Samsung QN900F vs Philips PQS9011 / PQS9001 (The One 2026)

QN900F is really a bright TV – it can generate nearly 2000 nits, which is a value that remains unattainable for most models available on the market. But the mere ability to achieve such brightness is not everything – it also matters whether the TV can use it well. And this is not always perfect. Our tests on movie scenes showed that in scenes such as those from Life of Pi or The Meg, the QN900F can truly shine – literally and figuratively. In such moments, its greatest advantage, which is brightness, makes a huge impression. However, in more challenging scenes, the issues begin – similar to assessing contrast. When smaller, bright elements appear on the screen, the TV often struggles with the decision: whether to highlight them at the expense of black levels, or perhaps maintain deep black but tone down the brightness. The result of this is situations where, for example, in the movie Sicario 2, the brightness dropped to just 200 nits, making details barely visible. The dimming algorithms could definitely be better for a TV of this class.

Philips PQS9000 is a moderately bright TV; in our HDR scenes it reached roughly 450 to just over 500 nits. That's enough to notice a difference versus SDR. Sun reflections, lamps, and highlights have a bit more sparkle than on basic TVs, whose brightness often tops out around 300 nits. However, it’s not at a level where bright elements make a particularly strong impression. The biggest limitation remains contrast. Without local dimming, the TV raises the black level around a bright object when it brightens that object. That means there’s no clear separation between strong highlights and a dark background, and that contrast is what really shows off HDR. The PQS9000 offers more than the cheapest models, but despite decent brightness the effect stays fairly basic.

Colors

Philips deserves praise for the colors. Although the manufacturer labels this model QLED, a PFS phosphor is used here instead of quantum dots. That solution does not prevent good results, however. On test patterns and in measurements of film scenes we recorded about 94% DCI-P3 coverage and 75% BT.2020. For this class of TV that’s really good. In practice, it means the vast majority of colors used in HDR movies and series will have proper saturation. Lush greens and intense reds are not a major problem and add appeal to the picture. Limitations are easier to spot in some games and rarer content that uses the most saturated shades of the wide BT.2020 gamut. In those situations, displays with wider color coverage, such as SQD or RGB LED, can show more. In its price segment the PQS9000 has nothing to be ashamed of.

Testing the QN900F in Filmmaker mode, one quickly noticed the characteristic features of the image despite the fact that this mode is designed to reflect the director's vision. The white balance was not perfect – the television had noticeable deficiencies in blue color. This made the entire scene take on a warmer tone, as if someone had applied a subtle filter in shades of yellow and orange. In movies where bright shots dominate – for example, scenes in the snow or in strong daylight – this created a slight warming effect, which does not always convey the director's intent. The second noticeable element was brightness management. The QN900F sometimes managed to brighten the image more than necessary. It looked as if the exposure had been slightly "pulled up," causing the scene to lose its naturalness. Shadows were sometimes too shallow, and contrast was slightly weakened. These are not disqualifying errors, but for a television in this price range, it is evident that Filmmaker mode has not been perfected one hundred percent. This is particularly evident when comparing its image to what was visible after screen calibration.

Unfortunately, the PQS9000’s factory picture settings for Film mode need some fine-tuning. In SDR the biggest issue is an excess of red in the white balance, which makes whites, grays, and skin tones too warm, sometimes even slightly pink. On top of that, the gamma runs below the target across most of its range. The TV therefore brightens midtones and highlights, making the overall image look flatter than it should.

In HDR the white balance itself is much better. Aside from minor deviations, the components stay close to each other, so there isn’t the pronounced tint seen in SDR. However, the EOTF curve shows a slight brightening of parts of the image, and the biggest issue appears in measurements of the wide color gamut. Many hues deviate significantly from the reference, with errors reaching 8–9. So the good gamut coverage we praised earlier doesn’t mean the TV hits specific colors accurately. It can display a wide color range, but out of the box it doesn’t use it very precisely.

After calibration, we were able to eliminate the errors in white balance and adjust them to a level that can be considered acceptable. It's not perfect, but definitely better than the factory settings. Most color errors are now within the deltaE 2–3 range, so in practice they shouldn't be noticeable during everyday viewing. The biggest improvement is seen in how the television manages brightness in SDR content. Shadows and details are no longer flattened, giving the image depth and naturalness. When it comes to 4K HDR materials, colors themselves are no longer an issue, but some imperfections of the Mini-LED technology can still be observed. The QN900F tends to dim the smallest bright elements too much, causing them to sometimes disappear from view. However, it should be added that this is a much better solution than boosting the entire screen, which would spoil the contrast. It's more of a characteristic of this technology than a typical flaw, but it's worth keeping in mind. The effects of calibration are really very good.

Calibration brought a big improvement, especially in SDR material. We managed to even out the white balance and remove the previous color cast, and the Color Checker measurements now look really very good. Colors are much closer to what should be on the screen, so with regular TV or SDR movies we can be satisfied with the result. Unfortunately HDR somewhat spoils that outcome. On one hand it's limited by the panel's capabilities, since calibration won't improve contrast or replace local dimming. On the other hand there are color errors we couldn't correct because the CMS settings, that is color management, were grayed out and inactive. For that Philips loses points with us. White balance can be fine-tuned, but without access to wide color gamut controls you can't correct colors in HDR as effectively. It's a shame, because the SDR results show the potential is there, it's just not allowed to be fully used everywhere.

If we would like to eliminate non-fluid tonal transitions that can be annoying, for example while watching YouTube, we can use a feature called noise reduction. It works really effectively – it removes the issues with color blending when we set it to Standard level. However, as with most Samsung televisions, this comes with compromises. Although we did not notice that this feature significantly affects the structure of objects in the image, it unfortunately reacts rather aggressively to film grain. Most people will appreciate this effect – the noise is simply removed – but if someone is looking for an image as close as possible to reference settings, then we definitely recommend turning off this option.

As for scaling, which means handling very low-quality content, the QN900F performs really well. On the test screen with the model, the image looked clear, with only slight aliasing that should not bother most viewers. However, it is worth mentioning one issue – the television has problems with so-called overscan, which can cause older content to be slightly cropped. This can manifest itself, for example, with subtitles disappearing from the bottom of the screen.

The digital image processing in the Philips PQS9000 performs well, though we have a few reservations. The "Distortion Reduction" function helps smooth tonal transitions in lower-quality material, but it works quite unevenly. It can improve a section of the picture, only to, moments later and still within the same scene, seem to lose effectiveness and reintroduce banding between shades. A plus is that it doesn't remove film grain or fine noise, so the image retains its texture. We found the "Medium" setting worked best, and that's the one we recommend. The 4K upscaling itself is acceptable, though the picture is very soft. Edges are heavily smoothed, which may make the image feel less crisp to some viewers. In that case, it's worth slightly increasing the sharpness in the TV's menu, as this will make edges stand out more. Don't overdo the sharpness slider, however, or you may introduce artificial halos instead of improving the picture.

There really isn't anything to complain about here – the QN900F looks very good when it comes to motion. Thanks to the 165 Hz panel in 4K, one can confidently say that this TV is suitable for both watching sports and gaming. The motion smoothness feature plays a key role here. It works remarkably well – not only during sports broadcasts, where it can eliminate blurring and image jitter, but also in games, where the animation becomes clearer and smoother. And of course, if someone likes to experiment with movies – they also have that option. At lower settings, there's a slight graininess and filmic character, while at higher settings, it reaches soap opera effect territory. So everyone can adjust the picture to their preferences, and the TV has the power to handle it.

In terms of motion handling, the Philips PQS9000 performs outstandingly for an LCD TV. It's not just the 144 Hz refresh rate, but above all how quickly the panel itself responds. At 120 Hz you can hardly see the typical trailing smears behind moving objects. What's especially pleasing is that this also applies to darker backgrounds, where many VA panels clearly struggle. Here motion remains clear, and Philips pleasantly surprised us in that regard. To adjust how motion is displayed there is the "Motion Style" function. It includes two sliders: "Smoothness" and "Blur Reduction," which let you tailor the effect to the content you're watching and your personal preferences. Our suggested settings are shown in the photo. Treat them as a starting point and try different levels of smoothing to see which you prefer.

[UPDATE] We have updated our 2025 Samsung TV reviews following the release of firmware version 1131, which officially restores the essential HGiG (HDR Gaming Interest Group) support.

It is really nice here. The QN900F offers a full set of features that we would expect from a top-tier gaming television – we have VRR, ALLM, Game Bar, and also cloud gaming applications. However, the biggest highlight is the proprietary motion smoothing, which also works in games and – importantly – does not add noticeable delays. This is something we won't find in its other competitors. Unfortunately, there is also something concerning. This year, Samsung has apparently messed something up with its televisions. During the test of the QN900F before its update, it had the HGIG feature, which allowed for perfect adjustment of HDR settings for the console. However, according to our procedures, we always update the equipment to the latest version – to give the manufacturer a chance to fix any shortcomings. And here… it turned out the opposite. After the update, the HGIG feature disappeared from the menu, making the proper configuration of the console for HDR practically impossible. It was supposed to be complete – 165Hz, four HDMI 2.1 ports, a full gaming package… but unfortunately, it turned out to be a little blunder. Such a shame.

Gaming features

When it comes to gaming features, the Philips PQS9000 really has a lot to offer. Four HDMI 2.1 ports let you connect multiple devices without having to decide which one gets the full-capability port. Consoles can use 120 Hz in Full HD, 1440p and 4K, and a PC can also take advantage of 144 Hz at 4K or 240 Hz if you drop down to Full HD. There's also VRR, which matches the refresh rate to the frame rate and prevents screen tearing. Its range goes from 48–240 Hz, with the upper limit applying to Full HD mode.

ALLM is included, so the TV automatically switches into game mode, and HGiG works correctly, which is useful when setting up HDR on a console. There's also a Game Bar for quick access to settings and signal information. The list even includes Dolby Vision gaming, but that option is hard to enjoy because of very high latency. Apart from that caveat, the feature set is really solid.