Samsung DU8002 (IPS) vs Haier Q80FUX

The HDR effect in the DU8002 television leaves much to be desired. A brightness level of 300 nits is not able to provide a true high dynamic range experience, making the content viewed resemble more of a standard SDR than impressive HDR. Scenes that should dazzle with brightness and detail appear muted and lacking in depth. Nevertheless, the television deserves praise for its high coverage of the DCI-P3 color palette at 92%. As a result, the colors are vivid and saturated, which may satisfy viewers who prefer rich hues, even if the HDR effect does not fully meet expectations.

Alright, let's move on to the topic that generates so much discussion, namely the capabilities of the TV in HDR mode. Let's make it clear right away: the Haier Q80FUX is certainly not a brightness demon. The panel of this receiver can generate about 350 nits at peak, which in today’s reality is an absolute minimum to even talk about the presence of extended HDR tonal dynamic range. On the plus side, this power is at least stable – regardless of the test pattern or movie scene we used, the measurements invariably oscillated around 300-350 nits. These are therefore at best adequate results, definitely far from the stunning showcase of capabilities that we know from more expensive models. Fortunately, there is one aspect in which the Q80FUX makes up for these shortcomings and does so abundantly. After all, we are talking about a QLED TV (or more precisely, PFS LED), which means that thanks to the quantum dot filter applied to the matrix, it can generate really juicy, vibrant colors. These are not empty promises – a DCI-P3 color gamut coverage reaching nearly 95% is an impressive result that directly translates into very pleasant, saturated colors for the eye.

DU8002 offers a Filmmaker mode, which is supposed to provide authentic image reproduction in line with the creators' intentions. Unfortunately, despite the promising name, the results are far from ideal. The white balance in this mode shows significant drops in blue color, leading to a noticeable yellowing of the image, which can be seen, for example, in our comparison photo. Colour Checker tests confirm these errors. As for brightness, the gamma characteristic is too low compared to the reference line of 2.4, resulting in excessive screen brightness. A similar problem occurs with 4K content – the EOTF responsible for brightness in 4K material shows significant increases above the reference line, leading to excessively bright small light elements. As a result, the Filmmaker mode in DU8002 does not meet expectations and instead of offering high quality, presents an image full of tonal and color inaccuracies.

Factory settings for film mode are rarely perfect, but in the case of the Q80FUX, we encountered a noticeable imbalance. In SDR content, the image was definitely too warm, which resulted from an excessive amount of red in the white balance, giving it a slightly sepia tone. Contrarily, in HDR materials, the television fell into the other extreme—the excess of blue created an unnatural, cold effect. However, it wasn’t the whimsical white balance that was the biggest problem with this TV. The real culprit, responsible for the previously described issues, was hidden deeper. It turned out that the Q80FUX had completely misaligned gamma values and, crucially for HDR, a poorly managed EOTF curve. It was these erroneous factory settings that caused notorious clipping of the brightest parts of the image, applying that characteristic milky filter over them. Thus, we found the source of the problem. This state of affairs led to overall, significant color errors that were easy to catch even for an untrained eye. Like every television we tested, we decided to calibrate this model as well, and you can find the results of those adjustments in the next paragraph.

Samsung is one of those companies that offers advanced tools for improving image quality in its televisions, including a 20-point white balance adjustment. Even with the budget model DU8002, with the right adjustments, surprisingly good results can be achieved. The white balance, especially for HD content, performs really well - tests on the Colour Checker palette confirm accuracy at the level of 2–1.5, which demonstrates the significant capabilities of this television in color reproduction. In 4K content, although not as perfect as in lower quality material, the overall picture looks much better.

The gamma brightness has also been heavily adjusted, ensuring that the image is not overly brightened and looks more natural. What about the EOTF curve? At first glance, it seems fine, but upon closer inspection, especially in film tests, it becomes apparent that the television struggles due to its low contrast panel. The EOTF drops below the reference line. Nevertheless, the DU8002 is an example of a budget model where investing in calibration is worthwhile. Although structural flaws, such as the type of backlighting, cannot be completely eliminated, color accuracy is surprisingly good, especially considering its price.

The results of our calibration efforts must, unfortunately, be considered twofold. Overall, the image is indisputably better than before the corrections, but the biggest winner of this process turned out to be SDR content. It is here, after clarifying the gamma and white balance graphs, that we obtained results that can confidently be called very good. After the setup, the Q80FUX truly shines in standard dynamics, showing only slight errors in the most challenging skin tone reproductions. Unfortunately, the weakest link still remains HDR content. And here lies the paradox: even though we managed to calibrate the white balance almost to perfection, the overall color errors still remain at a fairly high level. The reason is that the television still interprets the static HDR10 metadata "in its own way," stubbornly enforcing that unfortunate washed-out image effect, which inevitably leads to significant distortions. Although we successfully eliminated the factory excess of blue color, due to this electronic interference, the screen can still tend to fall into somewhat too cold tones. This television just has it this way.

Smoothing tonal transitions on the DU8002 television leaves mixed feelings. Although the menu offers an option for smoothing tonal transitions, in practice it yields no results and can even generate unwanted side effects.

Nevertheless, the television handles upscaling, or digital image processing, excellently. The test chart featuring a model looked really good – the image is not overly jagged, and the overall presentation is decent and pleasing to the eye. This is definitely good news for those planning to watch traditional television on this model.

If there is one area where Haier clearly shows that it has quite a bit to catch up on compared to the market leaders, it is digital image processing. The upscaling, well... is just okay. And that's about all that can be said about it. It does what it is supposed to do: it ensures that lower resolution signals don't scare you with harsh pixelation on the screen and don't look like an overly enlarged postage stamp. However, it is far from the finesse and "intelligent" sharpening that more experienced players in this market have developed over the years. The biggest drawback of the Q80FUX software, however, is the almost complete lack of additional "cleaning" and smoothing functions for the image. The receiver does not offer any noise reduction or gradient enhancement mechanisms. This means that with older or more heavily compressed materials, we simply have to accept that any imperfections in tonal transitions or color blending, which we mentioned earlier, will constantly accompany us during the viewing.

DU8002 with a 60 Hz panel is a television that performs better for watching movies than for intense gaming. The motion smoothing feature acts as a fluidizer, smoothing out motion and giving scenes a more fluid appearance, which is useful for movie screenings. In the context of gaming, this model will rather be suitable only for occasional entertainment.

The issue of motion fluidity and blurring is largely predetermined by the use of a 60Hz panel, which naturally makes it difficult to recommend this receiver to enthusiasts of very dynamic content. Fortunately, in the Q80FUX, we find a few options (though, as we will see shortly, actually only one) designed to improve the experience with older film productions. There is a "De-Judder" slider available, which indeed affects the smoothness of the image and allows us to adjust it to our preferences: from raw, cinematic frame rates to a more theatrical, smoothed presentation. However, a genuine surprise awaits us right next to it in the menu. There is also a second slider, supposedly dedicated to eliminating blur – this is a feature we usually encounter in 120Hz panels, aimed at combating motion blur in sports. However, as expected, recalling memories from testing the K85F model, here too this slider is merely a facade. Moving it does absolutely nothing to the image and it simply looks like an oversight by the product engineers who left a non-functional option in the software for this type of panel.

DU8002 is a television that will mainly serve as equipment for casual gamers. The 60 Hz panel does not provide the highest motion fluidity, so in dynamic games there may be a lack of that extra smoothness of the image. On the positive side, it features ALLM and HGiG functions, which automatically adjust image settings for HDR games, enhancing the gaming experience. Unfortunately, the television is equipped only with HDMI 2.0 ports, so we have to forget about more advanced features like VRR or support for 4K at 120 Hz. When choosing this equipment, we will have to make do if we expect a full set of gaming features.

Stepping into the gaming territory, the Haier Q80FUX proves to be quite a decent companion for the "casual gamer." On board, we find today’s highly desired features like VRR (variable refresh rate) and ALLM (automatic low latency mode). However, the biggest surprise is something else. Although we are not dealing with a 4K@120Hz panel, the TV can accept and display a 120Hz signal at a lower resolution (Full HD). This is a very useful feature, allowing the conscious switch of the console to a lower resolution mode in exchange for significantly higher fluidity, which is a perfectly acceptable compromise in the gaming world.

We won’t particularly complain about the lack of extras like the "Game Bar," as it’s just a nice addition. The most concerning issues arise when we enter the world of HDR in games. Due to the fact that the TV constantly adapts the signal "in its own way," setting the brightness on the console according to the HGIG standard is nearly impossible to accomplish as per the instructions. Worse still, in the Dolby Vision mode for games, the input lag rises to about 50 ms, which is a high enough value that essentially makes this mode unusable. However, generally, we wouldn’t recommend gaming on this TV in HDR mode, so these aren’t such serious shortcomings. The most pleasing aspect is the presence of 120Hz in Full HD, which makes the Q80FUX quite a nice TV for the occasional gamer.