clear, maintaining proper outlines and presenting details accurately. For example, tree branches are rendered well, with no noticeable jagged edges that would compromise image quality. Thanks to the effective scaling, even lower-resolution materials are displayed attractively, making it a great choice for users who enjoy content from diverse sources, such as regular antenna or cable television.

When it comes to upscaling, the V6C does not bring anything groundbreaking. Lower quality content is heavily sharpened, making the image look very unnatural, sometimes even artificially. This can be partially mitigated by lowering the sharpness level in the settings, but the effect is not spectacular. The image still remains far from ideal. The digital processing itself performs better. The function responsible for smoothing tonal transitions works quite effectively, especially at the medium setting, where the image indeed appears smoother. Unfortunately, its operation is quite aggressive – it heavily interferes with the overall scene, causing the actors in the foreground to start looking like characters from super smooth telenovelas. Therefore, we would not recommend using this option if natural reception of the image is important to us.

The S90D TV features a 120 Hz panel, which can be "overclocked" to 144 Hz with the appropriate PC setup, delivering exceptional motion fluidity. Samsung has long offered a range of image clarity settings on a ten-point scale, allowing users to fine-tune the display to their liking. In the UFO test, the OLED panel ensures no ghosting, with pixel response being instantaneous and perfectly capturing dynamic movements. OLED technology, in this regard, is considered one of the best on the market. The image remains incredibly sharp and detailed, even during fast-paced action, making the S90D TV a top choice for gamers and sports fans alike.

Motion smoothing and motion fluidity is an area where the V6C quickly reveals its limitations. It is a 60 Hz TV, so it was hard to expect miracles here. In dynamic sports scenes, the picture comes off rather average. This is most noticeable in darker scenes, where clear smears and blurry "halos" trail behind moving objects, which can be quite distracting. This is definitely a weaker point of this model. Fortunately, there is also a small plus. The V6C is equipped with motion interpolation, which works while watching movies. Thanks to it, productions recorded at 24 frames per second, meaning practically all cinematic titles as well as series, can look smoother than they were actually recorded. Importantly, the intensity of the effect can be adjusted to personal preferences – from slight smoothing to full "soap opera effect."

The S90D TV is perfectly designed with gamers in mind, offering four HDMI 2.1 ports that support features such as Auto Low Latency Mode (ALLM), Variable Refresh Rate (VRR), and HGIG (HDR Gaming Interest Group). These technologies ensure smoother gameplay and faster screen response, enhancing comfort during extended gaming sessions. The Game Bar feature also provides convenient access to settings like aspect ratio, which can be particularly useful for different game types. For PC users, the television offers an impressive refresh rate of 144Hz, with Nvidia and AMD graphics cards supporting G-Sync and FreeSync, further boosting image smoothness. While the lack of Dolby Vision support may be a limitation, it’s worth noting that this technology is less commonly used in gaming compared to movies. Nevertheless, the S90D still provides excellent features for gamers, making it a top choice for those seeking high-quality visuals and advanced gaming technologies.

Although the V6C is not a television designed with avid gamers in mind, TCL has included a few features that may appeal to more casual users. There is no 120 Hz panel or HDMI 2.1 ports, but there is an ALLM mode that automatically switches the TV to low-latency mode. Additionally, there is a quite practical Game Bar – a simple panel that allows you to view basic parameters, change the picture mode, or even enable a virtual crosshair on the screen. An interesting feature is also the support for Dolby Vision Gaming, intended for Xbox Series S/X consoles – a nice addition, though in practice it doesn't offer as much as in more expensive models. However, the biggest problem remains HDR configuration. The HGiG feature, which adjusts the brightness and contrast of games to the panel's capabilities, does not respond as we would expect – the image can end up being overly dark or too flat. As a result, a better solution turns out to be simply playing in SDR mode, where the V6C performs stably and does not try to pretend to be an HDR TV.