Samsung QN900D Neo QLED 8K vs Samsung The Frame 2025 (LS03F)

Under synthetic testing conditions, the television showcased its impressive light output, achieving 1400 nits, which is undeniably remarkable. This capability was also evident in the opening scene of Life of Pi, featuring a vibrant sunrise. However, due to certain dimming algorithm issues, some drawbacks are noticeable. For instance, in test scenes from Sicario 2 and the second scene of Life of Pi, the brightness levels dropped to an average of 500-600 nits. While this performance isn't poor by Mini LED standards, expectations were higher given the premium price of the TV. Nonetheless, the set should be commended for covering a wide colour gamut of DCI-P3 at around 96%. Although some technologies offer higher coverage, this is still a commendable result.

The Frame LS03F is a television that can surprise with its brightness. The maximum luminance reaches around 650 nits, which already looks solid on paper. But as we know, lab tests are one thing, and real movie scenes tell a completely different story. When watching HDR content in natural conditions, The Frame 2025 maintains very good results. In most film scenes, peak brightness remained at levels of 550–650 nits. This is enough to feel the difference between standard image quality and that of HDR – bright highlights, reflections on water, and moonlight appear clear and impressive.

It’s also worth noting that the LS03F is a QLED television, which translates to solid color saturation. The coverage of the DCI-P3 color space reaches about 92%, allowing for vibrant, intense colors in HDR content. It may not be at the level of top premium models, but for a lifestyle screen, the result truly deserves recognition.

The television includes a Filmmaker mode, intended to present films in the most authentic way possible, but it does come with some issues. For HD content, the white balance shows a dominance of red and blue, giving the image a pinkish hue. Conversely, for 4K HDR content, the levels of blue and red drop, resulting in a warming effect that shifts colours towards yellow tones. Colour Checker tests confirm this tendency, with colour samples visibly drifting in this direction.

In terms of brightness and contrast, the gamma is notably disrupted. The main issue is a marked spike at the start of the graph, indicating that dark details are excessively brightened, which reduces depth in the darkest parts of the image due to zone dimming. For 4K HDR content, the EOTF curve performs reasonably well but falls below the reference level, affecting the overall image dynamics.

When it comes to image quality right out of the box, even in Filmmaker mode, which is supposed to be the closest to reference, there were issues. In both HD and 4K HDR content, we noticed noticeable deviations in white balance. The image was heavily skewed towards red and blue, giving the screen a characteristic rosy tint. This effect was most visible in bright scenes – for example, in shots with a lot of white, where neutral light should naturally dominate. In such moments, the screen clearly leaned towards pink tones, which can also be seen in the attached comparison photo. As for brightness characteristics – it wasn't as bad as one might expect given such color inaccuracies. Analysis of the gamma curve and EOTF showed a slight brightening of the image compared to the reference, but not enough to drastically affect the perception of the material.

After calibration, the Filmmaker mode truly lives up to its name. The white balance for both HD and 4K HDR content has been significantly improved, resulting in more natural and consistent colours. The pink hues in HD content and the yellow tint in 4K HDR have been effectively eliminated, enhancing the realism of the image. As a result, the television now offers much better colour reproduction, positively impacting the overall viewing experience.

However, when it comes to brightness, the gamma curve now reveals a noticeable drop at the beginning, making the darkest details more difficult to discern. The EOTF curve for 4K HDR content remains largely unchanged and still falls short of the reference level, meaning the television continues to struggle with maintaining appropriate brightness. This issue is tied to the aggressive dimming algorithm, which affects overall brightness and black levels.

Despite the limitations associated with local dimming, the television has seen an improvement in colour reproduction quality. The Color Checker test results confirm that the colour samples are now much closer to the standards, resulting in a more natural and visually pleasing image.

After calibration, the movie mode gained a completely new quality. The issue of pink tint, which had previously been clearly visible, especially in bright scenes, was effectively eliminated. Colors began to look much more natural, and the white balance no longer dominated the rest of the image. It was no longer the same exaggerated “box picture” – everything gained coherence and a cinematic character. Additionally, the tendency of the television to slightly brighten scenes, previously visible in the EOTF curve analysis, was partially corrected. Of course, this was within the limits of what the design allows without local dimming – it’s hard to speak of perfect brightness management here. Nevertheless, the final effect was definitely closer to what one would expect from a mode called Filmmaker.

The smoothness of tonal transitions in lower-quality materials looks great – the Noise Reduction function effectively smooths tonal transitions while eliminating film grain. Although removing grain is not always desired, the final effect looks very aesthetic, especially for those who prefer a cleaner image.

As for upscaling, the Samsung QN900D demonstrates the enormous capabilities of the new AI technology processor. Photos and materials in lower resolution are upscaled while retaining many details – for example, a photo with a model looks great, devoid of unnecessary jagged edges, and the branches in the background are not overly aliased.

The LS03F is equipped with the NQ4 processor, which is responsible for improving image quality—especially in lower-quality materials. In practice, it works surprisingly well, particularly with older content and recordings with lower resolution. Activating the "noise reduction" feature yields noticeable effects. The television effectively smooths tonal transitions and removes digital noise that can appear in darker areas of the image. Compared to previous generations, there is a clear improvement—previously, this feature often smoothed everything too much, including details that it shouldn't have removed. In this year's model, the smoothing still occurs, but it is done in a much more acceptable manner. Textures of materials, skin, or fabric details are no longer so heavily muted as before—the image retains more naturalness. However, this does not change the fact that film grain is still removed by the television, which may not be to everyone's liking. On the other hand, it is no longer as aggressive an intervention as in previous models. It is also worth mentioning that the LS03F may struggle with very weak signals—such as recordings from VHS tapes or video in low resolution. In such cases, we noticed slight clipping of the image at the edges—so-called overscan. This can lead to situations where a small part of the image (e.g., subtitles at the bottom edge) gets cut off.

The Samsung QN900D is currently the fastest television in the world – quite literally. With an impressive refresh rate of 240 Hz at 4K resolution, it offers a remarkable performance that PC gamers will undoubtedly appreciate. Movie enthusiasts will also find much to admire, as Samsung provides a 10-level scale in the picture clarity settings, allowing for extensive image customisation. Users can choose whether they want the television to deliver a smoother, more fluid effect at the highest settings, or a more cinematic experience with visible frames at the lowest settings.

A novelty in The Frame for 2025 is the panel with a refresh rate of 144 Hz. Yes – in a television primarily associated with displaying artwork, you can now not only watch Van Gogh but also comfortably play on a console or follow dynamic sports action. This is a definite step towards greater versatility. In the case of Samsung films, as usual in models with a 120 Hz panel and above, it allows you to adjust motion smoothness according to your own preferences. You can set a more cinematic representation while maintaining frame rate or opt for full motion smoothing. The range of options is wide, allowing you to tailor the effect to your taste – whether the viewing experience is meant to resemble classic cinema or a presentation on a modern theater panel.

*this part of the test refers to the model LS03FAU in sizes 55 and 65 inches, which is equipped with a 144Hz panel; the 43 and 50-inch sizes have 60Hz panels, and therefore perform much worse in terms of motion smoothness.

The Samsung QN900D is excellent for console gaming, packed with features gamers will truly appreciate. It comes with 4 HDMI 2.1 ports, but they do not support the full 48 Gb/s bandwidth. However, for most users, this bandwidth is more than adequate. The TV also supports Auto Low Latency Mode (ALLM) and Variable Refresh Rate (VRR), which ensures smoother gameplay and eliminates screen tearing during fast-paced action. Features like G-Sync and FreeSync are also supported, enhancing compatibility with both consoles and PCs equipped with compatible graphics cards, helping to reduce stuttering and provide a smooth image.

A standout feature exclusive to Samsung is the Xbox Game Pass app, allowing users to stream games directly to the TV without needing an Xbox console. This is a very convenient option for gamers who want to enjoy their favourite games without purchasing additional hardware. The Samsung QN900D also features a Game Bar, which provides quick access to gaming-related settings, making it easy to configure the TV for optimal performance.

The Auto Motion Plus Game function offers a special motion smoothing mode that increases the frame rate (up to 4K@60Hz). Importantly, this does not raise input lag significantly, so players can enjoy smoother visuals without sacrificing responsiveness. With all these features, the Samsung QN900D is a top-tier choice for gamers seeking a television with the best possible specifications.

As we mentioned earlier – although The Frame is likely displaying images and artwork most of the time, Samsung recognized that a Van Gogh enthusiast could just as well be an avid gamer. And it must be admitted that The Frame 2025 has almost everything it needs to become a full-fledged gaming TV.

On board, we find support for ALLM (Auto Low Latency Mode) and variable refresh rate (VRR) thanks to the implementation of one HDMI 2.1 port. The TV handles lower resolutions at higher refresh rates with ease and features an advanced Game Bar – already known from other Samsung models – which allows for a quick overview and change of the most important gaming-related settings. And for that, it earns extra points from us. The proprietary motion smoothing feature, Auto Motion Plus Game, also deserves a mention, which – and it’s worth emphasizing – works without boosting input lag. Samsung remains the only manufacturer that has managed to implement this feature in a practically unnoticeable way in terms of delays. The result? Much better fluidity in games, especially those that struggle to maintain a steady 60 frames. This solution can genuinely improve gameplay comfort in more demanding titles – especially on consoles that don’t always manage full fluidity, particularly in AAA games.

As for the downsides – the absence of Dolby Vision we already treat as a standard in Samsung TVs, so there’s not much to complain about here. The problem, however, is something completely different. In the latest version of the Tizen system, the HGiG option has disappeared. Literally – it’s gone. This is a significant hindrance when configuring the console for proper HDR content display in games. It’s hard to understand why such a decision was made, but one thing is for sure – it should be fixed as soon as possible. We are talking about a brand that has set standards in gaming on TVs for years. If HGiG returns – and we hope that it will – The Frame LS03F can confidently aspire to the title of a true gaming TV. Not only as a wall decoration but as a device that really provides enjoyment in gaming.

[UPDATE] We have updated our tests of Samsung TVs from the 2025 lineup due to the release of software version 1131, which has restored the critical gaming feature HGiG.