Samsung OLED S90D / S94D (WRGB OLED) vs TCL V6C

The Samsung S90D demonstrates impressive brightness performance in the tested film scenes, surpassing the 1000 nits mark in the first four shots—an outstanding result for an OLED display. In the final shot, which features a fullscreen flash of sunlight, the brightness dips to around 500 nits. While this is a decrease, it remains within a very good range, ensuring visibility and detail retention even in bright scenes.

Another key highlight of the Samsung S90D is its remarkable colour coverage, achieving 98% of the DCI-P3 colour space. This means the TV can reproduce an exceptionally wide range of colours, contributing to vivid and lifelike images that are particularly beneficial for films, high-quality video, and HDR content. The high colour accuracy and impressive brightness capabilities, makes the S90D an ideal choice for users seeking premium image quality across various lighting environments, whether in darker rooms or bright, sunlit spaces.

When it comes to HDR, the TCK V6C clearly shows that it is not its strong suit. Peak brightness around 200 nits makes it difficult to talk about true HDR effects – the image simply remains too dark to extract details in bright scenes or convey the appropriate dynamics. Although the TV formally supports many HDR formats, in practice it is not adapted for such demanding content. The lack of additional coatings that enhance colors, such as QLED or PFS LED, further limits the appeal of the image – in more spectacular productions, colors may seem washed out compared to more expensive models. Therefore, the V6C will primarily serve as a television for everyday TV, YouTube, or SDR materials, rather than as equipment for high-quality cinematic experiences.

The S90D was tested in Filmmaker mode, which provides good colour reproduction, albeit with some imperfections that may be noticeable to more discerning users. This mode might appear overly warm, and those switching from Standard mode could find the change somewhat jarring. It is important to note that this issue stems from suboptimal settings, such as the white balance, rather than the Filmmaker mode.

In both SDR and HDR content, the device shows a drop in blue tones, resulting in colours appearing warmer than intended. In practice, this means that certain shades, such as sky blue or skin tones, may seem less natural, with a slight pink or yellow tint. The Colour Checker test confirms these deviations, indicating a shift towards warmer hues. In SDR content, the gamma chart reveals slight inconsistencies that make the image appear marginally darker, particularly in shadowed areas, which may obscure finer details in darker scenes.

In 4K HDR content, the EOTF curve exceeds the recommended level, leading to an overly bright display in some parts of the image, which can cause highlights to appear blown out. Overall, the Samsung S90D delivers a solid image straight out of the box, but for the best performance, further calibration is advised, especially with more demanding content.

We started the color reproduction tests with the Filmmaker mode, which in theory should be the best choice right after taking the television out of the box. It certainly performs better than the Eco or Dynamic modes, which heavily interfere with the image and spoil its natural character. As you can see in the charts, the factory tuning of the V6C is not ideal, although it’s not a disaster either. The biggest problem turned out to be a lack of red – the television clearly "cools" the image, which is particularly noticeable on human faces, giving a "corpse skin" effect. This issue was the most bothersome in daily viewing. Looking at the color palette in HDR content, the deficiencies in red are also noticeable, and their source is the relatively narrow coverage of the color space. Of course, every television can be calibrated, so we decided to check how the V6C would perform after such an adjustment.

After calibration, the Samsung S90D in movie mode exceeds expectations. The white balance for HD and 4K HDR content has been refined to near perfection. While minor imperfections remain, they are so subtle that they don’t significantly impact the overall image quality. The colours are now more balanced, resulting in a natural reproduction of details, particularly in scenes requiring an accurate colour palette. It’s important to note that this model, in this size, uses a WOLED panel, which has a smaller wide colour gamut coverage and doesn't deliver the same vibrant colours as the 65-inch version with its QD-OLED panel.

The contrast has also seen notable improvements. Following calibration, the gamma curve now closely aligns with the expected line, achieving a better balance between the bright and dark areas of the image. The EOTF curve, which previously exhibited issues with overexposed scenes, now produces more accurate results, allowing for improved detail retention in the brighter parts of the image, especially in HDR content.

My dear friends – we haven't had such a difficult "calibration battle" in years. The V6C turned out to be one of the most stubborn TVs we've dealt with in the editorial office. The calibration trials alone took us several working hours and required a lot of patience. We finally managed to slightly warm up the skin tones, which made the faces stop looking like they were straight out of a horror film, a flaw in the factory settings. Unfortunately, that's not the end of it – the TV reacted to our adjustments in white balance in a completely unpredictable way. Where we expected image stabilization in a given area, new errors appeared, and the Color Checker measurements showed deviations that couldn't be rationally explained. It's hard to say whether the software or the construction itself was to blame, but one thing is certain – the V6C offered exceptionally strong resistance. In the end, the calibration brought improvement, especially in SDR content, where the image became more pleasant and natural. However, it must be clearly stated that the design limitations remained. The TV still flattens the image in HDR material and has significant deficiencies in color reproduction. This is equipment rather intended for everyday TV watching or SDR materials than for cinematic screenings in the highest quality.

The S90D TV handles tonal transitions exceptionally well. Thanks to advanced technology, the transitions between colours are smooth and natural. The noise reduction function can further enhance the smoothness of tonal shifts, which is particularly useful in certain situations. However, it's important to note that enabling noise reduction can also blur the natural film grain, diminishing the cinematic quality of the image. For this reason, it’s advisable to use this function with caution, as preserving the natural grain can enhance the character and authenticity of the content being watched.

As always, Samsung excels in image scaling from lower resolutions. The S90D effectively processes lower-resolution content, delivering a clear and accurate picture. The model’s outline is crisp, ensuring the image looks natural and detailed. Even the finer details, such as tree branches, are well-rendered without visible jagged edges that could degrade image quality. Thanks to its effective scaling, the S90D ensures that even lower-resolution content looks appealing, satisfying users who enjoy a wide range of content sources, such as regular broadcast or cable TV.

When it comes to upscaling, the V6C does not bring anything groundbreaking. Lower quality content is heavily sharpened, making the image look very unnatural, sometimes even artificially. This can be partially mitigated by lowering the sharpness level in the settings, but the effect is not spectacular. The image still remains far from ideal. The digital processing itself performs better. The function responsible for smoothing tonal transitions works quite effectively, especially at the medium setting, where the image indeed appears smoother. Unfortunately, its operation is quite aggressive – it heavily interferes with the overall scene, causing the actors in the foreground to start looking like characters from super smooth telenovelas. Therefore, we would not recommend using this option if natural reception of the image is important to us.

The Samsung S90D television features a 120 Hz panel, with the option to "overclock" to 144 Hz when connected to a compatible PC, offering exceptional motion smoothness. Samsung has long provided a range of image sharpness settings on a ten-point scale, allowing users to tailor the display to their preferences. In the UFO test, the OLED panel shows no signs of blurring, with pixel response instantaneous and effectively capturing dynamic movements. OLED technology is renowned for its performance in this regard, making it one of the best options on the market. The image remains incredibly sharp and detailed, even during fast-paced action, making the S90D an excellent choice for gamers and sports enthusiasts alike.

Motion smoothing and motion fluidity is an area where the V6C quickly reveals its limitations. It is a 60 Hz TV, so it was hard to expect miracles here. In dynamic sports scenes, the picture comes off rather average. This is most noticeable in darker scenes, where clear smears and blurry "halos" trail behind moving objects, which can be quite distracting. This is definitely a weaker point of this model. Fortunately, there is also a small plus. The V6C is equipped with motion interpolation, which works while watching movies. Thanks to it, productions recorded at 24 frames per second, meaning practically all cinematic titles as well as series, can look smoother than they were actually recorded. Importantly, the intensity of the effect can be adjusted to personal preferences – from slight smoothing to full "soap opera effect."

The Samsung S90D is an ideal choice for gamers, featuring four HDMI 2.1 ports that support key gaming technologies such as Auto Low Latency Mode (ALLM), Variable Refresh Rate (VRR), and HDR Gaming Interest Group (HGIG). These features ensure smoother and more responsive gameplay, greatly enhancing performance during intense gaming sessions. The TV also includes a dedicated Game Bar, which makes managing game settings easy. This functionality allows users to quickly adjust parameters like the aspect ratio offering flexibility for different games and gameplay styles. Customising preferences is straightforward, further enhancing the convenience and enjoyment of gaming.

For PC users, the TV impresses by supporting a refresh rate of 144Hz when connected to a computer. Users with Nvidia or AMD graphics cards can also use G-Sync and FreeSync for a smoother gaming experience. However, it’s important to note that the TV does not support Dolby Vision, which may be a drawback for some. That said, Dolby Vision is not as widely adopted in gaming as in film, so this may not be a significant concern for most gamers. Overall, the S90D offers exceptional features for gamers, making it an excellent choice for those seeking outstanding image quality and modern technological solutions.

Although the V6C is not a television designed with avid gamers in mind, TCL has included a few features that may appeal to more casual users. There is no 120 Hz panel or HDMI 2.1 ports, but there is an ALLM mode that automatically switches the TV to low-latency mode. Additionally, there is a quite practical Game Bar – a simple panel that allows you to view basic parameters, change the picture mode, or even enable a virtual crosshair on the screen. An interesting feature is also the support for Dolby Vision Gaming, intended for Xbox Series S/X consoles – a nice addition, though in practice it doesn't offer as much as in more expensive models. However, the biggest problem remains HDR configuration. The HGiG feature, which adjusts the brightness and contrast of games to the panel's capabilities, does not respond as we would expect – the image can end up being overly dark or too flat. As a result, a better solution turns out to be simply playing in SDR mode, where the V6C performs stably and does not try to pretend to be an HDR TV.