Samsung OLED S95D vs Sony BRAVIA 5 (XR5)

Samsung S95D offers excellent HDR performance, providing uniform effects across all scenes exceeding 1500 nits, except for the fifth scene, where brightness drops to 800 nits. Despite this, the television maintains a high level of image quality. A significant advantage of QD-OLED technology is its ability to retain high brightness even in the smallest elements on a black background, which is uncommon in LCD and mini LED televisions. This ensures that every scene captivates with strong light effects, regardless of the size of the illuminated surface. Only in the brightest scenes with large light areas does brightness slightly decrease, which is typical even for standard LG-produced OLEDs. Additionally, the quantum dot coating has allowed for unprecedented high coverage of the BT.2020 colour gamut at 88%.

Looking at similar results in terms of black levels and contrast, we expected the same stable performance as last year's model when it comes to HDR content. Unfortunately – and this must be said plainly – there has been a regression here that is hard to overlook. The paradox is that the peak brightness of the Bravia 5 can be impressive: in our synthetic tests, the television reached around 1000 nits in HDR. Sounds great, right? The problem is that this power does not always translate effectively to all movie scenes. When small, pinpoint elements appear on the screen, something that was usually refined with surgical precision in the case of Sony clearly falters this time. The algorithms try to maintain deep blacks around small objects, but the side effect is that details can be dimmed to the point of becoming barely visible. A case in point is the movie Sicario 2 – there, in some scenes, small light sources practically vanished as if someone had covered them with dark film.

Of course, not everything looks so dramatic. In simpler, brighter scenes, where the image is filled with a greater amount of light, the Bravia 5 shows that it can shine: literally and figuratively. At that point, the television achieves values in the range of 600–800 nits, which we observed in both synthetic tests and during movie screenings. The impression is truly positive; the brightness adds dynamism, and the colors appear vivid and fresh. However, there remains a certain dissonance. We feel a slight confusion because it is evident that something has gone the wrong way. Technological advancement – more zones, greater backlight power – has not been supported by the refined image management we usually associate with Sony. Fortunately, there are elements that have not been worsened and are instead at a very high level. We are talking about color reproduction. Thanks to the use of the PFS filter, the color gamut coverage is excellent – about 97% of DCI-P3 and 75% of BT.2020. These values allow for a truly wide color reproduction, giving films a natural and cinematic character.

The Samsung S95D’s Filmmaker mode excels in colour accuracy, making it ideal for true-to-life viewing and closely reflecting the intent of content creators. We rely on this mode for all testing, as it presents significantly more detail than the often oversaturated standard or dynamic modes. Initially, viewers may find the image slightly warmer in Filmmaker mode, but it brings out a more authentic, balanced display. Despite being in the premium segment, the factory settings aren’t perfect. For example, there is a dip in red tones in the white balance for both HD and HDR content, with Colour Checker tests showing a cooler colour bias that shifts the image towards blue, impacting the natural appearance of scenes. In the sample photo, the boy appears in cooler tones, which diminishes realism.

Brightness performance for HD content is generally on point, though minor inconsistencies appear. However, the more noticeable issue arises with 4K HDR content. While the EOTF curve seems accurate in test patterns, real scenes sometimes reveal fluctuations, where some areas are overly brightened or darkened. Although the S95D offers reasonably good out-of-the-box colour reproduction, calibration is recommended to achieve a more precise, natural, and immersive picture, maximising the television’s potential.

Sony Bravia 5 was of course tested in the best possible mode, which is the Cinema mode. Right out of the box, it offers the most natural colors, definitely better than anything provided by the "eco" or "dynamic" modes, which are more suitable for a store display than a living room. However, the Cinema mode itself does not guarantee that we can always expect cinematic image quality. In SDR content, we had practically no major complaints – the slightly warm white balance made the scenes take on a somewhat golden tone, but it was nothing that was glaringly obvious. However, the problem arose with HDR materials. Here, the color reproduction simply looked poor. The white balance was severely off – with an excess of blue and a noticeable lack of red. At times, it even resembled the store "super vivid image" mode, where everything is overexposed and artificially boosted.

This state of affairs made managing brightness seem too aggressive as well. The EOTF graph clearly showed that the television had issues with overexposing many scenes right out of the box. And while we know what Sony televisions are usually capable of, it was hard to remain indifferent here – which is why we quickly decided to go for calibration.

Calibration can significantly elevate a television's image quality, enhancing both accuracy and overall viewing experience. For the Samsung S95D, calibration has notably refined the white balance, removing major colour inaccuracies to produce more natural and balanced tones, which allows for a closer representation of the filmmakers’ vision. The adjustments bring subtle improvements to contrast and gamma, with more pronounced distinctions between light and dark areas, adding depth and revealing finer details in both shadows and highlights. This creates a richer, more lifelike image with enhanced detail, particularly in darker scenes where shadows now hold greater clarity, while bright areas appear well-balanced rather than overly intense.

Despite these improvements, the EOTF curve remains slightly below ideal, which might influence the handling of dynamic scenes. However, the enhanced tonal transitions and boosted contrast post-calibration make the S95D an excellent choice for film and high-definition content, bringing it closer to reference-level quality. This calibration enables the television to deliver a more immersive, accurate visual experience in line with industry standards, ultimately offering a more rewarding viewing experience.

After calibration, the situation changed drastically. We managed to tune the white balance so that entire scenes began to look more natural, and the image gained coherence and elegance. In HDR, we finally got rid of that unwanted blooming effect that had previously ruined some shots. Suddenly, it turned out that the Bravia 5 can extract much more from films than the first contact "straight out of the box" suggested. Yes, if we take a look at the graphs and compare them with the reference patterns, we can see that the start of the EOTF curve slightly deviates from the reference line. However, this is not so much a calibration error as a natural limitation of Mini-LED technology, which cannot be bypassed. Sony, instead of clinging to perfect black, prefers to prioritize the visibility of details – and in practice, it’s hard to disagree with that. We prefer to see the texture of the material on the screen rather than a pitch-black blob that obliterates all nuances.

The calibration itself made a significant difference. After about an hour spent on adjustments, we felt that the picture resembled that from the best cinema halls – of course on a home scale, but with the same sense of quality and refinement. And in such moments, we remember why we love Sony televisions: because once we fine-tune them, they can reward us with an image that captivates for long hours.

The Samsung S95D handles tonal transitions in lower-quality materials exceptionally well. In tests featuring a screen with a light bulb, there are virtually unnoticeable transitions between shades of grey, positioning it among the best televisions we have evaluated in this aspect.

Regarding digital processing, the S95D excels in rendering the entire image—whether it's branches or figures—without any jagged edges or overly pronounced contours. However, one point to note is that the image appears slightly trimmed. Despite this minor issue, the television still performs admirably, ensuring that details in lower-quality materials remain noticeable and well-defined. This ability to maintain clarity and depth in various content types further solidifies the S95D's reputation for delivering a high-quality viewing experience.

Bravia 5 carries within it the genes of Sony, which remain intact – and thank goodness for that, because we are talking about absolutely remarkable digital image processing. There is a reason that for years it has been believed that it is this brand of television that sets the standard for how a screen should handle lower-quality materials. If someone is still watching classic television, old movies, or YouTube in lower resolution, here they get equipment that can turn such content into a surprisingly pleasant experience. On board, we find several tools worth activating. The first of these is "digital noise reduction." Set to a medium level, it works almost flawlessly – smoothing tonal transitions that usually pose the biggest challenge with low-quality materials, while not introducing any artificial artifacts. Importantly, it also does not remove the filmic character, or the natural grain that is an intentional element in many productions. Another advantage of Bravia 5 is the upscaling capabilities of the XR processor. The image presented after scaling is soft yet sharp and clear. The contours of characters are well-defined, and backgrounds retain their structure without excessive artificial sharpening. It’s hard to find a better television for watching lower-quality content – Bravia 5 only confirms why Sony is regarded as the benchmark in this field.

The Samsung S95D TV, featuring a refresh rate of 120 Hz (and even 144 Hz when configured correctly for PC use), guarantees exceptional motion smoothness. Samsung provides a range of image sharpness settings on a ten-point scale, enabling users to customise the display according to their preferences— favouring a more cinematic look or a smoother, theatrical feel.

In UFO tests, the OLED panel demonstrates its strengths by effectively eliminating any blurring. The rapid pixel response ensures that dynamic movements are replicated with remarkable precision, resulting in a fluid viewing experience that enhances fast-paced content, such as action films or competitive gaming. This combination of high refresh rates and superior pixel response makes the S95D an outstanding choice for those seeking crisp, clear motion in their visual media.

Bravia 5 has a 120 Hz panel, which in itself sounds like an invitation to watch sports, fast matches, or spectacular action movies. However, the real magic begins only when MotionFlow comes into play – Sony's proprietary smoothing technology. Thanks to it, we can adjust the character of the image to our own preferences. The “smoothness” slider allows us to transition from a cinematic vibe with a slight “jitter” of the film frame to an almost theatrical fluidity, where every ball in the game glides across the screen like on a string. The higher the value, the smoother and more fluid it is; the lower – the more cinematic and natural. In the options, we also find an additional setting that Sony has called “clearness.” This is nothing more than the BFI function (which stands for black frame insertion), which aims to improve motion clarity. It sounds great in theory, but in practice, you need to use it with great caution. Why? Because all higher settings cause brightness drops of up to half, and in some cases, there can also be contour doubling. Therefore, if we want to use it, we recommend the lowest possible level – “1” out of the available ten. This way, we gain a little better motion clarity without risking a loss of half the image brightness.

The Samsung S95D TV is expertly designed to meet the needs of gamers, featuring four HDMI 2.1 ports that support essential functionalities like Auto Low Latency Mode (ALLM), Variable Refresh Rate (VRR), and HDR Gaming Interest Group (HGIG). While the HDMI 2.1 ports do not offer the full 48Gb bandwidth, they are still adequate for achieving the desired resolution and smooth performance.

These technologies enable players to experience smoother and more responsive gameplay, significantly enhancing comfort and performance during intense gaming sessions. A standout feature is the Xbox app, which facilitates cloud gaming without requiring a console. This allows gamers to access an extensive range of titles directly on the TV, enjoying high image quality and fluid gameplay.

Additionally, the S95D includes a Game Bar feature, making it easy to manage game settings with quick adjustments, such as changing the screen ratio—an extremely useful function for various games and gameplay modes. The support for G-Sync and FreeSync is another advantage, particularly for Nvidia and AMD graphics card users.

Although the S95D lacks support for Dolby Vision, it still provides an impressive array of features, making it an ideal choice for console gaming enthusiasts. Overall, the S95D combines cutting-edge technology with exceptional picture quality, creating a comprehensive package for any gamer seeking an immersive experience.

In the Bravia 5, there is significant progress compared to the X90L model from two years ago. The television offers literally everything that its predecessor had, but this time the issues that could irritate gamers have been fixed. The problems with setting up variable refresh rate (VRR) have disappeared, and there are no longer any issues with configuring HDR content in HGiG mode. In short: we get a device that simply works as it should without any fuss. The Bravia 5 thus has everything one could expect from a modern gaming television – and it could be advertised with the slogan "ready for PS5" without exaggeration. This is a statement we couldn't make about the X90L model. Hats off, Sony!

It's just a shame that in such a relatively high-priced model, a complete set of four HDMI 2.1 ports is missing. In everyday use, this won't be a problem for most people, but if someone has a console, soundbar, and additional equipment connected via HDMI, at some point there will be a need to either choose or juggle cables.