Samsung S85D vs TCL C6KS / C69KS / Q6CS

Brightness is an important factor in televisions, and the S85D offers a level similar to older OLED models. While it’s not outstanding in this area, it comes at a very competitive price. With peak brightness at 600 nits, HDR content looks sharp, delivering a hint of cinematic quality at home. Like many budget OLEDs, though, very bright, full-screen scenes—such as the final shot in The Meg—may cause the brightness to drop by nearly half, which is noticeable compared to pricier models. However, with 99% DCI-P3 colour coverage, the S85D delivers vibrant, accurate colours.

And how does the issue of HDR look? Here the C6KS performs quite well and – as is becoming a recurring theme in this review – identically to the C6K model. The maximum brightness generated by this television is around 600 nits. In bright scenes, this translates to a really solid, cinematic effect, and generally, the video materials look good here. However, one must remember the specifics of the dimming algorithm in this model. When very small, bright points (e.g., stars) appear against a dark background, the television can dim them quite significantly. The goal is simple: to eliminate blooming and maintain the best possible black levels. It’s a reasonable compromise. Most viewers will definitely appreciate deep, “true black” more than additional micro-details that could cause grayness on the screen. Such is the nature of local dimming technology in this price range, and one must be aware of it. It’s also worth noting that the TCL C69KS (C6KS) has an additional PFS coating, which is marketed under the tagline of QLED technology. Thanks to this, the colors are saturated and vibrant – our measurements showed that the coverage of a wide color gamut reaches 92% here.

The Filmmaker mode on the Samsung S85D offers the best factory settings, but it is not free from flaws, particularly noticeable in colour reproduction. The white balance chart for HD and HDR content shows clear issues – both red and blue are significantly weakened, leading to a dominance of green. The result is an unnatural yellowish glow that can affect the perception of realistic scenes. The Colour Checker test also highlights issues, with colour samples deviating from expected values – for HD materials, colours tend to be too saturated, with a noticeable shift towards green, as seen in the white balance chart. In contrast, for 4K HDR content, colours appear too dull and lack depth, diminishing the attractiveness and naturalness of the image. This effect is particularly noticeable in delicate scenes where colour precision plays a key role, which can be disappointing for discerning viewers who expect faithful reproduction of details and colour intensity.

When it comes to brightness, the gamma chart for HD content produces positives, but there is a noticeable spike at the end, exceeding a value of 2.4. Although this is not a major problem in most scenes, in more demanding sequences it can affect the clarity of bright details. For 4K content, the problematic aspect is the EOTF curve, responsible for delivering brightness. The initial part of the chart shows a small spike. This phenomenon can result in excessive boosting of brightness in the brightest areas of the image, leading to loss of detail in very bright scenes.

Although the Samsung S85D’s factory settings are reasonable, especially in Filmmaker mode, it is worth considering a manual adjustment of settings to improve some imperfections, particularly in colour reproduction.

Unlike the more expensive C6K model, the tested C6KS does not have an option labeled Filmmaker Mode in the menu. Is this a reason to cry? Absolutely not. Our tests have shown that in practice, in terms of color reproduction, the absence of this specific label makes virtually no difference. The best available Film/Cinema mode here offers nearly identical picture characteristics to the aforementioned Filmmaker mode in the more expensive model. So we get a very similar image, just under a different name. So if you were wondering whether paying extra for the C6K gives you better colors – the answer is: no, in both cases the base is the same and requires slight adjustments.

After calibration, Filmmaker mode on the Samsung S85D truly stands out. White balance adjustments across all content types yield significantly more natural colour reproduction. In the Colour Checker test, colour reproduction errors are minimal and well within acceptable limits, reflecting precise and true-to-life hues. Factory settings fell short in this regard, but now colours appear realistic, as though accurately rendered according to the creators’ intent. This marks a substantial improvement over previous generations, where colours often appeared distorted or overly saturated.

Brightness also benefits from calibration, becoming sharper and more refined. The Gamma, already fairly consistent, is now even more stable, delivering a deeper and more natural image. Adjustments to the EOTF curve enhance detail visibility in darker areas and improve contrast balance. With these refinements, the television provides a nearly reference-quality image, greatly enriching the experience of movies and HDR content.

Thanks to the white balance adjustment, the tendency of the C69KS to distort colors has been effectively reduced, leading to a very good final effect. After calibration, we won't see excessive warmth in SDR scenes or overly cool tones in HDR. However, it's worth noting the brightness characteristic. In SDR content, there are hardly any objections – the image looks very good, especially in older films, television programs, or materials from YouTube. It is much more difficult to evaluate the performance of the television in HDR. Analysis of the EOTF curve suggests correct behavior, but its practical variant shows certain limitations. The C69KS can overly brighten the smallest elements of the frame, while at other times it can dim the entire scene. Calibration has therefore brought clear benefits in terms of color reproduction, but certain limitations arising from the operation of local dimming and the way it is controlled by the C69KS cannot be avoided, as we also saw in the C6K test.

Samsung S85D performs excellently in image scaling and smoothing tonal transitions. Like other Samsung models, the TV offers three noise reduction modes: off, standard, and high. While it improves gradation well, it unfortunately also removes film grain, which many viewers desire to give the image a cinematic character. Grain often adds authenticity and a certain rawness to films, which is lost after smoothing. Removing grain can make the image look too sterile and smoothed out, which takes away some of the charm of the original film material. As for image scaling, the Samsung S85D handles lower resolution content perfectly – the model in the photo and the branches in the background are shown correctly, without significant jagged edge issues. The only noticeable drawback is the presence of overscan, which can sometimes cut off parts of the image, which may not be to everyone's taste.

C69KS handles upscaling quite well. The tested 576p material looks surprisingly decent – a significant amount of detail is preserved, and the algorithm adds a subtle "rounding" effect to sharp edges, making the image appear more cohesive. However, the smoothing of tonal transitions is lacking. The television practically cannot improve them, leaving the image in a somewhat raw state. With older materials, this can be simply exhausting, as the lack of additional processing highlights all imperfections.

As expected from an OLED television, the Samsung S85D offers excellent motion fluidity. Equipped with a 120 Hz panel and a fast response time, the television delivers very smooth playback of dynamic scenes without visible blurring. For movie enthusiasts, there is a feature called "Image Clarity Settings," which allows you to adjust motion fluidity to individual preferences on a 10-point scale. Motion blur reduction increases the sharpness of fast-moving objects, while judder reduction smooths out motion, eliminating the "stuttering" effect. This allows every user to set the appropriate level of clarity that best suits their taste, from a more cinematic effect to clearer, smoother movements.

C69KS offers a simplified motion improvement panel in movies, allowing you to adjust the intensity of the effect using a slider. This makes it easy to match the smoothness to your own preferences. The possibility of using higher refresh rates is also a plus – even though the panel operates natively at 4K at 60 Hz, lowering the resolution to 1440p allows you to enable 120 and 144 Hz modes, both on consoles and PC. This sounds like great news, but in practice, the image at these settings suffers from significant motion blur. The effect is noticeable enough that the overall experience feels simply mediocre and loses its appeal in everyday use.

The Samsung S85D is an excellent choice for gamers due to its many modern features that facilitate and enhance gameplay. The TV has four full-bandwidth HDMI 2.1 ports, allowing you to connect the latest consoles without worrying about image quality or frame rate limitations. This means support for 4K resolution at 120 Hz, which is ideal for modern titles. Additionally, the Samsung S85D has an ALLM (Auto Low Latency Mode) function that automatically switches to low latency mode when it detects a gaming device. This way, you don't have to manually switch settings—the TV takes care of ensuring a quick response time, which is crucial in games where every second counts.

The VRR (Variable Refresh Rate) feature and G-Sync support are further elements that make gameplay smoother. VRR adjusts the refresh rate to match the frame rate generated by the console or PC, eliminating screen tearing and stuttering. This is particularly useful in dynamic games where the frame rate can fluctuate. Auto Motion Plus Game is a feature that Samsung has introduced with gamers in mind, and it's worth appreciating. Thanks to it, the image in games becomes smoother—30 frames per second looks like 45, and 60 Hz gains fluidity, approximating a 90 Hz effect. Meanwhile, there is no significant increase in input lag, which remains below 25 ms, distinguishing this feature from others available on the market. Gamers can enjoy smoother visuals without worrying about a decline in responsiveness.

Samsung has also taken care of something extra—the TV has a built-in Xbox Game Pass app, which means you can play in the cloud without the need for a console. This is a great solution for those who want to enjoy gaming without investing in additional hardware. All you need is internet access, and you have a vast library of games at your fingertips. This makes the Samsung S85D a great choice for both casual gamers and more advanced ones.

If we overlook the smearing and lack of native 4K at 120 Hz, the C69KS impresses with how well it performs during gaming. We get everything you can expect from a gaming television: variable refresh rate (VRR), automatic switching to game mode (ALLM), Dolby Vision Gaming mode, and a reasonably functioning HGiG. The TV can also operate at 120 and even 144 Hz at lower resolutions, allowing for smoother gameplay on console or PC. Additionally, there is a clear Game Bar that lets you quickly glance at key settings during gaming. As a result — despite a few limitations — the C69KS can be a truly successful screen for gamers.