SAMSUNG QN80F vs LG MRGB85B

QN80F is quite a bright screen – in synthetic tests, it achieved nearly 1000 nits, which allows for reasonable expectations with HDR content. And indeed, in many scenes, the television truly shines. Sequences with a lot of light – such as shots from the movie Life of Pi or wide, bright surfaces in The Meg – look spectacular. Brightness maintains around 700 nits, which provides a solid effect, sufficient to feel the true "HDR magic." Unfortunately, not every scene looks that good. In materials with small, bright details on a dark background, like in Sicario 2, the television has problems – it can dim certain elements significantly, sometimes to the point where they disappear from the image. This is the result of a limited number of dimming zones, which forces the device to make compromises: either stick to inky blacks or sacrifice some details. QN80F usually chooses the former. As a consolation, it has quite decent coverage of a wide color gamut – DCI-P3 at 93%. This is not the highest score on the market, but it is more than enough for most content on streaming platforms.

LG MRGB85 offers moderate brightness. On test patterns it reaches about 700 nits, which by itself is a decent result. In actual movie scenes the values are lower and most often fall between 400 and 600 nits. Bright, expansive shots perform best. In scenes with a lot of black the TV noticeably limits luminance, trying to maintain the highest possible contrast. The HDR effect is therefore visible, but it is far from the level offered by more advanced Mini-LED designs. Especially in darker parts of films the limitations of edge-lit backlighting and imprecise local dimming become noticeable again.

HDR Colors

A much stronger suit of the MRGB85 is its colors. The TV covers about 95% of the DCI-P3 color space and 74% of BT.2020, allowing HDR material to look vivid and striking. Colors are well saturated, and the difference compared with basic LCD TVs is clearly visible. It is worth noting, however, that this is not a classic RGB backlight, where each of the three primary colors is generated by a separate diode. Red is produced by a PFS phosphor, which expands the palette and yields more saturated red shades. This solution works well for color reproduction, but it does not change the limitations of dimming itself. The LEDs are not driven independently in the way the series name might suggest... so it turns out that Mini RGB is not the same as Mini-LED RGB!

We always test televisions in the best available factory mode – for the Samsung QN80F, this is the Filmmaker mode, and indeed, it offers the settings closest to the creators' intentions. However, this doesn't mean that everything looks perfect. In SDR content, the biggest issue turned out to be an unbalanced white balance – slight deficiencies in green and a noticeable excess of red led to noticeable color errors, and one could almost say there was a pinkish tint to the screen. This was clearly visible in the color checker test, where colors would "escape" their target fields – to the extent that a sensitive viewer's eye could catch it even without the help of a meter.

In HDR content, the white balance was much better, but another problem emerged – brightness management. The EOTF curve caused an overly bright image most of the time, which could affect the perception of contrast and made the screen slightly "flicker" during dynamic light changes. We have already discussed this in the paragraphs about black and HDR. Fortunately, Samsung leaves the user with plenty of options. The QN80F offers a rich set of calibration options, including a 20-point white balance – that's why we decided to check what this television is really capable of after proper calibration.

We tested the TV in Filmmaker Mode, because among the available settings it produced the image closest to the reference. Factory color reproduction was not perfect. The biggest deviations were in the white balance, with too much red and not enough blue, which pushed the picture noticeably toward warmer tones. Whites took on a slightly yellowish cast, and skin tones and bright areas did not always look natural. It wasn’t a flaw that completely ruined the viewing experience, but in a direct comparison with the same screen after calibration the difference was clearly visible.

After conducting a thorough calibration, it was possible to bring most image parameters to a really good level. The white balance in both SDR and HDR appears nearly perfect – the image is natural, neutral, and free of the previously noticeable reddening. The colors have gained depth, and the overall visual reception has become more pleasant and cohesive. It was also possible to partially master brightness management, which in the factory version could be problematic. The EOTF chart shows that the television performs significantly better with brightness after calibration – there's no longer excessive dimming of certain elements. In films, it can still be observed that the QN80F has a tendency to slightly brighten the smallest, bright details – this is already a result of the device's construction and the limited number of dimming zones. In short: not everything can be overcome, but what could be improved has been addressed. After calibration, the QN80F makes a really good impression; it simply looks more mature and professional.

Calibration primarily corrected the white balance and removed the previously visible warm tint. After the adjustment, whites no longer had a yellow cast and colors became more neutral and natural. The biggest improvement was seen in SDR content, where the picture looked even and much closer to the reference. A similar effect was achieved in HDR. After calibration the picture became more controlled, although not all of the TV's limitations could be eliminated. The biggest issue remained the intense reds, which were not always reproduced with the necessary precision. In practice the MRGB85 handles everyday SDR content very well, but in more demanding HDR material its limitations remain clearly visible.

If, while watching lower-quality materials – for example from YouTube – we notice strange color transitions or unwanted artifacts, it’s worth checking the settings and enabling the noise reduction function. In our opinion, the best setting is at the "medium" level – it effectively smooths out problematic color transitions while not excessively blurring the entire image. However, one must know this: this option tends to remove film grain. If someone cares about preserving this effect (e.g., in older films), it’s better to just turn it off – regardless of the level, the grain always disappears.

When it comes to scaling resolution (i.e., the so-called upscaling), Samsung – as always – performs very well in this area. The QN80F may not compare to the top models worth several thousand, but for its price class, it really performs impressively. Very low-quality materials (e.g., from SD television or older video files) are noticeably improved and look surprisingly decent. The only noticeable drawback is the typical Samsung issue with overscan – that is, slightly cropping the edges of the image at very low resolutions, e.g., 576p.

Upscaling and digital image processing perform quite well on the LG MRGB85. The Alpha 8 AI 4K Gen7 processor efficiently upscales lower-resolution content, and you can easily disable overscan regardless of the source. The TV also handles compression artifacts fairly well. The "Smooth Gradation" feature can effectively reduce visible banding and tonal unevenness, but it doesn't always work precisely. At higher settings it can smooth over fine details, for example material textures. On the plus side, it doesn't remove film grain. It's safest to use the "Low" or "Medium" setting, which provides the best compromise between artifact reduction and detail retention.

QN80F is truly a "fast" television. The applied panel offers a refresh rate of up to 144 Hz, which in practice means that the screen keeps up with the action – whether we're watching a movie, playing games, or browsing dynamic content on the internet. The image doesn't tear, it doesn't excessively blur, and everything simply looks smooth and pleasant to the eye. Of course, the manufacturer hasn't forgotten about movie fans – in the settings, we find an option for motion smoothness adjustment, allowing us to tailor the effect to our personal preferences. You can leave a more "cinematic" look (for those who enjoy a classic film vibe) or crank up the smoothness to a higher level for a theatrical smoothing effect. Importantly, the choice is ours. Watching movies and playing on the QN80F is simply a joy.

The LG MRGB85 is equipped with a VA panel with a native 144 Hz refresh rate, so it performs very well in terms of motion smoothness. The TV easily handles 120 Hz content from consoles and higher refresh rates when connected to a PC. That matters not only for gaming but also when watching sports, where camera movement is noticeably smoother than on basic 60 Hz models. There's also the TruMotion system, which lets you set the level of motion smoothing yourself. You can keep a more cinematic motion or increase smoothness, which works well for sports broadcasts and TV shows. The range of adjustment is wide, so you can easily tailor the motion smoothing to your preferences.

The Samsung QN80F is a television that delivers on almost every front when it comes to gaming. It features a 144 Hz panel, four full-fledged HDMI 2.1 ports, support for gamers in the form of variable refresh rate (VRR), automatic low latency mode (ALLM), and even one of the best-designed game bars on the market. The cherry on top is the motion smoother, which – uniquely in the world – works in games without significantly increasing input lag. Sounds like an almost perfect TV for gamers? And indeed, it is almost that way.

[UPDATE] We have updated our reviews of Samsung TVs from 2025 due to the release of software version 1131, which restored the crucial gaming feature HGiG.

As usual, Samsung does not support Dolby Vision in games, but that no longer surprises anyone. However, what is much more surprising is that... the HGIG feature has disappeared – that is, the system that allows a console (e.g., PlayStation 5 or Xbox Series X) to precisely match HDR tone mapping to the capabilities of the TV. In the latest firmware update for the 2025 models, this option simply vanished. It seems more like a bug than a deliberate move, but it must be honestly noted that as of the day of writing the review, the HGIG feature is simply not present.

And it is precisely because of this one absence that the QN80F turns from an almost perfect gaming TV into a "nearly" perfect device. It's a shame – because everything else indicated that Samsung could set the bar very high again in this generation.

When it comes to gaming, the LG MRGB85 performs best by far. The manufacturer didn’t skimp on the feature set and essentially brought the full suite of functions from higher-end TVs to this model. You get three HDMI 2.1 ports with full 48 Gbps bandwidth. Each of them supports 4K 120 Hz from consoles, and when connected to a PC also 4K 144 Hz. So you don’t have to worry about which port to plug your console or PC into, since they all offer the same capabilities.

It also includes VRR, AMD FreeSync Premium, NVIDIA G-Sync Compatible, ALLM, and HGiG. Dolby Vision Gaming is present as well, allowing supported games to use high refresh rates and dynamic HDR simultaneously on Xbox. Rounding it out is Game Optimizer, a handy in-game menu for gamers. Without leaving the game you can change the picture profile, brighten shadow details, or check the current frame rate. In terms of gaming features, the MRGB85 therefore offers almost the same as much more expensive LG models.