Samsung QN900D Neo QLED 8K vs Samsung The Frame 2026 (LS03H)

Under synthetic testing conditions, the television showcased its impressive light output, achieving 1400 nits, which is undeniably remarkable. This capability was also evident in the opening scene of Life of Pi, featuring a vibrant sunrise. However, due to certain dimming algorithm issues, some drawbacks are noticeable. For instance, in test scenes from Sicario 2 and the second scene of Life of Pi, the brightness levels dropped to an average of 500-600 nits. While this performance isn't poor by Mini LED standards, expectations were higher given the premium price of the TV. Nonetheless, the set should be commended for covering a wide colour gamut of DCI-P3 at around 96%. Although some technologies offer higher coverage, this is still a commendable result.

The Frame 2026 is genuinely a bright TV. Its peak brightness reaches about 650 nits and, importantly, similar values are maintained regardless of the type of scene being displayed. So it doesn’t matter much whether we’re watching a very bright full-screen shot or just a small bright element occupying part of the screen. The backlight always has a lot of power, so bright portions of the image are strongly illuminated. That gives The Frame a solid foundation for HDR. Bright highlights can stand out, and the picture doesn’t look flat or too dark. Unfortunately, this is not a solution without compromises. Because it lacks local dimming, the TV cannot darken the blacks next to very bright elements.

This is clearly visible, among other things, in scenes 2 and 4 from our test procedure. Bright areas look intense, but at the same time the blacks around them become noticeably lifted. The picture loses depth as a result, especially when watching in the evening. For that reason The Frame performs best with HDR in bright and moderately bright scenes. There the high backlight brightness works in its favor. In darker shots the situation is the opposite.

Colors

The Frame also performs well in terms of color. It’s a QLED TV, so it can display a wide color gamut and show richly saturated colors. DCI-P3 coverage is around 94%, and BT.2020 about 72%. Those are good numbers and you can see them while watching. Colors are vivid and do not look washed out. It looks best in bright, colorful scenes. Animations or cartoons with lots of saturated hues can look really good on The Frame. In such material the TV shows one of its stronger points.

The television includes a Filmmaker mode, intended to present films in the most authentic way possible, but it does come with some issues. For HD content, the white balance shows a dominance of red and blue, giving the image a pinkish hue. Conversely, for 4K HDR content, the levels of blue and red drop, resulting in a warming effect that shifts colours towards yellow tones. Colour Checker tests confirm this tendency, with colour samples visibly drifting in this direction.

In terms of brightness and contrast, the gamma is notably disrupted. The main issue is a marked spike at the start of the graph, indicating that dark details are excessively brightened, which reduces depth in the darkest parts of the image due to zone dimming. For 4K HDR content, the EOTF curve performs reasonably well but falls below the reference level, affecting the overall image dynamics.

To evaluate the out-of-the-box colors we chose Filmmaker Mode. If you’re encountering it for the first time, it’s a mode designed to present a movie or series as faithfully as possible. The TV then turns off most additional picture enhancers, and the colors and luminance characteristics are meant to be as close as possible to what the content creators intended. I have to admit that the The Frame 2026 already performs quite well in this regard straight out of the box. The biggest deviation is visible in the white balance. As brightness increases, blue starts to drop off and green increases slightly. As a result the image shifts toward warmer tones. White is therefore not perfectly neutral, and in some scenes you can notice a slightly warmer overall cast.

The luminance response — gamma or EOTF — looks good. Across most of the range they stay fairly close to the target, though in the darkest parts of the image there is a larger deviation. In practice, some details emerging from black may therefore appear a bit more pronounced. That said, it’s not a flaw that jumps out during normal viewing. Overall, Filmmaker Mode is a good starting point here. However, the factory image is a bit too warm and not all hues land exactly where they should.

After calibration, the Filmmaker mode truly lives up to its name. The white balance for both HD and 4K HDR content has been significantly improved, resulting in more natural and consistent colours. The pink hues in HD content and the yellow tint in 4K HDR have been effectively eliminated, enhancing the realism of the image. As a result, the television now offers much better colour reproduction, positively impacting the overall viewing experience.

However, when it comes to brightness, the gamma curve now reveals a noticeable drop at the beginning, making the darkest details more difficult to discern. The EOTF curve for 4K HDR content remains largely unchanged and still falls short of the reference level, meaning the television continues to struggle with maintaining appropriate brightness. This issue is tied to the aggressive dimming algorithm, which affects overall brightness and black levels.

Despite the limitations associated with local dimming, the television has seen an improvement in colour reproduction quality. The Color Checker test results confirm that the colour samples are now much closer to the standards, resulting in a more natural and visually pleasing image.

After calibration we mainly managed to remove that warmer cast and better even out the white balance. We also smoothed the brightness response a bit, which made the image more neutral and predictable. However, there are things calibration won't fix. It's mainly the behavior of the blacks, which stems from the backlight design itself and the lack of local dimming. In some scenes blacks will therefore still be slightly lifted, and you'll just have to accept that. That's more a characteristic of this model than something that can be fixed with settings. HDR is also somewhat limited. Samsung doesn't give full freedom to work across the widest color gamut, so not all colors can be reproduced perfectly. In normal viewing you probably won't notice it, but it's worth being aware of.

The smoothness of tonal transitions in lower-quality materials looks great – the Noise Reduction function effectively smooths tonal transitions while eliminating film grain. Although removing grain is not always desired, the final effect looks very aesthetic, especially for those who prefer a cleaner image.

As for upscaling, the Samsung QN900D demonstrates the enormous capabilities of the new AI technology processor. Photos and materials in lower resolution are upscaled while retaining many details – for example, a photo with a model looks great, devoid of unnecessary jagged edges, and the branches in the background are not overly aliased.

As with many of Samsung’s newer TVs, this one also uses the NQ4 AI processor, only the older, second-generation version. And you have to admit it handles digital image processing quite well. Lower-resolution material is sharpened effectively, and after upscaling to 4K it still looks natural. The TV can also somewhat "tidy up" weaker sources, like older recordings or lower-quality broadcasts. That doesn't, of course, mean it will suddenly turn poor footage into 4K, but at closer viewing distances the difference compared with simpler models with weaker processors is easy to spot. Edges are clearer, and fine details don't get lost as much to signal compression.

Samsung also offers a few additional image-enhancing features, but as usual it's best to use them sparingly. At stronger settings, noise reduction can very effectively reduce posterization, but it also noticeably interferes with the image. The picture then simply starts to look very artificial, for example by heavily smoothing characters' faces. So it makes the most sense with really poor sources when various types of noise are seriously distracting.

The Samsung QN900D is currently the fastest television in the world – quite literally. With an impressive refresh rate of 240 Hz at 4K resolution, it offers a remarkable performance that PC gamers will undoubtedly appreciate. Movie enthusiasts will also find much to admire, as Samsung provides a 10-level scale in the picture clarity settings, allowing for extensive image customisation. Users can choose whether they want the television to deliver a smoother, more fluid effect at the highest settings, or a more cinematic experience with visible frames at the lowest settings.

Samsung again used a panel with a maximum refresh rate of 144 Hz here. Refresh rates up to 120Hz primarily offer more headroom for material with a lot of motion. The TV can use additional motion interpolation systems that can improve smoothness in sports and other fast-moving content. However, a high refresh rate alone does not solve everything. The Frame still uses a VA panel, which has a relatively slow response time, and consequently fairly pronounced motion blur. With fast-moving objects, especially on a dark background, motion trails are easy to notice. There's also a slight doubling of edges, which can be visible even with the additional motion processing systems turned off. We already saw similar behavior in last year’s The Frame 2025, and it’s a pity Samsung hasn’t fixed that element. The 144 Hz itself provides a good foundation, but the panel’s response time still limits this TV.

The Samsung QN900D is excellent for console gaming, packed with features gamers will truly appreciate. It comes with 4 HDMI 2.1 ports, but they do not support the full 48 Gb/s bandwidth. However, for most users, this bandwidth is more than adequate. The TV also supports Auto Low Latency Mode (ALLM) and Variable Refresh Rate (VRR), which ensures smoother gameplay and eliminates screen tearing during fast-paced action. Features like G-Sync and FreeSync are also supported, enhancing compatibility with both consoles and PCs equipped with compatible graphics cards, helping to reduce stuttering and provide a smooth image.

A standout feature exclusive to Samsung is the Xbox Game Pass app, allowing users to stream games directly to the TV without needing an Xbox console. This is a very convenient option for gamers who want to enjoy their favourite games without purchasing additional hardware. The Samsung QN900D also features a Game Bar, which provides quick access to gaming-related settings, making it easy to configure the TV for optimal performance.

The Auto Motion Plus Game function offers a special motion smoothing mode that increases the frame rate (up to 4K@60Hz). Importantly, this does not raise input lag significantly, so players can enjoy smoother visuals without sacrificing responsiveness. With all these features, the Samsung QN900D is a top-tier choice for gamers seeking a television with the best possible specifications.

In terms of gaming features, The Frame is practically on par with Samsung's top TVs. When you connect a console the TV automatically switches to game mode thanks to ALLM, so you don't have to change settings manually each time. There's also VRR, which matches the display's refresh rate to the frames being produced by the console or PC. During drops in smoothness this helps avoid the characteristic screen tearing. The Frame of course supports 4K at 120 Hz, so you can take advantage of the PlayStation 5 or Xbox Series X in games that offer higher frame rates. HGiG also works correctly. With HDR set up properly on the console the TV doesn't try to brighten the image on its own, so bright effects in games are shown as they should be. Samsung also includes a Game Bar. It's a handy menu you can bring up without leaving the game. There you can check things like VRR and the current frame rate, and quickly change the most important gaming settings. For PC use the options are even greater, since the mentioned Full HD mode allows raising the refresh rate up to 240 Hz. There is really only one feature missing that Samsung has already spoiled us with, and that's Dolby Vision Gaming. Xbox owners will notice this the most, because that console can use Dolby Vision in games. There's one more thing worth mentioning that applies specifically to this model. Its One Connect module has only one HDMI 2.1 port, so that's the only port you can use for a console or PC if you want 4K 120 Hz. Fortunately Samsung didn't tie that port to eARC. You can therefore connect a soundbar separately (3) and still have a full HDMI 2.1 port available for the console.