Samsung S85D vs Philips MLED920 / MLED910

Brightness is an important factor in televisions, and the S85D offers a level similar to older OLED models. While it’s not outstanding in this area, it comes at a very competitive price. With peak brightness at 600 nits, HDR content looks sharp, delivering a hint of cinematic quality at home. Like many budget OLEDs, though, very bright, full-screen scenes—such as the final shot in The Meg—may cause the brightness to drop by nearly half, which is noticeable compared to pricier models. However, with 99% DCI-P3 colour coverage, the S85D delivers vibrant, accurate colours.

In our measurements, the Philips MLED920 achieved even around 900 nits in static tests, which is a really solid result for a mid-range TV. In practice, this translates to a lot of satisfaction during viewing sessions – in scenes rich in bright light, such as the first, third, or fifth test screens, the screen was able to generate about 700 nits, which is enough to feel the true "HDR effect." However, it cannot be denied that the limited number of backlighting zones and the compromises of mini-LED dimming algorithms in more demanding scenes reveal their nature. In sequences with small light sources – such as the moon or a scene from the movie Sicario 2 – the television clearly prioritizes maintaining deeper blacks at the expense of the brightness of those small elements. For most viewers, this is still a reasonable compromise, as the dark background tends to look much better, though one must be aware that the details themselves may not impress with intensity. There is also some disappointment regarding colors. Although the applied PFS filter (the equivalent of quantum dots known from QLEDs) does its job and colors appear quite vivid, the coverage of the DCI-P3 color space reaches "only" 90%. In everyday viewing, this will be sufficient, but in extremely colorful productions – such as the latest Disney animations – one can notice that some tones are not as vibrant as they could be in other constructions.

The Filmmaker mode on the Samsung S85D offers the best factory settings, but it is not free from flaws, particularly noticeable in colour reproduction. The white balance chart for HD and HDR content shows clear issues – both red and blue are significantly weakened, leading to a dominance of green. The result is an unnatural yellowish glow that can affect the perception of realistic scenes. The Colour Checker test also highlights issues, with colour samples deviating from expected values – for HD materials, colours tend to be too saturated, with a noticeable shift towards green, as seen in the white balance chart. In contrast, for 4K HDR content, colours appear too dull and lack depth, diminishing the attractiveness and naturalness of the image. This effect is particularly noticeable in delicate scenes where colour precision plays a key role, which can be disappointing for discerning viewers who expect faithful reproduction of details and colour intensity.

When it comes to brightness, the gamma chart for HD content produces positives, but there is a noticeable spike at the end, exceeding a value of 2.4. Although this is not a major problem in most scenes, in more demanding sequences it can affect the clarity of bright details. For 4K content, the problematic aspect is the EOTF curve, responsible for delivering brightness. The initial part of the chart shows a small spike. This phenomenon can result in excessive boosting of brightness in the brightest areas of the image, leading to loss of detail in very bright scenes.

Although the Samsung S85D’s factory settings are reasonable, especially in Filmmaker mode, it is worth considering a manual adjustment of settings to improve some imperfections, particularly in colour reproduction.

Like every Philips television we tested, we primarily evaluated the MLED920 in Filmmaker mode – this is supposed to be the "most honest" mode, designed for films and to faithfully convey the creators' intentions. Indeed, in terms of colorimetry, it performs the best among all the modes available on the television, but it is not without its flaws. The first thing that stands out is the white balance. The image has a slight tendency to take on purple-pink tones, which gives it a somewhat unnatural character. However, an even bigger problem turned out to be what we mentioned earlier – image clipping. Just look at the gamma or EOTF graphs to see that the line deviates significantly beyond the norm, falling below the value of 1.8. In practice, this means "clipping" the brightest whites, where the image becomes almost milky. Fortunately, most of these issues can be corrected – the MLED920 responds to calibration, and with a few adjustments, the image quality can be significantly improved.

After calibration, Filmmaker mode on the Samsung S85D truly stands out. White balance adjustments across all content types yield significantly more natural colour reproduction. In the Colour Checker test, colour reproduction errors are minimal and well within acceptable limits, reflecting precise and true-to-life hues. Factory settings fell short in this regard, but now colours appear realistic, as though accurately rendered according to the creators’ intent. This marks a substantial improvement over previous generations, where colours often appeared distorted or overly saturated.

Brightness also benefits from calibration, becoming sharper and more refined. The Gamma, already fairly consistent, is now even more stable, delivering a deeper and more natural image. Adjustments to the EOTF curve enhance detail visibility in darker areas and improve contrast balance. With these refinements, the television provides a nearly reference-quality image, greatly enriching the experience of movies and HDR content.

After calibration, we managed to largely tame the white balance – to the extent that the average viewer will not be able to detect color inaccuracies. The characteristic pink-purple glow that previously disturbed the naturalness of the picture has also disappeared. The color palette has been organized, and the colors appear more consistent and neutral. The gamma in SDR content after calibration looks really good – there's no sign of the earlier “bleeding” effect in bright scenes. The picture has become more contrasted and devoid of the milkiness that previously spoiled the perception significantly. In the case of HDR content, the improvement is also noticeable, although it is still evident that the television is “doing its own thing.” The EOTF curve cannot be fully shaped, as Philips simply does not provide tools in its settings that allow for precise control over this parameter. In many films, the television simply still showcases the image “in its own way.” Despite these limitations, calibration has brought quite a lot of good – it has managed to minimize most of the color inaccuracies and significantly improve the overall balance of the picture. However, it must be remembered that certain barriers arise from the very hardware construction and they simply cannot be overcome.

Samsung S85D performs excellently in image scaling and smoothing tonal transitions. Like other Samsung models, the TV offers three noise reduction modes: off, standard, and high. While it improves gradation well, it unfortunately also removes film grain, which many viewers desire to give the image a cinematic character. Grain often adds authenticity and a certain rawness to films, which is lost after smoothing. Removing grain can make the image look too sterile and smoothed out, which takes away some of the charm of the original film material. As for image scaling, the Samsung S85D handles lower resolution content perfectly – the model in the photo and the branches in the background are shown correctly, without significant jagged edge issues. The only noticeable drawback is the presence of overscan, which can sometimes cut off parts of the image, which may not be to everyone's taste.

The manufacturer equipped this model with several features that improve signal quality, and although we usually approach such "enhancers" with skepticism, they turn out to be really helpful here. The key option is called "distortion reduction" – it works best at a medium level because, on one hand, it effectively smooths out unwanted banding and color transitions, while on the other, it doesn't excessively cut details, which keeps the image looking natural.

The situation is a bit worse with upscaling. Lower quality materials – such as test videos with models – appeared soft and lacking in sharpness. Yes, this can be somewhat corrected with the sharpness slider in the menu, but the effect still remains far from what competitors in a similar price range offer. Philips therefore still needs to work on this aspect because, in light of the successful improvement of tonal transitions, the upscaling simply performs poorly.

As expected from an OLED television, the Samsung S85D offers excellent motion fluidity. Equipped with a 120 Hz panel and a fast response time, the television delivers very smooth playback of dynamic scenes without visible blurring. For movie enthusiasts, there is a feature called "Image Clarity Settings," which allows you to adjust motion fluidity to individual preferences on a 10-point scale. Motion blur reduction increases the sharpness of fast-moving objects, while judder reduction smooths out motion, eliminating the "stuttering" effect. This allows every user to set the appropriate level of clarity that best suits their taste, from a more cinematic effect to clearer, smoother movements.

The Philips MLED920 features a 144 Hz panel, which immediately suggests that we shouldn’t complain about motion smoothness. And indeed – the motion blur is relatively low here for a VA panel, and although one might occasionally notice slight issues on darker backgrounds, they are not something that most people would notice during regular viewing.

A major plus is the presence of a motion smoother called "Motion Style." It allows you to adjust the smoothness to your own preferences – if someone prefers a more “theatrical,” almost television-like image, they can increase the sliders, and if they want to preserve the natural “jitter” of a cinematic frame, they just need to set lower values. This way, everyone can find the perfect balance.

The Samsung S85D is an excellent choice for gamers due to its many modern features that facilitate and enhance gameplay. The TV has four full-bandwidth HDMI 2.1 ports, allowing you to connect the latest consoles without worrying about image quality or frame rate limitations. This means support for 4K resolution at 120 Hz, which is ideal for modern titles. Additionally, the Samsung S85D has an ALLM (Auto Low Latency Mode) function that automatically switches to low latency mode when it detects a gaming device. This way, you don't have to manually switch settings—the TV takes care of ensuring a quick response time, which is crucial in games where every second counts.

The VRR (Variable Refresh Rate) feature and G-Sync support are further elements that make gameplay smoother. VRR adjusts the refresh rate to match the frame rate generated by the console or PC, eliminating screen tearing and stuttering. This is particularly useful in dynamic games where the frame rate can fluctuate. Auto Motion Plus Game is a feature that Samsung has introduced with gamers in mind, and it's worth appreciating. Thanks to it, the image in games becomes smoother—30 frames per second looks like 45, and 60 Hz gains fluidity, approximating a 90 Hz effect. Meanwhile, there is no significant increase in input lag, which remains below 25 ms, distinguishing this feature from others available on the market. Gamers can enjoy smoother visuals without worrying about a decline in responsiveness.

Samsung has also taken care of something extra—the TV has a built-in Xbox Game Pass app, which means you can play in the cloud without the need for a console. This is a great solution for those who want to enjoy gaming without investing in additional hardware. All you need is internet access, and you have a vast library of games at your fingertips. This makes the Samsung S85D a great choice for both casual gamers and more advanced ones.

For gamers, the Philips MLED920 is truly a complete tool. The manufacturer has taken care of everything that today is considered standard in televisions designed for consoles and PCs. It features ALLM, so the console automatically switches the screen to game mode, it has VRR and 144 Hz refresh rate, which guarantees smooth gameplay even in fast titles. All key HDR formats are supported – including HGiG and Dolby Vision Gaming for Xbox – which means that regardless of what you are playing and on which console, the TV will be able to extract maximum potential from the image. In everyday gaming, the Game Bar also proves to be useful – a relatively simple implementation by Philips, but a functional panel where you can quickly check image parameters, turn on VRR, or adjust details without leaving the game. It may not be as advanced as the competition's offerings, but it performs its job flawlessly. And lastly, something that distinguishes Philips from its competitors – Ambilight. The three-sided LED backlighting can make a huge impression in games, especially in the evening. It also provides a way to slightly "expand" the screen and feel greater immersion. And since colorful LEDs have recently become almost a mandatory element of a gamer’s room, the MLED920 fits into this trend perfectly.