Samsung QN900D Neo QLED 8K vs Samsung R85H / R86H

Under synthetic testing conditions, the television showcased its impressive light output, achieving 1400 nits, which is undeniably remarkable. This capability was also evident in the opening scene of Life of Pi, featuring a vibrant sunrise. However, due to certain dimming algorithm issues, some drawbacks are noticeable. For instance, in test scenes from Sicario 2 and the second scene of Life of Pi, the brightness levels dropped to an average of 500-600 nits. While this performance isn't poor by Mini LED standards, expectations were higher given the premium price of the TV. Nonetheless, the set should be commended for covering a wide colour gamut of DCI-P3 at around 96%. Although some technologies offer higher coverage, this is still a commendable result.

If it’s about brightness, the R85H performs really well. In most of our test scenes the TV reaches around 800 to 900 nits, and with larger bright elements it can break 1000 nits. These aren't, of course, levels on par with the most expensive Mini-LEDs, but they're more than enough for watching movies and TV series in HDR, and the effect can be quite noticeable. The problem shows up again in more demanding scenes where there's a small bright element on a very dark background. Here the TV can significantly reduce its brightness so it doesn't illuminate too much of the screen. In our measurements such small highlights dropped to around 200 to 250 nits, so you can see that a limited number of local dimming zones combined with the specific behavior of the algorithm has its consequences. Fortunately, it's not something that bothers you all the time. In typical mixed HDR scenes the R85H looks good and can deliver appropriate image dynamics. You just can't expect the same punch from very small points of light as you get with TVs that have many more zones or with OLEDs.

The television includes a Filmmaker mode, intended to present films in the most authentic way possible, but it does come with some issues. For HD content, the white balance shows a dominance of red and blue, giving the image a pinkish hue. Conversely, for 4K HDR content, the levels of blue and red drop, resulting in a warming effect that shifts colours towards yellow tones. Colour Checker tests confirm this tendency, with colour samples visibly drifting in this direction.

In terms of brightness and contrast, the gamma is notably disrupted. The main issue is a marked spike at the start of the graph, indicating that dark details are excessively brightened, which reduces depth in the darkest parts of the image due to zone dimming. For 4K HDR content, the EOTF curve performs reasonably well but falls below the reference level, affecting the overall image dynamics.

In Filmmaker mode our R85H sample performed adequately in SDR, but a few things immediately showed up in the measurements. In the white balance, as brightness increased more red crept in while blue decreased. As a result, the brighter parts of the image had a slightly too warm tint. On top of that, gamma only held to the target value at the start. It then gradually fell, making most of the image a bit too bright. The combination of the two also affected colors — errors grew especially in the brighter, more saturated samples. It didn’t look bad, but for Filmmaker mode we expected a bit more accuracy. Interestingly, in HDR our unit handled things noticeably better. White balance was much more even and, for most of the range, the individual RGB components stayed close together. Only in the brightest areas did red begin to fall short, causing the white point to shift slightly. The EOTF curve looked very good, tracking the target luminance values across almost the entire range. That doesn’t mean HDR colors were perfect. The ColorChecker still shows some deviations, particularly in some of the more saturated hues, but the errors are clearly smaller than in SDR.

After calibration, the Filmmaker mode truly lives up to its name. The white balance for both HD and 4K HDR content has been significantly improved, resulting in more natural and consistent colours. The pink hues in HD content and the yellow tint in 4K HDR have been effectively eliminated, enhancing the realism of the image. As a result, the television now offers much better colour reproduction, positively impacting the overall viewing experience.

However, when it comes to brightness, the gamma curve now reveals a noticeable drop at the beginning, making the darkest details more difficult to discern. The EOTF curve for 4K HDR content remains largely unchanged and still falls short of the reference level, meaning the television continues to struggle with maintaining appropriate brightness. This issue is tied to the aggressive dimming algorithm, which affects overall brightness and black levels.

Despite the limitations associated with local dimming, the television has seen an improvement in colour reproduction quality. The Color Checker test results confirm that the colour samples are now much closer to the standards, resulting in a more natural and visually pleasing image.

After calibration the R85H shows it has impressive color reproduction capabilities. It performed best in SDR, where the white balance was brought almost perfectly into line and the gamma stays very close to the target across most of the range. That also translated into very low errors in the ColorChecker, so there's really little to fault here. HDR also shows a clear improvement, although some issues can't be corrected as well. At peak brightness the character of the backlight itself starts to show and the individual components of the white balance begin to diverge. The same goes for the most saturated colors, which don't always land exactly where they should. Despite these limitations, overall the image is significantly more accurate than on the factory settings, and the biggest difference is clearly in SDR. However, there's one thing calibration can't fix. With highly saturated elements, color can subtly bleed onto adjacent bright parts of the image. It's easiest to notice this on white, which can pick up a slight tint from a neighboring hue. It doesn't occur in every scene, but when the content is demanding the effect can be visible. This is more a characteristic of the way the RGB backlight works than an issue with picture settings.

The smoothness of tonal transitions in lower-quality materials looks great – the Noise Reduction function effectively smooths tonal transitions while eliminating film grain. Although removing grain is not always desired, the final effect looks very aesthetic, especially for those who prefer a cleaner image.

As for upscaling, the Samsung QN900D demonstrates the enormous capabilities of the new AI technology processor. Photos and materials in lower resolution are upscaled while retaining many details – for example, a photo with a model looks great, devoid of unnecessary jagged edges, and the branches in the background are not overly aliased.

In the R85H, image processing is handled by the Micro RGB AI Processor. The name is new, but in terms of upscaling lower-quality content, the TV’s behavior remains very similar to what Samsung has shown before. And that’s not a bad thing, since the company has handled this aspect quite well for years. Low-resolution material is displayed cleanly, edges don’t become overly soft, and the TV doesn’t try to artificially extract details at any cost. The result is simply balanced, and with regular TV or older recordings the R85H performs as you would expect from a Samsung at this level. The only minor drawback is overscan, which can’t be completely turned off at the lowest resolutions. A separate issue is the additional processing of weaker sources. The R85H can smooth posterization and tidy up heavily compressed footage a bit, but it’s worth stressing that it does so relatively aggressively. At stronger "noise reduction" settings it starts removing not only compression artifacts but also fine details and natural film grain. It’s best to use it only when the material actually needs it.

The Samsung QN900D is currently the fastest television in the world – quite literally. With an impressive refresh rate of 240 Hz at 4K resolution, it offers a remarkable performance that PC gamers will undoubtedly appreciate. Movie enthusiasts will also find much to admire, as Samsung provides a 10-level scale in the picture clarity settings, allowing for extensive image customisation. Users can choose whether they want the television to deliver a smoother, more fluid effect at the highest settings, or a more cinematic experience with visible frames at the lowest settings.

R85H has a 144 Hz panel, so motion is really smooth here. Just remember that the extra hertz above 120 will mainly be used when connected to a PC, so in this category we don't treat them as a particular advantage. For movies and TV, what's more important is that the panel is fast enough to provide access to an advanced motion-smoothing feature, "Motion Clarity", which lets us set motion from more film-like to very smooth. The panel's response time is a bit weaker. Because this is a VA panel, fast-moving objects can leave a slight trail. On bright backgrounds that's not very noticeable, but the darker the scene, the more visible the smearing becomes. That's a typical characteristic of this type of panel, and it's easiest to spot in dark scenes.

The Samsung QN900D is excellent for console gaming, packed with features gamers will truly appreciate. It comes with 4 HDMI 2.1 ports, but they do not support the full 48 Gb/s bandwidth. However, for most users, this bandwidth is more than adequate. The TV also supports Auto Low Latency Mode (ALLM) and Variable Refresh Rate (VRR), which ensures smoother gameplay and eliminates screen tearing during fast-paced action. Features like G-Sync and FreeSync are also supported, enhancing compatibility with both consoles and PCs equipped with compatible graphics cards, helping to reduce stuttering and provide a smooth image.

A standout feature exclusive to Samsung is the Xbox Game Pass app, allowing users to stream games directly to the TV without needing an Xbox console. This is a very convenient option for gamers who want to enjoy their favourite games without purchasing additional hardware. The Samsung QN900D also features a Game Bar, which provides quick access to gaming-related settings, making it easy to configure the TV for optimal performance.

The Auto Motion Plus Game function offers a special motion smoothing mode that increases the frame rate (up to 4K@60Hz). Importantly, this does not raise input lag significantly, so players can enjoy smoother visuals without sacrificing responsiveness. With all these features, the Samsung QN900D is a top-tier choice for gamers seeking a television with the best possible specifications.

Samsung has been steadily expanding its gamer-focused features for several years, and the R85H really lacks nothing important in that area. The TV supports 4K at 120 Hz, VRR and ALLM, so you can easily take advantage of the capabilities of the PlayStation 5 or Xbox Series X. HGiG also works correctly, so with the right HDR settings on the console games retain proper brightness and you don't unnecessarily lose detail in the brightest parts of the image. The only major omission is Dolby Vision Gaming, which Samsung doesn't support on any of its TVs.

Game Bar is also very useful, a handy menu you can bring up without leaving the game. You can quickly check the frame rate, VRR operation, or change the most important picture-related settings. Samsung also adds a few less obvious features, such as the ability to change the aspect ratio or Game Motion Plus, which can further smooth games running at 30 or 60 fps. Of course, this comes at the cost of higher input lag (around 55 ms), but for slower-paced titles it may be an interesting option for some players.