Samsung QLED Q70D / Q74D / Q77D vs TCL A400 PRO

The brightness of the Samsung Q70D is fairly average, yet it delivers a noticeable HDR effect. With brightness exceeding 400 nits, the distinction between SDR and HDR materials becomes evident. As observed in the discussion about contrast and black levels, the TV's performance varies across different scenes. In a scene featuring a bright sun against a darker foreground, the measured luminance is lower. However, in a scene with a large, bright light source dominating the frame, the TV achieves its peak brightness, reaching nearly 500 nits—a commendable result for its price range and display class.

Despite these strengths, the relatively low coverage of the wide DCI-P3 color gamut occasionally results in less vivid color reproduction. Even so, the TV offers rich colors and precise shade reproduction, enhancing the movie-watching experience. Furthermore, the Q70D excels in motion blur elimination during dynamic scenes, making it a solid choice for enjoying sports broadcasts and gaming.

The TCL A400 Pro is a moderately bright TV. Its peak brightness reaches about 600 nits. That level already allows for a real HDR effect and in many movies it does produce a noticeably more attractive picture than SDR. However, it is not a level that overwhelms by brightness alone. The A400 Pro is not one of those TVs that "attack" the viewer with a powerful flash in every dramatic scene. The biggest limitation is visible with small bright elements on a dark background. Due to rather aggressive control of the dimming zones, the TV can significantly reduce their brightness — in extreme cases down to around 100 nits. That means small lights, sparks, stars, or single highlights can be much less visible than they should be. That said, this is not done without reason. The A400 Pro does this to keep blacks as deep as possible and to limit haloing around bright objects. It's a deliberate compromise: the TV more often chooses deeper blacks over maximally bright, point-like highlights. On one hand this is understandable, especially with a limited number of dimming zones, but on the other hand you should be aware that the HDR effect will not always be as strong as the peak brightness alone would suggest.

On the plus side, the colors are worth noting. The PFS LED filter used here, marketed by the manufacturer as QLED, produces suitably saturated colors. Our measurements showed about 94% coverage of the DCI-P3 gamut and about 74% of BT.2020, which is a solid result for this class.

The best factory mode on the Samsung Q70D is "Filmmaker," and it is the one we used when conducting various tests. Before the calibration process, it had several flaws that effectively prevented the conveyance of the director's intentions. In both SDR and HDR materials, the white balance was dominated by red and green colors. As a result, there was a characteristic yellow tint on the image, causing whites to appear yellowed and creating issues with skin tones, which were noticeably too warm. The reduced gamma in the standard color gamut materials caused a significant drop in the already low contrast. This resulted in an emphasis on details in the blacks but also in blown-out images in brighter scenes. The EOTF curve, in this case, turned out to be much better and only lightened those scenes with relatively low luminance. This was clearly visible in the section where we measured the maximum brightness of the television in HDR materials. At that time, the frame from the movie "Billy Lynn" was unnaturally bright and lacking depth.

As standard, we carried out color measurements in the best-calibrated mode, Filmmaker Mode, the one that is supposed to be closest to the creators’ intent. The A400 Pro, of course, also offers other picture modes, but in practice they suffer from much larger color errors and alter the image character more strongly. We won’t go into those modes in detail in this part of the test. So how does the factory color reproduction perform? In short: really very well. In fact, looking at our measurement results, it’s excellent. Both the white balance and the luminance response were set surprisingly precisely. The errors were so small that during testing we genuinely rubbed our eyes in disbelief. Such good out-of-the-box settings don’t happen often, even in TVs operating in Filmmaker Mode. All the more reason to praise TCL, because the A400 Pro right out of the box can produce an image very close to how the source material should look. The results were so good that you could easily think someone had already paid extra attention to that unit and tried to calibrate it.

Our nitpicking really comes down to just one thing. In SDR content the image was slightly brighter than the reference for a dark room, because the factory gamma was set closer to 2.3 than to 2.4. It’s not a big error and most viewers probably won’t even notice it.

However, it should be noted that we’re talking about our specific review sample. With factory colors there can always be some variation between units, production batches, or screen sizes. So we don’t assume that every A400 Pro will look identical straight out of the box.

Fortunately, Samsung provides a wide range of calibration tools in all its televisions, where we can find 2-point and 20-point grayscale adjustments as well as advanced CMS. Thanks to this, we were able to significantly improve the quality of SDR and HDR materials. The vast majority of errors have been corrected, and the image that the Samsung Q70D now generates is definitely closer to the reference. Higher deltaE errors in the high dynamic range materials are primarily due to the display's insufficient luminance.

Despite its excellent factory tuning, we couldn't resist checking how the TCL A400 Pro would respond to a professional calibration. Since the starting point was so good, we were even more curious whether we could squeeze even more out of this TV. And here we have to boast: we managed to bring our unit to absurdly low color errors. Results below 1 are something you don't see every day, even on very good TVs. Such results are more often associated with professional reference monitors than with a lifestyle TV for the living room. In terms of white balance and color reproduction, the A400 Pro after calibration simply performed outstandingly. The only thing we can pick at after a deeper analysis concerns the brightness behavior. The TV can manipulate luminance levels depending on the content being displayed, and quite often the image is a bit darker than it should be according to the standard. This most likely stems from the way the Mini-LED backlight and local dimming algorithms work in this model. However, that doesn't spoil the overall impression, because in terms of color precision alone the A400 Pro after calibration reached a level we really didn't expect.

The function responsible for improving gradation is named "Noise Reduction" in the menu. As we have confirmed, it is worth activating as it has a positive effect on tonal transitions. More importantly, it does not negatively affect film grain or fine details, which sometimes the competition "offers" us.

Image scaling in Samsung Q70D should be rated as average. The manufacturer aims not to artificially sharpen the image but to leave it naturally softened.

Digital video processing is unfortunately one of the weaker points of the TCL A400 Pro. That doesn't mean the TV performs badly, but it's hard to call it anything clearly above standard. The upscaling itself is adequate: edges are smoothed fairly well, the image doesn't look overly sharp or pixelated, and lower-quality content can be watched without major discomfort. At the same time the overall look is slightly soft and it lacks the precision that the best image processors in more expensive TVs can deliver.

Much worse, however, is its handling of tonal transitions caused by heavy compression. TCL equipped the A400 Pro with a "Gradual Smoothing" feature that in theory should reduce visible color banding and artifacts in lower-quality content. In practice its effectiveness is very limited. It does not improve tonal transitions in any noticeable way, and at higher settings it can also smooth out image details, giving the picture an artificial, slightly blurred character. For that reason we think it's best to leave this feature off. The A400 Pro handles basic image scaling decently, but if you often watch heavily compressed content with visible posterization, this model won't be one of the best choices.

The Samsung Q70D is the first model in the manufacturer's range to feature a 120Hz panel, resulting in more advanced motion smoothing capabilities compared to lower-category models. Within the menu, three functions are dedicated to improving motion fluidity: "Motion Blur Reduction," "Judder Reduction," and "Clear Motion (LED)." The third option will be discussed separately. The first function enhances sharpness during motion, while the second adjusts the degree of smoothing. The smoothness feature on the Samsung Q70D performs well, with each setting delivering a noticeable effect. This allows viewers to customise the level of fluidity, making it suitable for those who dislike the typical stuttering of films or enjoy watching sports. The accompanying picture illustrates a configuration with mild smoothing, avoiding the soap opera effect.

The panel employed in the Samsung Q70D offers a commendable response time for its class. While it won't deliver razor-sharp motion clarity, it is a strong choice for sports enthusiasts at this price point.

The TCL A400 Pro is equipped with a 144 Hz panel, but in practice we're most interested in how it performs at 120 Hz. That's the refresh rate used by most consoles today, as well as many sports broadcasts and high-frame-rate content. In this range the TV performs quite well. Motion clarity is really good, especially after properly configuring the motion smoothing. The "Motion Clarity" feature improves smoothness. Its settings include two sliders that let you tailor the motion smoothing to your preferences — separately for lower- and higher-frame-rate material. That way you can achieve either a more cinematic look or a noticeably smoother picture. If you don't want to tweak settings manually, you can use presets such as low, medium, high, cinema, or nature.

The tested television, Samsung Q70D, has four HDMI 2.1 ports, all offering a bandwidth of 40 Gbps. Despite this, no negative effects were noticed during testing. More importantly, the TV supports all features associated with the HDMI 2.1 standard. This will certainly please gamers, as it ensures optimal gaming performance using a console or a PC. While HDR Dolby Vision is absent, the correct implementation of HGIG mode and the absence of any calibration checkerboard issues are noteworthy. Additionally, Samsung stands out by allowing gaming with the smoothness enhancer activated without significant performance degradation. This means that 30 fps titles are perceived similarly to those running at a native 60 frames per second.

Samsung was one of the first manufacturers to introduce the Game Bar, which has been consistently improved. It provides all necessary gameplay information and allows users to adjust "on the fly."

In summary, the Samsung Q70D performs excellently with both consoles and computers. All functions worked seamlessly, and there were no issues. The ability to activate the smoothness enhancer without a noticeable increase in input lag is a game-changing feature.

When it comes to features for gamers, the TCL A400 Pro performs excellently. The TV has practically everything you can expect from a gaming TV today: 4K support at high refresh rates, VRR, ALLM, correct implementation of HDR formats in games, including Dolby Vision, and HGiG. Because of that it works well with both next-gen consoles and PCs. Another plus is the inclusion of a Game Bar, a special panel with the most important settings for gamers. From it you can quickly check basic signal information, refresh rate, and active features, and also adjust the look and behavior of some settings to your own preferences. This is a solution that may not change picture quality by itself, but it greatly improves the convenience of using the TV while gaming.

The only thing to complain about is the number of full HDMI 2.1 ports. The A400 Pro has only two such ports out of four, and one of them also functions as eARC. In practice this means that if someone wants to connect two next-gen consoles and a soundbar, they may hit some limitations. In that scenario you'll have to either swap devices or use extra equipment, for example an AV receiver or a soundbar with HDMI inputs. Despite this, it's hard not to rate the A400 Pro very highly as a gaming TV. The gaming feature set here is really powerful.