Samsung OLED S90F (QD-OLED) vs TCL C8L / QM8L

The biggest difference between the 65-inch S90F and the other versions is brightness. The QD-OLED panel can achieve up to 1700 nits in laboratory tests, which is over 500 nits more than the variant with the WOLED panel. This translates to a significantly stronger and more engaging HDR effect. In most scenes, bright parts of the image look fantastic, and we have to admit we were pleasantly surprised because we expected results closer to the WOLED version, but we got an effect that makes a big impression even in movies. As with any OLED, there are moments when the panel has to limit brightness somewhat. This mainly concerns full-screen, very demanding scenes – for example, in the last test frame from the movie "The Meg," brightness drops to around 800 nits. However, it's hard to consider this a flaw since it’s still an excellent result, unprecedented in OLED TVs in this price range. All signs indicate that the 65-inch S90F could be one of the best choices this year for those looking for a strong OLED at a reasonable price. Another advantage of the QD-OLED panel in HDR content is its color gamut coverage. Thanks to quantum dots, the television achieves almost full 100% of the DCI-P3 color gamut and nearly 90% of the BT.2020 gamut. These values place it alongside much more expensive models and make it exceptional in its class.

In terms of HDR, the TCL C8L turns out to be a hellishly bright television – and I mean literally. On a synthetic chart of 5%, our measuring equipment indicated a result exceeding 4500 nits. This is a result that is downright cosmic, considering that reference director monitors, which we often refer to in our materials, typically operate around 4000 nits. Does this mean that the C8L breaks barriers and climbs to the technological peak of Mini-LED? Not exactly. Dry synthetic tests are one thing, and real movie images are another. In real, varied scenes, the C8L achieves a peak of around 1600 nits. This is still a very good result, ensuring a very high level of HDR dynamics, but also clearly lower than what the manufacturer boasts in the specifications. The trouble starts with very small flashes of light – then brightness can drastically drop to around 600 nits. The algorithm tries at all costs to maintain deep black and minimize halo effect, but it does so at the expense of HDR impact. This is perfect evidence that laboratory charts rarely correspond to what we ultimately see on the screen.

Huge applause is due for color reproduction, all thanks to the new generation of SQD (Super Quantum Dot) quantum dots. The coverage of the DCI-P3 palette reaches 97%, but the true jaw-dropper is the measurement of the extremely demanding BT.2020 space. The C8L achieves as much as 90% in it, placing it alongside today's top screens that boast RGB backlighting. Importantly, unlike some screens with Micro/Mini RGB backlighting, this effect is stable regardless of the scene displayed. Of course, one must remember that content mastered for such a wide gamut in films or series is still a rarity. However, the mere fact that the panel has such a "color reserve" deserves immense admiration.

Samsung S90F, like most modern televisions, offers several picture modes, but in keeping with our tradition, we checked it in the most important one, which is Filmmaker. This setting makes the picture look much more natural than in the default, often oversaturated modes. It is neither overly saturated nor artificially subdued – just closer to what you should actually see. However, that doesn't mean it's perfect. The S90F had noticeable shortcomings in white balance, primarily in the blue range, which created a slightly yellowish filter effect on most scenes. One might argue that it looks more "cinematic" because it's warmer, but let's not kid ourselves – George Lucas didn't shoot Star Wars in sepia 😉 (you'll find a comparison with a scene below as always). In HDR materials, there was also a problem with brightness management. The EOTF curve clearly showed that the television brightens the picture more than it should, which led to some effects looking too intense and deviating from the reference. Fortunately, many of these shortcomings can be eliminated through professional calibration – we will discuss the effects of this procedure further in the test.

We tested the TCL C8L in the best factory picture mode available in this TV’s menu for image fidelity. That, of course, is Filmmaker Mode, which appeared in this brand’s software relatively recently (a year ago in the "K" series). Thanks to it, an average user can get a pretty good color reproduction straight out of the box, although it is certainly not a perfectly tuned mode. Looking at the factory white balance of our unit, both in SDR and HDR material, the red component was clearly lacking, which made the image noticeably cooler and caused a slight shift toward bluish-green tints. The issue of brightness management is also ambiguous, as we mentioned earlier. While for SDR content the gamma linearity is actually correct and holds steadily at the reference value of 2.4, in HDR things look much worse. Tracking the EOTF curve clearly shows the TV has a significantly boosted brightness across the range, which can make the final image overly bright and inconsistent with the creators’ intent, and that in a mode that by definition should avoid that. Of course, like every sample in our lab, this one also underwent professional calibration, and its results are shown below.

Calibration quickly showed that the S90F has a substantial reserve of capabilities. The image in SDR immediately gained a natural quality – classic films stopped looking as if someone had applied a yellowish filter to them, and the colors regained their true character. It’s a return to the atmosphere of the original, without the impression that someone tried to "age" it artificially. In HDR content, the difference was even more pronounced. The EOTF curve was managed almost to a reference level, and any deviations are so subtle that most viewers won't even notice them. In practice, the S90F after calibration displays an image very close to perfection. Compared to the WOLED version, it performs even better – mainly due to the wider color gamut coverage, which makes the colors look fuller and more vibrant.

As you can see, the results of a professional calibration of the TCL C8L are really promising, thanks to the extensive adjustment tools the manufacturer put at our disposal in the menu. Above all, we were able to completely correct the white balance — we eliminated the red deficiency, so the image finally stopped drifting toward unwanted cool tones. After that adjustment, errors in the ColorChecker test fell to near-reference levels, regularly landing below a Delta E of 2, which is below the threshold of human perception.

If the test patterns look this perfect, you might ask: why then the lower final score in this category? The answer lies in the brightness management discussed earlier. Although the menu includes sliders that let you precisely straighten the EOTF curve on synthetic signals, when confronted with actual movie material (I recommend enabling the EOTF filter when watching movies), you can see that in most scenarios the TV still reacts to HDR metadata its own way. As a result, the picture can be slightly over-brightened and not faithful to the creators' intent, and it was precisely this lack of consistency with real films that cost the C8L a few points.

The S90F performs really well here, although there are some comments that are repeated in the case of most Samsung TVs. The noise reduction feature can effectively smooth out unwanted color transitions in lower-quality materials, such as television or YouTube, making them simply look better. However, it should be noted that it operates quite aggressively and can also soften elements that we wouldn't want to touch, like facial details. Therefore, if we want to use it, it’s best to use it in the "medium" setting and be aware of the compromise it brings. The upscaling itself is at a high level – low-quality materials are enhanced towards a 4K-like image. The only caveat is that the S90F can still have problems with so-called overscan, which is slight trimming of the edges in very poor materials like 576p and lower.

This year the C8 series and higher models received probably the biggest and most anticipated upgrade in TCL’s history, and it specifically concerns digital image processing. The C8L is the lowest-end model in the manufacturer's lineup to be equipped with the latest flagship chip, the MediaTek Pentonic 800 (listed in the menu as MT9655). Thanks to its processing power, the feature called "Gradual Smoothing" finally works as it should. The algorithm effectively eliminates unwanted posterization (ugly tonal transitions/color banding), doing so intelligently enough that it does not degrade the sharpness of other details.

The processor also handles upscaling lower-resolution content to 4K very well. Although evaluating this element can be mostly academic, because the differences between today's TVs in this class are very subtle. The most important takeaway is that TCL finally has nothing to be ashamed of compared to the competition.

S90F is an OLED with a refresh rate of 144 Hz, but in practice, what matters most is how it performs at 120 Hz, as this frequency is the most significant when watching sports. The QD-OLED panel is no different in this regard from WOLED panels—the pixel response is almost instantaneous, allowing motion to be rendered with surgical precision. The effect is easy to predict. The image is practically free of ghosting, making gaming on consoles, matches, or other sports broadcasts a great pleasure on the S90F.

Fans of movies and series are not forgotten either. Like every Samsung TV with a refresh rate of 120 Hz and above, the S90F is equipped with a proprietary motion smoother called "Image Clarity." Here, we find two sliders—motion blur reduction and judder reduction—that allow you to improve the fluidity of materials recorded at 24 frames and adjust the effect to your personal preferences.

The TCL C8L is equipped with a fast panel that has a native 144 Hz refresh rate. That spec will be most appreciated by demanding PC gamers, while most users, who rely on consoles or TV broadcasts, will use a steady 120 Hz. It is at 120 Hz that motion processing algorithms handle image rendering for movies, series, and sports. In the TV’s menu you’ll find a "Motion Clarity" option that lets you adjust the motion smoothing to your preferences. The algorithms handle cinematic material at 24 or 30 frames per second (fps) as well as dynamic sports broadcasts at 50 or 60 fps, maintaining appropriate smoothness.

S90F is a television that truly brings a lot of joy when gaming. Right off the bat, we get four full-fledged HDMI 2.1 ports, which means you can connect all consoles and PCs without having to figure out which device takes priority. This is a convenient and practical solution that is not a given with other manufacturers. Additionally, there are key features such as the automatic game mode (ALLM), which switches the screen to low-latency settings, and VRR frame synchronization working over a wide range from 48 to 144 Hz. This ensures that the picture remains smooth regardless of whether we are playing fast-paced online shooters or calmer story-driven titles. Another noteworthy feature is the Game Bar – a panel that allows quick access to several useful additions. For example, you can turn on an additional crosshair in the center of the screen, enlarge the minimap, or, in the case of a PC, change the aspect ratio. Finally, there is also the unique Game Motion Plus mode exclusive to Samsung. Its purpose is to smooth out older or less optimized titles, and it actually works quite well. Thanks to this mode, even less polished games can look better and provide more enjoyment than on other televisions that theoretically offer the same technical specifications.

For gamers – especially for those with powerful PCs and several consoles at the same time – the TCL C8L is a true beast. It’s the first model in the manufacturer’s lineup equipped with four full HDMI 2.1 ports with a maximum bandwidth of 48 Gbps. This is directly thanks to the new Pentonic 800 processor we wrote about earlier. Additionally, the TV seamlessly supports virtually every gaming feature. It has an automatic game mode (ALLM) that reduces latency to minimal levels and full frame synchronization (VRR) operating in an impressive range of up to 288 Hz. We’re also talking about standards like G-Sync or FreeSync from Nvidia and AMD. When it comes to image display standards, there are also no compromises: the C8L offers complete support for HDR formats in games, including gaming Dolby Vision and the HGiG profile. All of these features can be conveniently managed from a very readable game bar (Game Bar), which we can customize according to our preferences. From a purely gaming perspective, there really isn’t anything to complain about in the C8L – well, maybe aside from the previously mentioned slight ghosting. But other than that? It’s an unflawed machine for gamers.