Samsung Q60D / Q67D / Q68D vs TCL A300W NXTVision

The Samsung Q60D consistently achieves brightness levels above 500 nits, which is above average for its class of devices. This level of brightness enhances the viewing experience, providing a more immersive home cinema feel, with clearly visible details in bright areas of the image and well-rendered contrast dynamics, especially when watching content from streaming platforms or Blu-ray discs. As a result, movie screenings gain added depth and realism, particularly in well-lit scenes.

However, despite incorporating quantum dot technology (QLED), the TV does not excel in colour reproduction. The DCI-P3 colour space coverage is limited to 90%, which may become apparent in more demanding scenes where the richness and saturation of colours are crucial for image quality. While the Q60D offers solid performance, those seeking more vibrant and accurate colour reproduction may notice some limitations.

When it comes to brightness, the TCL A300W is definitely the darkest TV among all frame-style models, such as Samsung The Frame or Hisense CanvasTV – and unfortunately, this is immediately noticeable. In our measurements, the peak luminance reached only about 400 nits, and on test film screens, this value dropped to 350 nits. This is definitely too little to feel the true "magic" of bright HDR effects. As a consolation – the TV is equipped with a PFS LED coating (which is something like QLED), which provides very good coverage of a wide color palette, both DCI-P3 and BT.2020. Additionally, there is full support for all popular HDR formats – HDR10, HDR10+, HLG, and Dolby Vision – which somewhat compensates for the shortcomings in brightness and helps improve the overall perception of materials in this quality.

For several years, Samsung has included a "Filmmaker" mode in its televisions, designed to deliver picture settings that remain true to the original vision of filmmakers straight out of the box. This is undoubtedly a significant move towards achieving cinematic quality at home, but it's important to note that this mode is not without its drawbacks.

For instance, the white balance in both SDR and HDR modes tends to show an excessive amount of red, resulting in an overly warm image. This can cause actors' skin tones and brighter scenes to appear unnaturally pink. The Colour Checker test confirms this issue, as colour samples often shift towards red hues, deviating from the neutral colour representation that would be preferred in a professional context.

In terms of contrast, there is a noticeable dip at the start of the gamma curve, where values below 2.4 fall to around 2.1. This can make darker scenes look less detailed, diminishing their depth. When displaying HDR content, the EOTF curve (which handles brightness representation) shows a significant peak at the beginning of the graph, potentially leading to excessive brightness in lighter areas of the image and disrupting the natural tonal balance.

TCL A300 offers several picture modes, but without a doubt, the movie mode performs the best. Unfortunately, although it is the best choice among the available options, it is not free from errors. Both in HD and HDR content, the image has a noticeably too warm tint – leaning slightly towards pink, which is particularly noticeable in snowy scenes. Instead of pure white, we get a pinkish hue that spoils the natural perception of colors.

The brightness management doesn't perform well either. For older HD materials, the image often seems too dark – as confirmed by the inflated gamma value. Conversely, with HDR content, the effect is reversed – the image is overly brightened, which we observed in scenes from the movie Pan. This lack of consistency also affects color reproduction accuracy – a test with the ColorChecker showed that many samples deviate significantly from the reference values.

Fortunately, TCL allows manual adjustment of the settings, so we decided to check how the television would perform after our professional calibration. The effects of this correction are described below.

After professional calibration of the Samsung Q60D in film mode, users can experience a notable enhancement in image quality. Samsung TVs have long featured both 2- and 20-point grayscale adjustments, and an advanced Colour Management System (CMS), enabling precise tuning of colour and hue. Following calibration, the white balance for both SDR and HDR content is free from significant peaks and red tone shifts, resulting in a more natural image. Although a few larger errors may still be evident in HDR mode, the overall improvement in colour accuracy is impressive.

In terms of contrast, despite the inherent limitations of the TV’s technology, there has been a marked improvement. Calibration enhances the visibility of details in darker scenes and accentuates the differences between lighter and darker elements, making the image appear more dynamic. This leads to a more satisfying viewing experience, with improved depth and realism in the displayed content.

After our professional calibration, the TCL A300 literally got a new lease on life. The image is no longer too warm, and the colors finally look the way they should – which was confirmed by the ColorChecker test, where the color samples finally started hitting their marks, at least to some reasonable degree. It was also possible to partially correct the brightness management – the image is now more balanced and less "wobbly" between different types of content. Of course, certain limitations cannot be overcome – a slightly noticeable blooming effect still occurs, but that's a characteristic of the technology, not something that can be eliminated even after professional settings.

Generally: after calibration, the A300 looks significantly better and gains a completely new quality.

However, when it comes to processing and scaling lower-quality content, the TV performs quite well. The image is displayed without overscan, ensuring the full use of the available screen space. Additionally, the edges of models or tree branches are not overly jagged, resulting in satisfactory content quality. While noise reduction could be more effective, the overall processing of lower-quality materials is positive and meets expectations.

TCL A300 handles tonal transitions in high-quality films very well, but the question arises – how does it perform with weaker materials? The television is equipped with a tonal transition smoothing feature, but its effectiveness can be described in one word: "random." In one scene it may work and improve the gradation, and when turned off… the effect remains the same. There is a lack of consistency and predictability.

Image scaling is also not one of the A300's strong suits. In the test pattern, the main character actually looked better than on the raw signal, but with thin lines – like fonts or background details – there was noticeable jaggedness and aliasing. On the plus side, the television does not cut off the image and has no issues with overscan, but the overall quality of scaling is rather average.

The Samsung Q60D is equipped with a 60 Hz panel and includes a feature known as "Motion Reduction," designed to minimise motion blur and improve the overall fluidity of the image. This addition is particularly beneficial for users who enjoy watching films and series, providing a smoother visual experience even during dynamic action scenes where detail is essential. However, while "Motion Reduction" enhances the viewing experience for cinematic content, it is important to note that this panel may not be the optimal choice for gaming due to a noticeable motion blur effect, which can become apparent during fast-paced gameplay.

The TCL A300 is equipped with a 144 Hz panel, which should immediately satisfy practically everyone – both gamers and sports fans. The motion is smooth, and the picture is clear even in fast scenes. Additionally, the television offers a motion enhancement feature called "Motion," where we can find two sliders on a 10-point scale. These allow for adjusting the effect to personal preferences – from a classic, cinematic look with visible frames to a very smooth (though already unnatural) image reminiscent of a soap opera effect. Thanks to this, everyone can find a setting that suits them.

The Samsung Q60D has gaming features such as ALLM (Auto Low Latency Mode), HGiG (HDR Gaming Interest Group), and Game Bar, which contribute positively to gaming experiences by optimising response times and enhancing HDR visuals. However, the absence of HDMI 2.1 support limits the TV's potential, preventing the use of VRR (Variable Refresh Rate) which could further boost smoothness and image consistency. For casual gamers the Q60D should suffice, delivering satisfactory performance during typical gameplay. On the other hand, for more discerning gamers, models with a higher refresh rate and HDMI 2.1 support are recommended. Such upgrades enable full functionality and better compatibility with the latest games, ensuring smoother motion and superior image quality – essential for an immersive and top-tier gaming experience.

TCL A300 is a television designed not only to transport us to a digital art museum but also to a full-fledged gaming world. It offers practically everything you would expect from gear for gamers: two HDMI 2.1 ports with full bandwidth, 144 Hz refresh rate, VRR support, and ALLM.

The correct implementation of the HGIG mode is also a plus – something that competing Hisense sometimes struggles with. The television easily handles lower resolutions (e.g., Full HD) while maintaining high refresh rates, which will be appreciated by owners of older consoles or PCs.

In addition, there’s an attractive and clear GameBar that facilitates quick access to settings for gamers. The A300 is truly well-prepared for gaming at the highest level – it's just a shame that issues with motion blur slightly tarnish its overall image as a gaming device.