Samsung Q60D / Q67D / Q68D vs Xiaomi S Pro 2026

The Samsung Q60D consistently achieves brightness levels above 500 nits, which is above average for its class of devices. This level of brightness enhances the viewing experience, providing a more immersive home cinema feel, with clearly visible details in bright areas of the image and well-rendered contrast dynamics, especially when watching content from streaming platforms or Blu-ray discs. As a result, movie screenings gain added depth and realism, particularly in well-lit scenes.

However, despite incorporating quantum dot technology (QLED), the TV does not excel in colour reproduction. The DCI-P3 colour space coverage is limited to 90%, which may become apparent in more demanding scenes where the richness and saturation of colours are crucial for image quality. While the Q60D offers solid performance, those seeking more vibrant and accurate colour reproduction may notice some limitations.

When it comes to HDR quality, the Xiaomi S Pro 2026 is undoubtedly a really bright TV. On our synthetic measurement charts, we were able to generate a peak brightness of around 1400 nits. This is not only a very good result but even spectacular, considering the price of this model. However, as we always repeat, for our editorial team, measurements and experiences from the content we watch every day—movies and series—are more important. So let's analyze how Xiaomi handles film material. Unfortunately, the result is somewhat mixed. When very bright scenes appear on the screen, the S Pro 2026 truly shows its full potential and can achieve real brightness of 800-1000 nits on bright elements. Moreover, even smaller objects can "burn" the eyes— in scenes from the movie Sicario 2, small metallic elements of the helicopter were really bright. The problem is this—and here the story comes full circle back to our assessment of contrast—that in such scenes, we cannot count on absolutely cinematic black. In our opinion, this compromise is too significant; high visibility of details in bright areas should not come at the expense of such a substantial boost in black levels. And even though the HDR effect itself can be striking here, it is important to remember that when very difficult, mixed scenes appear on the screen, we may feel a slight disappointment. Exactly the one we mentioned in the previous paragraph regarding dimming issues in HDR mode. On a positive note, it is worth adding that the S Pro 2026 is equipped with an additional PFS filter (which works similarly to a QLED layer), effectively broadening the color palette coverage. As a result, measurements showed a DCI-P3 color gamut coverage of up to 94%. This gives us the confidence that in most colorful scenes, the image will look rich and appropriately saturated.

For several years, Samsung has included a "Filmmaker" mode in its televisions, designed to deliver picture settings that remain true to the original vision of filmmakers straight out of the box. This is undoubtedly a significant move towards achieving cinematic quality at home, but it's important to note that this mode is not without its drawbacks.

For instance, the white balance in both SDR and HDR modes tends to show an excessive amount of red, resulting in an overly warm image. This can cause actors' skin tones and brighter scenes to appear unnaturally pink. The Colour Checker test confirms this issue, as colour samples often shift towards red hues, deviating from the neutral colour representation that would be preferred in a professional context.

In terms of contrast, there is a noticeable dip at the start of the gamma curve, where values below 2.4 fall to around 2.1. This can make darker scenes look less detailed, diminishing their depth. When displaying HDR content, the EOTF curve (which handles brightness representation) shows a significant peak at the beginning of the graph, potentially leading to excessive brightness in lighter areas of the image and disrupting the natural tonal balance.

Of course, we conducted all our measurements in "Film" mode, which is usually the best and most accurate choice you get straight out of the box. And we have to say it bluntly: even though this is the best mode, it is still very far from ideal. First of all, the television has a clear tendency to give the image a cool, bluish tint – this is due to a poorly set white balance. Additionally, there is a problem with how the S Pro 2026 manages its brightness right after being taken out of the box, which results in an overly bright image. These two flaws contribute to really huge colorimetric errors (Delta E). In HDR content, they were able to exceed our expected error scale of "10" (meaning values close to 20). For reference – the threshold of perceivable error by the human eye is a Delta E value of around 3. Results at the level of 20 mean that the image significantly deviates from what the director intended.

After professional calibration of the Samsung Q60D in film mode, users can experience a notable enhancement in image quality. Samsung TVs have long featured both 2- and 20-point grayscale adjustments, and an advanced Colour Management System (CMS), enabling precise tuning of colour and hue. Following calibration, the white balance for both SDR and HDR content is free from significant peaks and red tone shifts, resulting in a more natural image. Although a few larger errors may still be evident in HDR mode, the overall improvement in colour accuracy is impressive.

In terms of contrast, despite the inherent limitations of the TV’s technology, there has been a marked improvement. Calibration enhances the visibility of details in darker scenes and accentuates the differences between lighter and darker elements, making the image appear more dynamic. This leads to a more satisfying viewing experience, with improved depth and realism in the displayed content.

So how does the S Pro 2026 perform after our calibration treatment? We must admit that after calibration, the television becomes a really pleasant device for watching everyday content. As you can see in the graphs, we managed to bring both white balance and gamma values to nearly perfection in HD (SDR) material. Most importantly, the colorimetric errors have become practically invisible to the human eye. In this scenario, the S Pro 2026 is simply a great television that, after professional calibration, can provide a lot of enjoyment while watching. However, it is worth noting clearly – our efforts helped little in 4K HDR mode. Despite calibration, the television still interprets the image rather strongly "in its own way," which is clearly seen in the measurement of the EOTF curve (luminance tracking). It's a bit of a shame, because this shows that the problem lies not in the panel itself, but in the software. Underdeveloped image management algorithms in HDR content can, unfortunately, disqualify this television for many more discerning users.

However, when it comes to processing and scaling lower-quality content, the TV performs quite well. The image is displayed without overscan, ensuring the full use of the available screen space. Additionally, the edges of models or tree branches are not overly jagged, resulting in satisfactory content quality. While noise reduction could be more effective, the overall processing of lower-quality materials is positive and meets expectations.

Let's start with the issue we addressed in the previous paragraph: can a TV even fix the problem of poor tonal transitions in dark scenes? Theoretically, yes – in the menu, we find a feature with the promising name "Color Contour Removal." Well, "theoretically." Unfortunately, in practice, this setting – regardless of which of the three power levels is selected – yielded absolutely no real results. So we have a feature that, in practice, only exists in the menu. Moving on to the quality of upscaling (scaling the image from a lower resolution to 4K), unfortunately, we have more bad news for you. The S Pro 2026 handles this task very poorly. Interestingly, the phenomenon of "overscan" (slight image cropping) is not a big issue here. The problem is that the TV simply displays a very raw, unprocessed image. Its attempt to upscale the signal to a higher resolution looks simply poor and lacks any "smart" enhancement. There is no denying it – the whole digital image processing is the true Achilles' heel of this model.

The Samsung Q60D is equipped with a 60 Hz panel and includes a feature known as "Motion Reduction," designed to minimise motion blur and improve the overall fluidity of the image. This addition is particularly beneficial for users who enjoy watching films and series, providing a smoother visual experience even during dynamic action scenes where detail is essential. However, while "Motion Reduction" enhances the viewing experience for cinematic content, it is important to note that this panel may not be the optimal choice for gaming due to a noticeable motion blur effect, which can become apparent during fast-paced gameplay.

On paper, the specification of the S Pro 2026 looks impressive. The television is equipped with a native 144 Hz panel, capable of displaying images up to 288 Hz in a dedicated gaming mode. These are amazing results, but what interested us the most, in the context of everyday use, was how the television handles motion blur and how the image looks at 120 Hz. After all, this is the frequency used today by consoles like PlayStation 5, Xbox Series X/S, and it is desired by sports fans. Generally speaking, the panel "holds up." The matrix is fast enough to meet these challenges, and objects displayed at native 120Hz fluidity are shown correctly. As for the software, the television is equipped with a motion smoothing system, but with a key caveat – it only works for input signals up to 60 Hz. This means it is mainly suitable for classic television, movies, and series. Thanks to this, we can adjust the fluidity of the image to our own preferences – from a very smooth, "theatrical" approach to setting the slider to "zero" and maintaining a fully cinematic character.

The Samsung Q60D has gaming features such as ALLM (Auto Low Latency Mode), HGiG (HDR Gaming Interest Group), and Game Bar, which contribute positively to gaming experiences by optimising response times and enhancing HDR visuals. However, the absence of HDMI 2.1 support limits the TV's potential, preventing the use of VRR (Variable Refresh Rate) which could further boost smoothness and image consistency. For casual gamers the Q60D should suffice, delivering satisfactory performance during typical gameplay. On the other hand, for more discerning gamers, models with a higher refresh rate and HDMI 2.1 support are recommended. Such upgrades enable full functionality and better compatibility with the latest games, ensuring smoother motion and superior image quality – essential for an immersive and top-tier gaming experience.

For gamers, the Xiaomi S Pro 2026 is, on paper, an almost ideal proposition. It is equipped with two HDMI 2.1 ports, allowing us to unlock (although these options are somewhat hidden in the menu) the full suite of features: ALLM, VRR, and, crucially, the ability to work in 4K at 144 Hz. This last feature should particularly please owners of powerful PCs. The TV also has something akin to a gaming panel – and while it’s hard to call it a full-fledged "Game Bar," it does its job by displaying key information. It’s just a shame that in its default form, it covers a relatively large part of the screen.

However, our biggest issue with this model concerns how the S Pro 2026 handles gaming in HDR mode. To put it bluntly: it doesn’t handle it well. Due to the poorly implemented HGiG function (the HDR tone mapping standard for games), during the initial HDR calibration on the console, it’s very easy to "blow out" the image. If someone is unaware of this software flaw and follows the on-screen instructions, they will simply set the image incorrectly, with burnt-out details in bright areas. Another major problem is the Dolby Vision mode for gaming. While it does work, it generates such a high input lag that it becomes noticeable in dynamic titles. (All our latency measurements can be checked in the paragraph below). In summary: generally, it’s a really good screen for gamers, but with one small caveat. We would rather avoid HDR mode on it – unless we decide to manually adjust the brightness bar on the console "by eye," completely ignoring the instructions from the console's pictogram.