Samsung Q60D / Q67D / Q68D vs Samsung Q7F

The Samsung Q60D consistently achieves brightness levels above 500 nits, which is above average for its class of devices. This level of brightness enhances the viewing experience, providing a more immersive home cinema feel, with clearly visible details in bright areas of the image and well-rendered contrast dynamics, especially when watching content from streaming platforms or Blu-ray discs. As a result, movie screenings gain added depth and realism, particularly in well-lit scenes.

However, despite incorporating quantum dot technology (QLED), the TV does not excel in colour reproduction. The DCI-P3 colour space coverage is limited to 90%, which may become apparent in more demanding scenes where the richness and saturation of colours are crucial for image quality. While the Q60D offers solid performance, those seeking more vibrant and accurate colour reproduction may notice some limitations.

Unfortunately, the Samsung Q7F is not one of the bright televisions, and this directly affects the quality of HDR movies. The peak brightness of the panel is only about 250 nits, which is definitely too low to speak of true cinematic experiences. In practice, the image in HDR content does not differ significantly from classic SDR, making it hard to talk about any "wow effect" that usually accompanies us while watching such films. During testing movie scenes, the image simply looked dim, and brightness almost invariably hovered around the mentioned 250 nits. The worst performance was observed in shots with small, intensely glowing elements – the applied global dimming technique reacted very aggressively, dimming the entire screen to maintain the black effect. On the plus side, it is worth noting the presence of a QLED coating that expands the color palette. As a budget QLED model, the Q7F performs quite decently here: its DCI-P3 color coverage is about 93%, and BT.2020 reaches 70%. This means that colors, despite the low brightness, can look quite vivid and attractive.

For several years, Samsung has included a "Filmmaker" mode in its televisions, designed to deliver picture settings that remain true to the original vision of filmmakers straight out of the box. This is undoubtedly a significant move towards achieving cinematic quality at home, but it's important to note that this mode is not without its drawbacks.

For instance, the white balance in both SDR and HDR modes tends to show an excessive amount of red, resulting in an overly warm image. This can cause actors' skin tones and brighter scenes to appear unnaturally pink. The Colour Checker test confirms this issue, as colour samples often shift towards red hues, deviating from the neutral colour representation that would be preferred in a professional context.

In terms of contrast, there is a noticeable dip at the start of the gamma curve, where values below 2.4 fall to around 2.1. This can make darker scenes look less detailed, diminishing their depth. When displaying HDR content, the EOTF curve (which handles brightness representation) shows a significant peak at the beginning of the graph, potentially leading to excessive brightness in lighter areas of the image and disrupting the natural tonal balance.

The factory color reproduction in the Samsung Q7F definitely isn't one of its strong points. In Filmmaker mode, which theoretically should be closest to neutral, the white balance issue is immediately noticeable. There's too much red on the screen, while blue is noticeably lacking. The effects of this are very easy to see – white, instead of being neutral, takes on warm, almost slightly orange tones. Over time, this makes the entire image look somewhat unnatural, and bright areas of the scene can seem unrealistic. The problems become even more apparent in HDR content. The graphs show that the TV has significant errors in the Color Checker palette, which translates to visible inaccuracies in the real image. In practice, this means that colors are not presented as they should be. The Q7F also heavily manipulates brightness; darker elements are overly boosted, causing them to lose their cinematic feel, while bright parts can appear dimmed. As a result, the image seems flattened, and instead of helping to bring out details, contrast only highlights its own limitations. This is particularly frustrating in HDR materials, as every detail matters there. In scenes where a subtle play of light and shadow should be felt, the Q7F either overdoes the brightening or, conversely, suppresses elements that were meant to draw the eye. This causes the image to lose its depth, and instead of cinematic realism, we get more of a simplification effect.

After professional calibration of the Samsung Q60D in film mode, users can experience a notable enhancement in image quality. Samsung TVs have long featured both 2- and 20-point grayscale adjustments, and an advanced Colour Management System (CMS), enabling precise tuning of colour and hue. Following calibration, the white balance for both SDR and HDR content is free from significant peaks and red tone shifts, resulting in a more natural image. Although a few larger errors may still be evident in HDR mode, the overall improvement in colour accuracy is impressive.

In terms of contrast, despite the inherent limitations of the TV’s technology, there has been a marked improvement. Calibration enhances the visibility of details in darker scenes and accentuates the differences between lighter and darker elements, making the image appear more dynamic. This leads to a more satisfying viewing experience, with improved depth and realism in the displayed content.

After professional calibration, we managed to bring the Q7F in order – at least in terms of SDR content. The picture in this mode looks really good: the white balance has been set correctly, the colors appear natural, and errors in the color palette have dropped to values that are practically invisible to the eye. The gamma behaves excellently, and the only minor drawback is a slight brightening of smaller elements, which results from the lack of local dimming. For everyday TV watching or standard quality films, the Q7F performs surprisingly well.

It was much more difficult to tame HDR content. Despite adjusting the white balance, the television continues to manipulate brightness significantly, causing scenes to sometimes look unnatural – what was meant to be subtly darker can end up being overly brightened, and bright parts of the image sometimes appear dull. The final effect is better than in the factory settings, but it is evident that the design limitations of the Q7F do not allow for fully utilizing the potential of HDR materials.

However, when it comes to processing and scaling lower-quality content, the TV performs quite well. The image is displayed without overscan, ensuring the full use of the available screen space. Additionally, the edges of models or tree branches are not overly jagged, resulting in satisfactory content quality. While noise reduction could be more effective, the overall processing of lower-quality materials is positive and meets expectations.

Upscaling and digital image processing in the Q7F is a bit of a sine wave. On one hand, we have really nice upscaling – weaker sources look better than one might expect. The image becomes clearer, sharper, and even older movies or terrestrial TV hold up well. Samsung has been strong in this area for years, and the Q7F confirms that. On the other hand… things start to get tricky. The TV has a problem with overscan – part of the image is simply cut off, and it looks rather unrefined. Additionally, we were let down by a feature called "noise reduction," which should improve the smoothness of tonal transitions in weaker materials. In other Samsungs, it works relatively well, but here it practically makes no difference – the banding in gradients remains. It's a bit disappointing because we could have expected more from a model that is aimed at users looking for a display for SDR content.

The Samsung Q60D is equipped with a 60 Hz panel and includes a feature known as "Motion Reduction," designed to minimise motion blur and improve the overall fluidity of the image. This addition is particularly beneficial for users who enjoy watching films and series, providing a smoother visual experience even during dynamic action scenes where detail is essential. However, while "Motion Reduction" enhances the viewing experience for cinematic content, it is important to note that this panel may not be the optimal choice for gaming due to a noticeable motion blur effect, which can become apparent during fast-paced gameplay.

Motion blur and motion fluidity in the Q7F is probably the most budget-conscious element of this TV. The 60 Hz panel is noticeable, with blur being quite evident, especially in dynamic scenes, and it's rather difficult to consider this model as equipment designed for watching sports or playing fast-paced games. In tests with the little green man, there was a long tail, and the ball in a football match would leave trails behind it.

On the plus side, the presence of motion smoothing is commendable. It really makes a difference in movies - especially since most materials are recorded at 24 frames. Here we can decide for ourselves whether we prefer a more "cinematic" image, with the slight jerkiness characteristic of cinema, or a smoother, more "television-like" one. This actually works quite well and helps improve the viewing comfort for series or movies.

The Samsung Q60D has gaming features such as ALLM (Auto Low Latency Mode), HGiG (HDR Gaming Interest Group), and Game Bar, which contribute positively to gaming experiences by optimising response times and enhancing HDR visuals. However, the absence of HDMI 2.1 support limits the TV's potential, preventing the use of VRR (Variable Refresh Rate) which could further boost smoothness and image consistency. For casual gamers the Q60D should suffice, delivering satisfactory performance during typical gameplay. On the other hand, for more discerning gamers, models with a higher refresh rate and HDMI 2.1 support are recommended. Such upgrades enable full functionality and better compatibility with the latest games, ensuring smoother motion and superior image quality – essential for an immersive and top-tier gaming experience.

Features for gamers in the Samsung Q7F is a topic that evokes quite a mix of emotions. On one hand, no reasonable person expected miracles here, as this is a 60 Hz television, and it was clear from the start that it wouldn't be equipment for extracting the maximum from consoles or PCs. On the other hand, since the manufacturer promised specific solutions in promotional materials, it is natural that we wanted to see them in practice. At the outset, it’s quite decent. The automatic game mode (ALLM) works, so you don’t have to manually fiddle with the settings, the console itself switches the television to low-latency mode. In addition, we have Game Bar, which looks impressive and allows you to view some basic parameters without leaving the game. And this is where the good news ends.

[UPDATE] We have updated our tests of Samsung televisions from the 2025 model year due to the release of software version 1131, which restored the key feature for gamers, HGiG.

The biggest problem with the Q7F is VRR, or rather its absence. Indeed, a relevant icon appears in the menu, and you can even see it in the Game Bar, but throughout the entire test, the feature remained inactive and could not be activated in any way. It’s even more disappointing regarding HGiG; this option was actually available at the beginning, but after the software update, it completely disappeared, which is just unprofessional. Therefore, the Q7F is suitable only for absolute basics. Sure, you can turn on the console, play calmer titles, and enjoy low input lag, but if someone is counting on more advanced features that the manufacturer promised, they will be disappointed. This is not a television that you buy with gaming in mind, and it’s better to be aware of that before making a purchase.