Samsung QN900D Neo QLED 8K vs TCL C6KS / C69KS / Q6CS

Under synthetic testing conditions, the television showcased its impressive light output, achieving 1400 nits, which is undeniably remarkable. This capability was also evident in the opening scene of Life of Pi, featuring a vibrant sunrise. However, due to certain dimming algorithm issues, some drawbacks are noticeable. For instance, in test scenes from Sicario 2 and the second scene of Life of Pi, the brightness levels dropped to an average of 500-600 nits. While this performance isn't poor by Mini LED standards, expectations were higher given the premium price of the TV. Nonetheless, the set should be commended for covering a wide colour gamut of DCI-P3 at around 96%. Although some technologies offer higher coverage, this is still a commendable result.

And how does the issue of HDR look? Here the C6KS performs quite well and – as is becoming a recurring theme in this review – identically to the C6K model. The maximum brightness generated by this television is around 600 nits. In bright scenes, this translates to a really solid, cinematic effect, and generally, the video materials look good here. However, one must remember the specifics of the dimming algorithm in this model. When very small, bright points (e.g., stars) appear against a dark background, the television can dim them quite significantly. The goal is simple: to eliminate blooming and maintain the best possible black levels. It’s a reasonable compromise. Most viewers will definitely appreciate deep, “true black” more than additional micro-details that could cause grayness on the screen. Such is the nature of local dimming technology in this price range, and one must be aware of it. It’s also worth noting that the TCL C69KS (C6KS) has an additional PFS coating, which is marketed under the tagline of QLED technology. Thanks to this, the colors are saturated and vibrant – our measurements showed that the coverage of a wide color gamut reaches 92% here.

The television includes a Filmmaker mode, intended to present films in the most authentic way possible, but it does come with some issues. For HD content, the white balance shows a dominance of red and blue, giving the image a pinkish hue. Conversely, for 4K HDR content, the levels of blue and red drop, resulting in a warming effect that shifts colours towards yellow tones. Colour Checker tests confirm this tendency, with colour samples visibly drifting in this direction.

In terms of brightness and contrast, the gamma is notably disrupted. The main issue is a marked spike at the start of the graph, indicating that dark details are excessively brightened, which reduces depth in the darkest parts of the image due to zone dimming. For 4K HDR content, the EOTF curve performs reasonably well but falls below the reference level, affecting the overall image dynamics.

Unlike the more expensive C6K model, the tested C6KS does not have an option labeled Filmmaker Mode in the menu. Is this a reason to cry? Absolutely not. Our tests have shown that in practice, in terms of color reproduction, the absence of this specific label makes virtually no difference. The best available Film/Cinema mode here offers nearly identical picture characteristics to the aforementioned Filmmaker mode in the more expensive model. So we get a very similar image, just under a different name. So if you were wondering whether paying extra for the C6K gives you better colors – the answer is: no, in both cases the base is the same and requires slight adjustments.

After calibration, the Filmmaker mode truly lives up to its name. The white balance for both HD and 4K HDR content has been significantly improved, resulting in more natural and consistent colours. The pink hues in HD content and the yellow tint in 4K HDR have been effectively eliminated, enhancing the realism of the image. As a result, the television now offers much better colour reproduction, positively impacting the overall viewing experience.

However, when it comes to brightness, the gamma curve now reveals a noticeable drop at the beginning, making the darkest details more difficult to discern. The EOTF curve for 4K HDR content remains largely unchanged and still falls short of the reference level, meaning the television continues to struggle with maintaining appropriate brightness. This issue is tied to the aggressive dimming algorithm, which affects overall brightness and black levels.

Despite the limitations associated with local dimming, the television has seen an improvement in colour reproduction quality. The Color Checker test results confirm that the colour samples are now much closer to the standards, resulting in a more natural and visually pleasing image.

Thanks to the white balance adjustment, the tendency of the C69KS to distort colors has been effectively reduced, leading to a very good final effect. After calibration, we won't see excessive warmth in SDR scenes or overly cool tones in HDR. However, it's worth noting the brightness characteristic. In SDR content, there are hardly any objections – the image looks very good, especially in older films, television programs, or materials from YouTube. It is much more difficult to evaluate the performance of the television in HDR. Analysis of the EOTF curve suggests correct behavior, but its practical variant shows certain limitations. The C69KS can overly brighten the smallest elements of the frame, while at other times it can dim the entire scene. Calibration has therefore brought clear benefits in terms of color reproduction, but certain limitations arising from the operation of local dimming and the way it is controlled by the C69KS cannot be avoided, as we also saw in the C6K test.

The smoothness of tonal transitions in lower-quality materials looks great – the Noise Reduction function effectively smooths tonal transitions while eliminating film grain. Although removing grain is not always desired, the final effect looks very aesthetic, especially for those who prefer a cleaner image.

As for upscaling, the Samsung QN900D demonstrates the enormous capabilities of the new AI technology processor. Photos and materials in lower resolution are upscaled while retaining many details – for example, a photo with a model looks great, devoid of unnecessary jagged edges, and the branches in the background are not overly aliased.

C69KS handles upscaling quite well. The tested 576p material looks surprisingly decent – a significant amount of detail is preserved, and the algorithm adds a subtle "rounding" effect to sharp edges, making the image appear more cohesive. However, the smoothing of tonal transitions is lacking. The television practically cannot improve them, leaving the image in a somewhat raw state. With older materials, this can be simply exhausting, as the lack of additional processing highlights all imperfections.

The Samsung QN900D is currently the fastest television in the world – quite literally. With an impressive refresh rate of 240 Hz at 4K resolution, it offers a remarkable performance that PC gamers will undoubtedly appreciate. Movie enthusiasts will also find much to admire, as Samsung provides a 10-level scale in the picture clarity settings, allowing for extensive image customisation. Users can choose whether they want the television to deliver a smoother, more fluid effect at the highest settings, or a more cinematic experience with visible frames at the lowest settings.

C69KS offers a simplified motion improvement panel in movies, allowing you to adjust the intensity of the effect using a slider. This makes it easy to match the smoothness to your own preferences. The possibility of using higher refresh rates is also a plus – even though the panel operates natively at 4K at 60 Hz, lowering the resolution to 1440p allows you to enable 120 and 144 Hz modes, both on consoles and PC. This sounds like great news, but in practice, the image at these settings suffers from significant motion blur. The effect is noticeable enough that the overall experience feels simply mediocre and loses its appeal in everyday use.

The Samsung QN900D is excellent for console gaming, packed with features gamers will truly appreciate. It comes with 4 HDMI 2.1 ports, but they do not support the full 48 Gb/s bandwidth. However, for most users, this bandwidth is more than adequate. The TV also supports Auto Low Latency Mode (ALLM) and Variable Refresh Rate (VRR), which ensures smoother gameplay and eliminates screen tearing during fast-paced action. Features like G-Sync and FreeSync are also supported, enhancing compatibility with both consoles and PCs equipped with compatible graphics cards, helping to reduce stuttering and provide a smooth image.

A standout feature exclusive to Samsung is the Xbox Game Pass app, allowing users to stream games directly to the TV without needing an Xbox console. This is a very convenient option for gamers who want to enjoy their favourite games without purchasing additional hardware. The Samsung QN900D also features a Game Bar, which provides quick access to gaming-related settings, making it easy to configure the TV for optimal performance.

The Auto Motion Plus Game function offers a special motion smoothing mode that increases the frame rate (up to 4K@60Hz). Importantly, this does not raise input lag significantly, so players can enjoy smoother visuals without sacrificing responsiveness. With all these features, the Samsung QN900D is a top-tier choice for gamers seeking a television with the best possible specifications.

If we overlook the smearing and lack of native 4K at 120 Hz, the C69KS impresses with how well it performs during gaming. We get everything you can expect from a gaming television: variable refresh rate (VRR), automatic switching to game mode (ALLM), Dolby Vision Gaming mode, and a reasonably functioning HGiG. The TV can also operate at 120 and even 144 Hz at lower resolutions, allowing for smoother gameplay on console or PC. Additionally, there is a clear Game Bar that lets you quickly glance at key settings during gaming. As a result — despite a few limitations — the C69KS can be a truly successful screen for gamers.