Samsung OLED S85F / S84F (QD-OLED) vs LG MRGB85B

As an OLED, the Samsung S85F can really shine – literally. Under favorable conditions, it can generate brightness exceeding 750 nits. This is hugely significant because most movies are created with displays around 1000 nits in mind. In practice, this means that in scenes with moderately large bright elements, the image can look simply fantastic. However, it's not always so rosy. When there is a massive amount of light on the screen – whether it's a vast bright background or an entire screen filled with white – the S85F must tone it down. The brightness can drop by even four times in such scenes. This limitation is known to basically every OLED in this price range, so we don't consider it a particular failing. However, something that deserves praise is what sets this model apart from the competition – color gamut coverage. Thanks to the QD-OLED panel, our colorimeter showed values exceeding 100% DCI-P3 coverage and as high as 86% for the ultra-wide BT.2020 palette. Such results are hard to find even in televisions that cost several times more.

LG MRGB85 offers moderate brightness. On test patterns it reaches about 700 nits, which by itself is a decent result. In actual movie scenes the values are lower and most often fall between 400 and 600 nits. Bright, expansive shots perform best. In scenes with a lot of black the TV noticeably limits luminance, trying to maintain the highest possible contrast. The HDR effect is therefore visible, but it is far from the level offered by more advanced Mini-LED designs. Especially in darker parts of films the limitations of edge-lit backlighting and imprecise local dimming become noticeable again.

HDR Colors

A much stronger suit of the MRGB85 is its colors. The TV covers about 95% of the DCI-P3 color space and 74% of BT.2020, allowing HDR material to look vivid and striking. Colors are well saturated, and the difference compared with basic LCD TVs is clearly visible. It is worth noting, however, that this is not a classic RGB backlight, where each of the three primary colors is generated by a separate diode. Red is produced by a PFS phosphor, which expands the palette and yields more saturated red shades. This solution works well for color reproduction, but it does not change the limitations of dimming itself. The LEDs are not driven independently in the way the series name might suggest... so it turns out that Mini RGB is not the same as Mini-LED RGB!

Samsung, as befits a manufacturer with ambitions, equipped the S85F with a mode called Filmmaker. Its task is simple: to make the colors on the newly purchased television as true to what the director wanted us to see as possible. Sounds great… but, as often happens, a great-sounding theory doesn’t always translate into perfect practice.

In the tested unit, it quickly became apparent that the image – due to an excess of blue and red – looked as if someone had overdone the saturation a bit. As a result, quite significant color errors appeared, particularly in 4K content. To make matters worse, there was a brightness issue – the S85F could brighten most scenes more than it should, taking away their intended mood.

Fortunately, Samsung televisions, including the S85F, offer an impressive number of settings for advanced calibrators. This means we could check what this panel is truly capable of when it gets into the right hands.

We tested the TV in Filmmaker Mode, because among the available settings it produced the image closest to the reference. Factory color reproduction was not perfect. The biggest deviations were in the white balance, with too much red and not enough blue, which pushed the picture noticeably toward warmer tones. Whites took on a slightly yellowish cast, and skin tones and bright areas did not always look natural. It wasn’t a flaw that completely ruined the viewing experience, but in a direct comparison with the same screen after calibration the difference was clearly visible.

Thanks to the vast number of settings in the menu, we managed to bring the S85F almost to perfection. White balance in SDR content? Literally perfect – deviations do not exceed a value of "1". Thus, it can be confidently said that in materials with not very high dynamics, we have an image close to reference.

In HDR content, minor issues did arise, but they are of little significance in practice – most errors fall below the threshold of perception, which is a value of "3". We also managed to tame the S85F regarding brightness management – the EOTF curve, even in films, adheres to an almost perfect line. This is one of those cases where after calibration, you can comfortably forget about the settings and simply enjoy movies and series at the highest level.

Calibration primarily corrected the white balance and removed the previously visible warm tint. After the adjustment, whites no longer had a yellow cast and colors became more neutral and natural. The biggest improvement was seen in SDR content, where the picture looked even and much closer to the reference. A similar effect was achieved in HDR. After calibration the picture became more controlled, although not all of the TV's limitations could be eliminated. The biggest issue remained the intense reds, which were not always reproduced with the necessary precision. In practice the MRGB85 handles everyday SDR content very well, but in more demanding HDR material its limitations remain clearly visible.

The tone transition smoothing feature in the S85F works really well – it can completely eliminate the problem of visible bands in very poor quality materials, even from YouTube. Unfortunately, even the lowest level of this option comes with compromises. Noise reduction is aggressive enough that it can smooth out film grain, which many of us consider an element of the cinematic atmosphere. At the "Standard" level, we did not notice that this feature removed anything significant from the image, so we can recommend this setting. On the other hand, the "High" level is a different story – it can smooth not only noise but also fine, desirable details such as the texture of objects.

When it comes to image scaling, the S85F performs very well. The material looks sharp, and the only minor imperfection is slightly visible contour jaggedness. And there’s the ongoing issue with Samsung televisions – overscan. This can cause some scenes to have their frames slightly trimmed, which is worth keeping in mind when watching very old content.

Upscaling and digital image processing perform quite well on the LG MRGB85. The Alpha 8 AI 4K Gen7 processor efficiently upscales lower-resolution content, and you can easily disable overscan regardless of the source. The TV also handles compression artifacts fairly well. The "Smooth Gradation" feature can effectively reduce visible banding and tonal unevenness, but it doesn't always work precisely. At higher settings it can smooth over fine details, for example material textures. On the plus side, it doesn't remove film grain. It's safest to use the "Low" or "Medium" setting, which provides the best compromise between artifact reduction and detail retention.

S85F is a hellishly fast television – and this is not just an empty catchphrase for effect. Thanks to the 120 Hz OLED panel, dynamic scenes, whether in games or while watching a live match, look exactly as they should – smoothly, sharply, and without the feeling that something is "escaping" from the frame. The lightning-fast pixel response time, typical of OLEDs, plays a crucial role here. Transitions between frames are practically instantaneous, and the image remains clear even during the fastest camera movements. A ball flying across half the field? A car racing in a chase scene? Everything here is clear and free of the characteristic "trail" found in LCDs.

This is exactly what we expect from a good OLED – zero compromises in motion fluidity. The S85F gives the feeling that regardless of the pace of the action, we can focus on what is happening on the screen, rather than on the imperfections of the image.

The LG MRGB85 is equipped with a VA panel with a native 144 Hz refresh rate, so it performs very well in terms of motion smoothness. The TV easily handles 120 Hz content from consoles and higher refresh rates when connected to a PC. That matters not only for gaming but also when watching sports, where camera movement is noticeably smoother than on basic 60 Hz models. There's also the TruMotion system, which lets you set the level of motion smoothing yourself. You can keep a more cinematic motion or increase smoothness, which works well for sports broadcasts and TV shows. The range of adjustment is wide, so you can easily tailor the motion smoothing to your preferences.

[UPDATE] We have updated our 2025 Samsung TV reviews following the release of firmware version 1131, which officially restores the essential HGiG (HDR Gaming Interest Group) support.

The S85F has practically everything it needs to become the dream screen for gaming. Four fully-fledged HDMI 2.1 ports with a bandwidth of 48 Gb/s, support for VRR, ALLM, a super-detailed Game Bar that clearly shows all parameters – and on top of that, a gem in the form of Game Motion Plus. This is a motion interpolator that makes animation in games more enjoyable, with only a slight increase in input lag. This is a rare combination, and Samsung deserves a big plus for it. Now comes the moment where we have to complain a bit. The lack of Dolby Vision in Samsung TVs is already standard, so there's no point in hoping (unless something changes in a few years) – but the disappearance of HGiG after the software update is something that’s hard to explain. HGiG (which stands for HDR Gaming Interest Group) is a mode that allows for precise reproduction of brightness in HDR games, according to the creators' intention. Without it, HDR calibration on the console becomes less precise, so we might end up with an image that's too dark in the shadows or overly bright. Perhaps Samsung will fix this in the next update – and we have high hopes for that. Because if HGiG returns, the S85F will become almost the perfect TV for gamers.

When it comes to gaming, the LG MRGB85 performs best by far. The manufacturer didn’t skimp on the feature set and essentially brought the full suite of functions from higher-end TVs to this model. You get three HDMI 2.1 ports with full 48 Gbps bandwidth. Each of them supports 4K 120 Hz from consoles, and when connected to a PC also 4K 144 Hz. So you don’t have to worry about which port to plug your console or PC into, since they all offer the same capabilities.

It also includes VRR, AMD FreeSync Premium, NVIDIA G-Sync Compatible, ALLM, and HGiG. Dolby Vision Gaming is present as well, allowing supported games to use high refresh rates and dynamic HDR simultaneously on Xbox. Rounding it out is Game Optimizer, a handy in-game menu for gamers. Without leaving the game you can change the picture profile, brighten shadow details, or check the current frame rate. In terms of gaming features, the MRGB85 therefore offers almost the same as much more expensive LG models.