Samsung OLED S95D vs Philips OLED770

Samsung S95D offers excellent HDR performance, providing uniform effects across all scenes exceeding 1500 nits, except for the fifth scene, where brightness drops to 800 nits. Despite this, the television maintains a high level of image quality. A significant advantage of QD-OLED technology is its ability to retain high brightness even in the smallest elements on a black background, which is uncommon in LCD and mini LED televisions. This ensures that every scene captivates with strong light effects, regardless of the size of the illuminated surface. Only in the brightest scenes with large light areas does brightness slightly decrease, which is typical even for standard LG-produced OLEDs. Additionally, the quantum dot coating has allowed for unprecedented high coverage of the BT.2020 colour gamut at 88%.

The Philips OLED770 does not attempt to compete with the brightest OLEDs on the market, and it would actually be hard to expect that, as it is the lowest model in Philips's series for 2025. In our measurements, it achieved a maximum brightness of about 700 nits, which allows for enjoyment of HDR effects in scenes where light appears point-wise – for example, in the flash of headlights or a starry sky. In such moments, the picture can truly impress. However, it is different when there are more bright elements on the screen. The television, like many cheaper OLEDs, limits brightness in those cases, and the entire picture noticeably dims. This was best seen in a scene from the movie The Meg, where the sun rises behind an oil rig – at that point, the brightness dropped to about 250 nits, nearly three times less. The HDR effect remains visually pleasing, but it is worth being aware that this model performs best in scenes with less intense light. Fortunately, the OLED770 has an ace up its sleeve – the coverage of the DCI-P3 color palette is as high as 99%, so colors in movies and games are saturated and very close to what the creator intended to convey.

The Samsung S95D’s Filmmaker mode excels in colour accuracy, making it ideal for true-to-life viewing and closely reflecting the intent of content creators. We rely on this mode for all testing, as it presents significantly more detail than the often oversaturated standard or dynamic modes. Initially, viewers may find the image slightly warmer in Filmmaker mode, but it brings out a more authentic, balanced display. Despite being in the premium segment, the factory settings aren’t perfect. For example, there is a dip in red tones in the white balance for both HD and HDR content, with Colour Checker tests showing a cooler colour bias that shifts the image towards blue, impacting the natural appearance of scenes. In the sample photo, the boy appears in cooler tones, which diminishes realism.

Brightness performance for HD content is generally on point, though minor inconsistencies appear. However, the more noticeable issue arises with 4K HDR content. While the EOTF curve seems accurate in test patterns, real scenes sometimes reveal fluctuations, where some areas are overly brightened or darkened. Although the S95D offers reasonably good out-of-the-box colour reproduction, calibration is recommended to achieve a more precise, natural, and immersive picture, maximising the television’s potential.

The first measurements already show that the factory settings of the Philips OLED770 have a lot to improve even in Filmmaker mode. The white balance chart clearly shows a lack of blue, which gives the image a slightly yellowish tint. In practice, the white is not snow-white, but leans towards warmer hues – which some may even like, but from the accuracy perspective, this is a deviation from the norm. The gamma, on the other hand, tends to be on the darker side – the average value is about 2.6 instead of the reference 2.4. In the mid-tones, the image appears muted and more saturated, which may look too "filmic," but takes away some naturalness. However, the biggest issues can be seen in color reproduction. The average error is relatively high, and some colors – especially shades of gray – clearly deviate from what should be seen. In everyday viewing, this means that sometimes colors may look less natural than we would wish.

Calibration can significantly elevate a television's image quality, enhancing both accuracy and overall viewing experience. For the Samsung S95D, calibration has notably refined the white balance, removing major colour inaccuracies to produce more natural and balanced tones, which allows for a closer representation of the filmmakers’ vision. The adjustments bring subtle improvements to contrast and gamma, with more pronounced distinctions between light and dark areas, adding depth and revealing finer details in both shadows and highlights. This creates a richer, more lifelike image with enhanced detail, particularly in darker scenes where shadows now hold greater clarity, while bright areas appear well-balanced rather than overly intense.

Despite these improvements, the EOTF curve remains slightly below ideal, which might influence the handling of dynamic scenes. However, the enhanced tonal transitions and boosted contrast post-calibration make the S95D an excellent choice for film and high-definition content, bringing it closer to reference-level quality. This calibration enables the television to deliver a more immersive, accurate visual experience in line with industry standards, ultimately offering a more rewarding viewing experience.

Philips OLED770 has shown signs from the beginning that it houses significant potential, but it was difficult to fully see this in the factory settings. The image was sometimes too warm, and some colors seemed to have lost their naturalness along the way. However, calibration revealed that it is a television very receptive to adjustments – it reacted to every correction and almost immediately unveiled another layer of its capabilities. The white balance was successfully set both in SDR and HDR, eliminating the yellowish glow and presenting a neutral, clear white. Gamma stabilized closer to perfection, allowing midtones to regain their naturalness, and shadows no longer appeared artificially darkened, possibly even with a slight brightening effect. The effect was obvious... Movies are watched with greater ease; the image has cinematic depth, but without the feeling that something is exaggeratedly darkened. However, the most interesting part was the work on colors. Out of the box, the errors were not dramatic but slightly noticeable – skin tones were sometimes too warm, and gray didn’t always have the shade we expected. After calibration, the error values dropped to around 2, and in many cases even below 1. This is a level significantly lower than the threshold of perception for the human eye. In other words, after correction, the colors finally “clicked” into place. Looking at the screen, we had the impression that the television had begun to speak with a full voice. Like an instrument that has finally been well-tuned.

The Samsung S95D handles tonal transitions in lower-quality materials exceptionally well. In tests featuring a screen with a light bulb, there are virtually unnoticeable transitions between shades of grey, positioning it among the best televisions we have evaluated in this aspect.

Regarding digital processing, the S95D excels in rendering the entire image—whether it's branches or figures—without any jagged edges or overly pronounced contours. However, one point to note is that the image appears slightly trimmed. Despite this minor issue, the television still performs admirably, ensuring that details in lower-quality materials remain noticeable and well-defined. This ability to maintain clarity and depth in various content types further solidifies the S95D's reputation for delivering a high-quality viewing experience.

The problem of the previously mentioned color connections can largely be mitigated by the "distortion reduction" feature, which is an algorithm for smoothing tonal transitions in Philips TVs. It works best at a low setting—effectively eliminating unwanted color bands while not introducing strange artifacts or losing image detail. It's one of those features that is truly worth keeping switched on.

The issue with upscaling is somewhat less favorable. The image from a lower resolution can be too soft, while at the same time, distinctive "jaggies" appear in certain areas. The impression is that the algorithm is trying to reconcile two contradictory directions—smoothing and sharpening—and ultimately hasn't found the golden mean. As a consolation, it's worth noting that the television has no issues with overscan, meaning it doesn't cut off the edges of the image, which sometimes happens with other competing models.

The Samsung S95D TV, featuring a refresh rate of 120 Hz (and even 144 Hz when configured correctly for PC use), guarantees exceptional motion smoothness. Samsung provides a range of image sharpness settings on a ten-point scale, enabling users to customise the display according to their preferences— favouring a more cinematic look or a smoother, theatrical feel.

In UFO tests, the OLED panel demonstrates its strengths by effectively eliminating any blurring. The rapid pixel response ensures that dynamic movements are replicated with remarkable precision, resulting in a fluid viewing experience that enhances fast-paced content, such as action films or competitive gaming. This combination of high refresh rates and superior pixel response makes the S95D an outstanding choice for those seeking crisp, clear motion in their visual media.

The issue of the panel in the Philips OLED770 is not entirely straightforward. The manufacturer claims a 120 Hz panel, but our measurements showed that the screen can accept a 4K signal even at 144 Hz. This sounds like great news – because who wouldn't want an extra mode for PC gaming at this price? However, the reality turned out to be more complex. With 120 Hz materials, the television behaves like most OLEDs – the picture is absolutely clear, with no trace of ghosting or blurring, making it ideal for both fast-paced games and sports broadcasts. The problem arises only at 144 Hz. Unlike models with official support for that frequency, here we observe the phenomenon of so-called frame skipping. This means that the television is unable to display all frames – some of them are skipped, causing the motion to lose fluidity, and double outlines appear on the screen. The effect resembles the operation of the BFI function, which Philips does not offer in this model anyway.

The Samsung S95D TV is expertly designed to meet the needs of gamers, featuring four HDMI 2.1 ports that support essential functionalities like Auto Low Latency Mode (ALLM), Variable Refresh Rate (VRR), and HDR Gaming Interest Group (HGIG). While the HDMI 2.1 ports do not offer the full 48Gb bandwidth, they are still adequate for achieving the desired resolution and smooth performance.

These technologies enable players to experience smoother and more responsive gameplay, significantly enhancing comfort and performance during intense gaming sessions. A standout feature is the Xbox app, which facilitates cloud gaming without requiring a console. This allows gamers to access an extensive range of titles directly on the TV, enjoying high image quality and fluid gameplay.

Additionally, the S95D includes a Game Bar feature, making it easy to manage game settings with quick adjustments, such as changing the screen ratio—an extremely useful function for various games and gameplay modes. The support for G-Sync and FreeSync is another advantage, particularly for Nvidia and AMD graphics card users.

Although the S95D lacks support for Dolby Vision, it still provides an impressive array of features, making it an ideal choice for console gaming enthusiasts. Overall, the S95D combines cutting-edge technology with exceptional picture quality, creating a comprehensive package for any gamer seeking an immersive experience.

If someone is looking for a gaming TV, the Philips OLED770 is a candidate that's hard to ignore. The mere fact that we have an OLED here provides a great starting point – perfect blacks and infinite contrast make evening sessions in atmospheric games look like they’ve been pulled straight from the cinema. On top of that, there’s the Ambilight system, which features LEDs on the back of the TV that extend the image onto the wall behind the screen. The effect is such that even regular gameplay in FIFA can look like a small spectacle, and in horror games, the atmosphere becomes really intense. On the technical side, it’s pretty good as well. The Philips OLED770 supports Variable Refresh Rate (VRR) up to 120 Hz, has an automatic low latency mode for gamers (ALLM), and if someone is using an Xbox Series X, they can also count on Dolby Vision support in games. You just need to know that in this mode, input lag is slightly higher than standard, although still at an acceptable level. As a bonus, we get the “Game Bar” panel, which is a special tool strip for gamers. It's not the most conveniently designed solution, but it allows you to check key parameters without leaving the game. In total, this presents a picture of a TV that on one hand has all the most important gaming features, and on the other can add something unique – Ambilight. And it’s this mix of technology and visual effect that makes the OLED770 one of the better screens for gaming in a home environment.