Samsung DU8002 (IPS) vs TCL P7K / P79K

The HDR effect in the DU8002 television leaves much to be desired. A brightness level of 300 nits is not able to provide a true high dynamic range experience, making the content viewed resemble more of a standard SDR than impressive HDR. Scenes that should dazzle with brightness and detail appear muted and lacking in depth. Nevertheless, the television deserves praise for its high coverage of the DCI-P3 color palette at 92%. As a result, the colors are vivid and saturated, which may satisfy viewers who prefer rich hues, even if the HDR effect does not fully meet expectations.

When evaluating the HDR effect, we must make it clear and without marketing embellishment: the P7K/P79K is not and was never meant to be a master in this field. The maximum peak brightness that this panel can generate is only around 300 nits. This is a borderline value, a sort of thin red line between what can be considered a barely satisfactory HDR signal and what is really not much different from standard dynamic range (SDR), unfortunately leaning towards the latter. Synthetic tests found brutal confirmation in reality – our measurements taken during movie screenings showed that luminance in key bright parts of the content rarely exceeded the threshold of 200-250 nits. Therefore, this is not a television that would allow content produced in a wide tonal range to truly shine, and we must openly acknowledge that.

Unfortunately, the issue of color reproduction is presented equally restrained. Although the manufacturer positions this model in the "QLED" family, thanks to the use of a PFS LED filter, the results do not match the heightened expectations. The coverage of the wide DCI-P3 color gamut is only 86%. Compared to the market, this is at best an average result, as most devices that employ additional layers to expand the color spectrum easily achieve values at a minimum level of 90-92%.

DU8002 offers a Filmmaker mode, which is supposed to provide authentic image reproduction in line with the creators' intentions. Unfortunately, despite the promising name, the results are far from ideal. The white balance in this mode shows significant drops in blue color, leading to a noticeable yellowing of the image, which can be seen, for example, in our comparison photo. Colour Checker tests confirm these errors. As for brightness, the gamma characteristic is too low compared to the reference line of 2.4, resulting in excessive screen brightness. A similar problem occurs with 4K content – the EOTF responsible for brightness in 4K material shows significant increases above the reference line, leading to excessively bright small light elements. As a result, the Filmmaker mode in DU8002 does not meet expectations and instead of offering high quality, presents an image full of tonal and color inaccuracies.

Every reliable image quality assessment must begin by selecting the most optimal factory mode. In the case of the tested model P7K/P79K, the choice was confidently made for the "Film" mode. It is this mode that presents an image closest to the creators' intentions, avoiding both the exaggerated brightness of dynamic mode and the excessive dimming known from eco settings. And it must be admitted that, for a device in this price range, the factory calibration is surprisingly decent, although it is not free from a few stumbles. The most noticeable flaw turned out to be an imperfectly adjusted white balance. A slight dominance of the blue component gives the image a subtly cool, chilly character, thus deviating from the exemplary neutrality that the director wanted to show us. The television performs much better in reproducing the grayscale in a standard dynamic range – the gamma curve is executed almost perfectly. A minor reservation can only be made for the darkest parts of the image, where a slight deviation from the norm causes a loss of some detail in the shadows. The most serious challenge for TCL's software, however, was the interpretation of the HDR signal, which is illustrated by the EOTF curve. The television follows its own, rather free path here – the darkest details are disproportionately brightened, followed by a noticeable slowdown in brightness increase for midtones. Fortunately, most of these imperfections are software-related issues that can be eliminated. With this thought in mind, we proceeded to the professional calibration process.

Samsung is one of those companies that offers advanced tools for improving image quality in its televisions, including a 20-point white balance adjustment. Even with the budget model DU8002, with the right adjustments, surprisingly good results can be achieved. The white balance, especially for HD content, performs really well - tests on the Colour Checker palette confirm accuracy at the level of 2–1.5, which demonstrates the significant capabilities of this television in color reproduction. In 4K content, although not as perfect as in lower quality material, the overall picture looks much better.

The gamma brightness has also been heavily adjusted, ensuring that the image is not overly brightened and looks more natural. What about the EOTF curve? At first glance, it seems fine, but upon closer inspection, especially in film tests, it becomes apparent that the television struggles due to its low contrast panel. The EOTF drops below the reference line. Nevertheless, the DU8002 is an example of a budget model where investing in calibration is worthwhile. Although structural flaws, such as the type of backlighting, cannot be completely eliminated, color accuracy is surprisingly good, especially considering its price.

The calibration process turned out to be a home run, especially in the context of standard dynamic range (SDR) content. We successfully managed to eliminate the TV's tendency to emphasize cool tones, restoring the whites to their natural neutrality. Furthermore, precise adjustments allowed us to correct a slight error in the gamma curve, so the darkest areas of the image regained their proper depth, without a trace of unnatural brightening. The effects are measurable and impressive – in the ColorChecker test, the vast majority of color reproduction errors fell below the perceptual threshold, achieving a deltaE value below 2. This is a result that would not shame much more expensive constructions. Unfortunately, in the case of HDR content, we hit a wall in the form of the inherent limitations of the panel itself. And although we managed to bring the colors in line, the software's specifics mean that the TV still adapts brightness in its own way, as evidenced by the persistent, non-standard EOTF curve. In summary, calibration brings tremendous added value, but one must be aware that it cannot overcome certain physical barriers. A slight boost in black levels, resulting from the lack of local dimming, and limited peak brightness mean that HDR content will not always be able to showcase its full potential. This is simply not the main task of this display; its true strength, especially after professional tuning, lies in the viewing of SDR materials.

Smoothing tonal transitions on the DU8002 television leaves mixed feelings. Although the menu offers an option for smoothing tonal transitions, in practice it yields no results and can even generate unwanted side effects.

Nevertheless, the television handles upscaling, or digital image processing, excellently. The test chart featuring a model looked really good – the image is not overly jagged, and the overall presentation is decent and pleasing to the eye. This is definitely good news for those planning to watch traditional television on this model.

After a series of harsh evaluations, fortunately, the time comes for praise, and this is due to the TCL AiPQ image processor for its work in digital processing and content scaling. It should be noted right away that we are not talking about the level known from flagship designs; nevertheless, in the price segment represented by the P7K/P79K, the results achieved are more than solid. The feature that smooths tonal transitions performs particularly well, effectively eliminating posterization, which are the characteristic bands often visible in materials with higher compression, such as from the YouTube service. The algorithm can elegantly remove unwanted gradients, which ultimately looks really good. The television also competently handles upscaling, which is the task of raising low-resolution materials to 4K standard. The output image, although it may seem a bit too sharp out of the box, fortunately, is not a problem. The software allows for easy adjustment of this parameter using a sharpness slider, so the final appearance can be easily tailored to personal preferences.

DU8002 with a 60 Hz panel is a television that performs better for watching movies than for intense gaming. The motion smoothing feature acts as a fluidizer, smoothing out motion and giving scenes a more fluid appearance, which is useful for movie screenings. In the context of gaming, this model will rather be suitable only for occasional entertainment.

The issue of fluidity and sharpness of the image in motion is inextricably linked to the fundamental parameter of the panel, and in the case of the TCL P7K/P79K, we are dealing with a panel that has a native refresh rate of 60 Hz. This specification already defines its capabilities and makes it difficult to unequivocally recommend it to enthusiasts of dynamic sports broadcasts. During rapid camera movements, the image loses sharpness, and the panel itself also shows a slight tendency to blur, which may be noticeable to more sensitive viewers. Fortunately, not everything in this aspect has been left to chance. The manufacturer has implemented a simple motion smoothing system, which is primarily used in film materials recorded at 24 or 30 frames per second. Thanks to a dedicated slider, the user can independently decide on the final character of the motion – from a fully cinematic, slightly juddery image to achieving a very smooth, almost theatrical effect. It is a simple yet effective tool that allows users to tailor the viewing experience to their own preferences.

DU8002 is a television that will mainly serve as equipment for casual gamers. The 60 Hz panel does not provide the highest motion fluidity, so in dynamic games there may be a lack of that extra smoothness of the image. On the positive side, it features ALLM and HGiG functions, which automatically adjust image settings for HDR games, enhancing the gaming experience. Unfortunately, the television is equipped only with HDMI 2.0 ports, so we have to forget about more advanced features like VRR or support for 4K at 120 Hz. When choosing this equipment, we will have to make do if we expect a full set of gaming features.

Although on paper the native 4K@60Hz matrix might suggest that the TCL P7K/P79K is not a TV tailored for gamers, the reality turns out to be surprisingly different. On the contrary, the manufacturer has ensured a rich package of features that make it a very friendly companion for next-generation consoles. Onboard, we find key technologies such as ALLM, which provides automatic switching to low-latency mode, and VRR, or variable refresh rate, which eliminates screen tearing. The list is completed by support for Dolby Vision Gaming and a simple yet functional Game Bar. However, the real and extremely pleasant surprise is something else. It turns out that the TV easily supports high refresh rate signals of 120 Hz, but at lower resolutions – 1080p and 1440p. This is fantastic news for console owners who know full well how rarely games run in native 4K at a full 120 frames per second. The ability to choose between higher resolution and doubled smoothness is therefore an extremely sensible compromise.

In summary, although the P7K/P79K may not be the target screen for the most avid tournament gamers, it offers a package of options for the casual or occasional console user that is hard to find among many competitors at this price point.