SAMSUNG QN80F vs TCL P89K / TCL P8K

QN80F is quite a bright screen – in synthetic tests, it achieved nearly 1000 nits, which allows for reasonable expectations with HDR content. And indeed, in many scenes, the television truly shines. Sequences with a lot of light – such as shots from the movie Life of Pi or wide, bright surfaces in The Meg – look spectacular. Brightness maintains around 700 nits, which provides a solid effect, sufficient to feel the true "HDR magic." Unfortunately, not every scene looks that good. In materials with small, bright details on a dark background, like in Sicario 2, the television has problems – it can dim certain elements significantly, sometimes to the point where they disappear from the image. This is the result of a limited number of dimming zones, which forces the device to make compromises: either stick to inky blacks or sacrifice some details. QN80F usually chooses the former. As a consolation, it has quite decent coverage of a wide color gamut – DCI-P3 at 93%. This is not the highest score on the market, but it is more than enough for most content on streaming platforms.

The maximum brightness of the TCL P8K is around 300 nits, although in actual movie scenes, the TV maintains more around 250 nits. These values cannot be considered sufficient for achieving a full HDR effect – they are more akin to a solid base for SDR content. Therefore, we won’t see spectacular flashes, bursts of light, or moments when the screen truly “blinds” you, as is the case with more expensive models. The image is somewhat flattened, and the differences between light and shadow are more symbolic than realistic. Fortunately, TCL has a few aces up its sleeve that save the overall impression. One of them is the coverage of the DCI-P3 color gamut at around 93–94%. Thanks to an additional QLED layer (PFS LED), colors gain depth and intensity, clearly surpassing standard LCD panels. As a result, although the typical “wow effect” associated with HDR brightness is lacking here, the image can still impress with its saturation and vibrant tones, making movie scenes pulse with colors and avoiding a heavily faded appearance.

We always test televisions in the best available factory mode – for the Samsung QN80F, this is the Filmmaker mode, and indeed, it offers the settings closest to the creators' intentions. However, this doesn't mean that everything looks perfect. In SDR content, the biggest issue turned out to be an unbalanced white balance – slight deficiencies in green and a noticeable excess of red led to noticeable color errors, and one could almost say there was a pinkish tint to the screen. This was clearly visible in the color checker test, where colors would "escape" their target fields – to the extent that a sensitive viewer's eye could catch it even without the help of a meter.

In HDR content, the white balance was much better, but another problem emerged – brightness management. The EOTF curve caused an overly bright image most of the time, which could affect the perception of contrast and made the screen slightly "flicker" during dynamic light changes. We have already discussed this in the paragraphs about black and HDR. Fortunately, Samsung leaves the user with plenty of options. The QN80F offers a rich set of calibration options, including a 20-point white balance – that's why we decided to check what this television is really capable of after proper calibration.

In Filmmaker mode, the TCL P8K revealed certain imperfections in image reproduction from the start. We noticed that the television tends to slightly brighten scenes – its gamma was somewhat lowered, which made the image appear slightly "washed out," lacking depth, as if the contrast had slipped out of control. This was most evident in HDR content, where the EOTF brightness curve clearly deviated from the reference values. As a result, the darker parts of the image looked too gloomy, while the brighter sections didn't always reach the proper level of luminance. A second noticeable issue was a slight oversaturation of blue – the television stubbornly boosted this color, which caused some parts of the image, especially skin tones and reds, to have a slight purple tint. This is not a major flaw, but to a discerning eye – noticeable. Fortunately, most of these errors could be corrected during calibration. You can see the results of this adjustment in the graphs and photos below.

After conducting a thorough calibration, it was possible to bring most image parameters to a really good level. The white balance in both SDR and HDR appears nearly perfect – the image is natural, neutral, and free of the previously noticeable reddening. The colors have gained depth, and the overall visual reception has become more pleasant and cohesive. It was also possible to partially master brightness management, which in the factory version could be problematic. The EOTF chart shows that the television performs significantly better with brightness after calibration – there's no longer excessive dimming of certain elements. In films, it can still be observed that the QN80F has a tendency to slightly brighten the smallest, bright details – this is already a result of the device's construction and the limited number of dimming zones. In short: not everything can be overcome, but what could be improved has been addressed. After calibration, the QN80F makes a really good impression; it simply looks more mature and professional.

After calibration, the TCL P8K showed a completely different face. It managed to achieve nearly perfect, even reference-level color reproduction in both SDR and HDR content. The screen no longer had a tendency towards a cool tint, and the white balance was perfectly balanced. The gamma values for SDR material also finally look as they should – the image has the proper depth and no longer appears washed out. The only remark that can still be made about the P8K concerns its "Chinese" traits, known from most TCL models. The TV still likes to manipulate saturation in HDR content in its own way – sometimes slightly boosting it, sometimes smoothing it out, which means the effect is not always fully predictable. Nevertheless, after calibration, the colors look stunning, and their accuracy is truly surprising. In most cases, measurement errors dropped below values of 1-2, which is a result that significantly more expensive models would not be ashamed of.

If, while watching lower-quality materials – for example from YouTube – we notice strange color transitions or unwanted artifacts, it’s worth checking the settings and enabling the noise reduction function. In our opinion, the best setting is at the "medium" level – it effectively smooths out problematic color transitions while not excessively blurring the entire image. However, one must know this: this option tends to remove film grain. If someone cares about preserving this effect (e.g., in older films), it’s better to just turn it off – regardless of the level, the grain always disappears.

When it comes to scaling resolution (i.e., the so-called upscaling), Samsung – as always – performs very well in this area. The QN80F may not compare to the top models worth several thousand, but for its price class, it really performs impressively. Very low-quality materials (e.g., from SD television or older video files) are noticeably improved and look surprisingly decent. The only noticeable drawback is the typical Samsung issue with overscan – that is, slightly cropping the edges of the image at very low resolutions, e.g., 576p.

The TCL P8K performs somewhat worse when it comes to the fluidity of tonal transitions in lower quality materials. The television does offer a feature to smooth out unwanted bands, but its effectiveness leaves much to be desired. Even at the highest setting, it’s hard to say there’s a real improvement – at times the effect is even the opposite of what was intended, as the feature can introduce small artifacts and unnatural blurriness on the screen.

On the other hand, upscaling, or scaling the image to 4K resolution, looks significantly better. The P8K handles this task surprisingly well – HD content, and even SD, is enhanced in an aesthetically pleasing manner without excessive loss of sharpness. There are indeed slight "hard" edges typical of this class of equipment, but this can easily be adjusted with the sharpness slider according to personal preferences. The final effect is more than satisfactory, especially considering the price range in which this model is located.

QN80F is truly a "fast" television. The applied panel offers a refresh rate of up to 144 Hz, which in practice means that the screen keeps up with the action – whether we're watching a movie, playing games, or browsing dynamic content on the internet. The image doesn't tear, it doesn't excessively blur, and everything simply looks smooth and pleasant to the eye. Of course, the manufacturer hasn't forgotten about movie fans – in the settings, we find an option for motion smoothness adjustment, allowing us to tailor the effect to our personal preferences. You can leave a more "cinematic" look (for those who enjoy a classic film vibe) or crank up the smoothness to a higher level for a theatrical smoothing effect. Importantly, the choice is ours. Watching movies and playing on the QN80F is simply a joy.

TCL P8K is one of the cheapest televisions offering a 144 Hz refresh rate, which in itself is already a significant advantage in this price segment. Thanks to the fast panel, this model can confidently be recommended to both sports fans and video gamers – the image is smooth, and movements of the ball or dynamic actions look natural. However, this does not mean that the P8K is only suitable for sports. On the contrary – it can maintain the right dynamics in movies as well, without introducing an artificial effect of "theatricality," as long as we set the parameters wisely. The television is equipped with a motion smoother called "Motion Clarity," which features two sliders: blur reduction and flicker reduction. The first is responsible for smoothing the image by generating additional frames, which increases fluidity but may cause a slight soap opera effect. The second, on the other hand, limits flicker and improves sharpness in motion, although it may slightly darken the screen. Appropriately adjusting these two parameters allows for a really good balance between natural movement and fluidity. The 60 Hz panel is good for dynamic content, although more demanding users will notice that it is not a top-tier display in terms of motion clarity.

The Samsung QN80F is a TV that delivers on almost every front when it comes to gaming. We have a 144 Hz panel, four fully-fledged HDMI 2.1 ports, support for gamers in the form of variable refresh rate (VRR), automatic low latency mode (ALLM), and even one of the best-designed game bars on the market. The cherry on top is the motion smoother, which – uniquely in the world – works in games without significantly increasing input lag. Sounds like almost the perfect TV for gamers? And indeed, it is almost that.

As usual, Samsung does not support Dolby Vision in games, but that no longer surprises anyone. However, what is much more surprising is that... the HGIG feature has disappeared – that is, the system that allows the console (e.g., PlayStation 5 or Xbox Series X) to precisely match HDR tone mapping to the TV's capabilities. In the latest firmware update for the 2025 models, this option has simply vanished. It looks more like a bug than a deliberate move, but it must be honestly pointed out that as of the day of writing this review, the HGIG feature is simply not available.

And it is precisely because of this one deficiency that the QN80F goes from being almost the perfect gaming TV to a "nearly" perfect device. It's a shame – because everything else indicated that Samsung could set the bar very high once again in this generation.

Although the TCL P8K is a budget TV, it certainly can’t be said that it’s not suitable for gaming. On the contrary – this is a screen that can pleasantly surprise any gamer. It features two HDMI 2.1 ports, allowing us to easily output 4K at 120 Hz. For those gaming on PC, they will also appreciate the fact that the TV can even operate at 240 Hz refresh rate in lower resolution – a small thing, but it’s nice. In addition, there’s a full set of gaming-specific features: automatic game mode, Game Bar for quick parameter previews, VRR, HGiG, and support for Dolby Vision in games. All of this makes gaming on the P8K a truly enjoyable experience – the picture is smooth, the response is quick, and the TV communicates well with next-gen consoles. The TCL P8K shows that a cheap screen doesn’t have to mean giving up fun. Definitely not when it comes to gaming.